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He was not only a calligrapher himself, but spent his life collecting examples of
Classical calligraphy; both Japanese and Chinese. In 1936, he used his collection to establish a calligraphy museum in Tokyo. It was maintained by the Nakamura family until 1995, when it was donated to
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newspaper. It was at this time that he began using the name "Fusetsu" (infallible). In 1895, he went to China in the company of
Masaoka, who was then working as a war correspondent. There, he painted scenes from the
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at a school operated by the "Association of the
Eleventh" (十一次会) then, later, at Koyama's own school; "Fudō-sha" (不同社; roughly, Diversity).
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in Paris and received a small prize. Shortly after, he went to France to study with
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and
European-style painting. He returned to Tokyo in 1887 to take lessons from
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He sat on the jury for several showings, including the first
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371:Suzuki, Toshihiko (Ed.): "Nakamura Fusetsu". In:
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57:but its sources remain unclear because it lacks
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88:Learn how and when to remove this message
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212:In 1900, he submitted paintings to the
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342:Ignoring a Message from the Emperor
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199:. Later, he worked for both the
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178:In 1894, he met the poet,
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360:Three Girls on the Beach
330:Preparing for the Ritual
43:This article includes a
193:First Sino-Japanese War
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442:Japanese calligraphers
374:Encyclopedia Nipponica
318:Footprint of the Giant
249:Great Kantō Earthquake
214:Exposition Universelle
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437:Japanese illustrators
384:. Weatherhill, 1976.
239:'s ancestor goddess,
141:– 6 June 1943, Tokyo)
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377:, Shogakukan, 2001.
305:Selected paintings
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45:list of references
427:Japanese painters
346:Blue Cliff Record
286:Blue Cliff Record
271:Japan Art Academy
222:Jean-Paul Laurens
165:Meiji Restoration
161:Nagano Prefecture
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226:Pacific Art
197:calligraphy
70:introducing
411:Categories
344:(from the
301:of Tokyo.
276:I am a Cat
241:Amaterasu
78:June 2019
203:and the
135:Sakutarō
110:Nakamura
100:In this
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