447:
1245:
1255:
129:
25:
427:
G. Edward Bruner, DMA: "Editions and
Analysis of Five Missa Beata Virgine Maria by the Spanish Composers: Morales, Guerrero, Victoria, Vivanco, and Esquivel." DMA diss., University of Illinois at Urbana-Champaign, 1980. Facsimile: University Microfilms International, Ann Arbor, Michigan,
233:. He was able to capture an astonishing variety of moods in his music, from ecstasy to despair, longing, joy, and devotional stillness; his music remained popular for hundreds of years, especially in cathedrals in Latin America. Stylistically he preferred
190:; on the return trip his ship was twice attacked by pirates, who threatened his life, stole his money, and held him for ransom. He was able to return to Spain; unfortunately he had no money, and endured a series of misfortunes, including some time spent in
178:, he went to Italy for a year (1581–1582) where he published two books of his music. After returning to Spain for several years, he decided to travel to the Holy Land, which he finally was able to do in 1589. His adventure included visits to
171:. During this time he was much in demand as a singer and composer, establishing an exceptional reputation before his thirtieth birthday; in addition he published several collections of his music abroad, an unusual event for a young composer.
194:. At last his old employer at Seville Cathedral extricated Guerrero and he resumed working for them. His book on his adventurous visit to the Holy Land was published in 1590 and was a popular success (it is reasonable to suppose that
220:
Guerrero's music was both sacred and secular, unlike that of
Victoria and Morales, the two other Spanish 16th-century composers of the first rank. He wrote numerous secular songs and instrumental pieces, in addition to
823:
1304:
237:
textures, rather like his
Spanish contemporaries, and he wrote memorable, singable lines. One interesting feature of his style is how he anticipated
42:
89:
503:
477:
Maestros del Siglo de Oro, Morales, Guerrero, Victoria, La
Capella Reial de Catalunya, Hespèrion XX, dir. Jordi Savall, Alia Vox AVSA9867
1073:
61:
1299:
470:
68:
1068:
1289:
75:
312:
57:
1294:
422:
398:
175:
108:
1088:
1048:
778:
496:
174:
After several decades of working and traveling throughout Spain and
Portugal, sometimes in the employ of emperor
1093:
617:
46:
529:
466:
1309:
705:
521:
304:
263:
155:
Guerrero's early musical education was with his older brother Pedro and after that with the famous composer
1058:
460:
456:
1103:
82:
1248:
1151:
966:
489:
278:
933:
293:
205:
Of all the
Spanish Renaissance composers, he lived and worked the most in Spain. Others—for example
803:
1197:
1053:
308:
267:
1228:
986:
961:
35:
660:
206:
156:
1258:
1235:
1212:
1207:
843:
818:
728:
607:
210:
198:
knew it). At the end of the decade he planned one more trip to the Holy Land but died in the
1078:
1063:
976:
768:
723:
1284:
1279:
853:
249:, once thought to be an anonymous 18th century work, which turned out to be a work of his.
214:
139:(October 4 (?), 1528 – November 8, 1599) was a Spanish Catholic priest and composer of the
8:
971:
602:
323:
238:
195:
655:
650:
1166:
1146:
1121:
1111:
943:
918:
903:
893:
888:
858:
635:
597:
537:
191:
928:
1254:
1202:
951:
863:
690:
587:
512:
442:
418:
394:
168:
140:
552:
164:
1126:
956:
878:
833:
788:
763:
758:
713:
680:
675:
640:
582:
557:
451:
122:
1156:
1141:
1083:
923:
873:
808:
798:
753:
743:
738:
733:
695:
625:
547:
542:
476:
438:
1161:
1136:
868:
838:
783:
773:
645:
630:
572:
562:
289:
217:
composers of the time, Spanish composers usually returned home later in life).
199:
1273:
1116:
1002:
908:
898:
793:
685:
670:
410:
230:
1192:
1131:
1022:
981:
848:
718:
592:
222:
1187:
1182:
913:
883:
665:
577:
567:
393:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
1017:
1007:
246:
242:
1027:
234:
213:—spent large portions of their careers in Italy (though, unlike many
187:
183:
128:
481:
24:
1012:
179:
144:
1032:
226:
167:. Three years later he accepted a position of singer at
49:. Unsourced material may be challenged and removed.
340:. Alistair Dixon, Chapelle du Roi. Signum SIGCD017
202:of 1599 in Seville before he was able to depart.
