997:
51:
866:". He argued that call-out culture created a space "where solidarity is impossible, but guilt and fear are omnipresent". Fisher also argued that call-out culture reduces every political issue to criticizing the behaviour of individuals, instead of dealing with such political issues through collective action. In 2014, Fisher published
928:, in which the logics of capitalism have come to delineate the limits of political and social life, with significant effects on education, mental illness, pop culture, and methods of resistance. The result is a situation in which it is "easier to imagine an end to the world than an end to capitalism." Fisher writes:
1233:
suggestions from Fisher, wrote the text for the audio-essay, which "evokes a walk along the
Suffolk coastline in 2006, from Felixstowe container port ('a nerve ganglion of capitalism') to the Anglo-Saxon burial ground at Sutton Hoo". Both Barton and Fisher narrate the essay. Adam Harper wrote about the elements of
1267:
From the start, "economy" was the object-cause of a bourgeois "science", which hyperstitionally bootstrapped itself into existence, and then bent and melted the matter of this and every other world to fit its presuppositions – the greatest theocratic achievement in a history that was never human, an
965:
system is all there is. They seek to maintain these conditions by dominating most social and cultural institutions. Fisher proposes that within a capitalist framework there is no space to conceive of alternative forms of social structures, adding that younger generations are not even concerned with
1232:
Following Fisher's death, the
Hyperdub record label started a sub label called Flatlines which published an audio-essay by Justin Barton and Fisher in July 2019. Fisher and Barton edited together music from various musicians which was made to accompany the text, and Barton, working in part with
806:
as "lucid and revelatory, taking literature, music and cinema we're familiar with and effortlessly disclosing its inner secrets". Fisher used the blog as a more flexible, generative venue for writing, a respite from the frameworks and expectations of academic writing. Fisher also co-founded the
970:
compounded this position; rather than catalyzing a desire to seek alternatives for the existing model, the response to the crisis reinforced the notion that modifications must be made within the existing system. Fisher argues that capitalist realism has propagated a 'business
1356:, Roger Luckhurst called Fisher "one of Britain's most trenchant, clear-sighted, and sparky cultural commentators...it is a catastrophe that we no longer have Mark Fisher". He still has a large influence on contemporary Zer0 Books writers, with him being cited extensively in
1036:
of postmodern culture, Fisher defined hauntological art as exploring these impasses and representing a "refusal to give up on the desire for the future" and a "pining for a future that never arrived". Discussing the political relevance of the concept, Fisher wrote:
1049:
2003: 289), one function of hauntology is to keep insisting that there are futures beyond postmodernity's terminal time. When the present has given up on the future, we must listen for the relics of the future in the unactivated potentials of the
932:
Capitalist realism as I understand it ... is more like a pervasive atmosphere, conditioning not only the production of culture but also the regulation of work and education, and acting as a kind of invisible barrier constraining thought and
1126:, exposing the arbitrary forces that shape it. Summarizing Fisher's characterizations, Yohann Koshy stated that "weirdness abounds at the edge between worlds; eeriness radiates from the ruins of lost ones". The book includes discussion of
1338:, Alex Niven recalled that Fisher's "lucidity, but more than that, his ability to get to the heart of what was wrong with late-capitalist culture and right about the putative alternative...seemed to have cracked some ineffable code". In
920:" to describe "the widespread sense that not only is capitalism the only viable political and economic system, but also that it is now impossible even to imagine a coherent alternative to it". He expanded on the concept in his 2009 book
2977:
3066:
1305:
had only been able to offer over-the-phone meetings to discuss a referral. Fisher's mental health had deteriorated since May 2016, leading to a suspected overdose in
December 2016, when he was admitted to
2498:
2618:
3114:
2915:
2558:
1324:, Fisher argued that "the pandemic of mental anguish that afflicts our time cannot be properly understood, or healed, if viewed as a private problem suffered by damaged individuals."
2737:
792:
described it as "a one-man magazine superior to most magazines in
Britain" and as the central hub of a "constellation of blogs" in which popular culture, music, film, politics, and
3734:
2946:
2791:
1553:
2094:
2853:
2969:
2061:
1028:
economies in the late 1970s, which he argued has "gradually and systematically deprived artists of the resources necessary to produce the new". In contrast to the
3056:
1118:" and "the eerie" through various works of art, defining the concepts as radical narrative modes or moments of "transcendental shock" which work to de-centre the
713:
which crossed music with politics, film, and fiction. He was also influenced by the relationship between working class culture and football, being present at the
3473:
2761:
2649:
2528:
2490:
1735:
4800:
1591:
1263:, claiming that it was a bourgeois "science" that moulds reality after its presuppositions, rather than critically examining reality. As he stated it himself:
1902:
1667:
1787:
3724:
3031:
1393:
who was influenced through Fisher's work to use "early internet aesthetics and 1990s cyberpunk, merged with reworked empty promises of advertisements.”
2610:
2010:
3843:
2822:
2305:
2279:
1045:
and restoration, when cultural innovation has stalled and even gone backwards, when "power ... operates predictively as much as retrospectively" (
2035:
3633:
1935:
1848:
2907:
1984:
1416:
1390:
911:
847:
140:
2550:
4790:
3714:
2734:
586:
3729:
3466:
2401:
1702:
4815:
2884:
2432:
4810:
4805:
4785:
1957:
4724:
2588:
1614:
1366:
700:
671:. After years intermittently struggling with depression, Fisher died by suicide in January 2017, shortly before the publication of
2122:
4820:
4760:
2938:
2783:
1550:
2084:
3459:
2845:
17:
961:
itself. Capitalists maintain their power not only through violence and force, but also by creating a pervasive sense that the
4830:
2680:
2377:
2354:
2191:
2169:
1519:
1506:
1489:
1476:
1463:
1438:
1425:
1410:
2058:
3836:
3203:
2641:
3088:
4775:
3754:
3628:
3008:
1332:
Fisher has been posthumously acclaimed as a highly influential thinker and theorist. Commenting on Fisher's influence in
1360:'s 'Albion's Secret History: Snapshots of England's Pop Rebels and Outsiders'. After Fisher's suicide, English musician
957:; which can generally be described as the notion that the "status quo" is all there is, and that anything else violates
4765:
4231:
2712:
2642:"The Quietus | Features | The Lead Review | Into The Nerve Ganglion: Mark Fisher & Justin Barton On Vanishing Land"
696:
692:
2758:
1377:
Since 2018, 'For k-punk' has been a yearly series of tribute events celebrating Fisher's life and works. In 2021, the
4840:
4795:
1725:
2520:
1892:
1386:
1268:
immense conjuring trick which works all the better because it came shrouded in that damp grey
English and Scottish
738:
611:
579:
463:
198:
1872:
1659:
4845:
4719:
3829:
1758:
967:
547:
1783:
4825:
3663:
1581:
1378:
1144:
399:
4071:
3482:
3144:
3115:"K-punk parties on: new online film commission at ICA in London remembers late cultural theorist Mark Fisher"
2551:"k-punk: The Collected and Unpublished Writings of Mark Fisher (2004–2016) | Repeater Books | Repeater Books"
1260:
183:
3057:"The Caretaker and Boomkat donate proceeds from Take Care, It's A Desert Out There in memory of Mark Fisher"
4611:
2002:
300:
31:
1381:
commissioned a series of films from different artists for the occasion to respond to themes in the volume
4566:
4369:
3739:
2735:
Renowned writer and K-Punk blogger Mark Fisher from
Felixstowe took own life after battle with depression
1352:
572:
2814:
2301:
2275:
4581:
4521:
4374:
3273:
2970:"The Necessity of Being Judgmental: On "k-punk: The Collected and Unpublished Writings of Mark Fisher""
1809:
Fisher, Mark; Gilbert, Jeremy (Winter 2013). "Capitalist
Realism and Neoliberal Hegemony: A Dialogue".
