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145:(29 January 1872 – 14 February 1945) was an English painter, printmaker, draughtsman, lecturer, and writer on art. Though he covered many subjects – ranging from landscapes in France to representations of Jewish synagogues in London – he is perhaps best known for his work as a war artist in both
1161:'The KING has been graciously pleased to signify His Majesty's intention of conferring the Honour of Knighthood on the following ...Professor William Rothenstein, M.A., Hon., A.R.C.A. Principal, Royal College of Art. For several years Professor of Civic Art, Sheffield University'
566:. Moore was later to write that Rothenstein "gave me the feeling that there was no barrier, no limit to what a young provincial student could get to be and do". Rothenstein was a master of lobbying and advocacy for his students, notably when, thanks to his efforts,
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from 1920 to 1935. He was knighted in 1931 for his services to art. In March 2015 'From
Bradford to Benares: the Art of Sir William Rothenstein', the first major exhibition of Rothenstein's work for over forty years, opened at Bradford's
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gallery, Bradford. Most of
Rothenstein's interiors feature members of his family, especially his wife Alice. Reminiscent of Dutch painting (particularly Vermeer and Rembrandt), they are similar in style to contemporary works by
389:, whose growing reputation in England owed much to Rothenstein's friendship. Rothenstein's role as artistic manager of the gallery was abandoned in 1901, whereupon the firm came under the management of his close friend
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The style and subject of
Rothenstein's paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include
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Rothenstein maintained a lifelong fascination for Indian sculpture and painting, and in 1910 set out on a seminal tour of the subcontinent's major artistic and religious sites. This began with a visit to
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In 1893 Rothenstein returned to
Britain to work on "Oxford Characters" a series of lithographic portraits, eventually published in 1896 Other portrait collections by the artist include
393:. Ross left in 1908, leaving the gallery in the hands of longtime financial manager Arthur Clifton. Under Clifton the gallery was the home for all three exhibitions of the
221:, were also heavily involved in the arts. Charles (1866–1927), who followed his father into the wool trade, was an important collector – and left his entire collection to
412:. This painting continues to be one of his best-known and most critically acclaimed works, and was the subject of a recent in-depth study published by the Tate Gallery.
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542:, inscribed 'To F Derwent Wood – Homage from W Rothenstein, 1921'. Wood was Professor of Sculpture at the Royal College of Art when Rothenstein was Principal.
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149:, his portraits, and his popular memoirs, written in the 1930s. More than two hundred of Rothenstein's portraits of famous people can be found in the
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Nicholas
Usherwood, 'Rothenstein, (William) Michael Francis (1908–1993)', Oxford Dictionary of National Biography, Oxford University Press, 2004
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in 1925. Albert (1881–1953) was a painter, illustrator and costume designer. Both brothers changed their surname to
Rutherston during the
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and many other friends of
Rothenstein's, including Max Beerbohm, James Whistler, Paul Verlaine, Edgar Degas, and John Singer Sargent.
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as visiting lecturers. In due course, those students who built successful careers were invited back to the college to lecture.
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Rupert
Richard Arrowsmith, "An Indian Renascence and the rise of global modernism: William Rothenstein in India, 1910–11"
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In 2011 the BBC and the Public
Catalogue Foundation began cataloguing all of his paintings in public ownership online.
578:. After being appointed, he introduced greater informality and was permitted to appoint practising artists, including
369:(later innkeeper of the Spread Eagle in Thame). During its early years the gallery was closely associated with artists
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511:. He subsequently contributed a chapter on their importance to the published edition. The trip ended with a stay in
483:, who became Rothenstein's brother-in-law in 1901, marrying Alice's sister Grace. Other notable interiors include
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Samuel Shaw (ed.), In Focus: The Doll’s House 1899–1900 by
William Rothenstein, Tate Research Publication, 2016,
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also holds a large collection of his paintings, prints and drawings. Rothenstein served as Principal at the
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Alan Wilkinson, ed. "Henry Moore: Writings and Conversation" University of California Press, 2002. p.47
459:. During this period Rothenstein worked on a series of important paintings in the predominantly Jewish
463:, some of which were included in the influential 1906 exhibition of Jewish Art and Antiquaries at the
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Men and Memories: Recollections, 1872-1938, Abridged with Introduction and Notes by Mary Lago (1978)
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Another feature of this period are the celebrated interiors he painted, the most famous of which is
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He married Alice Knewstub in 1899 with whom he had four children: John, Betty, Rachel and Michael.
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214:. Soon afterwards he married Bertha Dux and they had six children, of whom William was the fifth.
