498:
493:
436:
431:
386:
336:
488:
483:
478:
426:
421:
416:
381:
376:
371:
366:
331:
326:
321:
316:
36:
619:
is an informal message that couldn’t have come at a more fitting time. Leo furiously delineates the dilemma of being a well-educated, well-intentioned
American in a time when intelligent skepticism is regarded as sedition. In so passionately revealing his fears and doubts about the world and himself,
607:
praised Leo's storytelling ability for being able to create political tales with a pop sensibility to them, saying that "It’s been some time since punk was a viable storytelling genre, but Jersey’s Ted Leo turns gasping, insistent vocals into narratives that are political and pop, never compromising
614:
said that despite some lyrical content feeling too idiosyncratic and obscure with its references, he praised Leo for going head-first against himself and worldwide topical problems with his musically symmetrical band, saying that
571:, you are looking at a legend in the making." Jason Jackowiak of Splendid also praised Leo for having a vast musical landscape throughout the album to craft tracks with quality songwriting and instrumentation reminiscent of
659:
is Ted's finest hour, packed to the gills not only with fierce, hyper-intelligent agitprop ("The Ballad of the Sin Eater" shaming Ugly
Americans for all eternity), but also combustibly catchy pop-punk hooks."
583:, concluding that "With a dynamic vengeance and a Celtic tune in his heart, Ted Leo might not be the answer to all the music world's problems. Still, it's certainly a pleasure to wind up
597:
combined and put focus on his vocal abilities, saying that "Whether or not Leo remains contextually confined to the so-called indie slums, his horizon reaches far beyond the basement."
1482:
563:, praising the controlled stew of different rock genres used throughout and Leo for having an ear for tight musicianship and vocal range, concluding that "
1013:
1374:
1333:
1233:
1715:
1475:
1438:
639:
of indie rock, Ted Leo packs his taut punk songs with words, words, words. Words that, strictly speaking don't belong in rock, like
967:
1468:
1670:
707:
246:
208:
1720:
1571:
1174:
559:
155:
1065:
1631:
20:
1564:
1070:
345:
1491:
1003:
238:
142:
48:
538:
highlighting Leo's musicianship in terms of lyrical content, instrumentation and vocal performance. At
1364:
593:
praised Leo for constructing a consistently sounding band that can conjure elements of Thin Lizzy and
620:
he reminds us of rock’s power to make everything alright, or as close to alright as it’s gonna get."
1341:
35:
1243:
1592:
594:
1688:
1397:
1269:
1039:
1710:
1599:
1202:
1133:
1099:
1094:
603:
580:
395:
357:
8:
1207:
972:
457:
254:
1638:
1305:
647:
And despite all these words, he rocks—a skill that Mamet has never mastered. In 2009,
1624:
1413:
1310:
519:
19:
This article is about the album by Ted Leo and the
Pharmacists. For other uses, see
1585:
1301:
1128:
535:
242:
173:
119:
1617:
1274:
1158:
933:
589:
507:
407:
135:
126:
1652:
1124:
988:
is Ted's finest hour, packed to the gills... combustibly catchy pop-punk hooks.
881:
598:
576:
543:
191:
1460:
567:
is a powerful and emotional record that you simply must own. Between this and
1704:
1645:
1417:
1238:
1229:
855:
547:
469:
546:
rating out of 100 to reviews from mainstream critics, the album received an
651:
ranked the album number 59 on its list of the Top 200 Albums of the 2000s.
114:
1510:
888:
875:
636:
72:
1541:
1369:
1008:
863:
610:
572:
539:
285:
234:
79:
1409:
867:
84:
1043:
871:
859:
554:
308:
89:
1503:
924:
Chris Leo - backing vocals, whistling, clapping, lead guitar (12)
847:
670:
631:
at number 14 on its list of the 40 best albums of the year 2003.
131:
903:
851:
894:
43:
1004:"Reviews for Hearts Of Oak by Ted Leo & The Pharmacists"
1179:
1095:"Ted Leo & the Pharmacists: Hearts of Oak (Lookout!)"
