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Heavy Traffic

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38: 1943: 765:, the film uses actual photographs and live-action stock footage as backgrounds for much of the film. Bakshi and Vita were also experimental in their photography: Bakshi requested that the lab technicians produce several prints for every photo, each print increasingly out of focus, giving the backgrounds a fuzzy quality. Bakshi states that "We didn't want to risk shooting on the spot. That could have meant making some expensive mistakes." 704: 645:. Arkoff threatened to pull the film's budget unless Krantz rehired Bakshi, who returned a week later. During the film's production, Krantz attempted to maintain some level of control by issuing memos to Bakshi and other artists requesting various changes. John Sparey remembers being issued a memo asking Sparey to stop posting caricatures of Krantz on the middle of his door. 442:, flirting with a sleazy businessman and bringing him to a hotel room, where Michael beats him to death with a lead pipe so they can rob him. As the two walk out with the dead man's cash, Shorty arrives and shoots Michael in the head. In Michael's reality, following the conclusion of the animated story, he destroys a pinball machine in anger after it 797:
to be altered, by how many times this close-up drawing was used. It got used a lot! At one point the original version "A" of Maybellene existed. Ralph had a print of it, but I have not seen it since I worked on it. We did versions "A," B", and "C", with "C" being the tamest and that is what got into the so-called "X" version of
427:, in order to avoid Shorty, who's been stalking Carole since she quit the bar. Michael gets a chance to pitch a comic strip idea to an old executive lying on his death bed, who seems enthusiastic enough to listen to the idea, but the abnormally dark tone of Michael's story is too much for the mogul and he dies during the pitch. 104: 796:
I covered this scene with another one of the key changing into the fat black guy, and the ignition slot turning into Maybellene. I covered a lot more cartoony foreplay scenes with a simple close-up of the fat black man's face with his hand covering his eyes. You can get a sense of how many scenes had
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According to animator Mark Kausler, Krantz was so nervous about showing too much nudity and sexual activities that he had several versions of some sequences animated, for instance, in the "Maybellene" animation sequence. Kausler says that a sequence was animated in which the viewer sees "the key in
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Warner Home Video released the film on VHS and Betamax in the 1980s,but in the uk heavy traffic was released in 1984 but in Irish it was called flipper city was on thorn emi in 1985 but with uk and Irish the uk was 70mins but the Irish is 60 mins. It was rated R on the VHS slipcover, but the label
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Meanwhile, Angie tries to use his Mafia connections to put a murder contract out on his son for dating a black woman, but the Godfather refuses to do this, and Angie realizes he is out of favor with the mob. Drunk and depressed, he is seduced by Snowflake. However, Shorty eventually meets up with
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Shorty offers to let Carole stay at his place, but not wanting to get involved with him, Carole tells Shorty that she's staying with Michael. Meanwhile, Angie manages a strike at a mob-controlled factory, but when he reveals his plan to replace the strikers with unemployed black workers, the
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and walks out onto the street. He bumps into Carole and follows her into a park, confronting her. The two are seen briefly arguing before they finally take each other's hands and begin happily dancing in the park, as the film cuts back to Michael playing a new game of pinball.
637:. Bakshi told Krantz: "I can't talk about that" and hung up. The next day, Krantz locked Bakshi out of the studio, reportedly tapping Bakshi's phone because he was wary of his loyalty as an employee. After Krantz fired Bakshi, he began to seek a replacement director for 377:, who plays pinball in New York City while asking himself philosophical questions before envisioning an animated and dangerous New York neighborhood. Michael's Italian father, Angelo "Angie" Corleone, is a struggling mafioso who frequently cheats on Michael's 1972: 580:, Bakshi asked Krantz outright when he would be paid, and Krantz responded that "The picture didn't make any money, Ralph. It's just a lot of noise." Bakshi found Krantz's claims to be dubious, as the producer had recently purchased a new 958:, merely debased a cherished original, can now judge Bakshi's development of his own material. I think that development is as brilliant as anything in recent movies — as brilliant and, in its own improbable way, as lovely and as sad.' 422:
abandons him in disapproval. Michael allows Carole to stay with him, but the Corleones' deteriorating domestic situation convinces Michael and Carole to move out of Michael's parents' house and try to earn enough money to move to
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wrote that the film contained 'black humor, powerful grotesquerie and peculiar raw beauty. Episodes of violence and sexuality are both explicit and parodies of flesh-and-blood porn ... a celebration of urban decay'.