1271:
391:The New Grove Dictionary of Music and Musicians
333:. Michael Noone, Ensemble Plus Ultra. GCD922005
301:Missa De la batalla escoutez & other works
497:
286:Missa Congratulamini mihi & other works
504:
490:
1305:16th-century deaths from plague (disease)
471:International Music Score Library Project
417:. New York, W.W. Norton & Co., 1954.
109:Learn how and when to remove this message
389:Robert Stevenson, "Francisco Guerrero."
275:Magnificat, Lamentations & Canciones
127:
260:Missa Sancta Et Immaculata, Motets, Etc
1272:
359:, VOCES8 Records, UNSPSC Code 55111500
511:
485:
159:. At the age of 18 he was appointed
448:Works by or about Francisco Guerrero
338:Requiem & Vespers for All Saints
313:His Majestys Sagbutts & Cornetts
47:adding citations to reliable sources
18:
16:Spanish Catholic priest and composer
281:, El León de Oro. Hyperion CDA68347
13:
404:
150:
58:"Francisco Guerrero" composer
14:
1321:
467:Free scores by Francisco Guerrero
457:Free scores by Francisco Guerrero
432:
1300:Spanish male classical composers
1253:
1244:
1243:
779:Giovanni Pierluigi da Palestrina
23:
376:Stevenson, Grove, vol. 7 p. 789
34:needs additional citations for
370:
1:
1290:Spanish Renaissance composers
522:List of Renaissance composers
383:
331:Missa Super Flumina Babylonis
252:
241:usage: there is a case of a
461:Choral Public Domain Library
7:
439:Works by Francisco Guerrero
309:Westminster Cathedral Choir
268:Westminster Cathedral Choir
143:. He was born and died in
10:
1326:
1152:Petrus Phalesius the Elder
967:English Virginalist School
353:Oh, Virgen, cuando os miro
120:
1223:
1175:
1102:
1041:
995:
942:
934:Jan Pieterszoon Sweelinck
817:
704:
616:
528:
519:
163:(i.e. music director) at
1295:Musicians from Andalusia
415:Music in the Renaissance
363:
121:Not to be confused with
962:English Madrigal School
804:Tomás Luis de Victoria
608:Oswald von Wolkenstein
294:The Cardinall's Musick
133:
824:Transition to Baroque
769:Pierre de Manchicourt
131:
1310:Holy Land travellers
854:Girolamo Frescobaldi
661:Cristóbal de Morales
336:Francisco Guerrero,
329:Francisco Guerrero,
318:Francisco Guerrero,
299:Francisco Guerrero,
284:Francisco Guerrero,
273:Francisco Guerrero,
258:Francisco Guerrero,
157:Cristóbal de Morales
43:improve this article
972:Florentine Camerata
944:Composition schools
603:Gaspar van Weerbeke
320:Missa Surge Propera
296:. Hyperion CDA67836
239:functional harmonic
1167:Thomas Vautrollier
1147:Ottaviano Petrucci
1122:Pierre Attaingnant
1112:Hieronymus Andreae
919:Michael Praetorius
904:Claudio Monteverdi
894:Giovanni de Macque
889:Luzzasco Luzzaschi
859:Alfonso Fontanelli
749:Francisco Guerrero
724:Antonio de Cabezón
636:Thomas Crecquillon
618:Middle (1470–1530)
598:Johannes Tinctoris
538:Alexander Agricola
345:Where All Roses Go
161:maestro de capilla
137:Francisco Guerrero
134:
132:Francisco Guerrero
1267:
1266:
864:Giovanni Gabrieli
691:Philippe Verdelot
588:Johannes Ockeghem
530:Early (1400–1470)
513:Renaissance music
443:Project Gutenberg
322:. Peter Philips,
315:. Helios CDH55340
270:. Helios CDH55313
169:Seville Cathedral
119:
118:
111:
93:
1317:
1257:
1247:
1246:
1127:Vittorio Baldini
1104:Music publishing
879:Hans Leo Hassler
834:Gregorio Allegri
789:Cipriano de Rore
764:Vicente Lusitano