1168:
863:
824:
492:
153:
1285:
blog on 29 September 2004, Fisher wrote about having experienced sexual abuse in his early twenties.
4780:
4770:
4656:
4586:
4447:
3582:
3421:
2232:
Mark Fisher; Jeremy
Gilbert (Winter 2013). "Capitalist Realism and Neoliberal Hegemony: A Dialogue".
2032:
1385:(2020), which transcribes Fisher’s final lecture series for his MA contemporary art theory course at
1311:
321:
1840:
4835:
4636:
4442:
3719:
3321:
3196:
1361:
978:
Following the publication of Fisher's work, the term has been picked up by other literary critics.
4166:
1988:
975:' which concludes that everything should be run as a business including education and healthcare.
737:. During this time, Fisher was a founding member of the interdisciplinary collective known as the
4516:
3785:
3744:
3162: – discussing issues relative to the recession, insurrection, and Really Existing Capitalism
1344:
Rob Doyle wrote that "a more interesting
British writer has not appeared in this century", while
487:
4206:
1925:
1012:
to describe a pervasive sense in which contemporary culture is haunted by the "lost futures" of
874:. He also contributed intermittently to a number of publications, including the music magazines
699:
parents; his father was an engineering technician and his mother a cleaner. He attended a local
4750:
4706:
4671:
4631:
4556:
4541:
4031:
3852:
3231:
188:
4641:
4146:
4482:
4394:
4379:
4186:
3966:
3795:
3521:
3394:
3159:
2393:
1692:
1624:
730:
714:
562:
121:
1644:
1640:
210:
4755:
4745:
3805:
3699:
2876:
2424:
1302:
1211:
1158:
1119:
482:
4121:
4106:
3567:
1961:
1301:(2017). He had sought psychiatric treatment in the weeks leading up to his death, but his
815:
Subsequently, Fisher was a visiting fellow and a lecturer on Aural and Visual
Cultures at
8:
4546:
4406:
4241:
4201:
3775:
3770:
3638:
3602:
3577:
3189:
3061:
1697:
1080:
882:
870:, a collection of essays on similar themes viewed through the prisms of music, film, and
833:
828:
709:
641:
558:
477:
349:
4211:
4111:
2580:
4606:
4526:
4457:
4384:
4161:
4046:
3976:
3926:
3749:
3434:
3283:
3247:
2471:
2245:
2116:
1822:
1586:
1297:
on 13 January 2017 at the age of 48, shortly before the publication of his latest book
1234:
1219:
1059:
991:
924:, arguing that the term best describes the ideological situation since the fall of the
917:
876:
816:
762:
647:
635:
448:
316:
258:
116:
4116:
4066:
3562:
3032:"Remembering Mark Fisher With The Caretaker's "Take Care. It's A Desert Out There...""
4666:
4571:
4477:
4286:
3866:
3377:
3372:
3316:
2686:
2676:
2475:
2373:
2350:
2249:
2187:
2165:
1826:
1628:
1515:
1502:
1485:
1472:
1459:
1434:
1421:
1406:
1089:
1067:
950:
946:
781:
607:
537:
528:
522:
354:
262:
4056:
3612:
1350:
described Fisher's k-punk blog posts as "required reading for a generation". In the
374:
4322:
4281:
4251:
4226:
4151:
4076:
4051:
4021:
3936:
3911:
3906:
3891:
3810:
3790:
3607:
3587:
3537:
3496:
3440:
3427:
3414:
3311:
3306:
2463:
2237:
2069:
1930:
1814:
1514:(edited and with an introduction by Matt Colquhoun). London: Repeater Books, 2020.
1334:
1307:
859:
718:
659:
619:
457:
409:
243:
2467:
1097:
4701:
4696:
4626:
4591:
4452:
4347:
4327:
4307:
4256:
4176:
4096:
4061:
4041:
4006:
4001:
3981:
3941:
3921:
3876:
3871:
3597:
3572:
3399:
3362:
3341:
3226:
2765:
2741:
2491:"Weird, Eerie, & Monstrous: Review of The Weird and the Eerie by Mark Fisher"
2367:
2241:
2126:
2065:
2039:
1897:
1876:
1818:
1557:
1340:
1173:
1163:
1135:
1127:
1085:
1005:
954:
942:
842:
798:
793:
742:
722:
627:
339:
238:
228:
3451:
1000:
Mark Fisher lecturing on the topic "The Slow Cancellation of the Future" in 2014
996:
4621:
4467:
4432:
4389:
4364:
4359:
4352:
4317:
4312:
4191:
4171:
4156:
4141:
4126:
4086:
4081:
4016:
3996:
3961:
3916:
3901:
3689:
3648:
3557:
3547:
3506:
3367:
3256:
3236:
2089:
1561:
1498:
1455:
1371:
1370:
in memory of him, with its proceeds being donated to the mental health charity
1203:
1149:
1131:
1123:
1055:
899:
789:
668:
498:
359:
4216:
3000:
2690:
4739:
4686:
4651:
4576:
4411:
4246:
4196:
4131:
4091:
3951:
3931:
3881:
3780:
3643:
3516:
3409:
3384:
3326:
2130:
2044:
1357:
1177:
1115:
1021:
1017:
852:
777:
as The Lower Depths. In the 1990s Mark wrote "White Magic" for CritCrim.org.
653:
379:
4511:
3552:
2784:"Opinion: Mark Fisher's K-punk blogs were required reading for a generation"
2705:
1632:
1241:, as well as its relation to the environmentalist movement. In a review for
4616:
4501:
4487:
4337:
4236:
4136:
4101:
4026:
3956:
3946:
3896:
3886:
3668:
3658:
2255:
1730:
1566:
1346:
1320:
1194:
At the time of his death, Fisher was said to be planning a new book titled
1139:
1071:
1025:
958:
938:
925:
886:. In 2016, Fisher co-edited a critical anthology on the post-punk era with
688:
602:(11 July 1968 – 13 January 2017), also known under his blogging alias
429:
419:
394:
344:
3171:
949:. The concept of capitalist realism also likely stems from the concept of
4691:
4601:
4506:
4401:
4332:
4276:
4266:
4261:
4221:
4011:
3986:
3971:
3821:
3704:
3511:
3404:
3389:
3346:
3336:
2673:
K-punk: the collected and unpublished writings of Mark Fisher (2004–2016)
1495:
k-punk: The Collected and Unpublished Writings of Mark Fisher (2004–2016)
1451:
1243:
1215:
1200:
k-punk: The Collected and Unpublished Writings of Mark Fisher (2004–2016)
1153:
1093:
1046:
1042:
887:
746:
610:, philosopher, and teacher based in the Department of Visual Cultures at
507:
414:
4646:
4551:
3991:
3709:
3673:
3542:
3301:
3212:
2346:
2276:"Mark Fisher – The Metaphysics of Crackle: Afrofuturism and Hauntology"
1869:
1447:
1294:
1269:
1198:, excerpts of which were published as part of a Mark Fisher anthology,
1009:
987:
962:
891:
871:
664:
512:
424:
404:
384:
233:
93:
3165:
2343:
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures
1431:
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures
868:
Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures
4681:
4676:
4661:
4531:
4302:
4271:
4181:
3800:
3694:
3501:
3331:
3278:
3261:
2611:"Retracing Mark Fisher and Justin Barton's Eerie Pilgrimage | Frieze"
1616:
Flatline constructs: Gothic materialism and cybernetic theory-fiction
1482:
Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction
1181:
1075:
1029:
1013:
819:, a commissioning editor at Zero Books, an editorial board member of
750:
735:
Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction
704:
684:
517:
472:
389:
364:
277:
74:
1066:
examined these ideas through cultural sources, such as the music of
937:
As a philosophical concept, capitalist realism is influenced by the
796:
were discussed in tandem by journalists, academics, and colleagues.
