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as "a spectacular critical and commercial success". The boxed-set album consisted of five 78 rpm recordings, totaling about 45 minutes of sound, and it was the first documentary recording to become widely popular. A collaboration between Murrow and
Friendly, it interwove historical events with
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the duo was able to use 21 seconds of the material on the air. The program also shied away from the traditional use of string music common to many radio shows of the time period. Instead the show relied on composers such as
246:. The citation called the program "a brilliant application of tape-recording to the purpose of the news summary, by which the listener is privileged to hear the news from the very individuals who made it".
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270:. A CBS press release said that the program would be 'the first in a series of projected documentary productions which Murrow will do on CBS radio and TV.
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The legwork involved in producing the program often exceeded the amount of programming culled from the reporting. For an hour and a half of interviews in
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106:. The entire premise of the show was to include the "actual sound of history in the making", according to Murrow. Some of the show's audio was what
102:. It was the artillery fire that produced one of the show's more poignant moments as it backdropped the words of American soldiers fighting the
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The huge success of the record (and two follow-up albums released in 1949 and 1950) prompted the pair to parlay it into a weekly radio show for
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The show wrapped up each week's broadcast with a four to ten minute "closeup". An example of the subject matter of the closeup was
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The show had a "magazine" format. It sought to include a variety of sounds from current events such as an atom smasher at work or
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speeches and Murrow's narration and marked the beginning of one of the most famous pairings in journalism history.
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also lauded the "vivid reality" created by the aforementioned artillery clips, comments from wounded
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http://www.radioechoes.com/?page=series&genre=OTR-Historical&series=Hear%20It%20Now
73:, and was identified as such when it was announced as the following week's replacement for
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at the end of its
December 8, 1950, episode. Before its premiere, though, CBS retitled it
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compelled a reluctant Murrow in 1951 to introduce a TV version of the radio show, called
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Friendlyvision: Fred
Friendly and the Rise and Fall of Television Journalism
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Friendlyvision: Fred
Friendly and the Rise and Fall of Television Journalism
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29:, began on December 15, 1950, ending in June 1951. It was hosted by
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Murrow anchored the show with news and editorial commentary but
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magazine called "fairly routine" in 1950. Such soundbites as
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37:. It ran for one hour on Fridays at 9 pm Eastern Time.
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to capitalize on the popularity of Murrow's albums.
86:The hour-long program was carried on 173 stations.
678:The Edward R. Murrow Forum on Issues in Journalism
383:
168:also featured regular oral columns and features.
69:. Originally, the series was to have been titled
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384:Sterling, Christopher H.; O'Dell, Cary (2010).
127:were included among those routinely used. But
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308:. Columbia University Press. pp. 73–75.
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387:The Concise Encyclopedia of American Radio
242:received an honorable mention in the 1950
673:Edward R. Murrow College of Communication
661:Radio Television Digital News Association
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268:A Report to the Nation—The 1950 Election
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683:Edward R. Murrow Transmitting Station
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122:U.S. Ambassador to the United Nations
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646:Corporation for Public Broadcasting
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350:Sterling, Christopher H. (2013).
53:(1948) was described in the book
718:Murrow Turning Over in His Grave
419:"I Can Hear It Now. (1933-1945)"
353:Biographical Dictionary of Radio
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55:Biographical Dictionary of Radio
390:. Routledge. pp. 344–345.
656:Overseas Press Club of America
651:Excellence in Public Diplomacy
598:The Ford 50th Anniversary Show
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411:
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770:1950s American radio programs
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775:American news radio programs
688:Edward R. Murrow High School
456:Peabody: Stories That Matter
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666:Washington State University
623:Around the World in 80 Days
116:'s General Wu and Russia's
51:I Can Hear It Now 1933–1945
33:and produced by Murrow and
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356:. Routledge. p. 148.
743:Janet Huntington Brewster
735:
725:Good Night, and Good Luck
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213:The rising importance of
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642:Edward R. Murrow awards
302:Engelman, Ralph (2011).
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223:. With the inception of
432:(2): 42. February 1949
262:Ralph Engelman's book
231:ended its on-air run.
161:to produce its music.
693:Edward R. Murrow Park
538:European News Roundup
41:The show's beginnings
488:. December 25, 1950.
480:"Radio: Hear It Now"
209:Impact of television
71:Report to the Nation
452:"Hear It Now (CBS)"
200:General of the Army
188:: covered the media
76:Broadway Is My Beat
785:CBS Radio programs
139:'s recital of his
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605:Satchmo the Great
545:London After Dark
426:Audio Engineering
203:Douglas MacArthur
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580:Harvest of Shame
573:Person to Person
523:Edward R. Murrow
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458:. Archived from
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194:: covered movies
175:: covered sports
118:Andrei Vishinsky
47:Columbia Records
35:Fred W. Friendly
31:Edward R. Murrow
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464:. Retrieved
460:the original
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401:. Retrieved
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319:. Retrieved
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159:Lehman Engel
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749:Murrow Boys
728:(2005 film)
713:(1986 film)
626:(1956 film)
552:Hear It Now
240:Hear It Now
235:Recognition
229:Hear It Now
180:Abe Burrows
166:Hear It Now
120:along with
81:Hear It Now
67:Hear It Now
18:Hear It Now
764:Categories
702:Portrayals
636:and honors
566:See It Now
530:Journalism
282:References
225:See It Now
220:See It Now
215:television
173:Red Barber
104:Korean War
98:fire from
96:artillery
65:, called
615:Prologue
590:Specials
736:Related
466:7 April
436:7 April
403:7 April
369:7 April
321:7 April
745:(wife)
710:Murrow
634:Legacy
394:
360:
312:
178:comic
90:Format
49:album
422:(PDF)
250:Notes
100:Korea
485:Time
468:2018
438:2018
405:2018
392:ISBN
371:2018
358:ISBN
323:2018
310:ISBN
157:and
150:Koto
129:Time
109:Time
45:The
135:or
63:CBS
27:CBS
25:on
766::
482:.
454:.
430:33
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342:^
290:^
227:,
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