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Harry Bates (sculptor)

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507: 482: 584: 545: 522: 323: 383:. The gallery label at the Tate said in 2010, "Bates shows the moment of hesitation before Pandora opens the forbidden box. He suggests Pandora's mood of consideration and temptation while also recognising the inevitable fulfilment of the myth. This way he acknowledges the compulsion of character, and frailty of the human spirit." His creation of the marble altar front for the Holy Trinity church in Sloane Street, London was another piece he created in 1890. 883: 853: 27: 568: 374:, was more truly a figure in the round. The life-sized figure was unusually nude, compared to other contemporarry depictions. In 1890 this was received as a "fresh reading of the subject, and instead of the customary elf-like or voluptuous woman has shown a tender, very gentle and happy maiden, whose features are charming". In this work Bates experimented with 359:
Bates's primary skill lay in the composition and sculpting of relief sculpture, and it is in this medium that he achieved his most technically and aesthetically refined work. The freestanding ideal sculpture remained the most important of sculptural genres, however. Bates gradually turned to statues
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The 1911 Encyclopedia Britannica wrote: "The portrait-busts of Harry Bates are good pieces of realism: strong, yet delicate in technique, and excellent in character. His statues have a picturesqueness in which the refinement of the sculptor is always felt. Among the chief of these are the fanciful
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and mixed materials, making it self-consciously into a paradigmatic example of his artistic priorities. The box she holds is an actual decorative casket made of ivory and gilt bronze and elaborately carved with scenes from the Pandora legend. It was exhibited in 1890 at the Royal Academy Summer
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Bates died in poverty, having drained his finances "by his insistence on financing the Calcutta statue of Lord Roberts from his own pocket." He died on 30 January 1899 at his residence, 10 Hall Road, St. John's Wood, N.W. He was buried at Stevenage on 4 February.
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which is essentially a relief composition translated to three dimensions. In this work, Bates demonstrated his ability to convey muscular intensity and movement and led to his greater success and ambition.
444:. But perhaps his masterpiece—in which his interest in polychromy and mixed materials in a format that fused decorative art and sculpture achieved its fullest realization—was an allegorical presentment of 481: 452:, with a female figure in ivory being crowned by the male." The 1911 Encyclopedia Britannica felt, "his premature death robbing English plastic art of its most promising representative at the time". 300:, where he took up an independent studio (on Dalou's suggestion) in 1883–85. He was influenced by Rodin, who advised him on occasion about his work. A head and three small bronze panels (the 470:
movement. Both through his innovative use of polychromy and his allusive subject matter, he is understood to be one of primary representatives of international Symbolism within British sculpture.
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Bates is primarily remembered as one of the most important sculptors working with the traditions of the decorative arts within the
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whose deadly attraction mesmerised Victorian men." While continental sculptors experimented with the ancient
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Edwards, Jason (June 2008). "A curious feature': Harry Bates's Holy Trinity altar front (1890)".
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trustees; but the selection had to be cancelled, because they had not been modelled in Britain.
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technique in the 1840s, Bates Pandora was the first chryselephantine work by a British artist.
941: 614: 283: 267: 726: 1020: 1015: 251: 8: 961: 327: 286:, where in 1883 he won the gold medal and the travelling scholarship with his relief of 810:"The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture (booklet)" 792: 712: 322: 422: 316: 223: 432:(1896) upon its important pedestal, girdled with a frieze of figures, now set up in 532: 460: 309: 279: 683: 348: 925:
Getsy, David. "Privileging the Object of Sculpture: Actuality and Harry Bates's
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As of 2022, the figure of Pandora is understood "as one of the many
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in 1892 as A.R.A. and was an active, if intermittent, member of the
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The Age of Rossetti, Burne-Jones, and Watts: Symbolism in Britain.
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This article incorporates text from a publication now in the
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Exhibition and purchased within the following year for the
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One of his final commissions was a large bronze statue of
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In 1886, Bates returned to Britain and was elected to the
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Exh. cat., Tate Gallery, 1997. Paris: Flammarion, 1997.
