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Nuvolone was also active as a portrait painter working in the
Lombard style with its penchant for a strikingly detailed portrayal of the sitter's features and garments and a lively depiction of the play of light and shadow. These portraits also show influences from portrait painting in Genoa, which
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His early works showed the influence of the latest developments in
Lombard painting. He had in particular adopted from Giulio Cesare Procaccini the close attention to the handling of light and shadow as well as the careful study of facial expressions. Other early influences include Daniele Crespi
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Carlo
Francesco Nuvolone worked as an easel painter as well as a fresco artist. His subjects were mainly religious and he realised many altarpieces and devotional works. He also left a number of portraits.
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showing him at his easel surrounded by his family, including his father and brother and a few young people playing musical instruments.
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He later worked in Milan and its environs. During the 1650s, Nuvolone painted frescoes for the
Cappella di San Michele in the
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Francesco Frangi. "Nuvolone." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 7 February 2017
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36:– 1661 or 1662 in Milan) was an Italian painter of religious subjects and portraits who was active mainly in
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in turn was influenced by the
Flemish portrait painters such as van Dyck who had resided there.
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Storia della pittura italiana esposta coi monumenti: Epoca quarta dai
Caracci all' Appiani
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249:(2013) places his birth in 1608 or 1609 and gives his death date as 1 August 1661
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186:'s work, although it is not clear where he would have seen Murillo's works.
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was a painter of frescoes and altarpieces, in a style still linked to late
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Painters of reality: the legacy of
Leonardo and Caravaggio in Lombardy
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After working with his father, Carlo
Francesco studied at the
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Notizie sui celebri pittori e su altri artisti alessandrini
193:(Pinacoteca di Brera, Milan), demonstrate his interest in
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246:Dizionario Biografico degli Italiani - Volume 79
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203:(1645, Museo Civico, Piacenza).
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200:The purification of the Virgin
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384:17th-century Italian painters
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76:who also became a painter.
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52:(the Guido of Lombardy).
409:Italian Baroque painters
348:Carlo Francesco Nuvolone
191:Assumption of the Virgin
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85:Giovanni Battista Crespi
50:il Guido della Lombardia
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358:Categories
228:References
46:Guido Reni
176:Morazzone
89:il Cerano
70:Mannerism
74:Giuseppe
42:frescoes
38:Lombardy
184:Murillo
178:. The
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