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called it "shocking, outrageous, offensive, sometimes incoherent, occasionally unintelligent; however, it is also an authentic work of movie art and Bakshi is certainly the most creative American animator since
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gave the film three stars out of four, and wrote that 'by mixing live-action and animation, Bakshi generates a willingness in us to be moved in some 'aw, shucks' ways that are corny, but feel good'.
414:, but the drunk causes property damage. Shorty throws Bongo out and brutally kills him soon after, while the bar's white manager abusively confronts Carole over this, provoking her into quitting. 801:. Another scene I can recall doing multiple versions of was the guy in the racing cap, pissing on the fat black guy's ass. This was completely eliminated, causing a jump in the action. 1021:
as 'not merely provocative, but highly ambitious'. He described the films as an effort 'to push beyond what was done in the old cartoons, even while building on their strengths'.
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was used as a background in one of the film's sequences. Several animation sequences appear as rough sketchbook pages, including a dream sequence influenced by the work of
754:?' Ralph couldn't believe it. We ad-libbed a lot, and he usually got what he wanted in three or four takes. We worked hard and not for much coin, but it was a blast." 2541: 1965: 1904: 600:, asking them how much they made on their films. Bakshi soon accused Krantz of ripping him off, which the producer denied. Bakshi began pitching his next project, 388:
and often wanders throughout the city to avoid family skirmishes and to artistically feed off the grubbiness of his environment. He regularly hangs out at a local
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allowed Bakshi to produce the film he had always intended to produce, and to focus on human characters rather than anthropomorphic animals. Bakshi pitched
761:, Bakshi and Johnnie Vita took location photographs for the film's backgrounds. Instead of tracing the photographs onto backgrounds, as they had done in 2390: 687:" is used as a recurring musical motif, first heard in the film's opening credits and later reappearing during the end of the film as performed by 2606: 2526: 527:. However, Bakshi was uninterested in the kind of animation he was producing, and wanted to produce something personal. Bakshi soon developed 2551: 1927: 2636: 883:
in 1973. The album was released on compact disc in 1996 as part of a compilation that featured on the same disc the soundtracks to both
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to have two financially successful films back-to-back. The film was banned by the film censorship board in the Canadian province of
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began a tradition in which Bakshi would write poems before beginning production on each of his films, starting with
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The couple constantly bicker and try to kill each other at every opportunity. The unemployed Michael dabbles in
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during the recording sessions. According to James Bates, the voice of Snowflake, "I said, 'How about a little
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Because Bakshi wanted the voices to sound organic, he experimented with improvisation, allowing his actors to
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Michael and Carole turn to crime as a means of getting by, with Carole taking the role of pretending to be a
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named Bongo after he discovers that Snowflake has male genitals. Snowflake loves the beating due to her
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In 1969, Ralph's Spot was founded as a division of Bakshi Productions to produce commercials for
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returned to write and perform the film's score, as they had done for Bakshi's previous feature,
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was a box office success. Ralph Bakshi was the first person in the animation industry since
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Serious Business: The Art and Commerce of Animation in America from Betty Boop to Toy Story
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Production began in 1972. However, Steve Krantz had not yet paid Bakshi for his work on
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that the film was 'a further leaping step forward for American animation; at that,
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is, in its furious energy, uncomfortable to watch as often as it is hilarious'.
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Angie and agrees to fulfill the contract. Meanwhile, Carole tries to work as a
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said that it was an X-rated film. An R-rated version was released on VHS and
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because of its content and Bakshi's lack of film experience. Bakshi directed
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The film begins in live-action, introducing Michael Corleone, a 22-year-old
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Forbidden Animation: Censored Cartoons and Blacklisted Animators in America
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This article is about the Ralph Bakshi film. For the Status Quo album, see
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Champlin, Charles (August 9, 1973). "Animation Moves 'Heavy Traffic'".