761:
record label. In the early 1990s, he also made music as part of the
4561:
4472:
4427:
2939:"Mark Fisher's K-punk blogs were required reading for a generation"
1033:
972:
758:
615:
4462:
4342:
1551:
Mark Fisher's K-punk blogs were required reading for a generation
633:
Fisher published several books, including the unexpected success
2908:"Is Mark Fisher this century's most interesting British writer?"
2369:
Bloomsbury Encyclopedia of Popular Music of the World, Volume 11
4495:
3266:
618:
as k-punk in the early 2000s, and was known for his writing on
205:
2846:"The Marxist Pop-Culture Theorist Who Influenced a Generation"
50:
4596:
4437:
3653:
3181:
1636:
1364:, who had a symbiotic relationship with the writer, released
1218:
in the interest of imagining new political possibilities for
841:, a collection of critical essays on the career and death of
754:
623:
2454:
Woodard, Benjamin Graham (2017). "The Weird and the Eerie".
1917:
1484:(foreword by exmilitary). New York: Exmilitary Press, 2018.
4536:
3735:
An Introduction to the Three Volumes of Karl Marx's Capital
2394:"The Weird and the Eerie | Repeater Books | Repeater Books"
1808:
707:
music press of the late 1970s, particularly papers such as
542:
3089:"Why we started a club night for our teacher, Mark Fisher"
2302:"The Metaphysics of Crackle: Afrofuturism and Hauntology"
2256:
Alison Shonkwiler and Leigh Claire La Berge, ed. (2014).
2231:
1251:
as a "shocking revelation of the proximity of dystopia."
726:
3176:
703:. Fisher was formatively influenced in his youth by the
2581:"On Vanishing Land, by Mark Fisher & Justin Barton"
1759:"ReynoldsRetro: D-Generation - or, the dawn of K-Punk"
3119:
The Art Newspaper - International art news and events
1024:. Fisher and others drew attention to the shift into
606:, was an English writer, music critic, political and
862:
and in 2013 published a controversial essay titled "
3725:
A Contribution to the Critique of Political Economy
2059:'Kill All Normies' skewers online identity politics
1293:Fisher died by suicide at his home on King Street,
784:college, Fisher began his blog on cultural theory,
1389:. The films have unifying visuals and captions by
27:21st-century English cultural theorist (1968–2017)
3481:
3145:"An Extract From Mark Fisher's Ghosts Of My Life"
3001:"Remembering a Time Before the Great Culture War"
2335:
807:message board Dissensus with writer Matt Ingram.
4737:
2294:
1958:"Fisher, Mark, Goldsmiths, University of London"
1254:
1210:would have attempted to reclaim elements of the
916:In the late 2000s, Fisher re-purposed the term "
639:(2009), and contributed to publications such as
2085:"British music writer Mark Fisher dies aged 48"
966:recognizing alternatives. He proposes that the
941:conception of ideology, as well as the work of
753:. There, he befriended and influenced producer
745:political thought and the work of philosophers
1687:
1685:
4801:Academics of Goldsmiths, University of London
3837:
3467:
3197:
2270:
2268:
1016:, which failed to occur or were cancelled by
580:
3715:Economic and Philosophic Manuscripts of 1844
3172:Mark Fisher Tribute Site & Video Archive
2670:
2184:Capitalist Realism: Is There No Alternative?
2162:Capitalist Realism: Is There No Alternative?
1417:Capitalist Realism: Is There No Alternative?
922:Capitalist Realism: Is There No Alternative?
912:Capitalist Realism: Is There No Alternative?
851:, an analysis of the ideological effects of
848:Capitalist Realism: Is There No Alternative?
636:Capitalist Realism: Is There No Alternative?
3730:Outlines of a Critique of Political Economy
2164:(Winchester, UK; Washington : Zero, 2009);
1923:
1682:
1172:(2013), and the music of UK post-punk band
678:
3851:
3844:
3830:
3474:
3460:
3204:
3190:
2326:
2265:
1833:
1103:
587:
573:
49:
2998:
2967:
1512:Postcapitalist Desire: The Final Lectures
1272:which claimed to have seen off all gods.
3160:2012 podcast discussion with Mark Fisher
2936:
2781:
1893:"The Revolution Will Be Weird and Eerie"
1756:
1405:(editor). Winchester: Zero Books, 2009.
1403:The Resistible Demise of Michael Jackson
1058:adapted Derrida's concept to describe a
995:
839:The Resistible Demise of Michael Jackson
821:Interference: A Journal of Audio Culture
802:magazine later described his writing on
614:. He initially achieved acclaim for his
30:For other people named Mark Fisher, see
3029:
2488:
2453:
2082:
1886:
1884:
1497:(edited by Darren Ambrose, foreword by
831:series, and an acting deputy editor at
14:
4738:
2843:
2812:
2759:Why mental health is a political issue
2703:
2521:"Mark Fisher Anthology To Be Released"
2423:Daniel, James Rushing (7 March 2017).
2422:
2365:
2260:. Iowa City: University of Iowa Press.
2181:
2083:Cowdrey, Katherine (16 January 2017).
1982:
1938:from the original on 27 September 2020
1924:Braithwaite, Phoebe (11 August 2020).
1657:
1612:
765:group D-Generation, releasing the EPs
4642:Violence § Philosophical perspectives
3825:
3455:
3185:
2905:
2874:
2531:from the original on 12 November 2023
2359:
2156:
2154:
2031:Vansintjan, Aaron (29 October 2017).
2013:from the original on 28 November 2020
1905:from the original on 28 February 2018
1890:
1738:from the original on 20 November 2018
1705:from the original on 20 November 2018
1579:
1367:Take Care. It's a Desert Out There...
1062:in the mid-2000s. Fisher's 2014 book
905:
2980:from the original on 15 January 2021
2918:from the original on 18 January 2021
2887:from the original on 26 January 2021
2825:from the original on 22 January 2021
2639:
2591:from the original on 19 October 2020
2329:William Basinski: Musician Snapshots
2097:from the original on 21 January 2023
1950:
1881:
1757:Reynolds, Simon (19 November 2018).
1723:
1594:from the original on 25 January 2021
1225:
721:degree in English and Philosophy at
4791:Alumni of the University of Warwick
3629:Abstract labour and concrete labour
2937:Reynolds, Simon (19 January 2017).
