1192:
1385:
783:
1346:
1369:
1428:
1466:
1443:
2406:
1409:
1173:
1235:
1261:
1311:
1211:
69:
1326:
1036:
769:
874:
1285:
1150:
38:
556:
85:
692:
53:
1491:
406:
633:
811:
or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Interior decoration was generally chaste; however, walls often became lined with plaques and monuments to the more prosperous members of the congregation.
534:. The Georgian terraces of Dublin are noted for their almost uniform use of red brick, for example, whereas equivalent terraces in Edinburgh are constructed from stone. In America and other colonies wood remained very common, as its availability and cost-ratio with the other materials was more favourable. Raked roofs were mostly covered in earthenware tiles until
891:. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an oversized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally.
728:, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold.
858:
in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came
810:
was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one
679:
In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for
739:
compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of
Central London, but were
703:
Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such
675:
Smaller houses in the country, such as vicarages, were simple regular blocks with visible raked roofs, and a central doorway, often the only ornamented area. Similar houses, often referred to as "villas" became common around the fringes of the larger cities, especially London, and detached houses in
574:
architecture. Houses were increasingly placed in grand landscaped settings, and large houses were generally made wide and relatively shallow, largely to look more impressive from a distance. The height was usually highest in the centre, and the
Baroque emphasis on corner pavilions often found on the
245:
in front of the house. There was an enormous amount of building in the period, all over the
English-speaking world, and the standards of construction were generally high. Where they have not been demolished, large numbers of Georgian buildings have survived two centuries or more, and they still form
612:
Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much
585:
floor where the main reception rooms were. Typically the basement area or "rustic", with kitchens, offices and service areas, as well as male guests with muddy boots, came some way above ground, and was lit by windows that were high on the inside, but just above ground level outside. A single block
289:
A similar phenomenon can be seen in the commonality of housing designs in Canada and the United States (though of a wider variety of styles) from the 19th century through the 1950s, using pattern books drawn up by professional architects that were distributed by lumber companies and hardware stores
822:
in London (1720), by Gibbs, who boldly added to the classical temple façade at the west end a large steeple on top of a tower, set back slightly from the main frontage. This formula shocked purists and foreigners, but became accepted and was very widely emulated, at home and in the colonies, for
269:
The period saw the growth of a distinct and trained architectural profession; before the mid-century "the high-sounding title, 'architect' was adopted by anyone who could get away with it". This contrasted with earlier styles, which were primarily disseminated among craftsmen through the direct
201:. Ornament is also normally in the classical tradition, but typically restrained, and sometimes almost completely absent on the exterior. The period brought the vocabulary of classical architecture to smaller and more modest buildings than had been the case before, replacing English
684:. This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Often, when a new street or set of streets was developed, the road and pavements were raised up, and the gardens or
181:
is generally used to describe all buildings from the period, regardless of style; in
Britain it is generally restricted to buildings that are "architectural in intention", and have stylistic characteristics that are typical of the period, though that covers a wide range.
760:, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect".
910:
style that it replaced, which was mostly used for palaces and churches, and had little representation in the
British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine
213:(uniformly cut) stonework, was strongly approved, imbuing symmetry and adherence to classical rules: the lack of symmetry, where Georgian additions were added to earlier structures remaining visible, was deeply felt as a flaw, at least before
597:, which was in force throughout the period in Great Britain. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small
208:
Georgian architecture is characterized by its proportion and balance; simple mathematical ratios were used to determine the height of a window in relation to its width or the shape of a room as a double cube. Regularity, as with
1345:
814:
In the colonies new churches were certainly required, and generally repeated similar formulae. British Non-conformist churches were often more classical in mood, and tended not to feel the need for a tower or steeple.
1191:
1384:
859:
to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors".
1172:
1094:
or Neo-Georgian development of the early 20th century in
Britain. Versions of the Neo-Georgian style were commonly used in Britain for certain types of urban architecture until the late 1950s,
270:
experience of the apprenticeship system. But most buildings were still designed by builders and landlords together, and the wide spread of
Georgian architecture, and the Georgian styles of
1427:
1068:
In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the
1368:
1210:
1442:
1234:
1260:
1110:
were among the few architects who continued the neo-Georgian style into the 1960s. Both in the United States and
Britain, the Georgian style is still employed by architects like
1284:
1408:
629:, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure.
2665:
971:
embraced
Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century.
3269:
2842:
1061:, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the
1003:
802:
and Roman
Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for
2012:
217:
began to introduce it in a variety of styles. Regularity of housefronts along a street was a desirable feature of Georgian town planning. Until the start of the
448:
supporters of the new dynasty, seems to have deliberately adopted German stylistic elements in their honour, especially vertical bands connecting the windows.
3204:
1065:
of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols.
1325:
1007:
2862:
2434:
2292:
1673:
798:, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for
2454:
850:
Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget.
834:
The 1818 Act allocated some public money for new churches required to reflect changes in population, and a commission to allocate it. Building of
601:
desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the
2658:
2550:
1465:
1741:
2484:
2414:
1149:
838:
gathered pace in the 1820s, and continued until the 1850s. The early churches, falling into the Georgian period, show a high proportion of
656:
continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror.
147:
3482:
2651:
2439:
1537:, an 18th- and 19th-century development that contains some of the largest surviving examples of Georgian-style architecture and layout.
614:
3365:
2718:
2405:
660:
ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings,
440:
became very common for wealthy patrons in the period, and Italian influence remained dominant, though at the start of the period
73:
2034:
613:
less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The
3477:
2743:
756:
gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of
1680:
782:
3467:
2997:
2545:
2285:
380:
17:
205:(or becoming the new vernacular style) for almost all new middle-class homes and public buildings by the end of the period.
3330:
2464:
1351:
945:
1310:
3405:
2930:
2733:
586:
was typical, with perhaps a small court for carriages at the front marked off by railings and a gate, but rarely a stone
1996:
3487:
2955:
2945:
2540:
2429:
535:
3315:
2674:
2241:
2117:
2100:
1650:
1576:
28:
3415:
3385:
3002:
2634:
2494:
2278:
2071:
992:
511:
was added to the repertory, beginning around 1750, but increasing in popularity after 1800. Leading exponents were
357:; this in fact continued into at least the 1720s, overlapping with a more restrained Georgian style. The architect
3375:
2987:
2449:
1202:
445:
3457:
3325:
2710:
2504:
2200:
2162:
2134:
2083:
1509:
1471:
1302:
828:
824:
112:
1997:
Elizabeth McKellar, Professor of Architectural and Design History at the Open University (30 September 2016).