1040:"Hearts of Oak – Ted Leo & the Pharmacists / Ted Leo"
445:
1398:"2003: The Year In Music - 40 Best Albums of the Year"
909:
Jodi
Buonanno – clapping, whistle, background vocals
959:
1702:
912:Chris Leo – clapping, whistle, background vocals
1490:
965:
1234:"Ted Leo & The Pharmacists: Hearts Of Oak"
1175:"Ted Leo & the Pharmacists: Hearts of Oak"
1156:"Ted Leo and the Pharmacists: Hearts of Oak".
1476:
1334:"Ted Leo and the Pharmacists – Hearts of Oak"
930:Pat Graham - whistling, clapping, photography
258:on the list of the 200 albums of the decade.
1365:"Ted Leo and the Pharmacists: Hearts of Oak"
1203:"Ted Leo and the Pharmacists: Hearts of Oak"
998:
996:
475:
413:
363:
313:
245:. A music video was filmed for the single "
1483:
1469:
1123:
252:It was ranked 59th by the online magazine
34:
1331:
1300:
1228:
993:
16:2003 album by Ted Leo and the Pharmacists
1362:
1325:
1194:
1294:
1263:
1261:
1200:
587:and watch him go-go-go." Chris Ryan of
1703:
1066:"Ted Leo's Pharmacists: Hearts of Oak"
1063:
827:
816:
805:
794:
695:"Building Skyscrapers in the Basement"
233:is the third studio album by American
1464:
1092:
1016:from the original on January 19, 2022
939:Samara Lubelski - recording assistant
783:
772:
761:
750:
739:
728:
717:
702:
691:
608:one for the other." Matt Gonzales of
557:found the album a great follow-up to
294:
271:
261:
1395:
1306:"Consumer Guide: Greatest Whatevers"
1270:"Ted Leo/Pharmacists: Hearts of Oak"
1267:
1258:
1119:
1117:
1033:
1031:
1332:Jackowiak, Jason (March 10, 2003).
1172:
966:Pitchfork Staff (October 2, 2009).
241:, released on February 11, 2003 by
13:
1716:Ted Leo and the Pharmacists albums
1671:Where Have All the Rude Boys Gone?
1439:"The 200 Best Albums of the 2000s"
1356:
1222:
1037:
968:"The 200 Best Albums of the 2000s"
927:Eric Brunulf - whistling, clapping
708:Where Have All the Rude Boys Gone?
550:score of 84, based on 17 reviews.
247:Where Have All the Rude Boys Gone?
209:Where Have All the Rude Boys Gone?
14:
1732:
1377:from the original on May 14, 2022
1363:Gonzales, Matt (April 17, 2003).
1201:Mitchum, Rob (February 7, 2003).
1114:
1028:
635:writer Andrew Beaujon said, "The
477:
415:
365:
315:
945:Tim Wright - whistling, clapping
942:John Gordon - mastering engineer
820:"First to Finish, Last to Start"
798:"Tell Balgeary, Balgury Is Dead"
663:
534:garnered universal acclaim from
496:
491:
486:
481:
476:
434:
429:
424:
419:
414:
384:
379:
374:
369:
364:
334:
329:
324:
319:
314:
1445:. September 29, 2009. p. 8
1431:
1389:
915:Tiffany Anders – backing vocals
1632:Tell Balgeary, Balgury Is Dead
1242:. No. 917. Archived from
1166:
1149:
1093:Beets, Greg (March 14, 2003).
1086:
1064:Hiller, Joan (February 2003).
1057:
936:- producer, recording engineer
679:
655:writer Joshua Love said that "
21:Hearts of Oak (disambiguation)
1:
1268:Ryan, Chris (February 2003).