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877:"Samuel Shaw, 'The Carfax Gallery and the Camden Town Group' (The Camden Town Group in Context)"
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In 1898–99 he co-founded the Carfax Gallery (or Carfax & Co) in St. James' Piccadilly with
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Max and Will: Max Beerbohm and William Rothenstein, their friendship and letters, 1893–1945.
740:, "The Vasari of British Art: Sir John Rothenstein... and the Importance of Wyndham Lewis",
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210:. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning
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later gained fame as an art historian and art administrator (he was Director of the
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British painter, printmaker, draughtsman, lecturer and writer on art (1872–1945)
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Men and Memories: Recollections, Vol. I (1872-1900) and Vol. II (1900-1922)
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Imperfect Encounter: Letters of William Rothenstein and Rabindranath Tagore
849:"'Equivocal Positions': The Influence of William Rothenstein, c. 1890–1910"
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to revive the techniques and aesthetics of traditional Indian painting.
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Twenty-Four Portraits: With Critical Appreciations by Various Hands
447:. Amongst the young artists to visit Rothenstein in Hampstead were
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Rothenstein wrote several critical books and pamphlets, including
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UNCG American Publishers' Trade Bindings: Sir William Rothenstein
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606:(1932). During the 1930s he published three volumes of memoirs:
280:. While in Paris he also befriended the Anglo-Australian artist
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William Rothenstein – Short Biography at Yellow Nineties Online
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770:"National Portrait Gallery – Person- Sir William Rothenstein"
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From Bradford to Benares. The Art of Sir William Rothenstein
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William Rothenstein: The Portrait of an Artist in his Time
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William Rothenstein: the Portrait of an Artist in his Time
331:(1937). In Oxford he met and became a close friend of the
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were commissioned to paint a mural in the dining room of
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from 1920 to 1935, where he encouraged figures including
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in Paris (1889–1893), where he met and was encouraged by
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International Society of Sculptors, Painters and Gravers
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In 1900 Rothenstein won a silver medal for his painting
346:(1919). During the 1890s Rothenstein exhibited with the
695:"Manchester City Galleries – History of the Collection"
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Libraries. Personal papers of a Rothenstein scholar.
428:(1907) – all of which are owned by the Tate Gallery.
397:, led by Rothenstein's friend and close contemporary
642:dedicated his Nobel Prize winner poetry collection
598:(1900; the first English monograph on the artist),
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744:, vol. CXXXII, no. 345 (November 1990), pp. 322–26
600:A Plea for a Wider Use of Artists & Craftsmen
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342:, who later immortalised him in the short story
1477:People associated with the Royal College of Art
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284:, with whom he shared a studio in Montmartre.
1181:by Rabindranath Tagore published by Macmillan
240:from 1938 to 1964 and was knighted in 1952).
1290:111 artworks by or after William Rothenstein
803:(online ed.). Oxford University Press.
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1078:, vol.152 no.1285 (April 2010), pp.228–235.
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435:, London, where his social circle included
431:Between 1902 and 1912 Rothenstein lived in
260:, London (1888–93), where he was taught by
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507:making watercolour copies of the ancient
1236:Since Fifty: Men and Memories, 1922-1938
1222:Summer's Lease: Autobiography 1901–1938
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1467:English people of German-Jewish descent
1265:(Bradford Museums and Galleries, 2015)
1251:, George Allen & Unwin Ltd., (1920)
1149:, ed. Hart-Davis, R. Oxford, 1979, p105
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800:Oxford Dictionary of National Biography
697:. Manchestergalleries.org. 22 June 2006
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1442:Alumni of the Slade School of Fine Art
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256:at the age of sixteen to study at the
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497:the ancient Buddhist caves of Ajanta
217:William's two brothers, Charles and
190:William Rothenstein was born into a
1279:, Ben Uri Gallery and Museum (2016)
1206:Lago, Mary, and Karl Beckson, eds.
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1277:William Rothenstein and His Circle
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301:Rothenstein's portrait drawing of
182:Sir William Rothenstein, photo by
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1427:20th-century English male artists
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385:. It also exhibited the work of
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608:Men and Memories, Vol I and II
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1432:20th-century English painters
1422:19th-century English painters
1231:(1931 and 1932, respectively)
1168:. 6 January 1931. p. 13.
1060:(c.1909) Your Paintings. BBC.
1046:(c.1910) Your Paintings. BBC.
930:Terry Riggs (December 1997).
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1147:Oscar Wilde Selected Letters
998:Jews Mourning at a Synagogue
962:Terry Riggs (January 1998).
817:UK public library membership
426:Jews Mourning at a Synagogue
350:and contributed drawings to
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7:
1057:Mother and Child, Candlight
847:Samual Shaw (August 2010).
772:. National Portrait Gallery
489:Mother and Child, Candlight
244:was a talented printmaker.
170:in London later that year.
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683:. Eyre & Spottiswoode.