3462:
3395:
3370:
2935:
2925:
2920:
2748:
2360:
1998:
1069:
1030:
799:
163:
3380:
3340:
2992:
2960:
2489:
924:
480:
3390:
3355:
3345:
2965:
2819:
2499:
2469:
2330:
1433:
1054:
900:
668:
of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and
593:
Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize
512:
441:
241:
became the norm. Even the wealthy were persuaded to live in these in town, especially if provided with a
3078:
3007:
2950:
2867:
2809:
2535:
2525:
2474:
2424:
2061:
2057:
877:
508:
451:
The styles that resulted fall within several categories. In the mainstream of Georgian style were both
350:
190:
124:
104:
1072:. The revived Georgian style that emerged in Britain during the same period is usually referred to as
1053:
After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including
3410:
3360:
3350:
3063:
2786:
2781:
2530:
2263:
1913:
1047:
988:
928:
637:
516:
492:
472:
429:
409:
120:
2970:
2837:
2618:
2479:
2340:
2315:
1298:
835:
795:
488:
198:
3400:
3335:
3320:
3305:
3083:
2910:
2814:
2791:
2301:
1457:
1095:
819:
772:
725:
539:
425:
294:
202:
3310:
3048:
3028:
2829:
2520:
2395:
2385:
2375:
2370:
1540:
1449:
1316:
1217:
1058:
968:
567:
464:
452:
302:
186:
361:
was a transitional figure, his earlier buildings are Baroque, reflecting the time he spent in
3472:
3436:
3431:
3174:
3134:
2575:
2345:
1399:
1395:
1252:
1130:
for private residences. A debased form in commercial housing developments, especially in the
987:
worked on a significant number of remarkable constructions in the Georgian style such as the
912:
571:
500:
375:
214:
2013:"New Book Neo-Georgian Architecture 1880-1970: A Reappraisal by Julian Holder and Elizabeth"
1566:
3154:
2895:
2847:
2776:
1414:
1391:
1062:
972:
957:
907:
868:
855:
504:
433:
1640:
185:
The Georgian style is highly variable, but marked by symmetry and proportion based on the
8:
3098:
3058:
2940:
2915:
2905:
2700:
2325:
1534:
1496:
1290:
1244:
1035:
681:
559:
456:
306:
259:
108:
68:
61:
3053:
3038:
2900:
2889:
2593:
2588:
2444:
2335:
1546:
1514:
1355:
1085:
896:
741:
354:
234:
194:
77:
2320:
960:
represented the equivalent of Regency architecture, with which it had much in common.
676:
towns remained common, though only the very rich could afford them in central London.
3088:
2753:
2390:
2350:
2237:
2158:
2130:
2113:
2096:
2079:
2030:
1646:
1572:
1123:
953:
892:
873:
768:
749:
283:
2643:
688:
behind the houses remained at a lower level, usually representing the original one.
575:
continent generally avoided. In grand houses, an entrance hall led to steps up to a
3234:
3129:
3033:
2139:
1677:
1519:
1375:
1359:
1178:
1043:
704:
arrangements were only typical in England when housing groups of batchelors, as in
338:
116:
57:
34:
Architectural styles current in the English-speaking world between c. 1714 and 1830
2738:
2598:
2555:
2355:
2258:
1746:
1684:
1524:
1475:
1271:
1182:
1127:
1115:
1107:
940:
887:
Georgian architecture was widely disseminated in the English colonies during the
713:
665:
392:
334:
255:
222:
45:
652:
Inside ornament was far more generous, and could sometimes be overwhelming. The
3219:
2977:
2852:
2693:
2608:
2150:
1599:
1275:
1240:
1198:
1155:
1081:
1039:
851:
839:
787:
753:
542:
from the 1760s, which by the end of the century had become the usual material.
370:
238:
218:
143:
93:
3451:
3244:
3239:
3159:
3149:
2166:
2122:
2105:
2088:
1529:
1119:
1111:
1103:
1077:
732:
709:
696:
399:
346:
342:
242:
3229:
3068:
3023:
2723:
2570:
1504:
1294:
888:
653:
577:
384:
275:
233:
In towns, which expanded greatly during the period, landowners turned into
2270:
503:
was one of the most prolific architects of the late Georgian era known as
225:
and employed a decorative vocabulary derived from ancient Rome or Greece.
37:
3279:
3264:
3214:
3164:
2982:
2857:
2583:
1332:
1267:
1248:
1163:
1159:
1057:, that had originated in the Georgian period, developed and contested in
984:
776:
657:
641:
602:
555:
484:
476:
460:
417:
413:
358:
162:. The style was revived in the late 19th century in the United States as
89:
84:
1722:
Summerson, see index on all these; Jenkins (2003), xv–xiv; Musson, 28–35
752:
are among the areas contesting being the original home of the semi. Sir
691:
3254:
3209:
3093:
2771:
2603:
2580:
2459:
2380:
1453:
932:
745:
645:
618:
594:
496:
437:
388:
365:
in the early 18th century, but he adjusted his style after 1720. Major
135:, who reigned in continuous succession from August 1714 to June 1830.
128:
52:
3259:
3199:
3144:
3073:
3043:
2613:
2565:
2560:
999:
916:
803:
717:
669:
661:
587:
582:
366:
318:
310:
298:
279:
251:
139:
132:
42:
293:
From the mid-18th century, Georgian styles were assimilated into an
3124:
2885:
1336:
1221:
1090:
980:
920:
721:
716:
after it was converted in 1802. In the period in question, only in
705:
685:
626:
622:
322:
221:
in the early 19th century, Georgian designs usually lay within the
1185:, a relatively unornamented iteration of the Georgian style (1750)
3179:
3139:
1418:
1225:
1099:
976:
903:
offer leading examples of Georgian architecture in the Americas.
598:
527:
405:
314:
263:
159:
562:- Georgian country house on a James River plantation in Virginia
424:
Other prominent architects of the early Georgian period include
111:
current between 1714 and 1830. It is named after the first four
3289:
3249:
3103:
1131:
1042:
in London was designed and built in the 1930s and is listed by
964:
881:
736:
632:
531:
475:
modes were fashionable, associated with the British architects
468:
396:
286:(active 1723–1755) had editions in America as well as Britain.
271:
247:
210:
151:
1490:
724:
common, though lodgers were common in other cities. A curving
27:
For the unrelated architecture of the country of Georgia, see
3284:
3224:
3189:
3184:
3169:
3119:
2688:
2623:
936:
790:, from the North Wing entrance. Built for government offices.
