379:
329:
374:
369:
364:
359:
324:
319:
314:
309:
31:
214:
Initially released to mixed reviews, the album has received critical acclaim in recent years. After being commercially unavailable for several decades, it was reissued in
February 2016.
217:
All
Japanese Rough Trade CD editions were identical to the original LP, but the UK Freaks R Us CD is incomplete, replacing the track "One Out of Many" with the stand-alone single "
1508:
451:
and politics that had exercised revolutionaries throughout the twentieth century. Was the message the most important thing, or was it formal innovation that made artworks
990:
1236:
1151:
1091:
1326:
262:
wrote that "the lean, blunt sound of this album connects with even greater ferocity, starting with a guitar-driven variation on
1251:
1581:
1437:
1293:
1030:
812:
1368:
763:
469:
radicals did actually succeed in synthesising something fierce, funky and fantastic from their unholy mash-up of
1476:
1469:
998:
258:
diffraction, howls and shrieks" as "the sound of a society falling apart." Comparing it to the group's debut,
1576:
808:
218:
1444:
1230:
1494:
1319:
1131:
1381:
772:
1525:
465:
described the album as "highly relevant" and "frighteningly prescient," stating that "the post-punk
804:
30:
1501:
1361:
1312:
1026:
750:
243:
415:
In recent years, however, writers have lauded the album's musical and political radicalism.
1571:
8:
1222:
1187:
890:
478:
433:'s stellar early work sounds meek and toothless compared to the Molotov cocktail that is
430:
398:
204:
123:
63:
421:
called the work "a genre-defining (and genre-defying) epic, as fearsome and fearless as
1038:
439:
267:
237:
1419:
1162:
1146:
92:
274:
until the music begins to sound like some sort of riot pouring out of your stereo."
1550:
1540:
1257:
1192:
1126:
533:
461:
350:
1376:
1124:
Peacock, Tim. "THE POP GROUP - FOR HOW MUCH LONGER DO WE TOLERATE MASS MURDER?".
821:
470:
134:
1412:
882:
846:
785:
539:
266:'s primal funk sides of the late '60s and adding elements of free jazz, atonal
1058:
1565:
1530:
1335:
1218:
817:
563:
452:
422:
200:
144:
43:
1354:
958:
899:
737:
118:
406:
didacticism in favor of the fevered mysticism of the group's debut album,
1545:
1535:
1462:
789:
732:
271:
263:
175:
74:
1347:
1282:
1166:
1141:
1100:
758:
728:
510:
474:
448:
417:
338:
232:
was recorded at Foel
Studios. The photo on the cover is the photograph
1398:
894:
745:
408:
403:
393:
255:
251:
208:
196:
157:
127:
82:
1509:
In the
Beginning There Was Rhythm/Where There's a Will There's a Way
1299:
754:
426:
301:
259:
1287:
767:
466:
1304:
741:
922:
909:
516:
203:. It was released on 21 March 1980 through the record labels
67:
38:
392:
received mixed reviews, with publications at the center of
247:
87:
1120:
1118:
1115:
221:". The 2016 reissue also uses this tracklisting.
1563:
1406:For How Much Longer Do We Tolerate Mass Murder?
1295:For How Much Longer Do We Tolerate Mass Murder?
1283:For How Much Longer Do We Tolerate Mass Murder?
1235:: CS1 maint: others in cite AV media (notes) (
1215:For How Much Longer Do We Tolerate Mass Murder?
1094:For How Much Longer Do We Tolerate Mass Murder?
1061:For How Much Longer Do We Tolerate Mass Murder?
717:For How Much Longer Do We Tolerate Mass Murder?
230:For How Much Longer Do We Tolerate Mass Murder?
192:For How Much Longer Do We Tolerate Mass Murder?
167:For How Much Longer Do We Tolerate Mass Murder?
24:For How Much Longer Do We Tolerate Mass Murder?