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and won a silver medal in the national competition at
214:(26 April 1850 – 30 January 1899) was a British 695: 693: 691: 304:), executed by Bates in Paris, were exhibited at the 623: 512:Boys with Coat of Arms, Moorgate Place Entrance of 51:. Unsourced material may be challenged and removed. 1031:Alumni of the City and Guilds of London Art School 688: 715:” The Athenaeum No. 3258 (April 5, 1890): 443-44. 987: 619:. American Federation of Arts. 1899. p. 82. 386:In the year of his death 1899, Bates finished 250:decoration working from 1869 for the firm of 981:Profile on Royal Academy of Arts Collections 677:City and Guilds of London Art School History 233: 751:Victoria and Albert Museum (6 July 2007). 404: 262:In 1879 he went to London and entered the 133: 653: 651: 111:Learn how and when to remove this message 863: 837:, ed. 1911, vol. 24, pg. 504, Plate III. 793:Sir Alfred Gilbert and the New Sculpture 727:"'Pandora', Harry Bates, exhibited 1891" 642: 321: 922:New Haven: Yale University Press, 1983. 891: 808:Nicola Jennings, Adrienne Childs (nd). 699: 657: 988: 967:Tate Britain: rare Victorian sculpture 803: 801: 785: 648: 795:. London: The Fine Art Society, 2008. 326:Bates's figure of Victoria above the 724: 666:(1). Liverpool University Press: 36. 282:. In 1881, he was admitted to the 272:City and Guilds of London Art School 264:South London School of Technical Art 49:adding citations to reliable sources 20: 973:featuring numerous views of Bates' 947:Wilton, Andrew and Robert Upstone. 798: 308:, and selected for purchase by the 238:Bates was born on 26 April 1850 in 13: 912: 14: 1047: 955: 903:Dictionary of National Biography 881: 851: 582: 566: 543: 520: 505: 480: 368:His next major statue, the 1890 291:teaching the People in the Agora 25: 1036:Associates of the Royal Academy 1006:British architectural sculptors 828: 594:Mougins Museum of Classical Art 296:In 1883 he immediately went to 36:needs additional citations for 1026:19th-century British sculptors 771: 744: 718: 705: 670: 607: 1: 616:American Art Annual, Volume 2 600: 413: 397:unveiled in Albert Square in 933:28.1 (February 2005): 74–95. 711:Stephens, Frederic George. “ 7: 514:Chartered Accountants' Hall 60:"Harry Bates" sculptor 10: 1052: 473: 448:, a winged male figure in 274:). There he studied under 892:Radford, Ernest (1901). " 401:shortly after his death. 257: 194: 186: 178: 162: 141: 132: 125: 346:(1886), three panels of 234:Early life and education 218:. He was elected to the 969:- set by ketrin1407 on 874:Encyclopædia Britannica 835:Encyclopædia Britannica 405:Personal life and death 1001:English male sculptors 814:Henry Moore Foundation 682:4 October 2011 at the 331: 1011:People from Stevenage 942:Yale University Press 334:He created panels of 325: 284:Royal Academy schools 268:Lambeth School of Art 252:Farmer & Brindley 938:Victorian Sculpture. 45:improve this article 328:Victoria Law Courts 266:(formerly known as 920:The New Sculpture. 759:on 19 January 2023 436:, and a statue of 332: 996:English sculptors 962:The Victorian Web 660:Sculpture Journal 493:, 1891, owned by 360:such as the 1889 317:Art Workers Guild 224:Art Workers Guild 204: 203: 121: 120: 113: 95: 1043: 936:Read, Benedict. 918:Beattie, Susan. 908: 905:(1st supplement) 885: 884: 878: 857: 855: 854: 838: 832: 826: 825: 823: 821: 805: 796: 791:Bowman, Robert. 789: 783: 782: 775: 769: 768: 766: 764: 755:. Archived from 748: 742: 741: 739: 737: 722: 716: 709: 703: 697: 686: 674: 668: 667: 655: 646: 640: 621: 620: 611: 590:Relief of Psyche 586: 570: 547: 533:Kelvingrove Park 524: 509: 484: 461:chryselephantine 388:Mors Janua Vitae 381:Chantrey Bequest 362:Hounds in Leash, 310:Chantrey Bequest 280:South Kensington 213: 169: 151: 149: 137: 123: 122: 116: 109: 105: 102: 96: 94: 53: 29: 21: 16:British sculptor 1051: 1050: 1046: 1045: 1044: 1042: 1041: 1040: 986: 985: 958: 915: 913:Further reading 882: 867:, ed. (1911). " 852: 850: 842: 841: 833: 829: 819: 817: 806: 799: 790: 786: 777: 776: 772: 762: 760: 749: 745: 735: 733: 723: 719: 710: 706: 698: 689: 684:Wayback Machine 675: 671: 656: 649: 641: 624: 613: 612: 608: 603: 596: 587: 578: 571: 562: 548: 539: 525: 516: 510: 501: 485: 476: 416: 407: 260: 236: 209: 174: 171: 167: 166:30 January 1899 158: 153: 147: 145: 128: 117: 106: 100: 97: 54: 52: 42: 