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due to their close association, even though their best known work differs dramatically, with Rie's being less sculptural, while Coper's was much more abstract, but also always functional. The latter point was noted by M. S. Thomas in his recent book "The
Essential Potness." Coper always made
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Coper's work was widely exhibited and collected even in his lifetime. Today, it is found in the collections of major museums around the world, including the
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functional vessels, principally containers for flowers (vases), fruit (bowls), candles (candle holders) including work for
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meeting house. He made a small group of
Figures in the fifties, which were not vessels and were never put on sale (
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and cups and saucers made by both Rie and Coper. By the time he left in 1958 to establish his own studio at
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In 1946, with no previous experience in ceramics, he began working as an assistant in the studio of
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movement. Throughout the 1960s he taught pottery at the
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Coper would characteristically throw his work on the
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219:British Council - Visual Arts: Hans Coper
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292:Fiell, Charlotte; Fiell, Peter (2005).
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383:Academics of the Royal College of Art
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125:amyotrophic lateral sclerosis
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182:Galerie Besson - Hans Coper
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344:Victoria and Albert Museum
294:Design of the 20th Century
151:Victoria and Albert Museum
147:Metropolitan Museum of Art
330:article about Hans Coper
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109:Camberwell School of Art
258:, Herbert Press, 1997.
408:20th-century ceramists
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198:fitzmuseum.cam.ac.uk
113:Royal College of Art
336:"Hans Coper, 'Pot'"
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224:2012-04-05 at the
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373:1981 deaths
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362:Categories
349:9 December
242:Hans Coper
204:4 December
169:References
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312:809539744
89:Lucie Rie
60:Biography
41:Lucie Rie
340:Ceramics
222:Archived
121:Somerset
111:and the
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66:Chemnitz
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326:Brief
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