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Mariana has not seen her uncle in many years and she finds that she enjoys his company. She is accompanied by a mysterious, silent photographer, Elmyr, a foreigner male friend. The young couple shake up Luis's staid world. Mariana and Elmyr have a close relationship: they argue frequently, smoke drugs together, and it becomes evident that they are lovers. Spying on them, Luis discovers
Mariana and Elmyr having sex. Elmyr paints golden panties on Mariana's naked body.
29:
292:
and Elmyr having male lovers whom they bring to the house. One night, while
Mariana is out in the town, Luis expels Elmyr from the house after he discovers that Elmyr is a woman, finding her naked having sex with a young man. Mariana is initially very upset by her friend's departure, but calms down knowing that Elmyr is safe in
279:
Luis's isolation is suddenly interrupted by the unexpected arrival of his niece, Mariana. Young and wildly carefree, she claims that she had visited to interview her uncle about his autobiography. Her report will appear in the magazine where
Mariana works with her aunt, Soledad, Luis' estranged wife.
275:
to devote himself to reviewing his past, ruminating over his failed marriage and writing his memoirs. Suffering from a sense of guilt due to his political past, aligned with the
Francoist regime, he lives in virtual isolation in a large house with only his dog and Tesla, the housekeeper, for company.
299:
Worried about what he might say about her in his memoirs, Mari visits Luis and reveals that
Mariana is his daughter, conceived from their one-night-stand. Overwhelmed with guilt for his act of incest, Luis retires to his room and tries to commit suicide by shooting himself, but only manages to wound
287:
Flashbacks tell the story of Luis during his younger years. He was smitten with both Mari and
Soledad. He was at first courting Mari, but one dark night, he made love to Soledad thinking that she was her sister. The incident eventually led him to marry Soledad. Their marriage was not happy, in spite
283:
Mariana's mother, Mari, calls Luis to warn him that her daughter is with Elmyr, whom she describes as a drug addict with suicidal tendencies. She also tells Luis that
Soledad has died unexpectedly. There is no need for him to worry about the funeral arrangements since Soledad has already been buried
400:
was originally intended to be made cheaply using just a few interior settings. Aranda was able to increase the budget with money from
Venezuelan producers and added exterior locations to the script, thereby allowing him to film the action in a calculated chiaroscuro that alternates light and shadow
291:
As she offers to type the manuscript, Mariana realizes that her uncle has fabricated and altered several facts and events in his memoir. Slowly, Mariana's taunting and teasing breaks down Luis's barriers and she becomes more interested in him. Elmyr is also revealed to be female, with both
Mariana
229:. The plot follows a middle-aged writer as he is visited by his niece and her friend in hopes to cover a highly fabricated memoir he is writing, and he is caught up in their game of seduction as his lies are unraveled. The film was based upon the novel of the same title by Catalan author
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of
Soledad's efforts, and she ended up leaving him. Later on, Mari had a one-night stand with Luis at a time which she was drinking excessively. However, shortly after, she married José Maria Tey, Luis's close friend, and they later had Mariana.
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his hand. As Mariana and Mari go to help him, Luis asks Mariana if her mother told her that she is his daughter; she simply replies, "So what?" as she tends to his wound.
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explores the changing nature of a former fascist and is a reflection of
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Una vida de cine: PasiĂłn, UtopĂa, Historia: Lecciones de Vicente Aranda
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as an illustration of the truth and lies of the protagonist.
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352:Palmiro Aranda as the town's doctor
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361:Mercé Sans as Luis Forest's sister
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717:El Lute II: Tomorrow I'll be Free
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410:La Muchacha de las Bragas de Oro
343:JosĂ© MarĂa Lana as JosĂ© MarĂa Tey
916:Films directed by Vicente Aranda
523:. Pujol & Amado S L L,1989.
495:. Editorial Zumaque S.L., 2013.
398:La Muchacha de las Bragas de Oro
237:La Muchacha de las Bragas de Oro
214:La Muchacha de las Bragas de Oro
204:The Girl with the Golden Panties
67:La Muchacha de Las Bragas de Oro
22:La Muchacha de Las Bragas de Oro
667:Murder in the Central Committee
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901:Films based on Spanish novels
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891:1980s Spanish-language films
657:Girl with the Golden Panties
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271:writer, has retired to
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243:facing its past during
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340:Perla Vonasek as Elmyr
267:Luis Forest, an aging
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617:The Exquisite Cadaver
358:David DurĂĄn as David
318:as young Luis Forest
58:Mauricio Walerstein
886:Spanish drama films
777:The Turkish Passion
757:The Bilingual Lover
56:Santiago San Miguel
911:Films about incest
906:Films set in Spain
737:Riders of the Dawn
637:Clara is the Price
597:Brillante Porvenir
259:and in Barcelona.
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162:Running time
139:Release date
83:Carlos DurĂĄn
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787:Libertarias
380:Libertarias
166:101 minutes
78:Produced by
39:Directed by
881:1980 films
875:Categories
486:References
405:Home media
384:Juan Marsé
366:Production
330:Hilda Vera
326:as Mariana
231:Juan Marsé
193:Box office
150:1980-03-28
125:Manel Camp
99:Hilda Vera
72:Juan Marsé
435:MajarĂn,
370:Director
316:Pep Munné
269:Falangist
253:Venezuela
179:Venezuela
171:Countries
114:Edited by
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807:Jealousy
767:Intruder
478:, p. 117
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439:, p. 152
332:as Mari
196:âŹ658,676
185:Language
122:Music by
88:Starring
63:Based on
474:Stone,
209:Spanish
188:Spanish
148: (
860:(2009)
850:(2007)
840:(2006)
830:(2003)
827:Carmen
820:(2001)
810:(1999)
800:(1998)
790:(1996)
780:(1994)
770:(1993)
760:(1993)
750:(1991)
747:Lovers
740:(1990)
730:(1989)
720:(1988)
710:(1987)
700:(1986)
690:(1984)
680:(1984)
670:(1982)
660:(1980)
650:(1976)
640:(1974)
630:(1972)
620:(1969)
610:(1965)
600:(1964)
527:
513:
499:
461:Vera,
448:Vera,
273:Sitges
257:Sitges
245:Franco
420:Notes
414:Spain
294:Ibiza
249:Spain
241:Spain
175:Spain
547:IMDb
525:ISBN
511:ISBN
497:ISBN
304:Cast
263:Plot
251:and
225:and
545:at
394:).
70:by
877::
428:^
233:.
211::
575:e
568:t
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207:(
152:)
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