523:
3274:
3194:
1602:, distinguishing among commercial buildings, Summerson, 252
807:
606:
362:
155:
2227:
The Development of the Architectural Profession in Britain
605:, already developed by the 1670s, became very widespread.
530:
are almost invariably used; brick is often disguised with
507:, he was responsible for designing large areas of London.
2215:. Reissued in paperback, Antique Collectors Club, 1986.
2673:
1645:. University Park, Pa.: Penn State University Press.
369:
to promote the change in direction from Baroque were
297:
that became part and parcel of the training of every
2157:(1945), 1988 revised edition, Barrie & Jenkins,
1486:
2728:
1362:(1815), exemplary of Georgian ornamental restraint
166:and in the early 20th century in Great Britain as
1674:The Center for Palladian Studies in America, Inc.
1102:of 1958 being a good example. Architects such as
862:
740:then in areas being built up for the first time.
3449:
1678:"Palladio and Patternbooks in Colonial America."
1436:in Colonial Georgian architecture, built in 1824
1270:'s masterpieces, in a largely Georgian setting:
842:buildings, along with the classically inspired.
274:more generally, came from dissemination through
2181:A Biographical Dictionary of British Architects
1933:Summerson, 57–72, 206–224; Jenkins (1999), xxii
827:in India. And in Dublin, the extremely similar
88:Classically proportioned 19th century Georgian
1564:
731:The late Georgian period saw the birth of the
680:servants and deliveries; this is known as the
138:The Georgian cities of the British Isles were
2659:
2286:
1088:, established in the 1920s, is an example of
1024:
617:was generally clear of ornament except for a
609:plans became universal inside larger houses.
1084:includes some examples. The British town of
975:, for example, is a Georgian manor built in
672:included very expensive imports from China.
402:, who spent most of his career in England.
2300:
1216:Georgian period townhouses in Pery Square,
2666:
2652:
2293:
2279:
246:large parts of the core of cities such as
1010:styles were developed in the period from
48:, England, with minimal classical detail.
1742:"Bricks - their part in the rise of man"
1034:
872:
781:
767:
690:
631:
554:
404:
96:(1820). Principal elevation, South Wing.
83:
67:
51:
36:
2165:. (Also see revised edition, edited by
14:
3450:
1571:. Gloucestershire: Pitkin Publishing.
2647:
2274:
1999:"You Didn't Know it was Neo-Georgian"
1638:
923:, designed by the colonial architect
545:
444:(1713 on), developed and occupied by
381:Richard Boyle, 3rd Earl of Burlington
949:("The Four Books of Architecture").
735:house, planned systematically, as a
420:modified in execution by Thomas Pitt
1796:Musson, 51; Bannister Fletcher, 420
1378:, London, with its gardens. 1810-15
845:
24:
2173:
1987:Summerson, 47, 252–262, 252 quoted
1530:Grainger Town, Newcastle upon Tyne
1201:, once used by the Prince Regent,
952:After independence, in the former
818:The archetypal Georgian church is
590:, or side wings around the court.
536:Richard Pennant, 1st Baron Penrhyn
228:
25:
3499:
3483:18th-century architectural styles
2675:Architecture of the United States
2031:"Sutton Lodge Day Centre website"
1565:St John Parker, Michael. (2013).
1004:Old Colonial Georgian residential
946:I quattro libri dell'architettura
880:(1819), Georgian architecture in
720:were working-class purpose-built
455:—and its whimsical alternatives,
373:, author of the influential book
290:to contractors and homebuilders.
29:Architecture of Georgia (country)
2404:
2264:The Anatomy of the Georgian Room
2234:A Field Guide to American Houses
2093:England's Thousand Best Churches
1489:
1464:
1441:
1426:
1421:built for D'Arcy Boulton in 1817
1407:
1383:
1367:
1344:
1324:
1309:
1283:
1259:
1233:
1209:
1190:
1171:
1148:
471:. From the mid-1760s a range of
223:Classical orders of architecture
2988:Sarasota School of Architecture
2232:McAlester, Virginia & Lee,
2037:from the original on 2014-10-16
2023:
2005:
1990:
1981:
1972:
1963:
1954:
1945:
1936:
1927:
1918:
1907:
1898:
1889:
1880:
1871:
1862:
1853:
1844:
1835:
1826:
1817:
1808:
1799:
1790:
1781:
1772:
1769:Musson, 31; Jenkins (2003), xiv
1763:
1754:
1734:
1725:
1716:
1707:
1704:Jenkins (2003), xiv; Musson, 31
1695:Summerson, 61–70, and see index
1203:George IV of the United Kingdom
282:. Authors such as the prolific
177:In the United States, the term
2255:). Reissued in paperback 1970.
2144:The Englishness of English Art
2110:England's Thousand Best Houses
2076:The Glory of the English House
1914:correspondence in The Guardian
1814:Jenkins (2003), xv; Musson, 31
1698:
1689:
1666:
1632:
1623:
1614:
1605:
1592:
1558:
1510:Jamaican Georgian architecture
1303:American colonial architecture
863:Colonial Georgian architecture
13:
1:
3478:American architectural styles
3113:Building types and vernacular
2051:
1046:as an important Neo-Georgian
1031:Colonial Revival architecture
1011:
758:pairs of semi-detached houses
708:colleges, the lawyers in the
172:Georgian Revival architecture
164:Colonial Revival architecture
56:Very grand terrace houses at
3468:British architectural styles
2078:, 1991, Barrie and Jenkins,
1778:Musson, 73-76; Summerson, 46
170:; in both it is also called
7:
2267:. Period Homes, March 2006.
2190:(Paul Mellon Centre), 2005.
2127:How to Read a Country House
1629:Summerson, 47–49, 47 quoted
1482:
1339:built between 1805 and 1811
993:Grand séminaire de Montréal
901:College of William and Mary
829:St. George's Church, Dublin
825:St Andrew's Church, Chennai
763:
538:led the development of the
442:Hanover Square, Westminster
64:and a profusion of columns.
10:
3504:
3079:New Classical architecture
2711:Colonial and post-colonial
1141:
1098:'s Police Headquarters in
1028:
1025:Post-Georgian developments
958:Federal-style architecture
866:
509:Greek Revival architecture
467:'s equivalent of European
278:and inexpensive suites of
105:English-speaking countries
103:is the name given in most
26:
3488:19th-century architecture
3424:
3298:
3112:
3016:
2876:
2828:
2802:
2764:
2709:
2681:
2632:
2513:
2485:National Trust properties
2413:
2402:
2308:
2066:A History of Architecture
1639:Reiff, Daniel D. (2001).