952:
921:Amy Leo - whistling, clapping
918:Kim Thompson - backing vocals
754:"The Ballad of the Sin Eater"
1565:tej leo(?), Rx / pharmacists
841:
7:
1492:Ted Leo and the Pharmacists
239:Ted Leo and the Pharmacists
143:Ted Leo and the Pharmacists
49:Ted Leo and the Pharmacists
10:
1737:
884:, organ, background vocals
669:All lyrics are written by
18:
1680:
1662:
1609:
1556:
1498:
948:Pete Kerlin - photography
686:
683:
678:
302:
299:
279:
276:
222:
201:
190:
186:
149:
141:
125:
113:
97:
71:
63:
55:
42:
33:
28:
831:"The Crane Takes Flight"
214:Released: September 2002
1721:Lookout! Records albums
1572:The Tyranny of Distance
1162:(113): 112. April 2003.
595:Dexy's Midnight Runners
569:The Tyranny of Distance
560:The Tyranny of Distance
156:The Tyranny of Distance
1593:Living with the Living
1396:Spin (January 2004).
1304:(November 18, 2003).
1127:(February 21, 2003).
899:Danny Leo – drums (1)
1600:The Brutalist Bricks
1246:on February 16, 2004
1134:Entertainment Weekly
1100:The Austin Chronicle
604:Entertainment Weekly
396:Entertainment Weekly
358:The Austin Chronicle
267:Professional ratings
1344:on February 3, 2008
906:, whistle, clapping
268:
1639:Sharkbite Sessions
787:"Bridges, Squares"
776:"The Anointed One"
542:, which assigns a
266:
262:Critical reception
1698:
1697:
1625:Treble in Trouble
1311:The Village Voice
1302:Christgau, Robert
1232:(March 6, 2003).
1071:Alternative Press
838:
837:
529:
528:
520:The Village Voice
346:Alternative Press
226:
225:
182:
181:
59:February 11, 2003
1728:
1586:Shake the Sheets
1485:
1478:
1471:
1462:
1461:
1455:
1454:
1452:
1450:
1435:
1429:
1428:
1426:
1424:
1393:
1387:
1386:
1384:
1382:
1360:
1354:
1353:
1351:
1349:
1340:. Archived from
1329:
1323:
1322:
1320:
1318:
1298:
1292:
1291:
1289:
1287:
1265:
1256:
1255:
1253:
1251:
1226:
1220:
1219:
1217:
1215:
1198:
1192:
1191:
1189:
1187:
1170:
1164:
1163:
1153:
1147:
1146:
1144:
1142:
1121:
1112:
1111:
1109:
1107:
1090:
1084:
1083:
1081:
1079:
1061:
1055:
1054:
1052:
1050:
1035:
1026:
1025:
1023:
1021:
1000:
991:
990:
982:
980:
963:
732:"The High Party"
681:
676:
675:
501:
500:
499:
495:
494:
490:
489:
485:
484:
480:
479:
439:
438:
437:
433:
432:
428:
427:
423:
422:
418:
417:
389:
388:
387:
383:
382:
378:
377:
373:
372:
368:
367:
339:
338:
337:
333:
332:
328:
327:
323:
322:
318:
317:
272:Aggregate scores
269:
265:
243:Lookout! Records
215:
212:
174:Shake the Sheets
151:
150:
109:
108:
104:
38:
26:
25:
1736:
1735:
1731:
1730:
1729:
1727:
1726:
1725:
1701:
1700:
1699:
1694:
1676:
1658:
1618:Guitar for Jodi
1605:
1552:
1494:
1489:
1459:
1458:
1448:
1446:
1437:
1436:
1432:
1422:
1420:
1394:
1390:
1380:
1378:
1361:
1357:
1347:
1345:
1330:
1326:
1316:
1314:
1299:
1295:
1285:
1283:
1266:
1259:
1249:
1247:
1227:
1223:
1213:
1211:
1199:
1195:
1185:
1183:
1173:Gardner, Noel.
