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He travelled to Italy at an unknown date and is believed to have arrived in Rome sometime in 1566. Van Mander visited Italy during the period that
Speckaert was there. In Rome, Speckaert joined a group of Northern painters working in Rome in the 16th century. He made a close study of the art of the
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great
Italian Renaissance masters Michelangelo, Raphael, and others. A document from April 1575 reports that the artist had been paralyzed. Possibly this was the result of an accident which had occurred while he was working at an unknown church early in the year 1575, together with the artist
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169:(Museum Boijmans Van Beuningen) the short perspective of the deceased Sisera shows the Mannerist preoccupation with the depiction of the human body. The emphatic, somewhat theatrical, postures of Jael and her companion Barak are characteristic of his Mannerism. The work of
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After a long period in Rome, Speckaert attempted to return to the
Netherlands and got as far as Florence, but feeling unwell, he turned back to Rome, where he died. His death likely occurred around 1577.
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Hans
Speckaert is known for his portraits, history paintings and his many drawings. Only four paintings have been attributed with certainty to the artist, including the portrait of the engraver
46:) was a Flemish Renaissance painter who was active in Italy. He is known for his portraits, history paintings and his many drawings. The artist was one of the earliest representatives of
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and form the basis for further attributions. His oeuvre is not yet clearly defined, since the attribution of drawings is hampered by the fact that the artist's work was widely imitated.
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Speckaert's fluid and elegant drawing style exerted an important influence on his
Northern contemporaries, as is witnessed, in particular, in the drawings of
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Musées royaux des beaux-arts de
Belgique, Volume 38, Issue 1, Volume 40, Issue 3. (Musées royaux des beaux-arts de Belgique, 1992),
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There was a dispute with the Painter's Guild over Hans
Speckaert having worked in a church in Rome with his friend
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His close study of the art of the
Italian Renaissance masters informs the muscular, monumental figures in his work. In his
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Teréz Gerszi. "Speeckaert, Jan." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 21 November 2016
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Details about the life of the artist are scarce. According to the early
Flemish painter and artist biographer
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The Finest Drawings from the Museums of Angers: A Loan Exhibition ... : [catalogue]
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114:(Kunsthistorisches Museum), who was a close friend. The other known paintings include
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Speckaert was the son of an embroiderer in Brussels and a friend of the painter
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Huchard, Viviane; Laing, Alastair; Lagrue, Catherine; Gallery, Heim (1978).
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De schilderkunst der Lage Landen: De Middeleeuwen en de zestiende eeuw
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Speckaert's designs were used as models for prints by
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397:Boymans verwerft schilderij Hans Speckaert
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272:The Crucifixion of Christ
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