989:Old Montreal Custom House
983:, English-born architect
550:
328:
168:Neo-Georgian architecture
154:, and to a lesser extent
2998:Spanish Colonial Revival
2838:Richardsonian Romanesque
2619:English landscape garden
2188:Early Georgian Interiors
1568:Life in Georgian Britain
1552:
1458:Bradshaw Gass & Hope
1434:St James' Church, Sydney
1134:, is known in the UK as
1096:Bradshaw Gass & Hope
796:Church Building Act 1818
489:George Dance the Younger
295:architectural vernacular
237:, and rows of identical
199:Renaissance architecture
2302:Architecture of England
2249:Architecture in Britain
1951:Jenkins (1999), xx–xxii
1805:Bannister Fletcher, 420
1787:Bannister Fletcher, 420
1620:Summerson, 26–28, 73–86
969:United Empire Loyalists
854:in London, designed by
836:Commissioners' churches
820:St Martin-in-the-Fields
773:St Martin-in-the-Fields
695:Georgian townhouses on
540:slate industry in Wales
333:Georgian succeeded the
203:vernacular architecture
2931:Dutch Colonial Revival
2371:Strawberry Hill Gothic
2253:Pelican History of Art
1450:Chesterfield Town Hall
1417:, a Georgian manor in
1331:A former guildhall in
1317:Royal Exchange, Dublin
1251:, begun 1769, a large
1124:Robert Adam Architects
1059:Victorian architecture
1050:
884:
791:
779:
700:
649:
568:Palladian architecture
563:
465:English-speaking world
453:Palladian architecture
421:
187:classical architecture
97:
81:
65:
60:(1754), with basement
49:
41:Middle-class house in
3458:Georgian architecture
3175:Hall and parlor house
3135:Central-passage house
2956:Mediterranean Revival
2682:Native and indigenous
2205:Early Georgian Houses
2195:Georgian Architecture
2129:, 2005, Ebury Press,
2068:, 1901 edn., Batsford
1396:Park Crescent, London
1253:English country house
1038:
913:Hammond-Harwood House
876:
785:
771:
694:
635:
572:English country house
558:
408:
376:Vitruvius Britannicus
101:Georgian architecture
87:
71:
55:
40:
18:Georgian Architecture
3463:Architectural styles
3155:Critical regionalism
2848:American Renaissance
2465:Renaissance theatres
2445:Round-tower churches
2247:Sir John Summerson,
2220:Architect and Patron
2213:Late Georgian Houses
2193:James Stevens Curl,
2146:, Penguin, 1964 edn.
2112:, 2003, Allen Lane,
2095:, 1999, Allen Lane,
1611:Musson, 33–34, 52–53
1394:; the west curve of
1063:Battle of the Styles
927:and modelled on the
869:Federal architecture
856:Sir William Chambers
566:Versions of revived
434:John Wood, the Elder
321:, from Edinburgh to
109:architectural styles
3003:Territorial Revival
2946:International style
2916:California bungalow
2906:American Foursquare
2435:Medieval cathedrals
2430:Abbeys and priories
2209:Mid-Georgian Houses
1535:New Town, Edinburgh
1497:Architecture portal
1245:Matthew Brettingham
1162:, a country house.
560:Westover Plantation
479:, James Gibbs, Sir
260:Newcastle upon Tyne
235:property developers
146:, pre-independence
3054:Mid-century modern
2901:American Craftsman
2890:Streamline Moderne
2594:Dartmoor longhouse
2589:Wealden hall house
2201:Christopher Hussey
2062:Fletcher, Banister
2058:Fletcher, Banister
1978:Summerson, 115–120
1969:Summerson, 212-221
1942:Summerson, 222–224
1924:Summerson, 159-160
1904:Summerson, 147–191
1859:Summerson, 266–269
1841:Jenkins (2003), xv
1683:2009-12-23 at the
1672:Summerson, 49–51;
1547:The Georgian Group
1515:Canning, Liverpool
1356:Harvard University
1301:, 1775 example of
1126:, and Fairfax and
1086:Welwyn Garden City
1051:
897:Harvard University
885:
878:Hyde Park Barracks
792:
780:
701:
650:
564:
546:Types of buildings
422:
355:Nicholas Hawksmoor
98:
82:
78:Harvard University
74:Massachusetts Hall
72:Function rules at
66:
50:
3445:
3444:
3017:Post–World War II
2729:Colonial Georgian
2641:
2640:
2551:Brighton and Hove
2440:Former cathedrals
2391:Bristol Byzantine
2225:Barrington Kaye,
2140:Pevsner, Nikolaus
1642:Houses from Books
1598:A phrase used by
954:American colonies
893:Dartmouth College
775:, London (1720),
463:, which were the
284:William Halfpenny
16:(Redirected from
3495:
3416:Washington, D.C.
3034:Deconstructivism
2936:Georgian Revival
2926:Colonial Revival
2879:mid-20th century
2803:Mid-19th century
2749:Spanish Colonial
2668:
2661:
2654:
2645:
2644:
2480:Church monuments
2470:Listed buildings
2408:
2295:
2288:
2281:
2272:
2271:
2186:John Cornforth,
2183:, 3rd ed., 1995.
