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Many of his works are eccentric depictions of religious ecstasies; the saints appear liquefied and contorted by piety. He often caps them with exuberant, oriental turbans. He is sometimes compared with his
Milanese contemporary,
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This article about an
Italian painter born in the 17th century is a
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Dictionary of
Painters and Engravers, Biographical and Critical
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Pelican
History of Art: Art and Architecture Italy, 1600-1750
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Orlandi, Pellegrino
Antonio; Guarienti, Pietro (1719),
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and the church of San
Salvario. He is also known as
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30:(26 September 1607 – 27 July 1665), also known as
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81:. Between 1637 and 1638, Cairo travelled to
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309:Italian painter, 17th-century birth stubs
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274:17th-century Italian painters
121:in recognition of his merit.
217:. You can help Knowledge by
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16:Italian painter (1607-1665)
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155:Wittkower, Rudolf (1993).
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73:, including portraits, to
289:Italian Baroque painters
127:Carlo Francesco Nuvolone
65:In 1633, Cairo moved to
46:He was born and died in
145:were among his pupils.
54:, in works such as the
299:Painters from Lombardy
135:Ludovico Antonio David
115:Il Cavalière del Cairo
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279:Italian male painters
190:, Naples, p. 265
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187:Abecedario pittorico
304:Painters from Turin
284:Painters from Milan
32:Francesco del Cairo
58:altarpiece in the
34:, was an Italian
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105:for San Carlo in
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75:Vittorio Amedeo I
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269:1665 deaths
264:1607 births
103:St. Theresa
93:and of the
258:Categories
131:il Panfilo
111:Savigliano
91:Guido Reni
42:Biography
149:Sources
77:of the
141:, and
107:Venice
67:Turin
48:Milan
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83:Rome
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