2782:Reynolds, Simon (18 January 2017).
2320:
1790:from the original on 17 August 2023
1545:
1543:
1541:
1539:
1537:
1535:
24:
3168: – Mark Fishers "K-Punk" Blog
3011:from the original on 19 March 2021
2999:Mankowski, Guy (11 January 2018).
2704:Fisher, Mark (29 September 2004).
2435:from the original on 29 March 2018
2151:
2025:
1891:Koshy, Yohann (20 February 2017).
1310:. He discussed his struggles with
1114:explores the titular concepts of "
25:
4857:
4816:21st-century British philosophers
3137:
3069:from the original on 25 July 2018
3030:Scovell, Adam (11 January 2018).
2968:Luckhurst, Roger (9 March 2019).
2856:from the original on 7 March 2021
2715:from the original on 23 July 2023
2671:Fisher, Mark (13 November 2018).
2652:from the original on 10 June 2021
2621:from the original on 5 March 2021
2561:from the original on 16 July 2018
2501:from the original on 31 July 2017
2404:from the original on 16 July 2018
2308:from the original on 15 June 2015
2282:from the original on 15 June 2015
1983:Fisher, Mark (22 November 2013).
1926:"Mark Fisher's Popular Modernism"
1851:from the original on 5 March 2022
1501:). London: Repeater Books, 2018.
1318:. According to Simon Reynolds in
1187:
4811:21st-century British journalists
4806:20th-century British journalists
4786:Alumni of the University of Hull
2949:from the original on 20 May 2017
2844:Arcand, Rob (14 December 2018).
2813:Seaton, Lola (20 January 2021).
2794:from the original on 20 May 2017
2489:Thacker, Eugene (27 June 2017).
1670:from the original on 9 June 2018
1532:
1471:. London: Repeater Books, 2017.
1433:. Winchester: Zero Books, 2014.
1276:
739:Cybernetic Culture Research Unit
663:. He was also the co-founder of
612:Goldsmiths, University of London
464:Cybernetic Culture Research Unit
3755:Who cooked Adam Smith's dinner?
3107:
3081:
3049:
3023:
2992:
2961:
2930:
2899:
2875:Niven, Alex (13 January 2021).
2868:
2837:
2806:
2775:
2751:
2727:
2697:
2664:
2633:
2603:
2573:
2543:
2513:
2482:
2447:
2416:
2386:
2224:
2212:
2200:
2175:
2139:
2109:
2076:
2057:Izaakson, Jen. (12 August 2017)
2051:
1995:
1976:
1863:
1580:Niven, Alex (19 January 2017).
1396:
1134:sources such as the writing of
780:After teaching philosophy at a
548:Science, technology and society
4821:English political philosophers
4761:Suicides by hanging in England
3664:Socially necessary labour time
3211:
2675:. Watkins Media. p. 620.
1802:
1776:
1750:
1717:
1651:
1606:
1573:
1420:Winchester: Zero Books, 2009.
1004:Fisher popularised the use of
858:Fisher was an early critic of
13:
1:
3634:Capitalist mode of production
3483:Critique of political economy
2468:10.1080/0950236X.2017.1358704
2073:. Retrieved 23 November 2018.
2048:. Retrieved 23 November 2018.
1525:
1255:Critique of political economy
981:
953:proposed by Italian theorist
741:, which were associated with
4831:Critics of political economy
2906:Doyle, Rob (30 March 2019).
2640:Lamb, Johny (25 July 2019).
2003:"Exiting the Vampire Castle"
1985:"Exiting the Vampire Castle"
1960:. gold.ac.uk. Archived from
1813:(80–81): 89–101 (at p. 90).
1658:Fisher, Mark (1 June 2011).
1314:in articles and in his book
1281:In an article posted to the
757:, who would later found the
32:Mark Fisher (disambiguation)
7:
4567:Interpellation (philosophy)
4370:Non-representational theory
3740:Critique of Economic Reason
2974:Los Angeles Review of Books
2815:"The ghosts of Mark Fisher"
1353:Los Angeles Review of Books
199:Goldsmiths' College, London
10:
4862:
4776:British literary theorists
4522:Existence precedes essence
3274:Italian occult psychedelia
3005:Zer0 Books Youtube Channel
2706:"Why I am so fucked up..."
2258:Reading Capitalist Realism
2242:10.3898/neWF.80/81.05.2013
2172:(pbk.); 1846943175 (pbk.).
1819:10.3898/neWF.80/81.05.2013
985:
909:
864:Exiting the Vampire Castle
825:Edinburgh University Press
493:Environmental anthropology
154:Exiting the Vampire Castle
29:
4766:English music journalists
4715:
4657:Hermeneutics of suspicion
4420:
4295:
3859:
3763:
3682:
3621:
3530:
3489:
3422:Revivalism (architecture)
3355:
3294:
3245:
3219:
2877:"Our Debt to Mark Fisher"
2429:Hong Kong Review of Books
2425:"The Weird and the Eerie"
1327:
1247:, Johny Lamb referred to
1110:Fisher's posthumous book
1078:label, TV series such as
855:on contemporary culture.
837:. In 2009, Fisher edited
810:
272:
268:
252:
219:
204:
194:
182:
178:
170:
162:
130:
109:
101:
82:
60:
48:
41:
4841:Academics from Leicester
4796:British anti-capitalists
4637:Transvaluation of values
4443:Apollonian and Dionysian
3720:The Mirror of Production
2125:15 February 2017 at the
2064:30 December 2018 at the
2038:23 November 2018 at the
1582:"Mark Fisher, 1968-2017"
1288:
788:, in 2003. Music critic
725:(1989), and completed a
679:Early life and education
3786:Criticism of capitalism
3745:Discourse on Inequality
2764:17 January 2018 at the
1693:"Mark Fisher 1968–2017"
1660:"Nick Land: Mind Games"
1469:The Weird and the Eerie
1299:The Weird and the Eerie
1112:The Weird and the Eerie
1105:The Weird and the Eerie
673:The Weird and the Eerie
488:Ecological anthropology
303:science, and technology
301:Anthropology of nature,
4846:Writers from Leicester
4707:Philosophy of language
4672:Linguistic determinism
4582:Master–slave dialectic
4557:Historical materialism
3853:Continental philosophy
2118:Post-Punk Then and Now
1444:Post-Punk Then and Now
1274:
1145:Picnic at Hanging Rock
1052:
1001:
935:
896:Post-Punk Then and Now
189:Continental philosophy
18:Mark Fisher (theorist)
4826:British male bloggers
4587:Master–slave morality
4395:Psychoanalytic theory
3796:Economic anthropology
3522:Erik Johan Stagnelius
3395:Nostalgia consumption
2366:Albiez, Sean (2017).
2182:Fisher, Mark (2009).
2033:"Beyond Bloodsucking"
1625:University of Warwick
1613:Fisher, Mark (1999).
1383:Postcapitalist Desire
1265:
1039:
999:
968:2008 financial crisis
930:
731:University of Warwick
715:Hillsborough disaster
563:cultural anthropology
322:Nature–culture divide
122:University of Warwick
3806:Mainstream economics
3700:The Right to Be Lazy
2740:20 July 2022 at the
1875:4 March 2016 at the
1647:on 24 December 2010.
