69:
The process was slow in development and even slower in gain acceptance in the art world. At the turn of the century, it began to flower and to be considered as an art form in its own right. The principles of lithography are still in practice around the world today. The club provided a forum for the
70:
artists to meet and exchange information on this heretofore semi-secret process. Further, it provided a means to instruct artists and their patrons that lithography was an art as well as a craft.
315:
81:, and James Kerr-Lawson called a meeting to form a society for the artist lithographer and in the following year, the Senefelder Club was formed.
78:
55:
is an organization formed in London in 1909 to promote the craft of art reproduction by the process of
114:
102:
90:
74:
142:
126:
157:
98:
86:
8:
177:
110:
153:, who was then Chairman. The Group seems to have held their last exhibition in 1961.
130:
213:
138:
63:
85:
was elected
President and Hartrick, Jackson and Kerr-Lawson formed the Committee.
122:
160:
was an enthusiastic supporter and member of the club's committee in the 1920s.
146:
118:
94:
82:
309:
239:
201:
150:
134:
106:
137:. In 1958 the Club was renamed the Senefelder Group when members included
56:
302:'The Adventures of an Illustrator' by Joseph Pennell, 1925, p. 169
217:
33:
43:
275:
The
Senefelder Group 1910-1960. An Exhibition of Lithographs
125:
and many other notable artists. Foreign members included
66:, who in 1796 invented the lithographic process.
307:
93:soon joined (and married in 1913), followed by
316:Arts organisations based in the United Kingdom
156:The British watercolorist and lithographer
291:Archibald Standish Hartrick, BM, RSW, OBE
269:
267:
265:
263:
261:
244:The Senefelder Club of the North Country
308:
258:
273:Trivick, H. (1961). Introduction in
13:
284:
237:
14:
327:
62:The club was named in honor of
231:
194:
170:
1:
163:
7:
212:(11): 420. September 1915.
10:
332:
39:
29:
21:
277:, London: Arts Council
293:by Lester J. Hartrick
202:"The Senefelder Club"
158:Anthony Raine Barker
117:, Claude Sheperson,
111:William Rothenstein
18:
182:www.artbiogs.co.uk
127:Théophile Steinlen
16:
240:"Senefelder Club"
178:"Senefelder Club"
131:Jean-Louis Forain
49:
48:
323:
278:
271:
256:
255:
253:
251:
235:
229:
228:
226:
224:
218:10.2307/20561533
206:Art and Progress
198:
192:
191:
189:
188:
174:
139:Edward Ardizzone
89:(1875-1950) and
64:Aloys Senefelder
19:
15:
331:
330:
326:
325:
324:
322:
321:
320:
306:
305:
287:
285:Further Sources
282:
281:
272:
259:
249:
247:
238:Bailey, Roger.
236:
232:
222:
220:
200:
199:
195:
186:
184:
176:
175:
171:
166:
123:Edmund Blampied
115:C.W.R. Nevinson
103:Charles Shannon
53:Senefelder Club
17:Senefelder Club
12:
11:
5:
329:
319:
318:
304:
303:
300:
294:
286:
283:
280:
279:
257:
246:. Roger Bailey
230:
193:
168:
167:
165:
162:
147:Phyllis Ginger
119:E. J. Sullivan
95:Frank Brangwyn
83:Joseph Pennell
75:Ernest Jackson
47:
46:
41:
37:
36:
31:
27:
26:
23:
9:
6:
4:
3:
2:
328:
317:
314:
313:
311:
301:
299:Roe and Moore
298:
297:Artists Index
295:
292:
289:
288:
276:
270:
268:
266:
264:
262:
245:
241:
234:
219:
215:
211:
207:
203:
197:
183:
179:
173:
169:
161:
159:
154:
152:
151:Henry Trivick
148:
144:
140:
136:
135:Henri Matisse
132:
128:
124:
120:
116:
112:
108:
107:Augustus John
104:
100:
99:Spencer Pryse
96:
92:
88:
84:
80:
79:A.S. Hartrick
76:
71:
67:
65:
60:
58:
54:
45:
42:
38:
35:
32:
28:
24:
20:
296:
290:
274:
250:17 September
248:. Retrieved
243:
233:
223:17 September
221:. Retrieved
209:
205:
196:
185:. Retrieved
181:
172:
155:
143:James Fitton
91:Ethel Gabain
72:
68:
61:
52:
50:
40:Headquarters
87:John Copley
57:lithography
187:2018-09-17
164:References
73:In 1909,
22:Formation
310:Category
34:The Arts
133:, and
44:London
252:2018
225:2018
149:and
51:The
30:Type
25:1909
214:doi
312::
260:^
242:.
208:.
204:.
180:.
145:,
141:,
129:,
121:,
113:.
109:,
105:,
101:,
97:,
77:,
59:.
254:.
227:.
216::
210:6
190:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.