54:
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101:
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158:
The
Chandos Anthems were written at a time when the musical establishment at Cannons was still being expanded. The scoring of the anthems varies, with strings predominating including first and second violins (but only occasionally violas), cellos and basses. There is usually a separate part for an
87:
before becoming
Cannons' resident composer from 1717 to 1718. It has been suggested that the move to Cannons was related to the fact that in 1717 there was reduced demand for his services in central London because operatic productions were experiencing a temporary downturn. At the end of Handel's
242:
Handel published eight keyboard suites in 1720. It is possible, though unproven, that some of them were written at
Cannons. Dating the music is difficult because it was written over a period of years and the composer had been happy to leave it in manuscript until he got wind of a forthcoming
145:
and
Bellucci (who also worked on the decorative scheme of the house). At the east end of the church is the organ used by Handel. Modernised over the years, it was restored in 1994 using the surviving parts of the original 1716
206:, and according to Winton Dean appears to have been given in a semi-staged version although this is not definitively proven in any known document. Handel used several parts of his
1886:
296:
Handel. A Celebration of his Life and Times 1685–1759, p. 99-100, 105–109. National
Portrait Gallery London (1985). Some musicians doubled as a waiting page or a valet.
1261:
234:
was performed in the garden. Appropriately for
Cannons, which had expensive water features, the pastoral hero Acis is transformed into a fountain at the end.
79:
Handel settled in
England in 1712, but appears not to have maintained his own household in London until 1723. He attracted the patronage of noblemen such as
46:
at
Cannons from 1716 and he saw the size of the musical establishment at first expand and then decline in the 1720s in response to Brydges' losses in the
112:
129:
liturgy). While Handel was at
Cannons, the ducal chapel was still being constructed (it was finished in 1720). The church music was performed at the
538:
1816:
563:
1593:
141:). The church reopened in 1716 after the Duke had reconstructed the building to his baroque taste. St Lawrence still contains artwork by
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58:
35:
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who was a patron of Handel. The duke, a flute player, had a private orchestra, consisting of 24 instrumentalists.
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579:
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stay at
Cannons, the Duke and his friends helped him establish a new opera company in London, the so-called
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Handel's connection with Cannons is commemorated in this gravestone of questionable accuracy – see
39:
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16:
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variations (concluding the 5th suite, in E major) is said to have been written at Cannons.
27:
and other important works by Handel were conceived, written or first performed at Cannons.
8:
1542:
1148:
1141:
624:
320:
469:
A Concise History of Music from the Commencement of the Christian Era to the Present Day
1711:
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referred to the duke having a "full choir" at a slightly later period, it seems that
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were missing from the choir at the start of Handel's tenure at Cannons (see
1831:
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372:
163:
159:
oboe, and one for organ. Bassoons occasionally join the cellos and basses.
1504:
1098:
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195:
680:
100:
362:") Dean, W. & J.M. Knapp (1995) Handel's operas 1704–1726, p. 299.
876:
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708:
436:. pp. Letter 6, Part 1: Middlesex, Hertford and Buckinghamshire.
31:
162:
The number of singers at Handel's disposition is unknown. Although
722:
584:
287:
Dean, W. & J.M. Knapp (1995) Handel's operas 1704–1726, p. 166.
223:
191:
126:
446:
Marx, J.H. (1998) Händels Oratorien, Oden und Serenaten, p. 73-77.
855:
792:
757:
373:"The Rise and Fall of Henry James Brydges First Duke of Chandos"
904:
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694:
687:
598:
214:
122:
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455:
Marx, J.H. (1998) Händels Oratorien, Oden und Serenaten, p. 8.
890:
750:
638:
176:
for details of the scoring of one of the earlier anthems).
167:
111:
Handel wrote church music for performance at Cannons, the
190:(HWV 50a), which is now recognised as the first English
1262:
Agrippina condotta a morire or Dunque sarĂ pur vero
466:
319:The composer's home from 1723 is preserved as the
213:Another premiere in May 1718 is without doubt the
1899:
433:A Tour thro' the Whole Island of Great Britain
50:, a financial crash which took place in 1720.
