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297:, Chadwick received some early musical training from organ lessons given by his older brother, Fitz Henry. He developed an independent, self-reliant character early in his life. Dropping out of high school in 1871, Chadwick assisted briefly in his father's insurance business. The experience enabled him to travel to Boston and other cities, where he attended concerts and cultural events that might have initiated his lifelong interest in the arts.
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750:"...a veritable anthology of popular styles, including a 'Plantation Ballad', a Spanish 'Bolero', an Irish 'Ditty' and a French 'Rigaudon', most of them designed as set pieces to show off the talents of the first performers. But Chadwick also composed complex musical numbers that advance the plot and demonstrate his command of the extended finale as employed by Sullivan..."
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650:, choral works, and songs, though he had a particular affinity for orchestral music. His music can be categorized into four style periods: (1) The Formative Period, 1879â1894; (2) The Americanism/Modernism Period, 1895â1909; (3) The Dramatic Period, 1910â1918; and (4) The Reflective Years, 1919-1931.
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His output significantly declined during these years, and he was more of a musical administrator and socialite among the elite
Bostonians. He remained well respected until his death in 1931, after which his works became more obscure but nonetheless considered important contributions to the American
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In 1897, Chadwick was appointed
Director of New England Conservatory. Known in the Boston arts circle as talented, personable, and energetic, he was crucial in transforming NEC into a respectable school of music. Chadwick implemented features that resembled those of the German conservatories of his
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music fraternity, which was established at the conservatory in the fall of 1898, primarily through the recommendation of the name "Sinfonia" after a student organization to which he belonged in
Leipzig. He was named an honorary member of the Alpha Chapter at the conservatory, and was later named a
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Chadwick returned to Boston in March 1880 and soon began establishing a career in the U.S. He opened a teaching studio and secured two performances of Rip Van Winkle. Chadwick completed his First
Symphony, which although not particularly inspired was a significant early contribution by an American
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for organ and orchestra. Some 20 years later, Chadwick's friend and former student, John
Wallace Goodrich, arranged the work for organ solo. It was not until 2011, however, that a pair of letters was discovered in which Chadwick himself officially acknowledged Goodrich's handiwork in making and
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Among his chamber works, the First String
Quartet and Second String Quartet demonstrate a solid knowledge of developmental procedures as well as inventiveness, while the Third String Quartet (1882?-1886) displays more mastery in instrumentation. The Quintet for Piano and Strings is a lyrical work
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By this time, Chadwick was a highly regarded elder musician who was no longer writing as the energetically creative artist. The
Anniversary Overture to celebrate his 25th anniversary as the director of New England Conservatory was considered "scholarly" but warm and congenial.
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His two representative works are the tone poems
Aphrodite and Tam O'Shanter, both for large orchestra. The compositions are both highly episodic, programmatic and well-orchestrated. Aphrodite evokes a majestic image of the sea, and Tam O'Shanter (based on the tale by
372:(NEC) as a "special student" in 1872, so that he could study with the faculty without satisfying the rigorous entrance or degree requirements. However, he approached his studies seriously and took advantage of what NEC offered. Chadwick studied organ with
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He invited members of the Boston
Symphony Orchestra as private teachers to the students, along with being an inspiring teacher himself. His students described him as "demanding, though fair-minded and witty". Among his pupils were Horatio Parker,
767:"It is the most modern in spirit of anything I know from his pen... He has outgrown the classic idea... The very character of the thematic material in Adonais is modern, in sharp contrast to the classic reserve shown in the Melpomene
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was known as a skilled musical craftsman who incorporated polyphony with creativity and clarity. Thus
Chadwick benefited from Rheinberger's extensive knowledge of the classics, both instrumental and choral.
940:, including These to the Front, The Fighting Men, and perhaps his best known, Land of Our Hearts, first performed in the Norfolk Festival in June 1918, featuring a fluid syllabic setting of a poem by
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During this period, Chadwick shifted from overtures and symphonies to a more dramatic and programmatic style. At this point, he was more interested in musical effects than in form and construction.
