20:
163:
58:, the only child of Jonathan True and Hannah True, his wife. Carter's father was a wealthy importer and commission merchant. Her mother died young, leaving her infant daughter to the care of a devoted father who, early recognizing the artistic tastes of his child, gave her considerable training in that direction.
66:
In 1868, she became the wife of Henry
Theophilus Carter, a mechanical engineer and manufacturer. The marriage was happy and congenial, with wealth and high social standing. Financial losses, the failing health of her husband, the death of a child, and the loneliness of widowhood all came in quick
90:
to take the chair of professor of form and drawing in the
College for the Training of Teachers, and in 1890, she was elected president of the art department of the National Educational Association. In 1891, she was made director of the art department in the Drexel Institute of Art, Science and
99:. Carter was appointed on many industrial, educational and art committees. She had an interest in general art education, believing enthusiastically in the necessity of educating and elevating public taste by beginning early with the training of children for a love of the aesthetic.
67:
succession, forcing her to look for ways to support herself and a child. With the life insurance left her by her husband, Carter entered the
Massachusetts Normal Art School (now known as
199:
American Women: Fifteen
Hundred Biographies with Over 1,400 Portraits : a Comprehensive Encyclopedia of the Lives and Achievements of American Women During the Nineteenth Century
172:
American Women: Fifteen
Hundred Biographies with Over 1,400 Portraits : a Comprehensive Encyclopedia of the Lives and Achievements of American Women During the Nineteenth Century
83:
Educational
Company, of that city, doing various work pertaining to its educational department, such as illustrating drawing-books and often acting as drawing supervisor.
75:, to direct an art school, where she succeeded in establishing the school on a permanent basis. At the close of the first year, she was obliged to return to
235:
220:
230:
68:
71:) and was graduated with high standing. After a year's further study with private teachers in first-class studios, she went to
38:. She served as chair of form and drawing in the College for the Training of Teachers, president of the art department of the
225:
39:
42:, and director of the art department in the Drexel Institute of Art, Science and Industry (now known as
79:, as the climate of Canada was too severe for her health. For two years, she was associated with the
203:
186:
8:
197:
43:
72:
55:
214:
167:
87:
96:
92:
80:
19:
31:
129:
127:
125:
202:(Public domain ed.). Mast, Crowell & Kirkpatrick. p.
166:
This article incorporates text from this source, which is in the
122:
196:
Willard, Frances
Elizabeth; Livermore, Mary Ashton Rice (1897).
76:
35:
139:
30:was a 19th-century American art educator from the
212:
195:
133:
170:: F. E. Willard & M. A. R. Livermore's
49:
184:
145:
18:
86:In the fall of 1887, she was called to
69:Massachusetts College of Art and Design
213:
191:(Public domain ed.). F. Leypoldt.
236:19th-century American women educators
109:Suggestions for the teaching of color
13:
14:
247:
102:
161:
221:19th-century American educators
178:
231:Educators from Portland, Maine
155:
40:National Education Association
1:
115:
134:Willard & Livermore 1897
7:
10:
252:
61:
50:Early years and education
54:Hannah True was born in
226:American art educators
24:
188:The Publishers Weekly
185:Leypoldt, F. (1890).
28:Hannah Johnson Carter
23:Hannah Johnson Carter
22:
16:American art educator
25:
136:, p. 156-57.
44:Drexel University
243:
207:
192:
165:
164:
149:
143:
137:
131:
73:Kingston, Canada
251:
250:
246:
245:
244:
242:
241:
240:
211:
210:
181:
162:
158:
153:
152:
144:
140:
132:
123:
118:
105:
64:
56:Portland, Maine
52:
17:
12:
11:
5:
249:
239:
238:
233:
228:
223:
209:
208:
193:
180:
177:
176:
175:
157:
154:
151:
150:
148:, p. 526.
138:
120:
119:
117:
114:
113:
112:
104:
103:Selected works
101:
63:
60:
51:
48:
15:
9:
6:
4:
3:
2:
248:
237:
234:
232:
229:
227:
224:
222:
219:
218:
216:
205:
201:
200:
194:
190:
189:
183:
182:
173:
169:
168:public domain
160:
159:
147:
146:Leypoldt 1890
142:
135:
130:
128:
126:
121:
110:
107:
106:
100:
98:
94:
91:Industry, in
89:
88:New York City
84:
82:
78:
74:
70:
59:
57:
47:
45:
41:
37:
33:
29:
21:
198:
187:
179:Bibliography
171:
141:
108:
97:Pennsylvania
93:Philadelphia
85:
65:
53:
27:
26:
156:Attribution
215:Categories
116:References
32:U.S. state
174:(1897)
111:(1890)
77:Boston
62:Career
81:Prang
36:Maine
204:156
46:).
34:of
217::
124:^
95:,
206:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.