532:
464:
74:
546:
539:
525:
497:. London Borough of Barnet. Archived from
226:, who was to collaborate with Pepusch in "
23:from August 1717 until February 1719. The
336:. Royal College of Music. Archived from
99:
52:
1900:
1065:L'Allegro, il Penseroso ed il Moderato
487:
1001:Il trionfo del Tempo e del Disinganno
520:
426:
420:
237:
81:Richard Boyle, 3rd Earl of Burlington
70:, painted by John Vanderbank in 1722.
1872:
458:
1739:Keyboard suite in D minor (HWV 437)
1005:Il trionfo del Tempo e della VeritĂ
331:
230:" in 1728. According to tradition,
13:
1230:Ode for the Birthday of Queen Anne
365:
325:
153:
59:James Brydges, 1st Duke of Chandos
36:James Brydges, 1st Duke of Chandos
14:
1939:
1395:Funeral Anthem for Queen Caroline
394:"St Lawrence Whitchurch, Edgware"
307:The Cambridge Companion to Handel
179:
1881:
1871:
1861:
1860:
1416:Wedding anthem for Princess Anne
623:
473:. United States: Kessinger Pub.
449:
440:
398:Martin Goetze and Dominic Gwynn
95:
1837:Handel & Hendrix in London
411:
386:
352:
313:
299:
290:
281:
269:North London Collegiate School
150:organ as the reference point.
1:
1510:Music for the Royal Fireworks
1009:The Triumph of Time and Truth
274:
30:Cannons was a large house in
1441:Utrecht Te Deum and Jubilate
1325:Tra le fiamme (Il consiglio)
580:Handel's lost Hamburg operas
121:(settings of texts from the
7:
465:Bonavia Hunt, H.G. (1898).
252:
10:
1944:
259:As Pants the Hart (Handel)
243:unauthorised publication.
19:was the house composer at
1855:
1804:
1778:
1755:Handel Reference Database
1747:
1733:The Harmonious Blacksmith
1703:
1672:
1518:
1497:
1471:
1432:
1423:Foundling Hospital Anthem
1372:
1341:
1311:O lucenti, o sereni occhi
1253:
1244:Ode For St. Cecilia's Day
1214:
992:
960:
921:
572:
554:
264:The Harmonious Blacksmith
246:The Harmonious Blacksmith
106:The Harmonious Blacksmith
1770:Hallische Händel-Ausgabe
1760:Händel-Werke-Verzeichnis
1748:Catalogs and collections
75:Handel's move to Cannons
40:Johann Christoph Pepusch
1269:Allor ch'io dissi addio
1223:Aci, Galatea e Polifemo
1128:Joseph and his Brethren
495:"Edgware and Mill Hill"
1908:George Frideric Handel
1695:Concerti grossi, Op. 6
1690:Concerti grossi, Op. 3
1685:Organ concertos, Op. 7
1680:Organ concertos, Op. 4
1455:Queen Caroline Te Deum
1198:The Choice of Hercules
548:George Frideric Handel
222:. The libretto was by
108:
90:Royal Academy of Music
83:, and he was based at
71:
17:George Frideric Handel
1283:Clori, Tirsi e Fileno
103:
56:
1928:History of Middlesex
1817:Letters and writings
1290:Dalla guerra amorosa
951:Va tacito e nascosto
944:Svegliatevi nel core
564:List of compositions
501:on 27 September 2007
1812:British citizenship
1765:Händel-Gesellschaft
1489:Oboe Concerto No. 2
1484:Oboe Concerto No. 1
1479:Oboe Concerto No. 3
1149:Occasional Oratorio
930:Lascia ch'io pianga
417:Original full score
321:Handel House Museum
1342:Latin church music
1332:Un'alma innamorata
1297:Del bell'idolo mio
1276:Aure soavi e lieti
340:on 26 October 2007
238:Instrumental music
228:The Beggar's Opera
109:
72:
1895:
1894:
1827:Handel at Cannons
1498:Orchestral suites
1448:Dettingen Te Deum
1381:As Pants the Hart
1237:Alexander's Feast
884:Alessandro Severo
821:Parnasso in festa
173:As pants the hart
1935:
1918:1710s in England
1885:
1875:
1874:
1864:
1863:
1805:Related articles
1462:Chandos Jubilate
1388:Zadok the Priest
1215:Odes and masques
1156:Judas Maccabaeus
961:Incidental music
814:Arianna in Creta
765:Lotario (Handel)
660:Acis and Galatea
653:Amadigi di Gaula
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334:"The Music Room"
332:Murdoch, Tessa.
