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229:, D.H. Lawrence: History, Ideology and Fiction (Macmillan, 1982). A pioneer of "cultural Materialism", Holderness demonstrates "an interest in historical cultural change by evaluating contemporary television and film versions of Shakespeare's plays or by examining the image of Shakespeare fostered by our British educational system." In doing so, he seeks to counter "conservative views of early post-Second World War theatres and academics and to raise awareness that all textual appropriation and examination have a political dimension."
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166:, where he obtained a First Class Degree in English language and literature. and a postgraduate degree in 19th-century literature and society. He obtained an MPhil degree in literature from the Open University, and a PhD in drama from the University of Surrey. He also has a higher doctorate (D.Litt.) in English, and a doctorate in literature and theology. During his academic career he has taught at the
270:(Bloomsbury/Arden Shakespeare, 2011), which pairs critical chapters on biographical themes, with short stories on the same topic, written in styles as diverse as those of Dan Brown and Arthur Conan Doyle, Ernest Hemingway and Jonathan Swift. Extending these methods, and published in 2014, are
274:(Cambridge University Press, June 2014), which includes a story about Shakespeare's Richard II being performed on board the ship the Red Dragon during the Third Voyage of the East India Company, and a re-writing of
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cultural criticism, from his edited collection The
Shakespeare Myth (Manchester University Press, 1988) to Cultural Shakespeare (University of Hertfordshire Press, 2001) and Shakespeare and Venice (Ashgate,
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is a writer and critic who has published as author or editor 60 books, mostly on
Shakespeare, and hundreds of chapters and articles of criticism, theory and theology. He was one of the founders of British
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His more recent work has pioneered methods of critical-creative writing, exemplified by his innovative factual-fictional biography
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Holderness was born in
Meanwood, Leeds, where he was educated at local state schools, including Leeds Modern School. He attended
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by
Sulayman Al Bassam (Methuen Drama, 2014), and research in Christian literature and theology, in journals such as
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was published in 2001; his poetry collection Craeft received a Poetry Book
Society award in 2002; and his play
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was in 2011 performed at
Shakespeare's Globe, and by Royal Shakespeare Company actors in Stratford-upon-Avon.
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He is acknowledged as a formative contributor to a number of branches of
Shakespeare criticism and theory:
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He has published pioneering studies in Arabic adaptations of
Shakespeare, culminating in
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Re-writing Jesus: Christ in 20th
Century Fiction and Film (Bloomsbury, November 2014)
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Tales from
Shakespeare: Creative Collisions (Cambridge University Press, June 2014)
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Textual Shakespeare: Writing and the Word (University of Hertfordshire Press, 2003)
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282:(Bloomsbury, November 2014), which incorporates a new historical life of Jesus,
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Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms
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Nine Lives of William Shakespeare (Bloomsbury/Arden Shakespeare, 2011)
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study of Shakespeare in film and television, from his contribution to
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Graham Holderness is also a novelist, poet and dramatist. His novel
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The Prince of Denmark (University of Hertfordshire Press, 2001)
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D.H. Lawrence: History, Ideology and Fiction (Macmillan, 1982)
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Cultural Shakespeare (University of Hertfordshire Press, 2001)
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from the article and its talk page, especially if potentially
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Visual Shakespeare: (University of Hertfordshire Press, 2002)
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Holderness published the first full-length Marxist study of
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Holderness is General Editor of the peer-reviewed journal
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Black and Deep Desires: William Shakespeare Vampire Hunter
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Political Shakespeare (Manchester University Press, 1986)
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Re-writing Jesus: Christ in 20th Century Fiction and Film
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The Shakespeare Myth (Manchester University Press, 1988)
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textual theory and criticism, from his edited series
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182:criticism of Shakespeare's history plays, from
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452:by Sulayman Al Bassam (Methuen Drama, 2014)
364:Shakespeare: the Histories (Palgrave, 2001)
272:Tales from Shakespeare: Creative Collisions
440:, University of Toronto Press, 1993, p.23.
242:Journal for the Study of the New Testament
216:(University of Hertfordshire Press, 2003).
55:about living persons that is unsourced or
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126:Learn how and when to remove this message
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201:(Manchester University Press, 1986) to
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