2046:
2045:
2043:
2042:
2027:
2021:
2020:
2009:
2003:
2002:
1994:
1988:
1985:
1979:
1976:
1970:
1967:
1961:
1960:Summerson, 64–70
1958:
1952:
1949:
1943:
1940:
1934:
1931:
1925:
1922:
1916:
1911:
1905:
1902:
1896:
1895:Summerson, 73–86
1893:
1887:
1884:
1878:
1877:Summerson, 44–45
1875:
1869:
1868:Summerson, 44–45
1866:
1860:
1857:
1851:
1848:
1842:
1839:
1833:
1830:
1824:
1821:
1815:
1812:
1806:
1803:
1797:
1794:
1788:
1785:
1779:
1776:
1770:
1767:
1761:
1758:
1752:
1751:
1738:
1732:
1731:Summerson, 54–56
1729:
1723:
1720:
1714:
1713:Summerson, 73–74
1711:
1705:
1702:
1696:
1693:
1687:
1670:
1664:
1663:
1661:
1659:
1636:
1630:
1627:
1621:
1618:
1612:
1609:
1603:
1596:
1590:
1589:
1587:
1585:
1562:
1520:Clifton, Bristol
1499:
1494:
1493:
1468:
1445:
1430:
1411:
1387:
1376:Bryanston Square
1374:Western side of
1371:
1360:Charles Bulfinch
1348:
1328:
1313:
1291:Carpenters' Hall
1287:
1263:
1237:
1213:
1194:
1179:Connecticut Hall
1175:
1152:
1070:Colonial Revival
1044:Historic England
1020:
1016:
1013:
925:William Buckland
846:Public buildings
621:or the top of a
481:William Chambers
383:and his protégé
339:Christopher Wren
243:square of garden
197:, as revived in
117:House of Hanover
113:British monarchs
58:The Circus, Bath
21:
3503:
3502:
3498:
3497:
3496:
3494:
3493:
3492:
3448:
3447:
3446:
3441:
3420:
3294:
3108:
3012:
2961:Mission Revival
2878:
2872:
2824:
2798:
2760:
2744:German Colonial
2739:French Colonial
2705:
2677:
2672:
2642:
2637:
2628:
2599:Somerset towers
2556:Hammerbeam roof
2509:
2455:Historic houses
2416:
2409:
2400:
2356:English Baroque
2304:
2299:
2259:Richard Sammons
2218:Frank Jenkins,
2179:Howard Colvin,
2176:
2174:Further reading
2155:Georgian London
2054:
2049:
2040:
2038:
2029:
2028:
2024:
2011:
2010:
2006:
1995:
1991:
1986:
1982:
1977:
1973:
1968:
1964:
1959:
1955:
1950:
1946:
1941:
1937:
1932:
1928:
1923:
1919:
1912:
1908:
1903:
1899:
1894:
1890:
1885:
1881:
1876:
1872:
1867:
1863:
1858:
1854:
1850:Musson, 101–106
1849:
1845:
1840:
1836:
1832:Musson, 113–116
1831:
1827:
1822:
1818:
1813:
1809:
1804:
1800:
1795:
1791:
1786:
1782:
1777:
1773:
1768:
1764:
1759:
1755:
1747:The Irish Times
1740:
1739:
1735:
1730:
1726:
1721:
1717:
1712:
1708:
1703:
1699:
1694:
1690:
1685:Wayback Machine
1671:
1667:
1657:
1655:
1653:
1637:
1633:
1628:
1624:
1619:
1615:
1610:
1606:
1597:
1593:
1583:
1581:
1579:
1563:
1559:
1555:
1525:Georgian Dublin
1495:
1488:
1485:
1478:
1476:Perth, Scotland
1469:
1460:
1448:Neo-Georgian -
1446:
1437:
1431:
1422:
1412:
1403:
1388:
1379:
1372:
1363:
1352:University Hall
1349:
1340:
1329:
1320:
1314:
1305:
1288:
1279:
1272:Pulteney Bridge
1264:
1255:
1238:
1229:
1214:
1205:
1195:
1186:
1183:Yale University
1176:
1167:
1153:
1144:
1116:Julian Bicknell
1108:Donald McMorran
1033:
1027:
1018:
1014:
1008:non-residential
941:Andrea Palladio
939:as depicted in
871:
865:
848:
766:
664:, mirrors, and
553:
548:
513:William Wilkins
436:. The European
393:Henry Flitcroft
335:English Baroque
331:
239:terraced houses
231:
229:Characteristics
46:cathedral close
35:
32:
23:
22:
15:
12:
11:
5:
3501:
3491:
3490:
3485:
3480:
3475:
3470:
3465:
3460:
3443:
3442:
3440:
3439:
3434:
3428:
3426:
3422:
3421:
3419:
3418:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3348:
3343:
3338:
3333:
3328:
3323:
3318:
3313:
3308:
3302:
3300:
3296:
3295:
3293:
3292:
3287:
3282:
3277:
3272:
3267:
3262:
3257:
3252:
3247:
3242:
3237:
3232:
3227:
3222:
3220:Platform mound
3217:
3212:
3207:
3202:
3197:
3192:
3187:
3182:
3177:
3172:
3167:
3162:
3157:
3152:
3147:
3142:
3137:
3132:
3127:
3122:
3116:
3114:
3110:
3109:
3107:
3106:
3101:
3096:
3091:
3086:
3081:
3076:
3071:
3066:
3061:
3056:
3051:
3046:
3041:
3036:
3031:
3026:
3020:
3018:
3014:
3013:
3011:
3010:
3005:
3000:
2995:
2990:
2985:
2980:
2978:Prairie School
2975:
2974:
2973:
2966:Pueblo Revival
2963:
2958:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2921:Chicago School
2918:
2913:
2908:
2903:
2898:
2893:
2882:
2880:
2874:
2873:
2871:
2870:
2865:
2860:
2855:
2850:
2845:
2840:
2834:
2832:
2826:
2825:
2823:
2822:
2820:Gothic Revival
2817:
2812:
2806:
2804:
2800:
2799:
2797:
2796:
2795:
2794:
2784:
2779:
2774:
2768:
2766:
2765:Early Republic
2762:
2761:
2759:
2758:
2757:
2756:
2746:
2741:
2736:
2734:Dutch Colonial
2731:
2726:
2721:
2715:
2713:
2707:
2706:
2704:
2703:
2698:
2697:
2696:
2685:
2683:
2679:
2678:
2671:
2670:
2663:
2656:
2648:
2639:
2638:
2633:
2630:
2629:
2627:
2626:
2621:
2616:
2611:
2609:Portland stone
2606:
2601:
2596:
2591:
2586:
2578:
2573:
2568:
2563:
2558:
2553:
2548:
2543:
2538:
2533:
2528:
2523:
2517:
2515:
2511:
2510:
2508:
2507:
2502:
2497:
2492:
2487:
2482:
2477:
2472:
2467:
2462:
2457:
2452:
2447:
2442:
2437:
2432:
2427:
2421:
2419:
2411:
2410:
2403:
2401:
2399:
2398:
2393:
2388:
2383:
2378:
2373:
2368:
2363:
2358:
2353:
2348:
2343:
2338:
2333:
2331:English Gothic
2328:
2323:
2318:
2312:
2310:
2306:
2305:
2298:
2297:
2290:
2283:
2275:
2269:
2268:
2256:
2245:
2230:
2223:
2216:
2198:
2191:
2184:
2175:
2172:
2171:
2170:
2151:John Summerson
2147:
2137:
2123:Musson, Jeremy
2120:
2106:Jenkins, Simon
2103:
2089:Jenkins, Simon
2086:
2069:
2053:
2050:
2048:
2047:
2022:
2004:
1989:
1980:
1971:
1962:
1953:
1944:
1935:
1926:
1917:
1906:
1897:
1888:
1879:
1870:
1861:
1852:
1843:
1834:
1825:
1816:
1807:
1798:
1789:
1780:
1771:
1762:
1753:
1733:
1724:
1715:
1706:
1697:
1688:
1665:
1651:
1631:
1622:
1613:
1604:
1600:John Summerson
1591:
1577:
1556:
1554:
1551:
1550:
1549:
1544:
1538:
1532:
1527:
1522:
1517:
1512:
1507:
1501:
1500:
1484:
1481:
1480:
1479:
1470:
1463:
1461:
1447:
1440:
1438:
1432:
1425:
1423:
1413:
1406:
1404:
1390:Late Georgian
1389:
1382:
1380:
1373:
1366:
1364:
1350:
1343:
1341:
1330:
1323:
1321:
1315:
1308:
1306:
1289:
1282:
1280:
1265:
1258:
1256:
1241:Kedleston Hall
1239:
1232:
1230:
1215:
1208:
1206:
1199:Sutton, London
1197:Sutton Lodge,
1196:
1189:
1187:
1177:
1170:
1168:
1156:Ditchley House
1154:
1147:
1143:
1140:
1082:Vincent Harris
1076:; the work of
1055:Gothic Revival
1040:Winfield House
1026:
1023:
864:
861:
852:Somerset House
847:
844:
840:Gothic Revival
806:, so the main
800:Non-conformist
788:Somerset House
765:
762:
754:John Summerson
750:St John's Wood
552:
549:
547:
544:
371:Colen Campbell
351:William Talman
330:
327:
230:
227:
219:Gothic Revival
107:to the set of
94:Throckley Hall
33:
9:
6:
4:
3:
2:
3500:
3489:
3486:
3484:
3481:
3479:
3476:
3474:
3471:
3469:
3466:
3464:
3461:
3459:
3456:
3455:
3453:
3438:
3435:
3433:
3430:
3429:
3427:
3423:
3417:
3414:
3412:
3409:
3407:
3404:
3402:
3399:
3397:
3396:San Francisco
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3371:New York City
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3303:
3301:
3297:
3291:
3288:
3286:
3283:
3281:
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3261:
3258:
3256:
3253:
3251:
3248:
3246:
3245:Shotgun house
3243:
3241:
3238:
3236:
3233:
3231:
3228:
3226:
3223:
3221:
3218:
3216:
3213:
3211:
3208:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3186:
3183:
3181:
3178:
3176:
3173:
3171:
3168:
3166:
3163:
3161:
3160:Dogtrot house
3158:
3156:
3153:
3151:
3150:Cowboy church
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3121:
3118:
3117:
3115:
3111:
3105:
3102:
3100:
3097:
3095:
3092:
3090:
3087:
3085:
3082:
3080:
3077:
3075:
3072:
3070:
3067:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3045:
3042:
3040:
3037:
3035:
3032:
3030:
3027:
3025:
3022:
3021:
3019:
3015:
3009:
3008:Tudor Revival
3006:
3004:
3001:
2999:
2996:
2994:
2991:
2989:
2986:
2984:
2981:
2979:
2976:
2972:
2969:
2968:
2967:
2964:
2962:
2959:
2957:
2954:
2952:
2951:Mayan Revival
2949:
2947:
2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2902:
2899:
2897:
2894:
2891:
2887:
2884:
2883:
2881:
2875:
2869:
2866:
2864:
2861:
2859:
2856:
2854:
2851:
2849:
2846:
2844:
2843:Second Empire
2841:
2839:
2836:
2835:
2833:
2831:
2827:
2821:
2818:
2816:
2813:
2811:
2810:Greek Revival
2808:
2807:
2805:
2801:
2793:
2790:
2789:
2788:
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2769:
2767:
2763:
2755:
2752:
2751:
2750:
2747:
2745:
2742:
2740:
2737:
2735:
2732:
2730:
2727:
2725:
2722:
2720:
2717:
2716:
2714:
2712:
2708:
2702:
2699:
2695:
2692:
2691:
2690:
2687:
2686:
2684:
2680:
2676:
2669:
2664:
2662:
2657:
2655:
2650:
2649:
2646:
2636:
2631:
2625:
2624:Cruck framing
2622:
2620:
2617:
2615:
2612:
2610:
2607:
2605:
2602:
2600:
2597:
2595:
2592:
2590:
2587:
2585:
2582:
2579:
2577:
2576:Country house
2574:
2572:
2569:
2567:
2564:
2562:
2559:
2557:
2554:
2552:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2532:
2529:
2527:
2524:
2522:
2519:
2518:
2516:
2512:
2506:
2503:
2501:
2498:
2496:
2495:Hindu temples
2493:
2491:
2488:
2486:
2483:
2481:
2478:
2476:
2473:
2471:
2468:
2466:
2463:
2461:
2458:
2456:
2453:
2451:
2448:
2446:
2443:
2441:
2438:
2436:
2433:
2431:
2428:
2426:
2423:
2422:
2420:
2418:
2415:Buildings and
2412:
2407:
2397:
2394:
2392:
2389:
2387:
2384:
2382:
2379:
2377:
2374:
2372:
2369:
2367:
2364:
2362:
2359:
2357:
2354:
2352:
2349:
2347:
2344:
2342:
2339:
2337:
2334:
2332:
2329:
2327:
2324:
2322:
2319:
2317:
2314:
2313:
2311:
2307:
2303:
2296:
2291:
2289:
2284:
2282:
2277:
2276:
2273:
2266:
2265:
2260:
2257:
2254:
2250:
2246:
2243:
2242:0-394-73969-8
2239:
2235:
2231:
2228:
2224:
2221:
2217:
2214:
2210:
2206:
2202:
2199:
2196:
2192:
2189:
2185:
2182:
2178:
2177:
2168:
2167:Howard Colvin
2164:
2160:
2156:
2152:
2148:
2145:
2141:
2138:
2136:
2132:
2128:
2124:
2121:
2119:
2118:0-7139-9596-3
2115:
2111:
2107:
2104:
2102:
2101:0-7139-9281-6
2098:
2094:
2090:
2087:
2085:
2081:
2077:
2073:
2072:Esher, Lionel
2070:
2067:
2063:
2059:
2056:
2055:
2036:
2032:
2026:
2018:
2014:
2008:
2000:
1993:
1984:
1975:
1966:
1957:
1948:
1939:
1930:
1921:
1915:
1910:
1901:
1892:
1886:Summerson, 45
1883:
1874:
1865:
1856:
1847:
1838:
1829:
1823:Musson, 84–87
1820:
1811:
1802:
1793:
1784:
1775:
1766:
1760:Summerson, 55
1757:
1749:
1748:
1743:
1737:
1728:
1719:
1710:
1701:
1692:
1686:
1682:
1679:
1675:
1669:
1654:
1652:9780271019437
1648:
1644:
1643:
1635:
1626:
1617:
1608:
1601:
1595:
1580:
1578:9780752491622
1574:
1570:
1569:
1561:
1557:
1548:
1545:
1542:
1539:
1536:
1533:
1531:
1528:
1526:
1523:
1521:
1518:
1516:
1513:
1511:
1508:
1506:
1503:
1502:
1498:
1492:
1487:
1477:
1473:
1467:
1462:
1459:
1455:
1451:
1444:
1439:
1435:
1429:
1424:
1420:
1416:
1410:
1405:
1401:
1397:
1393:
1386:
1381:
1377:
1370:
1365:
1361:
1357:
1353:
1347:
1342:
1338:
1334:
1327:
1322:
1318:
1312:
1307:
1304:
1300:
1296:
1292:
1286:
1281:
1277:
1273:
1269:
1262:
1257:
1254:
1250:
1246:
1242:
1236:
1231:
1227:
1223:
1219:
1212:
1207:
1204:
1200:
1193:
1188:
1184:
1180:
1174:
1169:
1165:
1161:
1157:
1151:
1146:
1145:
1139:
1137:
1136:mock-Georgian
1133:
1129:
1125:
1121:
1120:Ben Pentreath
1117:
1113:
1112:Quinlan Terry
1109:
1105:
1104:Raymond Erith
1101:
1097:
1093:
1092:
1087:
1083:
1079:
1078:Edwin Lutyens
1075:
1071:
1066:
1064:
1060:
1056:
1049:
1045:
1041:
1037:
1032:
1022:
1009:
1005:
1001:
996:
994:
990:
986:
982:
978:
974:
970:
966:
961:
959:
955:
950:
948:
947:
942:
938:
934:
930:
926:
922:
918:
914:
909:
904:
902:
898:
894:
890:
883:
879:
875:
870:
860:
857:
853:
843:
841:
837:
832:
830:
826:
821:
816:
812:
809:
805:
801:
797:
789:
786:Courtyard of
784:
778:
774:
770:
761:
759:
755:
751:
747:
743:
738:
734:
733:semi-detached
729:
727:
723:
719:
715:
711:
710:Inns of Court
707:
698:
697:Baggot Street
693:
689:
687:
683:
677:
673:
671:
667:
663:
659:
655:
647:
643:
639:
634:
630:
628:
625:. Columns or
624:
620:
616:
610:
608:
604:
600:
596:
591:
589:
584:
580:
579:
573:
569:
561:
557:
543:
541:
537:
533:
529:
525:
520:
518:
517:Robert Smirke
514:
510:
506:
505:Regency style
502:
498:
494:
493:Henry Holland
490:
486:
482:
478:
474:
470:
466:
462:
458:
454:
449:
447:
443:
439:
435:
431:
430:Robert Taylor
427:
419:
415:
411:
407:
403:
401:
400:Giacomo Leoni
398:
394:
390:
386:
382:
379:(1715–1725);
378:
377:
372:
368:
364:
360:
356:
352:
348:
347:Thomas Archer
344:
343:John Vanbrugh
340:
336:
326:
324:
320:
316:
312:
308:
304:
300:
296:
291:
287:
285:
281:
277:
276:pattern books
273:
267:
265:
261:
257:
253:
249:
244:
240:
236:
226:
224:
220:
216:
212:
206:
204:
200:
196:
192:
188:
183:
180:
175:
173:
169:
165:
161:
157:
153:
149:
145:
141:
136:
134:
130:
126:
122:
118:
114:
110:
106:
102:
95:
91:
86:
79:
75:
70:
63:
59:
54:
47:
44:
39:
30:
19:
3473:House styles
3381:Philadelphia
3341:Jacksonville
3230:Quiggly hole
3069:Neo-futurism
3064:Neo-eclectic
3024:Blobitecture
2877:Late-19th to
2787:Neoclassical
2782:Jeffersonian
2724:First Period
2571:Bastle house
2450:Roman villas
2365:
2262:
2252:
2248:
2233:
2226:
2219:
2212:
2208:
2204:
2194:
2187:
2180:
2154:
2143:
2126:
2109:
2092:
2075:
2065:
2039:. Retrieved
2025:
2017:lutyenstrust
2016:
2007:
1992:
1983:
1974:
1965:
1956:
1947:
1938:
1929:
1920:
1909:
1900:
1891:
1882:
1873:
1864:
1855:
1846:
1837:
1828:
1819:
1810:
1801:
1792:
1783:
1774:
1765:
1756:
1745:
1736:
1727:
1718:
1709:
1700:
1691:
1668:
1656:. Retrieved
1641:
1634:
1625:
1616:
1607:
1594:
1582:. Retrieved
1567:
1560:
1541:Newtown Pery
1505:Golden ratio
1472:Rose Terrace
1299:Robert Smith
1295:Philadelphia
1228:, after 1769
1218:Newtown Pery
1135:
1089:
1074:Neo-Georgian
1073:
1067:
1052:
997:
979:in 1817. In
962:
951:
944:
929:Villa Pisani
905:
889:Georgian era
886:
849:
833:
817:
813:
793:
757:
730:
702:
678:
674:
666:objets d'art
654:chimneypiece
651:
640:interior by
638:Neoclassical
611:
592:
578:piano nobile
576:
565:
522:In Britain,
521:
473:Neoclassical
450:
423:
410:Neoclassical
385:William Kent
374:
332:
292:
288:
268:
232:
207:
184:
178:
176:
171:
167:
137:
100:
99:
3391:San Antonio
3366:New Orleans
3356:Los Angeles
3346:Kansas City
3280:Town square
3265:Sweat lodge
3215:Plank house
3165:Earth lodge
2983:PWA Moderne
2858:Stick style
2754:Territorial
2505:Lighthouses
2460:Hall houses
2341:Elizabethan
2321:Saxo-Norman
2316:Anglo-Saxon
1658:28 February
1333:Dunfermline
1268:Robert Adam
1249:Robert Adam
1164:James Gibbs
1160:Oxfordshire
1019: 1840
1015: 1810
985:John Ostell
906:Unlike the
823:example at
777:James Gibbs
658:Plasterwork
642:Robert Adam
603:sash window
485:James Wyatt
477:Robert Adam
461:Chinoiserie
426:James Paine
418:Robert Adam
416:1770-79 by
414:Stowe House
359:James Gibbs
90:manor house
3452:Categories
3255:Skyscraper
3210:Moki steps
3205:Longhouses
3099:Tiny-house
3094:Shed style
3084:Postmodern
2911:Beaux-Arts
2863:Queen Anne
2815:Italianate
2792:Antebellum
2604:Bath stone
2581:Oast house
2536:Manchester
2526:Birmingham
2417:structures
2381:Jacobethan
2361:Queen Anne
2163:0712620958
2135:009190076X
2084:0712636137
2052:References
2041:2015-08-12
1543:, Limerick
1454:Derbyshire
1415:The Grange
1029:See also:
1017: – c.