993:For How Much Longer Do We Tolerate Mass Murder
435:For How Much Longer Do We Tolerate Mass Murder
1320:
1022:
1020:
1018:
1016:
1085:
1083:
356:
306:
1033:How Much Longer Do We Tolerate Mass Murder?
1327:
1313:
1207:
1052:
1050:
1048:
1013:
29:
1080:
1045:
997:. thepopgroup.net. 2014. Archived from
459:is that it refuses to choose. In 2016,
443:, stated that "the debates provoked by
224:
1564:
1249:
1089:
195:is the second studio album by English
18:1980 studio album by The Pop Group
1308:
696:
685:
674:
663:
630:
619:
608:
597:
586:
287:
447:rehearsed some of the disputes over
246:described the album's mix of "murky
13:
1438:Idealists in Distress From Bristol
1256:. Cherry Red Books. Archived from
1056:
857:
14:
1593:
1334:
1275:
358:
308:
556:
377:
372:
367:
362:
357:
327:
322:
317:
312:
307:
1243:
1090:Fisher, Devon (16 March 2016).
1180:
1155:
1135:
983:
651:
574:
1:
1188:"The 50 Greatest Lost Albums"
977:
455:? The remarkable thing about
1445:The Boys Whose Head Exploded
710:
544:The 50 Greatest Lost Albums
484:
437:." Mark Fisher, writing for
277:
7:
1495:She Is Beyond Good and Evil
1163:"Albums of the Year - 1980"
10:
1598:
1582:Rough Trade Records albums
1221:. London, United Kingdom:
562:All tracks are written by
388:Upon its release in 1980,
1518:
1486:
1454:
1429:
1390:
1342:
957:
954:
948:
926:
898:
886:
838:
835:
828:
678:"There Are No Spectators"
658:
655:
650:
581:
578:
573:
295:
292:
151:
143:
133:
117:
101:
73:
58:
50:
37:
28:
23:
396:discourse (such as the
1502:We Are All Prostitutes
1477:Cabinet of Curiosities
1470:We Are All Prostitutes
1250:Lazell, Barry (1997).
590:"Forces of Oppression"
219:We Are All Prostitutes
1577:The Pop Group albums
1253:Indie Hits 1980-1989
1001:on 11 September 2014
780:Additional musicians
283:Professional ratings
225:Background and music
1231:cite AV media notes
1223:Rough Trade Records
1144:. " TRICKNOLOGY ".
647:
570:
521:Albums of the Year
457:For How Much Longer
445:For How Much Longer
390:For How Much Longer
284:
64:Llanfair Caereinion
1290:(list of releases)
955:TDK Core Co. Ltd.
645:
568:
282:
268:experimental music
1559:
1558:
1420:Honeymoon on Mars
1031:"The Pop Group's
975:
974:
914:Go International
855:
854:
794:
715:Adapted from the
707:
706:
641:
640:
634:"How Much Longer"
612:"One Out of Many"
601:"Feed the Hungry"
554:
553:
477:and heavyweight,
402:) dismissing its
386:
385:
188:
187:
184:
183:
1589:
1541:New Age Steppers
1519:Related articles
1329:
1322:
1315:
1306:
1305:
1270:
1269:
1267:
1265:
1247:
1241:
1240:
1234:
1226:
1211:
1205:
1204:
1202:
1200:
1184:
1178:
1177:
1175:
1173:
1159:
1153:
1139:
1133:
1127:Record Collector
1122:
1113:
1112:
1110:
1108:
1092:"The Pop Group:
1087:
1078:
1077:
1075:
1073:
1059:"The Pop Group:
1054:
1043:
1042:. February 2016.