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harmony, and regular phrasing and rhythms. The Symphony No. 1 in C major, Symphony No. 2 in B-flat major, and Symphony in F (No. 3) followed the four-movement outline, model after composers like
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was an outlet for his own wry wit, featuring a humorous plot, comically named characters, and popular-style music. It opened in New York in 1894 and toured the United States for a year. The
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In addition to his compositional activities, Chadwick was a performing organist and avid conductor. He served as the Music Director of the Springfield Festival from 1890 to 1899, and of the
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style (realistic action integrated with a lyrical score). Although Chadwick considered this to be one of his finer works, it was not performed until 1995, when it was premiered by the
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After his two-year stay in Leipzig, Chadwick traveled around Europe with a group of artists who called themselves the "Duveneck Boys". They were led by the young and charismatic
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is imitative of Mendelssohn's light and lively style. A choral/orchestral piece, The Lily Nymph, presents a mixture of techniques borrowed from Mendelssohn and
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820:(op. 96, "American"), displays a more American folk style than his Fifth String Quartet, with catchy tunes and pentatonic third-movement fiddle melodies.
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437:. They helped confirm his position as a promising young American composer among his German contemporaries, from whom he received favorable critiques.
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Chadwick's most significant compositions as a student there include two string quartets (no. 1 1877-8, no. 2 premiered 1879) and the concert overture
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experience. He established a variety of performing ensembles, and students were required to take more music theory and history classes.
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words by Arthur Macy, music by G.W. Chadwick. Cincinnati: J. Church, 1899. From Sibley Music Library Digital Scores Collection
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456:. Chadwick also stayed in France with the group, where he was taken with the French lifestyle and influenced by the emerging
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281:, Chadwick was one of those responsible for the first significant body of concert music by composers from the
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384:(1841â1891), each of whom was well respected in the Boston music scene. He also pursued studies with
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Here Chadwick is asserting his own musical style more than previously, as in the concert overture
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and was a valued instructor as well as administrator. While at Olivet, Chadwick founded the
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Realizing that his musical career in the U.S. would be limited without further studies in
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was his first orchestral work that established his claim to fame in Europe and America.
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publishing the organ solo version. It remains the composer's best-known organ work.
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movement in the arts, characterized by a down-to-earth depiction of people's lives.
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During this time, Chadwick utilized his training as a student in Leipzig, favoring
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a music theory text. In this work, Chadwick is the first theorist to combine the
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Boston: A. P. Schmidt, 1887. From Sibley Music Library Digital Scores Collection
682:. Nonetheless, the Second and Third Symphonies exhibit original aspects such as
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String Quartets Nos. 1-3 by George Whitefield Chadwick, ed. by Marianne Betz
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symbols, to create an "absolute" system which shows the chord root and the
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335: in this section. Unsourced material may be challenged and removed.
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scales, along with the Scots-Irish folk style in the Second Symphony.
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In 1876, Chadwick accepted a faculty position in the music program at
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of American composers of the late 19th centuryâthe generation before
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892:) is a work of musical story-telling of similar caliber as some of
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operas which were then popular in the U.S. His burlesque opera
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is a rich and lush work reminiscent of Wagner, and the comedic
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Sound-bites from George Chadwick's String Quartets 1, 4 and 5
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His Fourth String Quartet, composed around the same time as
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solo just before the "Introduction of Strathspey" section.
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like many other composers of his generation. He studied in
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Chadwick further delved into the symphonic genre with his
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Chadwick's most important stage work from this period is
242:, he was a representative composer of what is called the
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New England Composer Series: George Whitefield Chadwick
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that show a melodic gift despite some awkward moments.
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national honorary member of the Fraternity in 1909.
218:(November 13, 1854 â April 4, 1931) was an American
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642:Chadwick composed in almost every genre, including
49:. Unsourced material may be challenged and removed.
1231:A History of Harmonic Theory in the United States.