1303:general practitioner
1212:1960s counterculture
1092:, and the novels of
1081:Sapphire & Steel
701:comprehensive school
483:Digital anthropology
4407:Speculative realism
3776:Classical economics
3771:Assume a can opener
3603:Claus Peter Ortlieb
3578:Hans-Georg Backhaus
3166:K-Punk Blog Archive
2327:Simpon, J. (2015).
2136:, 22 December 2016.
1991:on 4 February 2018.
1556:20 May 2017 at the
1261:critiqued economics
829:Speculative Realism
683:Fisher was born in
478:Cyborg anthropology
350:Benjamin H. Bratton
294:Part of a series on
212:Flatline Constructs
4527:Existential crisis
4458:Binary oppositions
4385:Post-structuralism
3750:The Accursed Share
3435:Ghost Dance (film)
3248:Hauntology (music)
3121:. 22 February 2021
2768:" by Mark Fisher,
2219:Capitalist Realism
2207:Capitalist Realism
2146:Capitalist Realism
1641:uk.bl.ethos.340547
1206:in November 2018.
1122:and de-naturalise
1054:Fisher and critic
1043:political reaction
1002:
992:Hauntology (music)
918:capitalist realism
906:Capitalist realism
817:Goldsmiths College
763:breakbeat hardcore
717:. Fisher earned a
449:Capitalist Realism
317:Ecogovernmentality
259:Capitalist realism
141:Capitalist Realism
117:University of Hull
4733:
4732:
4667:Linguistic theory
4572:Intersubjectivity
3819:
3818:
3568:Neue Marx-LektĂĽre
3531:20th–21st-century
3490:18th–19th-century
3449:
3448:
3373:Ghost Box Records
3095:. 29 January 2021
2682:978-1-912248-28-5
2379:978-1-5013-2610-3
2355:978-1-78099-226-6
2236:(80–81): 89–101.
2193:978-1-84694-317-1
2170:978-1-84694-317-1
2115:Mankowski, Guy. "
1724:Reynolds, Simon.
1570:, 18 January 2017
1520:978-1-913462-48-2
1507:978-1-912248-29-2
1490:978-0-692-06605-8
1477:978-1-910924-38-9
1464:978-1-910924-26-6
1439:978-1-78099-226-6
1426:978-1-84694-317-1
1411:978-1-84694-348-5
1316:Ghosts of My Life
1249:On Vanishing Land
1239:On Vanishing Land
1227:On Vanishing Land
1090:Christopher Nolan
1064:Ghosts of My Life
951:Cultural hegemony
782:further education
767:Entropy in the UK
660:Sight & Sound
608:cultural theorist
597:
596:
538:Political ecology
529:Literary Machines
523:Hypertext fiction
355:Gabriella Coleman
288:
287:
280:.abstractdynamics
263:business ontology
16:(Redirected from
4853:
4781:English bloggers
4771:English Marxists
4323:Frankfurt School
3846:
3839:
3832:
3823:
3822:
3791:Critique of work
3608:Georges Bataille
3588:Michael Heinrich
3538:Jean Baudrillard
3497:Friedrich Engels
3476:
3469:
3462:
3453:
3452:
3441:Postmodern music
3428:Specters of Marx
3307:Boards of Canada
3206:
3199:
3192:
3183:
3182:
3156:
3154:
3152:
3147:. thequietus.com
3131:
3130:
3128:
3126:
3111:
3105:
3104:
3102:
3100:
3085:
3079:
3078:
3076:
3074:
3065:. 25 July 2018.
3053:
3047:
3046:
3044:
3042:
3027:
3021:
3020:
3018:
3016:
2996:
2990:
2989:
2987:
2985:
2965:
2959:
2958:
2956:
2954:
2934:
2928:
2927:
2925:
2923:
2903:
2897:
2896:
2894:
2892:
2872:
2866:
2865:
2863:
2861:
2841:
2835:
2834:
2832:
2830:
2810:
2804:
2803:
2801:
2799:
2779:
2773:
2755:
2749:
2731:
2725:
2724:
2722:
2720:
2701:
2695:
2694:
2668:
2662:
2661:
2659:
2657:
2637:
2631:
2630:
2628:
2626:
2617:. 23 July 2019.
2607:
2601:
2600:
2598:
2596:
2577:
2571:
2570:
2568:
2566:
2547:
2541:
2540:
2538:
2536:
2517:
2511:
2510:
2508:
2506:
2486:
2480:
2479:
2462:(6): 1181–1183.
2456:Textual Practice
2451:
2445:
2444:
2442:
2440:
2420:
2414:
2413:
2411:
2409:
2390:
2384:
2383:
2363:
2357:
2339:
2333:
2332:
2324:
2318:
2317:
2315:
2313:
2298:
2292:
2291:
2289:
2287:
2272:
2263:
2261:
2253:
2228:
2222:
2216:
2210:
2204:
2198:
2197:
2179:
2173:
2158:
2149:
2143:
2137:
2113:
2107:
2106:
2104:
2102:
2080:
2074:
2070:Feminist Current
2055:
2049:
2029:
2023:
2022:
2020:
2018:
1999:
1993:
1992:
1987:. Archived from
1980:
1974:
1973:
1971:
1969:
1954:
1948:
1947:
1945:
1943:
1931:Jacobin Magazine
1921:
1915:
1914:
1912:
1910:
1888:
1879:
1867:
1861:
1860:
1858:
1856:
1837:
1831:
1830:
1806:
1800:
1799:
1797:
1795:
1780:
1774:
1773:
1771:
1769:
1754:
1748:
1747:
1745:
1743:
1721:
1715:
1714:
1712:
1710:
1689:
1680:
1679:
1677:
1675:
1655:
1649:
1648:
1643:. Archived from
1610:
1604:
1603:
1601:
1599:
1577:
1571:
1547:
1308:Ipswich Hospital
1152:, films such as
860:call-out culture
845:, and published
775:Isle Of The Dead
719:Bachelor of Arts
620:radical politics
589:
582:
575:
534:
504:
468:
458:Cultural ecology
454:
442:Related articles
410:Reza Negarestani
290:
289:
284:
281:
279:
244:political theory
150:blog (2003–2015)
133:
102:Other names
89:
70:
68:
53:
39:
38:
21:
4861:
4860:
4856:
4855:
4854:
4852:
4851:
4850:
4836:Accelerationism
4736:
4735:
4734:
4729:
4711:
4702:Postcolonialism
4697:Linguistic turn
4627:Totalitarianism
4592:Oedipus complex
4453:Being in itself
4416:
4328:German idealism
4308:Critical theory
4291:
4207:Ortega y Gasset
3855:
3850:
3820:
3815:
3759:
3678:
3617:
3598:Roman Rozdolsky
3573:Helmut Reichelt
3563:Étienne Balibar
3526:
3485:
3480:
3450:
3445:
3400:Remnant (Bible)
3363:Cultural memory
3351:
3342:Position Normal
3290:
3241:
3227:Jacques Derrida
3215:
3210:
3177:Dissensus forum
3150:
3148:
3143:
3140:
3135:
3134:
3124:
3122:
3113:
3112:
3108:
3098:
3096:
3087:
3086:
3082:
3072:
3070:
3055:
3054:
3050:
3040:
3038:
3028:
3024:
3014:
3012:
2997:
2993:
2983:
2981:
2966:
2962:
2952:
2950:
2935:
2931:
2921:
2919:
2912:The Irish Times
2904:
2900:
2890:
2888:
2873:
2869:
2859:
2857:
2842:
2838:
2828:
2826:
2811:
2807:
2797:
2795:
2780:
2776:
2766:Wayback Machine
2756:
2752:
2742:Wayback Machine
2732:
2728:
2718:
2716:
2702:
2698:
2683:
2669:
2665:
2655:
2653:
2638:
2634:
2624:
2622:
2609:
2608:
2604:
2594:
2592:
2579:
2578:
2574:
2564:
2562:
2549:
2548:
2544:
2534:
2532:
2519:
2518:
2514:
2504:
2502:
2487:
2483:
2452:
2448:
2438:
2436:
2421:
2417:
2407:
2405:
2392:
2391:
2387:
2380:
2364:
2360:
2349:, 30 May 2014.