759:Orlando di Lasso
714:Jacques Arcadelt
681:Pierre de la Rue
676:Josquin des Prez
656:Clément Janequin
651:Antoine de Févin
641:Antonius Divitis
583:Johannes Martini
558:Guillaume Du Fay
506:
499:
492:
483:
482:
452:Internet Archive
377:
374:
123:Francisco Guerau
114:
107:
103:
100:
94:
92:
51:
27:
19:
1325:
1324:
1320:
1319:
1318:
1316:
1315:
1314:
1270:
1269:
1268:
1263:
1240:
1232:
1219:
1171:
1157:Girolamo Scotto
1142:Antonio Gardano
1098:
1037:
991:
938:
929:Heinrich Schütz
924:Philippe Rogier
874:Orlando Gibbons
826:
822:
813:
809:Giaches de Wert
799:Christopher Tye
754:Claude Le Jeune
744:Claude Goudimel
739:Nicolas Gombert
734:Andrea Gabrieli
729:Jacobus Clemens
700:
696:Adrian Willaert
626:Martin Agricola
612:
548:Antoine Busnois
543:Gilles Binchois
524:
515:
510:
435:
407:
405:Further reading
386:
381:
380:
375:
371:
366:
324:Tallis Scholars
305:James O'Donnell
264:James O'Donnell
255:
192:debtors' prison
153:
151:Life and career
126:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
1323:
1313:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1265:
1264:
1262:
1261:
1251:
1233:
1229:Medieval music
1225:
1224:
1221:
1220:
1218:
1217:
1216:
1215:
1210:
1205:
1200:
1195:
1185:
1179:
1177:
1173:
1172:
1170:
1169:
1164:
1162:Tielman Susato
1159:
1154:
1149:
1144:
1139:
1137:Valerio Dorico
1134:
1129:
1124:
1119:
1114:
1108:
1106:
1100:
1099:
1097:
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1051:
1045:
1043:
1039:
1038:
1036:
1035:
1030:
1025:
1020:
1015:
1010:
1005:
999:
997:
993:
992:
990:
989:
984:
979:
977:Franco-Flemish
974:
969:
964:
959:
954:
948:
946:
940:
939:
937:
936:
931:
926:
921:
916:
911:
906:
901:
896:
891:
886:
881:
876:
871:
869:Carlo Gesualdo
866:
861:
856:
851:
846:
841:
839:Thomas Campion
836:
830:
828:
815:
814:
812:
811:
806:
801:
796:
791:
786:
784:Costanzo Porta
781:
776:
774:Hans Neusidler
771:
766:
761:
756:
751:
746:
741:
736:
731:
726:
721:
716:
710:
708:
702:
701:
699:
698:
693:
688:
683:
678:
673:
668:
663:
658:
653:
648:
646:Costanzo Festa
643:
638:
633:
631:Antoine Brumel
628:
622:
620:
614:
613:
611:
610:
605:
600:
595:
590:
585:
580:
575:
573:Heinrich Isaac
570:
565:
563:John Dunstaple
560:
555:
553:Loyset Compère
550:
545:
540:
534:
532:
526:
525:
520:
517:
516:
509:
508:
501:
494:
486:
480:
479:
474:
464:
454:
445:
434:
433:External links
431:
430:
429:
425:
406:
403:
402:
401:
385:
382:
379:
378:
368:
367:
365:
362:
361:
360:
341:
334:
327:
316:
297:
290:Andrew Carwood
282:
279:Peter Phillips
271:
254:
251:
245:discovered in
215:Franco-Flemish
165:Jaén Cathedral
152:
149:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1322:
1311:
1308:
1306:
1303:
1301:
1298:
1296:
1293:
1291:
1288:
1286:
1283:
1281:
1278:
1277:
1275:
1260:
1256:
1252:
1250:
1242:
1241:
1238:
1237:
1236:Baroque music
1231:
1230:
1222:
1214:
1211:
1209:
1206:
1204:
1201:
1199:
1196:
1194:
1191:
1190:
1189:
1186:
1184:
1181:
1180:
1178:
1174:
1168:
1165:
1163:
1160:
1158:
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1138:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1118:
1117:Andrea Antico
1115:
1113:
1110:
1109:
1107:
1105:
1101:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1046:
1044:
1040:
1034:
1031:
1029:
1026:
1024:
1021:
1019:
1016:
1014:
1011:
1009:
1006:
1004:
1001:
1000:
998:
996:Musical forms
994:
988:
985:
983:
980:
978:
975:
973:
970:
968:
965:
963:
960:
958:
955:
953:
950:
949:
947:
945:
941:
935:
932:
930:
927:
925:
922:
920:
917:
915:
912:
910:
909:Thomas Morley
907:
905:
902:
900:
899:Luca Marenzio
897:
895:
892:
890:
887:
885:
882:
880:
877:
875:
872:
870:
867:
865:
862:
860:
857:
855:
852:
850:
847:
845:
842:
840:
837:
835:
832:
831:
829:
825:
820:
816:
810:
807:
805:
802:
800:
797:
795:
794:Thomas Tallis
792:
790:
787:
785:
782:
780:
777:
775:
772:
770:
767:
765:
762:
760:
757:
755:
752:
750:
747:
745:
742:
740:
737:
735:
732:
730:
727:
725:
722:
720:
717:
715:
712:
711:
709:
707:
703:
697:
694:
692:
689:
687:
686:John Taverner
684:
682:
679:
677:
674:
672:
671:Jacob Obrecht
669:
667:
664:
662:
659:
657:
654:
652:
649:
647:
644:
642:
639:
637:
634:
632:
629:
627:
624:
623:
621:
619:
615:
609:
606:
604:
601:
599:
596:
594:
591:
589:
586:
584:
581:
579:
576:
574:
571:
569:
566:
564:
561:
559:
556:
554:
551:
549:
546:
544:
541:
539:
536:
535:
533:
531:
527:
523:
518:
514:
507:
502:
500:
495:
493:
488:
487:
484:
478:
475:
472:
468:
465:
462:
458:
455:
453:
449:
446:
444:
440:
437:
436:
426:
424:
423:0-393-09530-4
420:
416:
412:
411:Gustave Reese
409:
408:
400:
399:1-56159-174-2
396:
392:
388:
387:
373:
369:
358:
357:Virgen Sancta
354:
350:
346:
342:
339:
335:
332:
328:
325:
321:
317:
314:
310:
306:
302:
298:
295:
291:
287:
283:
280:
276:
272:
269:
265:
261:
257:
256:
250:
248:
244:
240:
236:
232:
228:
224:
218:
216:
212:
208:
203:
201:
197:
193:
189:
185:
181:
177:
176:Maximilian II
172:
170:
166:
162:
158:
148:
146:
142:
138:
130:
124:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
1234:
1227:
1198:Architecture
1132:Jacob Bathen
849:John Dowland
748:
719:William Byrd
593:Leonel Power
463:(ChoralWiki)
414:
390:
372:
356:
352:
348:
344:
337:
330:
319:
300:
285:
274:
259:
219:
204:
173:
160:
154:
136:
135:
105:
99:January 2017
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1285:1599 deaths
1280:1528 births
1188:Renaissance
1183:Early music
1079:Netherlands
1059:Elizabethan
914:Jacopo Peri
884:Alonso Lobo
844:John Cooper
706:Late (1530)
666:Jean Mouton
578:Jean Japart
568:Walter Frye
349:Veni Domine
347:, includes
141:Renaissance
1274:Categories
1213:Philosophy
1208:Literature
1176:Background
1042:Traditions
1018:Magnificat
1008:Intermedio
952:Burgundian
384:References
326:. CDGIM040
253:Recordings
247:Lima, Peru
243:Magnificat
235:homophonic
69:newspapers
1028:Offertory
957:Colorists
819:Mannerism
343:Apollo5,
196:Cervantes
188:Jerusalem
184:Bethlehem
1249:Category
1226: ←
1089:Portugal
1013:Madrigal
987:Venetian
231:Passions
211:Victoria
180:Damascus
1239:→
1069:Germany
1049:British
473:(IMSLP)
469:at the
459:in the
450:at the
207:Morales
145:Seville
83:scholar
1259:Portal
1084:Poland
1064:France
1054:Cyprus
1033:Pavane
827:c.1600
421:
397:
355:, and
229:, and
227:motets
223:masses
200:plague
186:, and
85:
78:
71:
64:
56:
1203:Dance
1094:Spain
1074:Italy
1003:Carol
982:Roman
364:Notes
90:JSTOR
76:books
1023:Mass
821:and
419:ISBN
395:ISBN
209:and
62:news
1193:Art
441:at
428:USA
45:by
1276::
413:,
311:,
307:,
303:.
292:,
288:.
277:.
266:,
262:.
225:,
182:,
147:.
505:e
498:t
491:v
351:,
125:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