1024:
1011:
1010:
1008:
1006:
987:
862:
861:
833:
832:
792:
653:
648:
644:
576:
571:
567:
489:
488:
462:Record Collector
382:
381:
380:
376:
375:
371:
370:
366:
365:
361:
360:
351:Record Collector
332:
331:
330:
326:
325:
321:
320:
316:
315:
311:
310:
285:
281:
153:
152:
113:
112:
108:
33:
21:
20:
1597:
1596:
1592:
1591:
1590:
1588:
1587:
1586:
1562:
1561:
1560:
1555:
1551:Rip Rig + Panic
1514:
1482:
1450:
1425:
1386:
1382:John Waddington
1377:Simon Underwood
1338:
1333:
1278:
1273:
1263:
1261:
1248:
1244:
1228:
1227:
1213:
1212:
1208:
1198:
1196:
1186:
1185:
1181:
1171:
1169:
1161:
1160:
1156:
1140:
1136:
1123:
1116:
1106:
1104:
1088:
1081:
1071:
1069:
1055:
1046:
1025:
1014:
1004:
1002:
989:
988:
984:
980:
860:
858:Release history
840:
831:
773:John Waddington
713:
708:
642:
559:
487:
471:Ornette Coleman
378:
373:
368:
363:
328:
323:
318:
313:
280:
227:
179:
170:
161:
110:
106:
105:
97:
46:
19:
12:
11:
5:
1595:
1585:
1584:
1579:
1574:
1557:
1556:
1554:
1553:
1548:
1543:
1538:
1533:
1528:
1522:
1520:
1516:
1515:
1513:
1512:
1505:
1498:
1490:
1488:
1484:
1483:
1481:
1480:
1473:
1466:
1458:
1456:
1452:
1451:
1449:
1448:
1441:
1433:
1431:
1427:
1426:
1424:
1423:
1416:
1413:Citizen Zombie
1409:
1402:
1394:
1392:
1388:
1387:
1385:
1384:
1379:
1373:
1372:
1365:
1358:
1351:
1343:
1340:
1339:
1332:
1331:
1324:
1317:
1309:
1303:
1302:
1291:
1277:
1276:External links
1274:
1272:
1271:
1260:on 8 June 2011
1242:
1206:
1179:
1154:
1150:, March 1995.
1134:
1114:
1079:
1057:Dougan, John.
1044:
1012:
981:
979:
976:
973:
972:
969:
965:
964:
961:
956:
953:
950:
946:
945:
942:
939:
935:
934:
931:
928:
925:
919:
918:
915:
912:
906:
905:
902:
897:
888:
885:
883:United Kingdom
879:
878:
875:
872:
869:
866:
859:
856:
853:
852:
849:
847:UK Indie Chart
843:
842:
837:
830:
827:
826:
825:
815:
796:
795:
786:The Last Poets
777:
776:
775: – guitar
770:
761:
748:
735:
712:
709:
705:
704:
701:
698:
694:
693:
690:
687:
683:
682:
679:
676:
672:
671:
668:
665:
661:
660:
657:
654:
643:
639:
638:
635:
632:
628:
627:
624:
621:
617:
616:
613:
610:
606:
605:
602:
599:
595:
594:
591:
588:
584:
583:
580:
577:
560:
558:
555:
552:
551:
548:
545:
542:
540:United Kingdom
537:
529:
528:
525:
522:
519:
514:
506:
505:
502:
499:
496:
493:
486:
483:
384:
383:
354:
346:
345:
342:
334:
333:
304:
298:
297:
294:
290:
289:
279:
276:
226:
223:
186:
185:
182:
181:
172:
163:
149:
148:
141:
140:
137:
131:
130:
121:
115:
114:
103:
99:
98:
96:
95:
90:
85:
79:
77:
71:
70:
62:Foel Studios,
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1594:
1583:
1580:
1578:
1575:
1573:
1570:
1569:
1567:
1552:
1549:
1547:
1544:
1542:
1539:
1537:
1534:
1532:
1531:Dennis Bovell
1529:
1527:
1524:
1523:
1521:
1517:
1511:
1510:
1506:
1503:
1499:
1496:
1492:
1491:
1489:
1485:
1479:
1478:
1474:
1472:
1471:
1467:
1465:
1464:
1460:
1459:
1457:
1453:
1447:
1446:
1442:
1440:
1439:
1435:
1434:
1432:
1428:
1422:
1421:
1417:
1415:
1414:
1410:
1408:
1407:
1403:
1401:
1400:
1396:
1395:
1393:
1391:Studio albums
1389:
1383:
1380:
1378:
1375:
1374:
1371:
1370:
1366:
1364:
1363:
1359:
1357:
1356:
1352:
1350:
1349:
1345:
1344:
1341:
1337:
1336:The Pop Group
1330:
1325:
1323:
1318:
1316:
1311:
1310:
1307:
1301:
1297:
1296:
1292:
1289:
1285:
1284:
1280:
1279:
1259:
1255:
1254:
1246:
1238:
1232:
1224:
1220:
1219:The Pop Group
1216:
1210:
1195:
1194:
1189:
1183:
1168:
1164:
1158:
1152:
1149:
1148:
1143:
1138:
1132:
1129:
1128:
1121:
1119:
1103:
1102:
1097:
1095:
1086:
1084:
1068:
1064:
1062:
1053:
1051:
1049:
1041:
1040:
1035:
1034:
1028:
1023:
1021:
1019:
1017:
1000:
996:
994:
986:
982:
970:
967:
966:
962:
960:
951:
947:
943:
940:
937:
936:
932:
930:Japan Record
929:
924:
921:
920:
916:
913:
911:
908:
907:
904:ROUGH 9, Y 2
903:
901:
896:
892:
889:
884:
881:
880:
876:
873:
870:
867:
864:
863:
850:
848:
845:
844:
836:Chart (1980)
834:
823:
819:
818:The Pop Group
816:
814:
810:
806:
805:Dave Anderson
803:
802:
801:
800:
791:
787:
784:
783:
782:
781:
774:
771:
769:
765:
762:
760:
756:
752:
749:
747:
743:
739:
736:
734:
730:
727:
726:
725:
724:
723:The Pop Group
720:
719:liner notes.
718:
702:
699:
695:
691:
689:"Communicate"
688:
684:
680:
677:
673:
669:
666:
662:
649:
636:
633:
629:
625:
623:"Blind Faith"
622:
618:
614:
611:
607:
603:
600:
596:
592:
589:
585:
572:
566:
565:
564:The Pop Group
557:Track listing
549:
546:
543:
541:
538:
536:
535:
531:
530:
526:
523:
520:
518:
515:
513:
512:
508:
507:
503:
500:
497:
494:
491:
490:
482:
480:
476:
472:
468:
464:
463:
458:
454:
453:revolutionary
450:
446:
442:
441:
436:
432:
429:opined that "
428:
424:
423:popular music
420:
419:
413:
411:
410:
405:
401:
400:
395:
391:
355:
353:
352:
348:
347:
343:
341:
340:
336:
335:
305:
303:
300:
299:
291:
288:Review scores
286:
275:
273:
269:
265:
261:
257:
253:
249:
245:
241:
239:
238:André Kertész
235:
231:
222:
220:
215:
212:
210:
206:
202:
201:The Pop Group
198:
194:
193:
178:
177:
173:
169:
168:
164:
160:
159:
155:
154:
150:
146:
145:The Pop Group
142:
139:The Pop Group
138:
136:
132:
129:
125:
122:
120:
116:
104:
100:
94:
91:
89:
86:
84:
81:
80:
78:
76:
72:
69:
65:
61:
57:
54:21 March 1980
53:
49:
45:
44:The Pop Group
40:
36:
32:
27:
22:
16:
1507:
1475:
1468:
1461:
1455:Compilations
1443:
1436:
1418:
1411:
1405:
1404:
1397:
1369:Mark Stewart
1367:
1360:
1355:Gareth Sager
1353:
1346:
1294:
1281:
1264:11 September
1262:. Retrieved
1258:the original
1252:
1245:
1214:
1209:
1199:11 September
1197:. Retrieved
1191:
1182:
1172:11 September
1170:. Retrieved
1157:
1145:
1137:
1125:
1105:. Retrieved
1099:
1093:
1072:11 September
1070:. Retrieved
1066:
1063:> Review"
1060:
1037:
1032:
1027:Fisher, Mark
1005:11 September
1003:. Retrieved
999:the original
992:
985:
941:Base Record
798:
797:
790:arrangements
779:
778:
764:Mark Stewart
738:Gareth Sager
722:
721:
716:
714:
700:"Rob a Bank"
561:
532:
509:
492:Publication
481:-style dub.
