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Gatteri's works, whether in oils or on paper, were always dramatic compositions, decorated with rich period costumes, brightly colored or bejeweled or shining armor. He has been criticized for taking excessive care to depict clean and bright surfaces, to render excessive detail, and thus to lose life
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force and truth of his outlines, the correct proportion of the figures, the spirit of the attitudes, the eloquence of expression in the faces, the fidelity of the costume, the happy arrangement of all the accessories, the grace and beauty of the groups and episodes, and the wonderful harmony of the
139:, there the son became a pupil of other painters, supported by a scholarship from the municipality of Trieste. Gatteri was described as a child prodigy; by the age of 11 he impressed members of the Minerva Society in Venice with his ability to improvise drawings of episodes from antiquity.
208:(Capodistria). The fresco on the ceiling depicts Apollo on a chariot. He decorated several cafes in Trieste. In a magnificent villa on the Via Ginnastica in Trieste he painted the ceiling of one of the rooms with a fresco 5 metres (16 ft) square depicting a youthful Emperor
154:, where again he was shown off at gatherings of the elite as a child prodigy. He greatly impressed the nobility by the speed and quality of his work and his sense for composition. In 1843 his father took him to Turin. He was received by King
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Giuseppe
Lorenzo Gatteri was born in Trieste on 18 September 1829. His father, also named Giuseppe Gatteri, was a well-known oil and fresco painter who had moved in 1824 to Trieste from Rivolto, near
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Later he was well known for his drawings and paintings in the romantic historical style, including numerous book illustrations. His frescoes decorate various buildings in
Trieste and surroundings.
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Gatteri illustrated several literary and historical books. After his return to
Trieste in 1857 he illustrated a biography of the sailor C. Costantini, a history of Trieste and a book of poems by
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150:'s tradition of warm color. He exhibited two pen drawings in the Trieste Society of Fine Arts in 1841, and three more the next year. In 1842 his father took Giuseppe Lorenzo to
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and spontaneity. Another critic has called him a scholar of costume and of theatrical decoration of dead ages, who failed to understand what his paintings depicted.
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Gatteri paints historic themes in the style of
Romanticism. The Revoltella Museum in Trieste contains many of his masterworks, including:
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Bulletin mensuel des publications étrangères reçues par le Département des imprimés de la
Bibliothèque nationale
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in
Trieste from 1873 to 1876. He was co-founder and the first chairman of an art association in 1884.
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268:(1884), thought to be his last work. His book illustrations were also important, including those for
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Joust in the Piazza St. Marco celebrating the recovery of Candia (1852)
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on horseback surrounded by heraldic symbols and lesser personages.
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Entertainment given by
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569:"Exhibitions at Brescia, Verona, Venice, &c. &c."
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Assault upon the
Shkodra Castle by Ottoman forces in the
100:(18 September 1829 – 1 December 1884) was an artist from
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135:. In 1840 his father took Giuseppe Lorenzo with him to
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620:(in Slovenian). Glasbena šola Koper. Archived from
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447:Printed in Venice in 1852 and reprinted in 1872.
142:Gatteri's teachers encouraged him to follow the
554:"Gatteri, Giuseppe Lorenzo <1829 - 1884>"
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307:Transport of the fleet over the mountains to
535:Leo and His Circle: The Life of Leo Castelli
389:A contemporary Art Journal lauded Gatteri's
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618:"Palača Gravisi-Barbabianca (1710–2010)"
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359:Sketch for Episode of the House of Savoy
266:Minerva awarded the Arts and the Virtues
254:Arrival of the Queen of Cyprus in Venice
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200:He decorated the ceremonial hall of the
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146:style of painting while respecting the
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219:Gatteri was appointed curator of the
590:(in Italian). Vol. 52. Trecanni
587:Dizionario Biografico degli Italiani
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185:. He prepared 150 drawings for a
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262:Cesare Borgia leaving the Vatican
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347:Generosity of the House of Savoy
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284:Chronological History of Trieste
556:(in Italian). Comune di Trieste
521:Bibliothèque nationale (1877).
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400:Exhibitions at Brescia... 1840
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371:Episode of the House of Savoy
193:. The plates were engraved by
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657:Painters from Austria-Hungary
527:(in Italian). C. Klincksieck.
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282:(1852) and Vincenzo Scussa's
603:"Gravisi Barbabianca Palace"
197:and other Venetian artists.
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582:"GATTERI, Giuseppe Lorenzo"
580:Fasolato, Patrizia (1999).
532:Cohen-Solal, Annie (2010).
457:Bibliothèque nationale 1877
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538:. Random House of Canada.
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481:Gravisi Barbabianca Palace
469:PalaÄŤa Gravisi-Barbabianca
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202:Gravisi-Barbabianca Palace
173:leaving the Vatican (1877)
156:Charles Albert of Sardinia
605:. Slovenian Tourist Board
573:The Art journal, Volume 2
210:Franz Joseph I of Austria
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575:. Virtue & co. 1840.
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335:The tumult of the Ciompi
98:Giuseppe Lorenzo Gatteri
23:Giuseppe Lorenzo Gatteri
243:Cretan Revolt (1866–69)
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667:People from Codroipo
662:Artists from Trieste
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238:Arcadian Holocaust
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505:Comune di Trieste
250:The Feast of Mary
241:– scene from the
221:Revoltella Museum
214:Empress Elizabeth
191:Francesco Zanotto
187:History of Venice
183:Friulian language
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280:Venetian History
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121:siege of Shkodra
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61:(1884-12-01)
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264:(1877) and
111:Early years
90:Romanticism
78:Nationality
641:Categories
628:2012-06-03
609:2012-06-03
594:2012-06-04
560:2012-06-04
413:References
309:Lake Garda
189:(1852) by
396:—
286:(1863).
260:(1872),
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212:and the
144:Romantic
129:Codroipo
86:Movement
514:Sources
294:Gallery
181:in the
102:Trieste
81:Italian
67:Trieste
45:Trieste
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311:(1852)
137:Venice
133:Friuli
377:Notes
270:Dante
206:Koper
152:Milan
540:ISBN
236:The
227:Work
56:Died
38:Born
272:'s
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