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of a young New York City cartoonist named Michael Corleone, using
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ranked it among his "Ten Best Films of 1973". Gary Arnold, of
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told Bakshi that studio executives would be unwilling to fund
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The New Adventures of Mighty Mouse and Heckle & Jeckle
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Arnold, Gary (August 14, 1973). "'Heavy Traffic': Heavy".
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American film distribution : the changing marketplace
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Hollywood Cartoons: American Animation in Its Golden Age
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is considered to be Bakshi's biggest critical success.
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Metro-Goldwyn-Mayer theatrical animated feature films
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List of one-shot Metro-Goldwyn-Mayer animated shorts
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Please note figures are for rentals in US and Canada
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For the concept in queueing theory, see 1451: 1105: 1103: 1101: 1080: 82:Learn how and when to remove this message 1414: 1412: 1410: 1408: 1406: 1404: 1235:. Universe Publishing. pp. 58, 62. 702: 45:This article includes a list of general 1549: 1175: 1147: 641:, calling several directors, including 2607:Films with screenplays by Ralph Bakshi 2509: 1928:Ren & Stimpy "Adult Party Cartoon" 1419:Cohen, Karl F (1997). "Ralph Bakshi's 1348: 1342: 1098: 2527:American International Pictures films 2210:The Adventures of the American Rabbit 1961: 1644: 1457:Unfiltered: The Complete Ralph Bakshi 1418: 1401: 1326:Unfiltered: The Complete Ralph Bakshi 1297:Unfiltered: The Complete Ralph Bakshi 1233:Unfiltered: The Complete Ralph Bakshi 1182:. Checkmark Books. pp. 182–183. 1179:The Encyclopedia of Animated Cartoons 913:Motion Picture Association of America 610:story books, which eventually became 1086:"Heavy Traffic (1973) HEAVY TRAFFIC" 1076: 1074: 1013:, an animation historian, described 576:. Halfway through the production of 531:, a tale of inner-city street life. 31: 2552:Animated films set in New York City 1459:. Universe Publishing. p. 11. 1154:. UMI Research Press. p. 301. 711:Inspiration for the film came from 392:where he gets free drinks from the 13: 2637:English-language independent films 782:". This sequence was deleted from 51:it lacks sufficient corresponding 14: 2648: 2412:List of The Pink Panther cartoons 1575: 1109:Solomon, Charles (1989), p. 275. 1071: 931:when it was originally released. 875:. The soundtrack was released by 867:The film's score was composed by 774:the ignition metamorphose into a 1942: 1941: 1809:Mighty Mouse: The New Adventures 1670: 825: 569:", and agreed to fund the film. 36: 2627:African-American animated films 2562:Films about interracial romance 2140:The Nine Lives of Fritz the Cat 1543: 1518: 1503: 1488: 1473: 1445: 1375: 616:. The idea interested producer 223:American International Pictures 2592:Films produced by Steve Krantz 2567:Films about the American Mafia 2547:Films directed by Ralph Bakshi 2430:Associated Artists Productions 1203: 1169: 1148:Donahue, Suzanne Mary (1987). 