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186:, Op.23, are singled out for special praise. With regard to the Piano Quintet, the author writes, "Each of the movements is a gem. The Scherzo is particularly fine and the rousing finale beyond reproach. I believe that the only reason this work never received the audience it deserved and deserves is because it was written by an American who was 'out of the loop.'" As for the Piano Quartet, the opinion is that "it is as good as any late 19th century piano quartet."
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105:, he was one of the examiners at the first Guild Fellowship examination. He helped organize the New England chapter of the AGO, and from 1909 to 1912 (when the office was discontinued) he served as National Honorary President of the AGO, succeeding Horatio Parker in that position. He was one of the editors of
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178:(2002), discussing Foote's chamber music, has written, "If his name is not entirely unknown, it is fair to say that his music is. This is a shame. Foote's chamber music is first rate, deserving of regular public performance." His
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graduate and the first noted
American classical composer to be trained entirely in the U.S., in some sense he is to music what American poets were to literature before
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The modern tendency is to view Foote's music as "Romantic" and "European" in the light of the later generation of
American composers such as
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159:(1919). He contributed many articles to music journals, including "Then and Now, Thirty Years of Musical Advance in America" in
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and promoted performances of their music. Foote was an active music teacher and wrote a number of pedagogical works, including
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A Catalog of the Works of Arthur Foote, 1853–1937, Cipolla, Wilma Reid, Information
Coordinators 1980,
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String
Quartet No. 2 in E major, Op. 32 (Finale performed separately as Tema con Variazione) (1893)
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Romanza for Cello & Piano, Op. 33 (piano reduction of slow movement of Cello
Concerto, Op. 33)
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432:"7 Mar 1929, Page 1 - Bradford Evening Star and The Bradford Daily Record at Newspapers.com"
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The New Grove
Dictionary of Music & Musicians, Ed. Sadie, Stanley, MacMillan 1980,
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124:, all of whom helped to develop a recognizably American sound in classical music. A
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The
Chamber Music of Arthur Foote. Sound-bites and information from several works.
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Sarabande & Rigaudon for Oboe (or Flute), Viola (or Violin) and Piano, WoO
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Suite in E major for
Strings, Op. 63 (premiered and first recorded by the
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Four
Character Pieces after the Rubaiyat of Omar Khayyam, Op.48 (1900)
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Three Pieces for Oboe (or Flute) & Piano, Op. 31 (Flute = Op. 31B)
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101:(Unitarian) in 1878, remaining there 32 years. A founder of the
147:(1905), written with Walter R. Spalding. It was republished as
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The
Chamber Music Journal, Vol XIII, No.2, 2002, p. 11,
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Arthur Foote: A Musician in the Frame of Time and Place
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For the American civil engineer and entrepreneur, see
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Piano Trio No. 2 in B flat major, Op. 65 (1907–1908)
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174:and these works are generally among his best. The
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722:Society in Dedham for Apprehending Horse Thieves
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381:"Arthur Foote › Hymnals | Hymnary.org"
210:Three Pieces for Cello & Piano, Op. 1 (1881)
195:Society in Dedham for Apprehending Horse Thieves
170:A good part of Foote's compositions consists of
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295:for Flute & String Quartet, WoO. (1918,
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219:Three Pieces for Violin & Piano, Op. 9
529:International Music Score Library Project
277:Two Pieces for Violin & Piano, Op. 74
216:Piano Trio No. 1 in C minor, Op. 5 (1883)
157:Modulation and Related Harmonic Questions
145:Modern Harmony in Its Theory and Practice
109:, a Unitarian hymnal published in 1890.
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504:(link does not lead to article content)
271:String Quartet No. 3 in D major, Op. 70
249:Piano Quintet in A minor, Op. 38 (1897)
234:Serenade for Strings in E major, Op. 25
228:Piano Quartet in C major, Op. 23 (1890)
697:Classical musicians from Massachusetts
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213:String Quartet No. 1 in G minor, Op. 4
163:(1913) and "A Bostonian Remembers" in
153:Some Practical Things in Piano-Playing
23:. For the American tennis player, see
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289:Sonata for Viola & Piano, Op. 78A
280:Legend for Violin & Piano, Op. 76
268:Ballad for Violin & Piano, Op. 69
252:Melody for Violin & Piano, Op. 44
225:Scherzo for Cello & Piano, Op. 22
222:Sonata for Violin & Piano, Op. 20
677:20th-century American male musicians
662:19th-century American male musicians
531:(IMSLP), also includes List of Works
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370:AGO Founders Hymnal, 2009, pp. 95-96
286:Sonata for Cello & Piano, Op. 78
283:Aubade for Cello & Piano, Op. 77
97:Foote was appointed organist of the
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231:Francesca da Rimini, Op. 24 (1890)
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712:People from Dedham, Massachusetts
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243:Cello Concerto in G minor, Op. 33
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682:20th-century classical composers
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397:AGO Founders Hymnal, 2009, p. 95
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550:Art of the States: Arthur Foote
135:Foote was an early advocate of
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308:for Flute, Harp and Cello, WoO
274:Seven Pieces for organ. Op. 71
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107:Hymns of the Church Universal
16:American composer (1853–1937)
717:Pupils of John Knowles Paine
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61:) was an American classical
29:Arthur Foot (disambiguation)
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692:American Romantic composers
525:Free scores by Arthur Foote
103:American Guild of Organists
38:Arthur Foote as a young man
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606:George Whitefield Chadwick
459:Tawa, Nicholas E. (1997).
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351:"LOC Authority Reference"
260:Boston Symphony Orchestra
46:Autograph of Arthur Foote
542:- biography page at the
197:. His students included
193:and was a member of the
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702:Harvard College alumni
544:Unitarian Universalist
293:Nocturno & Scherzo
151:(1969). He also wrote
99:First Church in Boston
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27:. For other uses, see
191:Dedham, Massachusetts
176:Chamber Music Journal
59:Boston, Massachusetts
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546:Association web site
199:Isabel Stewart North
55:Salem, Massachusetts
51:Arthur William Foote
21:Arthur De Wint Foote
465:. Scarecrow Press.
57:– April 8, 1937 in
621:John Knowles Paine
83:John Knowles Paine
53:(March 5, 1853 in
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165:Musical Quarterly
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130:Walt Whitman
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652:1937 deaths
647:1853 births
453:Works cited
385:hymnary.org
330:"MusicSack"
155:(1909) and
641:Categories
590:Boston Six
441:2021-11-23
316:References
118:Roy Harris
67:Boston Six
601:Amy Beach
502:1535-1726
419:Tawa 1997
407:Tawa 1997
93:Biography
75:Amy Beach
297:Nocturno
262:) (1907)
167:(1937).
63:composer
527:at the
306:At Dusk
149:Harmony
126:Harvard
555:(1885)
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141:Wagner
137:Brahms
85:, and
161:Etude
509:ISBN
498:ISSN
488:ISBN
467:ISBN
358:2011
337:2011
139:and
120:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