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638:List of compositions by George Whitefield Chadwick
619:Involvement with Phi Mu Alpha Sinfonia Fraternity
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1322:, Boston: Oliver Ditson Company, 1899, from the
463:Chadwick resumed his compositional studies with
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1233:1980: Kent State University Press, p. 75-6
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2689:University of Music and Theatre Leipzig alumni
1364:
1244:The Burlesque Opera Tabasco (YouTube playlist)
1135:George Whitefield Chadwick: A Bio-Bibliography
783:(pentatonic melodies), and Impressionism. The
623:He had some influence in the establishment of
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1263:Art of the States: George Whitefield Chadwick
831:. The piece is melodic and exotic, much like
936:He wrote a number of patriotic songs during
823:Chadwick composed more stage works, notably
755:The Americanism/Modernism period (1895â1909)
516:introducing citations to additional sources
1056:Appletons' CyclopĂŠdia of American Biography
1039:
856:is another distinctive choral piece with a
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728:Chadwick's first work for the theatre was
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1314:Sheet Music for "O let night speak of me"
1288:Free scores by George Whitefield Chadwick
1282:International Music Score Library Project
1278:Free scores by George Whitefield Chadwick
1268:List of Works: George Whitefield Chadwick
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351:Learn how and when to remove this message
250:. Chadwick's works are influenced by the
109:Learn how and when to remove this message
506:Relevant discussion may be found on the
137:George Whitefield Chadwick, c. 1890â1910
2644:Classical musicians from Massachusetts
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1106:
1092:"Boston Club Celebrates Armistice Day"
848:for chorus and orchestra composed for
452:, then major culture center second to
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787:contains unexpected elements such as
2649:Musicians from Lowell, Massachusetts
2624:20th-century American male musicians
2614:19th-century American male musicians
999:
997:
599:, Arthur Whiting, Wallace Goodrich,
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333:adding citations to reliable sources
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47:adding citations to reliable sources
18:
2404:Tchaikovsky and the Belyayev circle
1329:"When our heads are bowed with woe"
1007:"Chadwick, George Whitefield"
479:
397:Music Teachers National Association
13:
1552:
1320:"A ballad of trees and the master"
1259:with some biographical information
985:in a single symbol (e.g. V7, I6).
689:His important early overtures are
14:
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2634:American male classical composers
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1004:Rines, George Edwin, ed. (1920).
994:
2659:New England Conservatory faculty
2629:20th-century classical composers
2609:19th-century classical composers
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1429:
1428:
1299:"Let not your heart be troubled"
1030:, Oxford University Press, p. 21
948:The reflective years (1919â1931)
896:'s pieces, such as the latter's
654:The formative period (1879â1894)
499:relies largely or entirely on a
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23:
2654:New England Conservatory alumni
2619:20th-century American composers
2604:19th-century American composers
1028:Amy Beach, Passionate Victorian
960:
880:The dramatic period (1910â1918)
871:In 1903, Chadwick composed his
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320:needs additional citations for
34:needs additional citations for
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1324:Alabama Sheet Music Collection
1249:"Dance of the Harem" from the
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1:
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1026:Block, Adrienne Fried, 1998,
827:, based on the tale from the
410:, in 1877 Chadwick headed to
380:(1844â1903), and theory with
301:Works, career, and influences
288:
16:American composer (1854â1931)
1316:, A.P. Schmidt Company, 1897
1292:Choral Public Domain Library
873:Theme, Variations, and Fugue
527:"George Whitefield Chadwick"
58:"George Whitefield Chadwick"
7:
2684:Pupils of Salomon Jadassohn
2679:Pupils of Josef Rheinberger
2674:Pupils of Hans von Koessler
2639:American Romantic composers
2447:Gothic Revival architecture
1050:"Chadwick, George W."
965:In 1897 Chadwick published
420:Royal Conservatory of Music
257:His works included several
10:
2705:
2388:Neue Zeitschrift fĂŒr Musik
1563:List of Romantic composers
1492:George Whitefield Chadwick
1366:George Whitefield Chadwick
705:'s tale of the same name,
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216:George Whitefield Chadwick
125:George Whitefield Chadwick
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1416:Second New England School
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1331:, Arthur P. Schmidt, 1887
1226:Boston: B. F. Wood, 1897.
1217:Chadwick, Yankee Composer
448:. The group was based in
244:Second New England School
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2409:Tchaikovsky and The Five
1137:. Greenwood Press 1998;
1059:. New York: D. Appleton.
988:
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585:Worcester Music Festival
376:(1840â1923), piano with
370:New England Conservatory
293:Born in a rural part of
192:New England Conservatory
2669:Pupils of Carl Reinecke
1251:Burlesque Opera Tabasco
1176:Oxford University Press
917:. It has a distinctive
730:The Peer and the Pauper
403:dated 6 November 1876.
2664:Olivet College faculty
2432:Common practice period
1013:Encyclopedia Americana
971:Roman-numeral analysis
773:
752:
1203:, September 24, 1995.
1102:: 108. December 1919.