1141: 1128: 1060:List of American films of 1973 604:, a film loosely based on the 1: 2602:American adult animated films 2572:1970s American animated films 2532:American animated drama films 2005:Metro-Goldwyn-Mayer Animation 1065: 1024: 508: 361:was given an X rating by the 2632:African-American drama films 2537:1970s English-language films 1134:"Big Rental Films of 1973", 898: 768: 707:Ralph Bakshi in January 2009 698: 689:SĂ©rgio Mendes and Brasil '66 551:comic strip of the same name 520:Max, the 2000-Year-Old Mouse 7: 2437:DePatie–Freleng Enterprises 1053: 1038:in 1999. On July 16, 2013, 553:. The financial success of 486:Jacqueline Mills as Rosalyn 25:Heavy traffic approximation 10: 2653: 2622:Independent animated films 2557:American independent films 2240:The Pebble and the Penguin 1556:Oxford University Press US 1125:. Accessed March 17, 2008. 1050:for its 40th anniversary. 863:Heavy Traffic (soundtrack) 860: 456:Joseph Kaufmann as Michael 18: 2421: 2405:Tom and Jerry filmography 2382: 2321: 2086: 2001:MGM Animation/Visual Arts 1995: 1937: 1868: 1825: 1786: 1776:Last Days of Coney Island 1761: 1678: 1550:Barrier, Michael (2003). 545:(1972), an adaptation of 474:Mary Dean Lauria as Molly 351:'s follow-up to the film 294: 286: 272: 262: 252: 229: 218: 203: 188: 178: 166: 146: 131: 123: 113: 108:Theatrical release poster 101: 96: 16:1973 film by Ralph Bakshi 2597:Films scored by Ed Bogas 2473:Tom and Jerry: The Movie 2458:Turner Entertainment Co. 856: 808:'s famous 1942 painting 483:Jim Bates as "Snowflake" 347:was Bakshi and producer 320:written and directed by 238:August 8, 1973 212:Steve Krantz Productions 2260:Arthur and the Minimoys 2075:All Dogs Go to Heaven 2 2055:Invitation to the Dance 1834:Christmas in Tattertown 1349:Kanfer, Stefan (2001). 1007:, based on 18 reviews. 792:. Kausler also states: 671:", as performed by the 525:Encyclopædia Britannica 450: 368: 66:more precise citations. 2617:1973 independent films 2451:Warner Bros. Animation 1850:The Butter Battle Book 1176:Lenburg, Jeff (1999). 1036:MGM Home Entertainment 985:The Hollywood Reporter 803: 778:entering Maybelline's 708: 695:was released in 1973. 620:during a screening of 567:underground cartoonist 2351:All Dogs Go To Heaven 2220:All Dogs Go to Heaven 2170:Pink Floyd – The Wall 2065:The Phantom Tollbooth 1719:The Lord of the Rings 1389:. SoundtrackCollector 1138:, 9 January 1974 p 60 794: 744:Charles Nelson Reilly 706: 460:Beverly Hope Atkinson 153:Beverly Hope Atkinson 21:Heavy Traffic (album) 2587:American drama films 2200:The Care Bears Movie 1485:. Part IV, p. 1, 23. 1455:(2008). "Foreword". 1211:Television/radio Age 673:Dave Brubeck Quartet 594:Francis Ford Coppola 2577:1973 animated films 2310:The Addams Family 2 1826:Television features 1769:Trickle Dickle Down 1512:The Washington Post 1387:soundtrack details" 1357:. Da Capo. p.  1000:The Washington Post 895:, and Chuck Berry. 849:The Gang's All Here 789:Down and Dirty Duck 309:is a 1973 American 2280:The Pink Panther 2 2160:The Secret of NIMH 2045:Dangerous When Wet 1858:Cool and the Crazy 1500:. Section 2, p. 4. 1453:Tarantino, Quentin 1091:The New York Times 1084:(August 9, 1973). 