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311:
310:, Donald Burrows
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232:Acis and Galatea
219:Acis and Galatea
85:Burlington House
48:South Sea Bubble
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1923:1710s in London
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1847:Händel-Jahrbuch
1800:
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1428:
1409:Chandos Anthems
1368:
1337:
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1170:Alexander Balus
1106:Scratch Messiah
1058:Israel in Egypt
1023:Brockes Passion
1016:La resurrezione
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208:Brockes Passion
182:
156:
154:Chandos Anthems
125:for use in the
119:Chandos Anthems
114:Chandos Te Deum
98:
77:
44:Master of Music
25:Chandos Anthems
12:
11:
5:
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1913:1710s in music
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1472:Oboe concertos
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922:Opera excerpts
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632:Il pastor fido
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559:List of operas
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200:John Arbuthnot
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34:, the seat of
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1402:Sing Unto God
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1349:Dixit Dominus
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1318:Ero e Leandro
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1102:(Mozart arr.)
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969:The Alchemist
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96:Church music
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1543:Fitzwilliam
1505:Water Music
1099:Der Messias
196:Jean Racine
135:St Lawrence
1902:Categories
1142:Belshazzar
730:Alessandro
681:Floridante
505:2 February
378:2 February
344:2 February
275:References
139:Whitchurch
1786:Göttingen
1779:Festivals
1712:Germanico
1433:Canticles
1078:Structure
993:Oratorios
877:Faramondo
835:Ariodante
772:Partenope
716:Rodelinda
709:Tamerlano
667:Radamisto
613:Agrippina
360:Haymarket
198:, was by
184:Handel's
32:Middlesex
1866:Category
1254:Cantatas
1191:Theodora
1135:Hercules
1093:Part III
912:Deidamia
870:Berenice
863:Giustino
849:Atalanta
723:Scipione
585:Florindo
430:(1725).
403:17 March
253:See also
224:John Gay
192:oratorio
127:Anglican
117:and the
42:was the
1877:Commons
1530:sonatas
1528:XV solo
1373:Anthems
1205:Jephtha
1184:Solomon
1177:Susanna
1088:Part II
1072:Messiah
1044:Athalia
1037:Deborah
983:Alceste
856:Arminio
807:Orlando
793:Sosarme
758:Tolomeo
620:Rinaldo
606:Rodrigo
146:single-
68:Cannons
21:Cannons
1796:London
1726:Gideon
1354:Gloria
1163:Joshua
1121:Semele
1114:Samson
1083:Part I
1030:Esther
905:Imeneo
842:Alcina
828:Oreste
800:Catone
737:Admeto
695:Flavio
688:Ottone
599:Almira
591:Daphne
573:Operas
477:
215:masque
187:Esther
148:manual
123:psalms
64:Handel
1887:Audio
1791:Halle
1719:Nabal
1704:Other
1520:Flute
976:Comus
891:Serse
751:Siroe
646:Silla
639:Teseo
168:altos
1822:Will
1673:Opus
1609:367b
1604:367a
1589:364b
1584:364a
1579:363b
1574:363a
1554:359b
1549:359a
1526:and
1524:solo
1051:Saul
786:Ezio
779:Poro
507:2008
475:ISBN
405:2016
380:2008
346:2008
202:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