30: 17: 12: 11: 5: 1049: 1039: 1038: 1033: 1028: 1023: 1018: 1013: 1008: 1003: 998: 984: 983: 978: 964: 957: 956:External links 954: 953: 952: 945: 934: 923: 914: 911: 910: 909: 879: 865:Chisholm, Hugh 847: 846: 840: 839: 827: 797: 784: 770: 743: 717: 704: 687: 669: 647: 622: 605: 604: 602: 599: 598: 597: 588: 581: 579: 572: 565: 563: 552:Queen Victoria 549: 542: 540: 526: 519: 517: 511: 504: 502: 486: 479: 475: 472: 438:Queen Victoria 415: 412: 406: 403: 395:Queen Victoria 259: 256: 235: 232: 202: 201: 196: 192: 191: 188: 187:Known for 184: 183: 180: 176: 175: 172: 170:(aged 48) 164: 160: 159: 154: 143: 139: 138: 130: 129: 126: 119: 118: 33: 31: 24: 15: 9: 6: 4: 3: 2: 1048: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 993: 991: 982: 979: 976: 972: 968: 965: 963: 960: 959: 950: 946: 943: 939: 935: 932: 928: 924: 921: 917: 916: 906: 904: 899: 895: 889: 888:public domain 880: 876: 875: 870: 866: 861: 860:public domain 849: 848: 844: 843: 836: 831: 815: 811: 804: 802: 794: 788: 780: 774: 758: 754: 747: 732: 728: 725:Tate (2010). 721: 714: 708: 701: 696: 694: 692: 685: 681: 678: 673: 665: 661: 654: 652: 644: 643:Chisholm 1911 639: 637: 635: 633: 631: 629: 627: 618: 617: 610: 606: 595: 591: 585: 580: 576: 573:Sculpture of 569: 564: 561: 557: 556:Albert Square 553: 546: 541: 538: 534: 530: 523: 518: 515: 508: 503: 500: 496: 492: 491: 483: 478: 477: 471: 469: 468:New Sculpture 464: 462: 458: 457:femme fatales 453: 451: 447: 446:Love and Life 443: 439: 435: 431: 430: 425: 424: 411: 402: 400: 396: 391: 389: 384: 382: 377: 373: 372: 366: 363: 357: 355: 351: 350: 345: 344: 339: 338: 330:in Birmingham 329: 324: 320: 318: 313: 311: 307: 306:Royal Academy 303: 299: 294: 292: 290: 285: 281: 277: 273: 269: 265: 255: 253: 249: 248:architectural 245: 244:Hertfordshire 241: 231: 229: 228:New Sculpture 225: 221: 220:Royal Academy 217: 212: 208: 200: 199:Royal Academy 197: 193: 189: 185: 181: 177: 165: 161: 157: 152:26 April 1850 144: 140: 136: 131: 124: 115: 112: 104: 93: 90: 86: 83: 79: 76: 72: 69: 65: 62: â€“  61: 57: 56:Find sources: 50: 46: 40: 39: 34:This article 32: 28: 23: 22: 19: 977:among others 974: 948: 937: 930: 926: 919: 901: 894:Bates, Harry 872: 869:Bates, Harry 830: 818:. Retrieved 816:. p. 16 813: 787: 773: 761:. Retrieved 757:the original 746: 734:. Retrieved 730: 720: 707: 700:Radford 1901 672: 663: 659: 615: 609: 589: 529:Earl Roberts 495:Tate Britain 488: 465: 454: 445: 429:Lord Roberts 427: 421:Maharaja of 420: 417: 408: 392: 387: 385: 369: 367: 361: 358: 347: 341: 335: 333: 314: 295: 287: 261: 237: 206: 205: 168:(1899-01-30) 107: 101:January 2009 98: 88: 81: 74: 67: 55: 43:Please help 38:verification 35: 18: 1021:1899 deaths 1016:1850 births 940:New Haven: 931:Art History 898:Lee, Sidney 845:Attribution 276:Jules Dalou 207:Harry Bates 179:Nationality 127:Harry Bates 990:Categories 929:of 1890." 820:19 January 763:19 January 736:19 January 713:Art Gossip 601:References 550:Statue of 527:Statue of 487:Statue of 414:Assessment 376:polychromy 270:, now the 148:1850-04-26 71:newspapers 240:Stevenage 190:Sculpture 156:Stevenage 680:Archived 554:, 1899, 531:, 1896, 434:Calcutta 356:(1887). 340:(1885), 289:Socrates 216:sculptor 975:Pandora 944:, 1982. 927:Pandora 900:(ed.). 890::  862::  537:Glasgow 490:Pandora 474:Gallery 371:Pandora 354:Rhodope 182:British 85:scholar 971:Flickr 896:". In 856:  577:, 1886 560:Dundee 499:London 450:bronze 442:Dundee 423:Mysore 399:Dundee 349:Psyche 337:Aeneas 302:Aeneid 258:Career 195:Awards 173:London 87:  80:  73:  66:  58:  575:Homer 343:Homer 298:Paris 92:JSTOR 78:books 822:2023 765:2023 738:2023 731:Tate 440:for 352:and 163:Died 142:Born 64:news 871:". 242:in 211:ARA 47:by 992:: 812:. 800:^ 729:. 690:^ 664:17 662:. 650:^ 625:^ 592:, 558:, 535:, 497:, 319:. 293:. 254:. 230:. 824:. 781:. 767:. 740:. 702:. 645:. 150:) 146:( 114:) 108:( 103:) 99:( 89:· 82:· 75:· 68:· 41:.

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"Harry Bates" sculptor
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Stevenage
Royal Academy
ARA
sculptor
Royal Academy
Art Workers Guild
New Sculpture
Stevenage
Hertfordshire
architectural
Farmer & Brindley
South London School of Technical Art
Lambeth School of Art
City and Guilds of London Art School
Jules Dalou
South Kensington
Royal Academy schools
Socrates

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