951:The New York Times 709: 665:The Isley Brothers 504:as mafia messenger 480:as Moe "Crazy Moe" 471:Terri Haven as Ida 2504: 2503: 2371:The Addams Family 2300:The Addams Family 2091:Distribution only 2035:Holiday In Mexico 1955: 1954: 1914:Rocket Robin Hood 1884:Heckle and Jeckle 1842:Imagining America 1802:The Mighty Heroes 1787:Television series 1482:Los Angeles Times 1466:978-0-7893-1684-4 1368:978-0-306-80918-7 1335:978-0-7893-1684-4 1306:978-0-7893-1684-4 1242:978-0-7893-1684-4 1161:978-0-8357-1776-2 1121:. New York City: 1042:and MGM released 965:Los Angeles Times 629:While working on 584:and a mansion in 302: 301: 92: 91: 84: 2644: 2582:1973 drama films 2497: 2487: 2477: 2467: 2460: 2453: 2446: 2439: 2432: 2414: 2407: 2400: 2393: 2375: 2365: 2361:The Pink Panther 2355: 2345: 2335: 2314: 2304: 2294: 2284: 2274: 2264: 2254: 2250:The Pink Panther 2244: 2234: 2224: 2214: 2204: 2194: 2184: 2174: 2164: 2154: 2150:The Water Babies 2144: 2134: 2124: 2114: 2110:Yellow Submarine 2104: 2079: 2069: 2059: 2049: 2039: 2029: 2025:Ziegfeld Follies 2019: 1982: 1975: 1968: 1959: 1958: 1945: 1944: 1795:Hector Heathcote 1735:Hey Good Lookin' 1665: 1658: 1651: 1642: 1641: 1619:at the official 1570: 1569: 1547: 1541: 1540: 1538: 1536: 1522: 1516: 1507: 1501: 1492: 1486: 1477: 1471: 1470: 1449: 1443: 1442: 1416: 1399: 1398: 1396: 1394: 1379: 1373: 1372: 1356: 1346: 1340: 1339: 1317: 1311: 1310: 1288: 1247: 1246: 1224: 1215: 1214: 1207: 1201: 1200: 1198: 1196: 1173: 1167: 1165: 1145: 1139: 1132: 1126: 1107: 1096: 1095: 1082:Greenspun, Roger 1078: 960:Charles Champlin 693:soundtrack album 685:Scarborough Fair 663:", performed by 598:Steven Spielberg 563:Samuel Z. Arkoff 245: 243: 162:Mary Dean Lauria 136:Samuel Z. Arkoff 106: 94: 93: 87: 80: 76: 73: 67: 62:this article by 53:inline citations 40: 39: 32: 2652: 2651: 2647: 2646: 2645: 2643: 2642: 2641: 2507: 2506: 2505: 2500: 2493:Tom & Jerry 2490: 2480: 2470: 2463: 2456: 2449: 2442: 2435: 2428: 2417: 2410: 2403: 2396: 2389: 2378: 2368: 2358: 2348: 2338: 2328: 2317: 2307: 2297: 2290:Sherlock Gnomes 2287: 2277: 2267: 2257: 2247: 2237: 2227: 2217: 2207: 2197: 2190:Rock & Rule 2187: 2180:The Plague Dogs 2177: 2167: 2157: 2147: 2137: 2127: 2117: 2107: 2097: 2090: 2088: 2087:Co-productions/ 2082: 2072: 2062: 2052: 2042: 2032: 2022: 2012: 2003: 1999: 1991: 1986: 1956: 1951: 1933: 1864: 1821: 1782: 1757: 1674: 1669: 1634:AgentPalmer.com 1610:Rotten Tomatoes 1578: 1573: 1566: 1558:. p. 572. 1548: 1544: 1534: 1532: 1530:Rotten Tomatoes 1526:"Heavy Traffic" 1524: 1523: 1519: 1508: 1504: 1497:Chicago Tribune 1493: 1489: 1478: 1474: 1467: 1450: 1446: 1439: 1417: 1402: 1392: 1390: 1381: 1380: 1376: 1369: 1347: 1343: 1336: 1318: 1314: 1307: 1289: 1250: 1243: 1225: 1218: 1209: 1208: 1204: 1194: 1192: 1190: 1174: 1170: 1162: 1146: 1142: 1133: 1129: 1123:Alfred A. Knopf 1108: 1099: 1079: 1072: 1068: 1056: 1027: 1011:Michael Barrier 1005:Rotten Tomatoes 979:Chicago Tribune 946:Roger Greenspun 901: 877:Fantasy Records 865: 859: 828: 820:George Herriman 771: 701: 661:Twist and Shout 618:Albert S. Ruddy 590:Martin Scorsese 511: 478:Charles Gordone 453: 371: 281: 279: 255: 248: 241: 239: 232: 225: 214: 213: 208: 206: 199: 195: 183:Donald W. Ernst 171: 170:Ted C. 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Index

Heavy Traffic (album)
Heavy traffic approximation
references
inline citations
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Ralph Bakshi
Samuel Z. Arkoff
Steve Krantz
Beverly Hope Atkinson
Frank Dekova
Gregg Heschong
Donald W. Ernst
Ed Bogas
Ray Shanklin
American International Pictures
United States
English
live-action
adult animated
drama film
Ralph Bakshi
surreal
fantasies
pinball
metaphor
inner-city
Steve Krantz

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