931:Thomaston Opera House
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636:Further information:
625:Phi Mu Alpha Sinfonia
601:Frederick S. Converse
295:Lowell, Massachusetts
157:Lowell, Massachusetts
2469:Romantic nationalism
2415:War of the Romantics
1375:List of compositions
1222:Chadwick, George W.
1215:Yellin, V.F. (1990)
860:flavor, featuring a
734:Gilbert and Sullivan
668:Ludwig van Beethoven
512:improve this article
469:Hochschule fĂŒr Musik
329:improve this article
43:improve this article
2464:Musical nationalism
2382:Musical nationalism
1229:Thompson, David M.
1168:"George Chadwick".
833:Camille Saint-Saëns
818:String Quartet in F
597:William Grant Still
587:from 1899 to 1901.
467:(1839â1901) at the
2377:Indianist movement
2295:Romantic orchestra
1507:John Knowles Paine
1398:Symphonic Sketches
1171:Grove Music Online
957:music repertoire.
923:Waterbury Symphony
777:Symphonic Sketches
744:Grove Encyclopedia
732:, an imitation of
613:Edith Noyes Porter
378:Carlyle Petersilea
224:John Knowles Paine
2523:
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2394:New German School
1989:Felix Mendelssohn
1984:Fanny Mendelssohn
1520:
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1441:
1133:Bill F. Faucett,
838:Samson et Delilah
805:solos, and large
746:says it offered:
703:Washington Irving
672:Felix Mendelssohn
577:
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465:Josef Rheinberger
428:Salomon Jadassohn
374:George E. Whiting
368:Chadwick entered
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206:Years active
153:November 13, 1854
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1502:Edward MacDowell
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480:Return to Boston
426:(1824â1910) and
382:Stephen A. Emery
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240:Edward MacDowell
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2492:Modernist music
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2485:Classical music
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2346:Romantic ballet
2341:Orchestral song
2321:Chorale prelude
2316:Character piece
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2290:Romantic guitar
2283:Instrumentation
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2114:Rimsky-Korsakov
1734:Ferdinand David
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975:Gottfried Weber
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894:Richard Strauss
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850:Yale University
846:Ecce jam noctis
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680:Johannes Brahms
676:Robert Schumann
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401:Canon in E-flat
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188:Alma mater
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691:Rip Van Winkle
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510:. Please help
496:
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435:Rip Van Winkle
393:Olivet College
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977:with the old
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789:bass clarinet
786:
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719:Impressionism
716:
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701:. Set around
700:
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648:chamber music
645:
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568:December 2017
560:
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539:
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532:
529: â
528:
524:
523:Find sources:
517:
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509:
503:
502:
501:single source
497:This section
495:
491:
486:
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477:
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470:
466:
461:
459:
458:Impressionist
455:
451:
447:
443:
438:
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431:
430:(1830â1902).
429:
425:
424:Carl Reinecke
421:
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389:
387:
386:Eugene Thayer
383:
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341:December 2017
334:
330:
324:
323:
318:This section
316:
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283:United States
280:
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229:
225:
222:. Along with
221:
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186:
181:
180:Massachusetts
177:
168:April 4, 1931
167:
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99:December 2017
91:
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63:
60: â
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
2490:
2483:
2386:
2370:Other topics
2194:J. Strauss I
2084:Rachmaninoff
1839:Gretchaninov
1688:
1497:Arthur Foote
1491:
1396:
1388:
1365:
1305:
1297:
1294:(ChoralWiki)
1250:
1230:
1223:
1216:
1200:
1192:
1169:
1163:
1155:
1150:
1134:
1099:
1095:
1086:
1079:Google Books
1072:
1054:
1035:
1027:
1022:
1011:
979:figured bass
966:
964:
961:Music theory
955:
951:
935:
927:Leif Bjaland
904:
902:
890:Robert Burns
886:
883:
872:
870:
853:
845:
843:
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824:
822:
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737:
729:
727:
723:
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710:
706:
698:
694:
690:
688:
657:
641:
622:
609:Henry Hadley
593:
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582:
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548:
541:
534:
522:
498:
462:
439:
432:
405:
390:
367:
364:Student days
347:
338:
327:Please help
322:verification
319:
292:
256:
248:Charles Ives
236:Arthur Foote
215:
214:
170:(1931-04-04)
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
2599:1931 deaths
2594:1854 births
2437:Romanticism
2219:Tchaikovsky
2154:R. Schumann
2149:C. Schumann
2134:Saint-Saëns
2029:Niedermeyer
1919:Leoncavallo
1889:Kalkbrenner
1664:Bortkiewicz
938:World War I
906:The Padrone
898:Don Quixote
809:batteries.