1171:
1167:
1155:
1154:
1150:
1140:
1138:
1129:"Hearts of Oak"
1125:Caramanica, Jon
1122:
1115:
1105:
1103:
1091:
1087:
1077:
1075:
1062:
1058:
1048:
1046:
1036:
1029:
1019:
1017:
1002:
1001:
994:
978:
976:
964:
960:
955:
934:Nicolas Vernhes
893:Chris Wilson –
887:David Lerner –
880:Dorien Garry –
844:
839:
809:"2nd Ave, 11AM"
743:"Hearts of Oak"
666:
497:
492:
487:
482:
435:
430:
425:
420:
385:
380:
375:
370:
335:
330:
325:
320:
264:
218:
213:
206:
205:
177:
168:
159:
136:Nicolas Vernhes
106:
102:
101:
51:
24:
17:
12:
11:
5:
1734:
1724:
1723:
1718:
1713:
1696:
1695:
1693:
1692:
1689:Dirty Old Town
1684:
1682:
1678:
1677:
1675:
1674:
1666:
1664:
1660:
1659:
1657:
1656:
1653:Rapid Response
1649:
1642:
1635:
1628:
1621:
1613:
1611:
1607:
1606:
1604:
1603:
1596:
1589:
1582:
1575:
1568:
1560:
1558:
1554:
1553:
1551:
1550:
1547:
1544:
1539:
1535:
1534:
1529:
1527:Adrienne Berry
1524:
1519:
1514:
1507:
1499:
1496:
1495:
1488:
1487:
1480:
1473:
1465:
1457:
1456:
1430:
1410:Spin Media LLC
1388:
1355:
1324:
1293:
1257:
1230:Sheffield, Rob
1221:
1193:
1165:
1148:
1113:
1085:
1056:
1027:
992:
957:
956:
954:
951:
950:
949:
946:
943:
940:
937:
931:
928:
925:
922:
919:
916:
913:
910:
907:
900:
897:
891:
885:
882:electric piano
878:
843:
840:
836:
835:
832:
829:
825:
824:
821:
818:
814:
813:
810:
807:
803:
802:
799:
796:
792:
791:
788:
785:
781:
780:
777:
774:
770:
769:
766:
763:
759:
758:
755:
752:
748:
747:
744:
741:
737:
736:
733:
730:
726:
725:
722:
719:
715:
714:
711:
704:
700:
699:
696:
693:
689:
688:
685:
682:
667:
665:
662:
599:Jon Caramanica
577:Elvis Costello
553:Tim Sendra of
527:
526:
523:
515:
514:
511:
503:
502:
473:
465:
464:
461:
453:
452:
449:
441:
440:
411:
403:
402:
399:
391:
390:
361:
353:
352:
349:
341:
340:
311:
305:
304:
301:
297:
296:
292:
291:
288:
282:
281:
278:
274:
273:
263:
260:
224:
223:
220:
219:
217:
216:
202:
199:
198:
196:Hearts of Oak
188:
187:
184:
183:
180:
179:
170:
161:
147:
146:
139:
138:
129:
123:
122:
117:
111:
110:
99:
95:
94:
93:
92:
87:
82:
75:
69:
68:
67:September 2002
65:
61:
60:
57:
53:
52:
47:
40:
39:
31:
30:
15:
9:
6:
4:
3:
2:
1733:
1722:
1719:
1717:
1714:
1712:
1709:
1708:
1706:
1691:
1690:
1686:
1685:
1683:
1679:
1672:
1668:
1667:
1665:
1661:
1655:
1654:
1650:
1648:
1647:
1643:
1641:
1640:
1636:
1634:
1633:
1629:
1627:
1626:
1622:
1620:
1619:
1615:
1614:
1612:
1608:
1602:
1601:
1597:
1595:
1594:
1590:
1588:
1587:
1583:
1581:
1580:
1579:Hearts of Oak
1576:
1574:
1573:
1569:
1567:
1566:
1562:
1561:
1559:
1557:Studio albums
1555:
1548:
1545:
1543:
1540:
1538:Jodi Buonanno
1537:
1536:
1533:
1530:
1528:
1525:
1523:
1520:
1518:
1515:
1513:
1512:
1508:
1506:
1505:
1501:
1500:
1497:
1493:
1486:
1481:
1479:
1474:
1472:
1467:
1466:
1463:
1444:
1440:
1434:
1419:
1415:
1411:
1407:
1403:
1399:
1392:
1376:
1372:
1371:
1366:
1359:
1343:
1339:
1335:
1328:
1313:
1312:
1307:
1303:
1297:
1281:
1277:
1276:
1271:
1264:
1262:
1245:
1241:
1240:
1239:Rolling Stone
1235:
1231:
1225:
1214:September 24,
1210:
1209:
1204:
1197:
1182:
1181:
1176:
1169:
1161:
1160:
1152:
1137:. p. 150
1136:
1135:
1130:
1126:
1120:
1118:
1102:
1101:
1096:
1089:
1073:
1072:
1067:
1060:
1049:September 24,
1045:
1041:
1038:Sendra, Tim.