2340:
2336:
2325:
2321:
2311:
2309:
2300:
2299:
2295:
2285:
2283:
2274:
2273:
2266:
2229:
2225:
2217:
2213:
2205:
2201:
2194:
2180:
2176:
2159:
2152:
2144:
2140:
2127:Wayback Machine
2114:
2110:
2100:
2098:
2081:
2077:
2066:Wayback Machine
2056:
2052:
2040:Wayback Machine
2030:
2026:
2016:
2014:
2001:
2000:
1996:
1981:
1977:
1967:
1965:
1964:on 22 June 2015
1956:
1955:
1951:
1941:
1939:
1922:
1918:
1908:
1906:
1889:
1882:
1877:Wayback Machine
1868:
1864:
1854:
1852:
1839:
1838:
1834:
1807:
1803:
1793:
1791:
1782:
1781:
1777:
1767:
1765:
1755:
1751:
1741:
1739:
1722:
1718:
1708:
1706:
1691:
1690:
1683:
1673:
1671:
1656:
1652:
1611:
1607:
1597:
1595:
1578:
1574:
1558:Wayback Machine
1548:
1533:
1528:
1399:
1341:The Irish Times
1330:
1291:
1279:
1257:
1230:
1192:
1164:Jonathan Glazer
1136:H. P. Lovecraft
1128:science-fiction
1108:
1086:Stanley Kubrick
1084:, the films of
1006:Jacques Derrida
994:
986:Main articles:
984:
955:Antonio Gramsci
943:Fredric Jameson
914:
908:
898:, published by
843:Michael Jackson
813:
794:critical theory
771:Concrete Island
743:accelerationist
733:in 1999 titled
723:Hull University
681:
628:popular culture
593:
553:
552:
532:
502:
466:
452:
443:
435:
434:
340:Tom Boellstorff
335:
334:Major theorists
327:
326:
312:
302:
276:
255:
248:
239:music criticism
229:Critical theory
222:
158:
131:
126:
110:Alma mater
97:
91:
87:
86:13 January 2017
78:
72:
66:
64:
56:
44:
35:
28:
23:
22:
15:
12:
11:
5:
4859:
4849:
4848:
4843:
4838:
4833:
4828:
4823:
4818:
4813:
4808:
4803:
4798:
4793:
4788:
4783:
4778:
4773:
4768:
4763:
4758:
4753:
4748:
4731:
4730:
4728:
4727:
4722:
4716:
4713:
4712:
4710:
4709:
4704:
4699:
4694:
4689:
4684:
4679:
4674:
4669:
4664:
4659:
4654:
4649:
4644:
4639:
4634:
4629:
4624:
4622:Self-deception
4619:
4614:
4609:
4604:
4599:
4594:
4589:
4584:
4579:
4574:
4569:
4564:
4559:
4554:
4549:
4544:
4539:
4534:
4529:
4524:
4519:
4514:
4509:
4504:
4499:
4492:
4491:
4490:
4485:
4480:
4470:
4468:Class struggle
4465:
4460:
4455:
4450:
4445:
4440:
4435:
4433:Always already
4430:
4424:
4422:
4418:
4417:
4415:
4414:
4409:
4404:
4399:
4398:
4397:
4390:Psychoanalysis
4387:
4382:
4377:
4372:
4367:
4365:Non-philosophy
4362:
4360:Neo-Kantianism
4357:
4356:
4355:
4350:
4340:
4335:
4330:
4325:
4320:
4318:Existentialism
4315:
4313:Deconstruction
4310:
4305:
4299:
4297:
4293:
4292:
4290:
4289:
4284:
4279:
4274:
4269:
4264:
4259:
4254:
4249:
4244:
4239:
4234:
4229:
4224:
4219:
4214:
4209:
4204:
4199:
4194:
4189:
4184:
4179:
4174:
4169:
4164:
4159:
4154:
4149:
4144:
4139:
4134:
4129:
4124:
4119:
4114:
4109:
4104:
4099:
4094:
4089:
4084:
4079:
4074:
4069:
4064:
4059:
4054:
4049:
4044:
4039:
4034:
4029:
4024:
4019:
4014:
4009:
4004:
3999:
3994:
3989:
3984:
3979:
3974:
3969:
3964:
3959:
3954:
3949:
3944:
3939:
3934:
3929:
3924:
3919:
3914:
3909:
3904:
3899:
3894:
3889:
3884:
3879:
3874:
3869:
3863:
3861:
3857:
3856:
3849:
3848:
3841:
3834:
3826:
3817:
3816:
3814:
3813:
3808:
3803:
3798:
3793:
3788:
3783:
3778:
3773:
3767:
3765:
3761:
3760:
3758:
3757:
3752:
3747:
3742:
3737:
3732:
3727:
3722:
3717:
3712:
3707:
3702:
3697:
3692:
3690:Unto This Last
3686:
3684:
3680:
3679:
3677:
3676:
3671:
3666:
3661:
3656:
3651:
3649:Dismal Science
3646:
3641:
3636:
3631:
3625:
3623:
3619:
3618:
3616:
3615:
3613:Katrine Marçal
3610:
3605:
3600:
3595:
3590:
3585:
3580:
3575:
3570:
3565:
3560:
3558:Moishe Postone
3555:
3550:
3548:Mahatma Gandhi
3545:
3540:
3534:
3532:
3528:
3527:
3525:
3524:
3519:
3514:
3509:
3507:Thomas Carlyle
3504:
3499:
3493:
3491:
3487:
3486:
3479:
3478:
3471:
3464:
3456:
3447:
3446:
3444:
3443:
3438:
3431:
3424:
3419:
3418:
3417:
3412:
3402:
3397:
3392:
3387:
3382:
3381:
3380:
3370:
3368:Eternal return
3365:
3359:
3357:
3353:
3352:
3350:
3349:
3344:
3339:
3334:
3329:
3324:
3319:
3314:
3309:
3304:
3298:
3296:
3292:
3291:
3289:
3288:
3287:
3286:
3276:
3271:
3270:
3269:
3264:
3257:Hypnagogic pop
3253:
3251:
3246:Music genres (
3243:
3242:
3240:
3239:
3237:Simon Reynolds
3234:
3229:
3223:
3221:
3217:
3216:
3209:
3208:
3201:
3194:
3186:
3180:
3179:
3174:
3169:
3163:
3157:
3139:
3138:External links
3136:
3133:
3132:
3106:
3080:
3048:
3022:
2991:
2960:
2929:
2898:
2867:
2836:
2805:
2774:
2772:, 16 July 2012
2750:
2748:, 18 July 2017
2726:
2696:
2681:
2663:
2632:
2602:
2572:
2555:Repeater Books
2542:
2512:
2481:
2446:
2415:
2398:Repeater Books
2385:
2378:
2372:. Bloomsbury.