801:, extended
660:sonata form
473:Rheinberger
471:in Munich.
2588:Categories
2425:Background
2326:Intermezzo
2259:Wieniawski
2239:Vieuxtemps
2204:R. Strauss
2129:Rubinstein
2054:Paderewski
2024:Mussorgsky
2019:Moszkowski
1994:Mercadante
1476:Boston Six
1210:References
807:percussion
684:pentatonic
580:composer.
538:newspapers
460:movement.
289:Early life
279:Boston Six
271:tone poems
263:symphonies
198:Occupation
149:1854-11-13
69:newspapers
2566:Biography
2039:Offenbach
2014:Moscheles
2009:Moniuszko
2004:Meyerbeer
1959:Marschner
1944:MacDowell
1759:Donizetti
1704:Cherubini
1694:Chaminade
1619:Beethoven
1604:Balakirev
1594:Atterberg
1572:musicians
1487:Amy Beach
1184:0031-8299
1154:Faucett,
1045:Fiske, J.
983:inversion
911:North End
854:Lochinvar
829:Apocrypha
796:saxophone
711:Melpomene
695:Melpomene
508:talk page
446:VelĂĄzquez
232:Amy Beach
209:1876â1931
2505:Category
2482: â
2361:Symphony
2224:Thalberg
2189:Spontini
2164:Sibelius
2159:Scriabin
2144:Schubert
2139:Sarasate
2104:Respighi
2099:Reinecke
2059:Paganini
1969:Massenet
1964:Masarnau
1949:Madetoja
1894:Kreisler
1884:Kalivoda
1829:J. Gomis
1814:Glazunov
1809:Giuliani
1699:Chausson
1689:Chadwick
1679:Bruckner
1434:Category
1224:Harmony.
1158:, pp 13.
1156:op. cit.
967:Harmony,
862:baritone
792:cadenzas
781:modality
769:overture
664:diatonic
261:, three
220:composer
201:Composer
2528:Portals
2495:â
2457:Science
2336:Mazurka
2311:Ballade
2244:VoĆĂĆĄek
2214:TĂĄrrega
2209:Taneyev
2169:Smetana
2124:Rossini
2079:Puccini
2074:Prudent
2034:Nielsen
1999:MĂ©reaux
1974:Medtner
1939:Lysenko
1909:Lachner
1874:Joachim
1854:Herbert
1774:Farrenc
1739:Delibes
1714:Crusell
1659:Borodin
1649:Berwald
1639:Berlioz
1629:Bennett
1624:Bellini
1609:Bazzini
1589:Arensky
1409:Related
1390:Tabasco
1307:"Faith"
1290:in the
1284:(IMSLP)
1280:at the
929:at the
919:verismo
844:In his
761:Adonais
739:Tabasco
552:scholar
418:at the
416:Leipzig
412:Germany
265:, five
252:Realist
83:scholar
2515:Portal
2452:Poetry
2304:Genres
2249:Wagner
2229:Tobias
2094:Reicha
2069:Popper
2049:Pacini
2044:Onslow
1954:Mahler
1934:Lumbye
1899:Kuhlau
1879:Joplin
1869:Hummel
1859:HĂ©rold
1849:Halévy
1834:Gounod
1819:Glinka
1799:Franck
1794:Foster
1764:DvoĆĂĄk
1754:d'Indy
1744:Delius
1724:Czerny
1709:Chopin
1684:Busoni
1669:Brahms
1644:Bertin
1634:BĂ©riot
1401:(1904)
1393:(1894)
1182:
1141:
915:Boston
866:violin
858:Celtic
825:Judith
715:Thalia
699:Thalia
697:, and
678:, and
611:, and
554:
547:
540:
533:
525:
450:Munich
422:under
408:Europe
259:operas
238:, and
182:, U.S.
176:Boston
159:, U.S.
85:
78:
71:
64:
56:
2578:Music
2442:Chess
2274:YsaĂże
2254:Weber
2234:Verdi
2184:Spohr
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