973:The Grange
933:Montagnana
915:(1774) in
867:See also:
794:Until the
746:Chalk Farm
742:Blackheath
646:Syon House
619:balustrade
595:window tax
570:dominated
497:John Soane
438:Grand Tour
412:grandeur;
389:Isaac Ware
367:architects
280:engravings
129:George III
3411:St. Louis
3351:Las Vegas
3260:Sod house
3200:Log cabin
3145:Corn crib
3074:Neomodern
3049:High-tech
3044:Earthship
3029:Brutalist
2830:Victorian
2614:Flushwork
2566:Almshouse
2561:Fan vault
2531:Liverpool
2490:Windmills
2396:Brutalist
2386:Edwardian
2376:Victorian
2251:(series:
1402:, 1806–21
1400:John Nash
1048:townhouse
1000:Australia
917:Annapolis
804:preaching
722:tenements
718:Edinburgh
670:wallpaper
662:porcelain
627:pilasters
588:gatehouse
583:mezzanine
501:John Nash
319:plasterer
311:carpenter
299:architect
252:Edinburgh
215:John Nash
140:Edinburgh
133:George IV
125:George II
80:, 1718-20
43:Salisbury
3386:Portland
3326:Columbus
3130:Cape Cod
3125:Barabara
2886:Art Deco
2694:Builders
2635:Category
2500:Stadiums
2366:Georgian
2351:Carolean
2346:Jacobean
2236:, 1996.
2108:(2003),
2091:(1999),
2035:Archived
1681:Archived
1483:See also
1452:(1938),
1337:Scotland
1222:Limerick
1091:pastiche
991:and the
981:Montreal
921:Maryland
899:and the
764:Churches
737:suburban
726:crescent
706:Oxbridge
699:, Dublin
648:, London
623:pediment
615:roofline
607:Corridor
495:and Sir
397:Venetian
395:and the
323:Maryland
303:designer
179:Georgian
121:George I
3406:Spokane
3401:Seattle
3336:Houston
3331:Detroit
3321:Chicago
3316:Buffalo
3306:Atlanta
3270:Temples
3240:Saltbox
3180:I-house
3140:Chickee
3104:Usonian
3039:Dingbat
2896:Pre-war
2868:Shingle
2777:Federal
2546:Bristol
2475:Museums
2425:Castles
2229:, 1960.
2222:, 1961.
2169:, 2003)
1419:Toronto
1392:Regency
1266:One of
1226:Ireland
1142:Gallery
1132:suburbs
1128:Sammons
1100:Salford
977:Toronto
908:Baroque
712:or the
599:balcony
337:of Sir
307:builder
264:Bristol
160:Bristol
115:of the
62:"areas"
3432:Hawaii
3425:States
3311:Boston
3299:Cities
3290:Wigwam
3250:Sipapu
3235:Ramada
3059:Modern
2993:Rustic
2941:Googie
2719:Creole
2701:Pueblo
2584:(cowl)
2521:London
2326:Norman
2309:Styles
2240:
2161:
2133:
2116:
2099:
2082:
1649:
1575:
1319:, 1779
1278:, 1774
1166:, 1722
1106:, and
1002:, the
967:, the
965:Canada
882:Sydney
714:Albany
682:"area"
636:Grand
551:Houses
532:stucco
469:Rococo
457:Gothic
432:, and
353:, and
341:, Sir
329:Styles
272:design
256:Dublin
248:London
211:ashlar
191:Greece
152:London
150:, and
148:Dublin
131:, and
3437:Texas
3376:Omaha
3361:Miami
3285:Tupiq
3225:Qargi
3190:Jacal
3185:Igloo
3170:Hogan
3120:Adobe
3089:Ranch
2689:Mound
2514:Other
2336:Tudor
1584:3 May
1553:Notes
1456:, by
1398:, by
937:Italy
686:yards
528:stone
524:brick
315:mason
3275:Tipi
3195:Kiva
2971:Deco
2853:Folk
2772:Adam
2541:Bath
2238:ISBN
2159:ISBN
2149:Sir
2131:ISBN
2114:ISBN
2097:ISBN
2080:ISBN
2060:and
1660:2017
1647:ISBN
1586:2021
1573:ISBN
1276:Bath
1247:and
1080:and
1006:and
808:nave
748:and
515:and
459:and
446:Whig
363:Rome
317:and
262:and
195:Rome
193:and
158:and
156:York
144:Bath
1358:by
1354:of
1297:by
1293:in
1243:by
1181:at
1158:in
998:In
963:In
943:'s
931:at
831:.
581:or
526:or
189:of
174:.
76:at
3454::
2261:,
2211:,
2207:,
2203:,
2153:,
2142:.
2125:,
2074:,
2064:,
2033:.
2015:.
1744:.
1676:,
1474:,
1335:,
1274:,
1224:,
1220:,
1138:.
1122:,
1118:,
1114:,
1021:.
1012:c.
995:.
956:,
935:,
919:,
895:,
744:,
644:,
519:.
499:.
491:,
487:,
483:,
428:,
391:;
387:;
349:,
345:,
325:.
313:,
309:,
305:,
301:,
266:.
258:,
254:,
250:,
142:,
127:,
123:,
119:,
92:,
2892:)
2888:(
2667:e
2660:t
2653:v
2294:e
2287:t
2280:v
2244:.
2197:.
2044:.
2019:.
2001:.
1750:.
1662:.
1588:.
31:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
