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1918. The remaining drawings were exhibited later in London and were described as having "a freshness and authenticity that were not always apparent in the works of the official war artists." Unfortunately, many of these were destroyed by enemy action during the Second World War. He left the regiment at the end of the war but rejoined it in 1921 when the battalion was stationed at
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The portfolio contained: a brief biography of Pryse, an illustration of Pryse at work in his studio and an explanation of his method of working accompanied by a plate showing an illustration typical of his work and five other plates showing its production stages. Pryse's sepia-wash illustration shows
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By the end of 1916, Pryse had made an application to become a war artist, and towards the end of the war, was granted permission to sketch at the front and he was able to record the conditions of trench warfare in numerous water-colour drawings, but many of these were lost in the German offensive of
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He worked in
Hammersmith from 1914 to 1925, but in 1925 travelled to Morocco and observed some of the fighting there against the French. He returned to the country and lived there for some years after 1950. Pryse was commissioned in 1924 to create a series of lithographs for the
94:(1914). This was based in his time in France and Belgium at the beginning of the war when he drove around in a Mercedes carrying lithographic stones in the back. He served as a dispatch rider for the Belgian government and was present at the
197:, later a landscape artist, became an art student against her father's wishes. He died at Cranford House, Stourton, Worcestershire on 28 November 1956 aged 74.
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in London, as well as for the Labour Party, The
British Red Cross, and for the Empire Marketing Board. One of his most famous posters, entitled
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58:, Pryse studied in London and Paris, and first won a prize at the Venice International Exhibition in 1907. In the same year, he joined the
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193:. In 1932 he married Muriel Anstace Theodora, daughter of the Rev. Laurence Farrall, and they had three daughters, one of whom,
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66:, a periodical of literature and the fine arts; the journal was printed in lithography. He was a regular exhibitor at the
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Pryse wrote an article on his experiences in the region: "Through the lines to Abd-El-Krim's
Stronghold in the Rif,"
160:, shows a regiment of British soldiers marching through a ruined town. Pryse was one of the illustrators selected by
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During the Great War, Pryse produced a considerable body of lithographic work, some of it in colour under the title
118:. Pryse also worked with the Indian Army in France and several of his lithographs depict scenes of Indian troops.
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406:"Spencer Pryse: Spencer Pryse and His Work: The Art of the Illustrator (Limited Edition Prints)"
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The Fall of Ostend: the digue during the embarkation of the Naval
Division for Antwerp
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During the war, he also designed a number of posters including several published by
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Four Days: an account of a journey in France made between 28 and 31 August 1914
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The
History & Records of Queen Victoria's Rifles 1792–1922
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The
Retreat of the Seventh Division and Third Cavalry on Ypres
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Later, he served as a captain in the Queen
Victoria's Rifles,
102:, published by John Lane in 1932. Pryse also saw some of the
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The
Connoisseur: An Illustrated Magazine for Collectors
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illustrating the extent and variety of life within the
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British cavalry bivouac during the battle on the Aisne
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478:Harrington, Peter, "The Great War's Human Plight",
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98:. The artist wrote a memoir of this time entitled
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492:Wood, T. M., "Mr. Spencer Pryse's Lithographs,"
154:Underground Electric Railways Company of London
480:MHQ: The Quarterly Journal of Military History
110:but was back in Belgium to record the fall of
410:Illustration Art Gallery with The Book Palace
220:The Third Cavalry in Ghent, 12 December 1914
187:art competitions at the 1928 Summer Olympics
507:3 artworks by or after Gerald Spencer Pryse
292:. London, Garton & Co., 1992, page 69
269:two standing, almost-naked, young women.
114:and the subsequent retirement along the
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620:Olympic competitors in art competitions
240:Indians and Motor Buses near Poperinghe
145:for three months during a coal strike.
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541:, with 4 library catalogue records
526:Works by or about Gerald Spencer Pryse
304:, 1957; see also Keeson, C.A. (1923).
610:British Army personnel of World War I
565:Military personnel from Staffordshire
42:(1882–1956) was a British artist and
210:The Fall of Ostend: La Gare Maritime
489:, 28 August 1915, pp. 305–308.
344:obituary, 30 November 1956, page 10
332:obituary, 30 November 1956, page 10
320:obituary, 30 November 1956, page 10
225:Antwerp Grand Place, September 1914
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473:Catalogue 56 : September 1993
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308:. London: Constable, pp. 327–358.
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123:King's Royal Rifle Corps
26:Bathers by the Atlantic
444:"Gerald Spencer Pryse"
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230:Fugitives in Soissons
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191:1932 Summer Olympics
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539:Library of Congress
203:The Autumn Campaign
195:Tessa Spencer Pryse
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521:Project Gutenberg
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150:Frank Pick
116:River Yser
448:Olympedia
415:22 August
386:12 August
50:Biography
189:and the
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