460:
456:
444:
438:
434:
431:Gang of Four
416:
414:
407:
397:
389:
387:
349:
337:
272:found noises
242:
233:
229:
228:
216:
213:
191:
190:
189:
174:
166:
165:
156:
39:Studio album
15:
1572:1980 albums
1546:Maximum Joy
1536:Float Up CP
1526:Discography
1463:We Are Time
1430:Live albums
1362:Bruce Smith
1142:Penman, Ian
1107:27 February
944:Rough 9 Y5
891:Rough Trade
824:, recording
751:Bruce Smith
733:bass guitar
479:Channel One
264:James Brown
244:Mark Fisher
234:Two Gypsies
205:Rough Trade
176:We Are Time
124:Rough Trade
93:avant-garde
1566:Categories
1348:Dan Catsis
1217:(sleeve).
1167:Rockerilla
1101:PopMatters
978:References
971:TDCN-5575
963:TDCN-5153
822:production
759:percussion
729:Dan Catsis
511:Rockerilla
475:Funkadelic
467:Bristolian
449:aesthetics
418:PopMatters
339:PopMatters
147:chronology
841:position
813:recording
799:Technical
746:saxophone
711:Personnel
667:"Justice"
498:Accolade
485:Accolades
425:can be."
404:agit-prop
394:post-punk
278:Reception
254:squalls,
252:free jazz
197:post-punk
83:Post-punk
1300:Bandcamp
1147:The Wire
1130:, 2015.
1067:Allmusic
877:Catalog
820: –
807: –
788: –
766: –
753: –
740: –
731: –
646:Side two
569:Side one
495:Country
427:AllMusic
302:AllMusic
260:AllMusic
135:Producer
51:Released
41: by
1487:Singles
1288:Discogs
1225:. 1980.
917:SER 02
874:Format
865:Region
180:(1980)
171:(1980)
162:(1979)
949:Japan
938:Italy
933:RTL-1
871:Label
829:Charts
809:mixing
768:vocals
742:guitar
659:Length
582:Length
296:Rating
293:Source
270:, and
102:Length
59:Studio
1193:Uncut
968:1996
952:1994
927:1981
923:Japan
910:Italy
887:1980
868:Date
755:drums
656:Title
579:Title
547:2004
534:Uncut
524:1980
517:Italy
504:Rank
501:Year
199:band
119:Label
75:Genre
68:Powys
1266:2014
1237:link
1201:2014
1174:2014
1109:2015
1074:2014
1039:Fact
1007:2014
839:Peak
793:(A3)
703:2:18
692:4:40
681:4:13
670:3:06
637:4:57
626:4:03
615:1:52
604:4:15
593:2:33
440:Fact
344:9/10
248:funk
207:and
88:funk
1298:at
1286:at
1036:."
995:LP"
652:No.
575:No.
550:35
527:11
399:NME
256:dub
236:by
1568::
1233:}}
1229:{{
1190:.
1165:.
1117:^
1098:.
1082:^
1065:.
1047:^
1029:.
1015:^
959:CD
900:LP
893:,
851:1
811:,
757:,
744:,
697:4.
686:3.
675:2.
664:1.
631:5.
620:4.
609:3.
598:2.
587:1.
473:,
412:.
250:,
240:.
211:.
126:,
111:57
107:31
66:,
1504:"
1500:"
1497:"
1493:"
1399:Y
1328:e
1321:t
1314:v
1268:.
1239:)
1203:.
1176:.
1111:.
1096:"
1076:.
1009:.
991:"
895:Y
409:Y
209:Y
158:Y
128:Y
109::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.