1034:
1032:
1020:September 24,
1015:
1011:
1010:
1005:
999:
997:
989:
987:
986:Hearts of Oak
975:
974:
969:
962:
958:
947:
944:
941:
938:
935:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:Ida Pearle –
901:
898:
896:
892:
890:
886:
883:
879:
877:
873:
869:
865:
861:
857:
853:
849:
846:
845:
833:
830:
826:
822:
819:
815:
811:
808:
804:
800:
797:
793:
789:
786:
782:
778:
775:
771:
767:
765:"Dead Voices"
764:
760:
756:
753:
749:
745:
742:
738:
734:
731:
727:
723:
721:"I'm a Ghost"
720:
716:
712:
709:
705:
701:
697:
694:
690:
677:
674:
672:
664:Track listing
661:
658:
657:Hearts of Oak
654:
650:
646:
642:
638:
634:
630:
629:Hearts of Oak
626:
621:
618:
617:Hearts of Oak
613:
612:
606:
605:
600:
596:
592:
591:
586:
585:Hearts of Oak
582:
578:
574:
570:
566:
565:Hearts of Oak
562:
561:
556:
551:
549:
545:
541:
537:
536:music critics
533:
532:Hearts of Oak
524:
522:
521:
517:
516:
512:
510:
509:
505:
504:
474:
472:
471:
470:Rolling Stone
467:
466:
462:
460:
459:
455:
454:
450:
448:
447:
443:
442:
412:
410:
409:
405:
404:
400:
398:
397:
393:
392:
362:
360:
359:
355:
354:
350:
348:
347:
343:
342:
312:
310:
307:
306:
298:
295:Review scores
293:
289:
287:
284:
283:
275:
270:
259:
257:
256:
250:
248:
244:
240:
236:
232:
231:
230:Hearts of Oak
221:
210:
204:
203:
200:
197:
193:
189:
185:
176:
175:
171:
167:
166:
165:Hearts of Oak
162:
158:
157:
153:
152:
148:
144:
140:
137:
133:
130:
128:
124:
121:
118:
116:
112:
100:
96:
91:
88:
86:
83:
81:
78:
77:
76:
74:
70:
66:
62:
58:
54:
50:
45:
41:
37:
32:
29:Hearts of Oak
27:
22:
1687:
1651:
1644:
1637:
1630:
1623:
1616:
1598:
1591:
1584:
1578:
1577:
1570:
1563:
1546:Dorien Garry
1532:Ralph Darden
1531:
1526:
1521:
1517:Chris Wilson
1516:
1509:
1502:
1447:. Retrieved
1442:
1433:
1421:. Retrieved
1405:
1401:
1391:
1379:. Retrieved
1368:
1358:
1346:. Retrieved
1342:the original
1337:
1327:
1317:February 19,
1315:. Retrieved
1309:
1296:
1286:February 19,
1284:. Retrieved
1279:
1273:
1250:February 19,
1248:. Retrieved
1244:the original
1237:
1224:
1212:. Retrieved
1206:
1196:
1184:. Retrieved
1178:
1168:
1157:
1151:
1141:February 19,
1139:. Retrieved
1132:
1104:. Retrieved
1098:
1088:
1076:. Retrieved
1069:
1059:
1047:. Retrieved
1018:. Retrieved
1007:
985:
984:
977:. Retrieved
971:
961:
668:
656:
652:
648:
644:
640:
632:
628:
624:
622:
616:
609:
602:
588:
584:
568:
564:
558:
552:
531:
530:
518:
506:
468:
456:
444:
406:
394:
356:
344:
253:
251:
229:
228:
227:
195:
172:
164:
163:
154:
44:Studio album
1711:2003 albums
1549:Dave Lerner
1511:James Canty
1423:January 15,
876:lead vocals
637:David Mamet
1705:Categories
1646:Mo' Living
1542:Amy Farina
1370:PopMatters
1282:(2): 98–99
1009:Metacritic
953:References
864:percussion
611:PopMatters
579:and early-
573:Thin Lizzy
544:normalized
540:Metacritic
286:Metacritic
235:indie rock
145:chronology
80:Indie rock
1522:Marty Key
1443:Pitchfork
1418:0886-3032
1208:Pitchfork
1074:(175): 64
979:April 28,
973:Pitchfork
842:Personnel
653:Pitchfork
649:Pitchfork
623:In 2004,
581:Nick Lowe
458:Pitchfork
255:Pitchfork
85:punk rock
1375:Archived
1338:Splendid
1186:July 19,
1106:June 11,
1078:July 19,
1044:AllMusic
1014:Archived
872:clapping
860:melodica
555:AllMusic
309:AllMusic
127:Producer
120:Lookout!
90:pop-punk
64:Recorded
56:Released
46: by
1663:Singles
1504:Ted Leo
1449:May 14,
1381:May 14,
868:whistle
848:Ted Leo
671:Ted Leo
627:placed
548:average
192:Singles
178:(2004)
169:(2003)
160:(2001)
132:Ted Leo
1416:
1412:: 74.
1348:May 8,
904:violin
852:guitar
687:Length
645:ossify
641:abjure
463:8.3/10
303:Rating
300:Source
290:84/100
280:Rating
277:Source
98:Length
1681:Films
1408:(1).
895:drums
856:organ
684:Title
237:band
194:from
115:Label
73:Genre
1451:2022
1425:2019
1414:ISSN
1402:Spin
1383:2022
1350:2016
1319:2016
1288:2016
1275:Spin
1252:2016
1216:2014
1188:2019
1159:Mojo
1143:2016
1108:2019
1080:2019
1051:2014
1022:2014
981:2023
889:bass
834:5:28
823:1:54
812:3:32
801:4:09
790:4:47
779:4:10
768:3:43
757:5:20
746:5:38
735:4:53
724:4:27
713:5:02
698:1:38
633:Spin
625:Spin
590:Spin
513:9/10
508:Spin
451:8/10
408:Mojo
1610:EPs
1180:NME
828:13.
817:12.
806:11.
795:10.
680:No.
643:or
601:of
446:NME
351:5/5
249:".
1707::
1441:.
1406:20
1404:.
1400:.
1373:.
1367:.
1336:.
1308:.
1280:19
1278:.
1272:.
1260:^
1236:.
1205:.
1177:.
1131:.
1116:^
1097:.
1068:.
1042:.
1030:^
1012:.
1006:.
995:^
983:.
970:.
874:,
870:,
866:,
862:,
858:,
854:,
850:–
784:9.
773:8.
762:7.
751:6.
740:5.
729:4.
718:3.
703:2.
692:1.
575:,
401:B+
134:,
107:39
103:54
1673:"
1669:"
1484:e
1477:t
1470:v
1453:.
1427:.
1385:.
1352:.
1321:.
1290:.
1254:.
1218:.
1190:.
1145:.
1110:.
1082:.
1053:.
1024:.
710:"
706:"
673:.
615:"
525:B
211:"
207:"
105::
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