501:Lady Christiana Herringham
1472:English portrait painters
618:includes anecdotes about
616:Men and Memories Volume I
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312:Rothenstein's drawing of
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278:Henri de Toulouse-Lautrec
206:where he was educated at
151:National Portrait Gallery
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1275:MacDougall, Sarah, ed.,
1042:Spring, The Morning Room
755:accessed 30 January 2014
679:Robert Speaight (1962).
648:to William Rothenstein.
485:Spring, The Morning Room
204:West Riding of Yorkshire
184:George Charles Beresford
100:Slade School of Fine Art
68:West Riding of Yorkshire
42:George Charles Beresford
1075:The Burlington Magazine
522:He was a member of the
254:Bradford Grammar School
208:Bradford Grammar School
164:Cartwright Hall Gallery
143:Sir William Rothenstein
96:Bradford Grammar School
1437:Académie Julian alumni
1309:University of Missouri
1247:Rothenstein, William,
1241:Rothenstein, William.
1234:Rothenstein, William.
1227:Rothenstein, William.
1193:. Your Paintings. BBC.
1126:. Thames &Hudson.
1031:. Your Paintings. BBC.
809:10.1093/ref:odnb/35842
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410:Exposition Universelle
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270:James McNeill Whistler
223:Manchester Art Gallery
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1462:English male painters
1447:Artists from Bradford
794:"William Rothenstein"
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474:(1900), now owned by
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1492:World War II artists
1321:, Harvard University
1305:Mary Lago Collection
1122:Andy Friend (2017).
1099:on 22 November 2020.
1027:The Browning Readers
994:Terry Riggs (1998).
919:accessed 13 May 2016
548:Royal College of Art
540:Francis Derwent Wood
530:Royal College of Art
517:Abanindranath Tagore
499:, where he observed
472:The Browning Readers
348:New English Art Club
159:Royal College of Art
1487:World War I artists
1452:British war artists
1332:William Rothenstein
1220:Rothenstein, John.
1191:William Rothenstein
1124:Ravillious & Co
791:Lago, Mary (2004).
717:"Albert Rutherston"
640:Rabindranath Tagore
465:Whitechapel Gallery
375:Philip Wilson Steer
258:Slade School of Art
242:Michael Rothenstein
28:William Rothenstein
934:Parting at Morning
856:University of York
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461:East End of London
418:Parting at Morning
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1271:978 0 9466 5767 4
1166:Edinburgh Gazette
1133:978-0-500-23955-1
1093:Abbott and Holder
815:(Subscription or
538:Chalk drawing of
395:Camden Town Group
321:English Portraits
252:Rothenstein left
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604:Whither Painting
422:Mother and Child
406:The Doll's House
379:Charles Ricketts
325:Twelve Portraits
314:Aubrey Beardsley
234:John Rothenstein
212:textile industry
153:collection. The
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262:Alphonse Legros
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1412:1945 deaths
1407:1872 births
626:Recognition
620:Oscar Wilde
612:Since Fifty
602:(1916) and
564:Henry Moore
437:H. G. Wells
424:(1903) and
391:Robert Ross
327:(1929) and
274:Edgar Degas
1401:Categories
1089:"The List"
1011:25 October
1009:Retrieved
979:25 October
977:Retrieved
947:25 October
945:Retrieved
886:19 January
861:25 October
819:required.)
776:5 February
723:19 January
701:19 January
655:References
491:(c.1909).
264:, and the
198:family in
147:world wars
56:1872-01-29
1179:Gitanjali
1005:Tate Etc.
973:Tate Etc.
941:Tate Etc.
906:Tate Etc.
645:Gitanjali
638:in 1931.
580:Paul Nash
560:U Ba Nyan
457:Paul Nash
433:Hampstead
359:The Savoy
248:Education
92:Education
70:, England
881:Tate Etc
632:knighted
513:Calcutta
509:frescoes
420:(1891),
337:parodist
323:(1898),
200:Bradford
126:Children
113:Painting
64:Bradford
1307:at the
1210:(1975).
1000:(1907)"
968:(1903)"
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634:in the
408:at the
168:Ben Uri
135:Michael
44:in 1920
1294:Art UK
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1258:(1962)
1238:(1939)
1224:(1965)
1217:(1972)
1130:
1029:(1900)
813:
742:Apollo
590:Writer
293:Artist
288:Career
219:Albert
196:Jewish
192:German
186:, 1902
118:Spouse
1371:Texts
1354:Media
852:(PDF)
1388:Data
1296:site
1267:ISBN
1128:ISBN
1013:2015
981:2015
949:2015
888:2014
863:2015
778:2009
725:2014
703:2014
610:and
596:Goya
582:and
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76:Died
50:Born
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