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Irmos

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54:. The meter and melody of an irmos is followed by the remaining troparia of the ode; when more than one canon is used (as is typical at matins), only the first canon's irmos is sung, but the irmoi of the subsequent canons must be known in order to determine an ode's melody and so, even in canons where it is known that the irmos is never sung, the irmos is nonetheless specified. Note that in the Russian tradition, often only the irmos is sung, the rest of the ode simply being read; in Greek parishes, often the remaining troparia are simply eliminated, but in non-Russian traditions, all troparia of a canon are sung 517: 440: 460: 108:"These Truths We Hold - The Holy Orthodox Church: Her Life and Teachings". Compiled and Edited by A Monk of St. Tikhon's Monastery. Copyright 1986 by the St. Tikhon's Seminary Press, South Canaan, Pennsylvania 18459. 153: 75:
At the end of an ode, the irmos may be repeated, or another irmos may be prescribed to be sung to return to the original biblical theme this is called the
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Because the irmos presents a rhythmic and melodic pattern for the troparia which follow, "irmos" gives its name to the
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verb "to tie, link" meaning that it poetically connects the Biblical ode to the subject of the canon.
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Index

Koinē Greek
Byzantine
liturgical tradition
troparion
ode
canon
Greek
Byzantine chant
katavasia
Irmologion
Metropolitan Laurus
Russian Orthodox Church Outside of Russia
v
t
e
Eastern Orthodox
liturgical books
Lectionary
Epistle Book
Gospel Book
List of New Testament lectionaries
Kathisma
Anabathmoi
Polyeleos
Biblical Odes
Psalters
Chludov
Sinaiticum
Sofia
Tomić

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