2358:
2341:Fisher, Mark.
2334:
2319:
2293:
2264:
2234:New Formations
2223:
2211:
2199:
2192:
2186:. Zero Books.
2174:
2150:
2138:
2108:
2090:The Bookseller
2075:
2050:
2024:
1994:
1975:
1949:
1916:
1880:
1862:
1832:
1811:New Formations
1801:
1775:
1749:
1726:"D-Generation"
1716:
1681:
1650:
1623:(PhD thesis).
1605:
1572:
1562:Simon Reynolds
1530:
1529:
1527:
1524:
1523:
1522:
1509:
1499:Simon Reynolds
1492:
1479:
1466:
1456:Repeater Books
1446:(editor, with
1441:
1428:
1413:
1398:
1395:
1329:
1326:
1290:
1287:
1278:
1275:
1256:
1253:
1229:
1224:
1208:Acid Communism
1204:Repeater Books
1196:Acid Communism
1191:
1189:Acid Communism
1186:
1169:Under the Skin
1150:Philip K. Dick
1124:social reality
1107:
1102:
1056:Simon Reynolds
1008:'s concept of
983:
980:
910:Main article:
907:
904:
900:Repeater Books
812:
809:
790:Simon Reynolds
687:and raised in
680:
677:
669:Repeater Books
595:
594:
592:
591:
584:
577:
569:
566:
565:
555:
554:
551:
550:
545:
540:
535:
525:
520:
515:
510:
505:
499:Fanged Noumena
495:
490:
485:
480:
475:
470:
460:
455:
444:
441:
440:
437:
436:
433:
432:
427:
422:
417:
412:
407:
402:
397:
392:
387:
382:
377:
375:FĂ©lix Guattari
372:
367:
362:
360:Gilles Deleuze
357:
352:
347:
342:
336:
333:
332:
329:
328:
325:
324:
319:
313:
311:Basic concepts
310:
309:
306:
305:
297:
296:
286:
285:
274:
270:
269:
266:
265:
256:
253:
250:
249:
247:
246:
241:
236:
231:
225:
223:
221:Main interests
220:
217:
216:
208:
202:
201:
196:
192:
191:
186:
180:
179:
176:
175:
172:
168:
167:
164:
160:
159:
157:
156:
151:
145:
136:
134:
128:
127:
125:
124:
119:
113:
111:
107:
106:
103:
99:
98:
92:
90:(aged 48)
84:
80:
79:
73:
62:
58:
57:
55:Fisher in 2011
54:
46:
45:
42:
26:
9:
6:
4:
3:
2:
4858:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4802:
4799:
4797:
4794:
4792:
4789:
4787:
4784:
4782:
4779:
4777:
4774:
4772:
4769:
4767:
4764:
4762:
4759:
4757:
4754:
4752:
4751:2017 suicides
4749:
4747:
4744:
4743:
4741:
4726:
4723:
4721:
4718:
4717:
4714:
4708:
4705:
4703:
4700:
4698:
4695:
4693:
4690:
4688:
4687:Media studies
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4668:
4665:
4663:
4660:
4658:
4655:
4653:
4652:Will to power
4650:
4648:
4645:
4643:
4640:
4638:
4635:
4633:
4630:
4628:
4625:
4623:
4620:
4618:
4615:
4613:
4610:
4608:
4605:
4603:
4600:
4598:
4595:
4593:
4590:
4588:
4585:
4583:
4580:
4578:
4577:Leap of faith
4575:
4573:
4570:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4548:
4545:
4543:
4540:
4538:
4535:
4533:
4530:
4528:
4525:
4523:
4520:
4518:
4515:
4513:
4510:
4508:
4505:
4503:
4500:
4498:
4497:
4493:
4489:
4486:
4484:
4481:
4479:
4476:
4475:
4474:
4471:
4469:
4466:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4441:
4439:
4436:
4434:
4431:
4429:
4426:
4425:
4423:
4419:
4413:
4412:Structuralism
4410:
4408:
4405:
4403:
4400:
4396:
4393:
4392:
4391:
4388:
4386:
4383:
4381:
4380:Postmodernism
4378:
4376:
4375:Phenomenology
4373:
4371:
4368:
4366:
4363:
4361:
4358:
4354:
4351:
4349:
4346:
4345:
4344:
4341:
4339:
4336:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4300:
4298:
4294:
4288:
4285:
4283:
4280:
4278:
4275:
4273:
4270:
4268:
4265:
4263:
4260:
4258:
4255:
4253:
4250:
4248:
4245:
4243:
4240:
4238:
4235:
4233:
4230:
4228:
4225:
4223:
4220:
4218:
4215:
4213:
4210:
4208:
4205:
4203:
4200:
4198:
4195:
4193:
4190:
4188:
4187:Merleau-Ponty
4185:
4183:
4180:
4178:
4175:
4173:
4170:
4168:
4165:
4163:
4160:
4158:
4155:
4153:
4150:
4148:
4145:
4143:
4140:
4138:
4135:
4133:
4130:
4128:
4125:
4123:
4120:
4118:
4115:
4113:
4110:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4085:
4083:
4080:
4078:
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4048:
4045:
4043:
4040:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4018:
4015:
4013:
4010:
4008:
4005:
4003:
4000:
3998:
3995:
3993:
3990:
3988:
3985:
3983:
3980:
3978:
3975:
3973:
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3953:
3950:
3948:
3945:
3943:
3940:
3938:
3935:
3933:
3930:
3928:
3925:
3923:
3920:
3918:
3915:
3913:
3910:
3908:
3905:
3903:
3900:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3865:
3864:
3862:
3858:
3854:
3847:
3842:
3840:
3835:
3833:
3828:
3827:
3824:
3812:
3811:Occam's razor
3809:
3807:
3804:
3802:
3799:
3797:
3794:
3792:
3789:
3787:
3784:
3782:
3781:Chrematistics
3779:
3777:
3774:
3772:
3769:
3768:
3766:
3762:
3756:
3753:
3751:
3748:
3746:
3743:
3741:
3738:
3736:
3733:
3731:
3728:
3726:
3723:
3721:
3718:
3716:
3713:
3711:
3708:
3706:
3703:
3701:
3698:
3696:
3693:
3691:
3688:
3687:
3685:
3683:Written works
3681:
3675:
3672:
3670:
3667:
3665:
3662:
3660:
3657:
3655:
3652:
3650:
3647:
3645:
3644:Chrematistics
3642:
3640:
3637:
3635:
3632:
3630:
3627:
3626:
3624:
3620:
3614:
3611:
3609:
3606:
3604:
3601:
3599:
3596:
3594:
3591:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3564:
3561:
3559:
3556:
3554:
3551:
3549:
3546:
3544:
3541:
3539:
3536:
3535:
3533:
3529:
3523:
3520:
3518:
3517:Paul Lafargue
3515:
3513:
3510:
3508:
3505:
3503:
3500:
3498:
3495:
3494:
3492:
3488:
3484:
3477:
3472:
3470:
3465:
3463:
3458:
3457:
3454:
3442:
3439:
3437:
3436:
3432:
3430:
3429:
3425:
3423:
3420:
3416:
3413:
3411:
3410:Retrofuturism
3408:
3407:
3406:
3403:
3401:
3398:
3396:
3393:
3391:
3388:
3386:
3385:Library music
3383:
3379:
3378:main template
3376:
3375:
3374:
3371:
3369:
3366:
3364:
3361:
3360:
3358:
3354:
3348:
3345:
3343:
3340:
3338:
3335:
3333:
3330:
3328:
3327:James Ferraro
3325:
3323:
3322:The Caretaker
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3303:
3300:
3299:
3297:
3293:
3285:
3284:main template
3282:
3281:
3280:
3277:
3275:
3272:
3268:
3265:
3263:
3260:
3259:
3258:
3255:
3254:
3252:
3249:
3244:
3238:
3235:
3233:
3230:
3228:
3225:
3224:
3222:
3218:
3214:
3207:
3202:
3200:
3195:
3193:
3188:
3187:
3184:
3178:
3175:
3173:
3170:
3167:
3164:
3161:
3158:
3146:
3142:
3141:
3120:
3116:
3110:
3094:
3090:
3084:
3068:
3064:
3063:
3058:
3052:
3037:
3033:
3026:
3010:
3006:
3002:
2995:
2979:
2975:
2971:
2964:
2948:
2944:
2940:
2933:
2917:
2913:
2909:
2902:
2886:
2882:
2878:
2871:
2855:
2851:
2847:
2840:
2824:
2820:
2819:New Statesman
2816:
2809:
2793:
2789:
2785:
2778:
2771:
2767:
2763:
2760:
2754:
2747:
2743:
2739:
2736:
2730:
2714:
2710:
2707:
2700:
2692:
2688:
2684:
2678:
2674:
2667:
2651:
2647:
2643:
2636:
2620:
2616:
2612:
2606:
2590:
2586:
2582:
2576:
2560:
2556:
2552:
2546:
2530:
2526:
2522:
2516:
2500:
2496:
2492:
2485:
2477:
2473:
2469:
2465:
2461:
2457:
2450:
2434:
2430:
2426:
2419:
2403:
2399:
2395:
2389:
2381:
2375:
2371:
2370:
2362:
2356:
2352:
2348:
2344:
2338:
2330:
2323:
2307:
2303:
2297:
2281:
2277:
2271:
2269:
2259:
2251:
2247:
2243:
2239:
2235:
2230:For example,
2227:
2220:
2215:
2208:
2203:
2195:
2189:
2185:
2178:
2171:
2167:
2163:
2160:Mark Fisher,
2157:
2155:
2147:
2142:
2135:
2133:
2128:
2124:
2121:
2119:
2112:
2096:
2092:
2091:
2086:
2079:
2072:
2071:
2067:
2063:
2060:
2054:
2047:
2046:
2045:openDemocracy
2041:
2037:
2034:
2028:
2012:
2008:
2007:openDemocracy
2004:
1998:
1990:
1986:
1979:
1963:
1959:
1953:
1937:
1933:
1932:
1927:
1920:
1904:
1900:
1899:
1894:
1887:
1885:
1878:
1874:
1871:
1866:
1850:
1846:
1842:
1841:"Mark Fisher"
1836:
1828:
1824:
1820:
1816:
1812:
1805:
1789:
1785:
1779:
1764:
1763:ReynoldsRetro
1760:
1753:
1737:
1733:
1732:
1727:
1720:
1704:
1700:
1699:
1694:
1688:
1686:
1669:
1665:
1661:
1654:
1646:
1642:
1638:
1634:
1630:
1626:
1622:
1618:
1617:
1609:
1593:
1589:
1588:
1583:
1576:
1569:
1568:
1563:
1559:
1555:
1552:
1546:
1544:
1542:
1540:
1538:
1536:
1531:
1521:
1517:
1513:
1510:
1508:
1504:
1500:
1496:
1493:
1491:
1487:
1483:
1480:
1478:
1474:
1470:
1467:
1465:
1461:
1457:
1453:
1449:
1445:
1442:
1440:
1436:
1432:
1429:
1427:
1423:
1419:
1418:
1414:
1412:
1408:
1404:
1401:
1400:
1394:
1392:
1388:
1384:
1380:
1375:
1373:
1369:
1368:
1363:
1362:the Caretaker
1359:
1358:Guy Mankowski
1355:
1354:
1349:
1348:
1343:
1342:
1337:
1336:
1325:
1323:
1322:
1317:
1313:
1309:
1304:
1300:
1296:
1286:
1284:
1277:Personal life
1273:
1271:
1264:
1262:
1252:
1250:
1246:
1245:
1240:
1236:
1228:
1223:
1221:
1217:
1213:
1209:
1205:
1201:
1197:
1190:
1185:
1183:
1179:
1175:
1171:
1170:
1165:
1161:
1160:
1159:Inland Empire
1155:
1151:
1147:
1146:
1141:
1137:
1133:
1129:
1125:
1121:
1120:human subject
1117:
1113:
1106:
1101:
1099:
1098:John le Carré
1095:
1091:
1087:
1083:
1082:
1077:
1073:
1069:
1065:
1061:
1060:musical trend
1057:
1051:
1048:
1044:
1041:At a time of
1038:
1035:
1031:
1027:
1023:
1022:neoliberalism
1019:
1018:postmodernity
1015:
1011:
1007:
998:
993:
989:
979:
976:
974:
969:
964:
960:
956:
952:
948:
944:
940:
934:
929:
927:
923:
919:
913:
903:
901:
897:
893:
889:
885:
884:
879:
878:
873:
869:
865:
861:
856:
854:
853:neoliberalism
850:
849:
844:
840:
836:
835:
830:
826:
822:
818:
808:
805:
801:
800:
795:
791:
787:
783:
778:
776:
772:
768:
764:
760:
756:
752:
748:
744:
740:
736:
732:
728:
724:
720:
716:
712:
711:
706:
702:
698:
694:
693:working-class
690:
686:
676:
674:
670:
666:
662:
661:
656:
655:
654:New Statesman
650:
649:
644:
643:
638:
637:
631:
629:
625:
621:
617:
613:
609:
605:
601:
590:
585:
583:
578:
576:
571:
570:
568:
567:
564:
560:
557:
556:
549:
546:
544:
541:
539:
536:
531:
530:
526:
524:
521:
519:
516:
514:
511:
509:
506:
501:
500:
496:
494:
491:
489:
486:
484:
481:
479:
476:
474:
471:
469:
465:
461:
459:
456:
451:
450:
446:
445:
439:
438:
431:
428:
426:
423:
421:
418:
416:
413:
411:
408:
406:
403:
401:
400:Daniel Miller
398:
396:
393:
391:
388:
386:
383:
381:
380:Donna Haraway
378:
376:
373:
371:
368:
366:
363:
361:
358:
356:
353:
351:
348:
346:
343:
341:
338:
337:
331:
330:
323:
320:
318:
315:
314:
308:
307:
304:
299:
298:
295:
292:
291:
283:
275:
271:
267:
264:
260:
257:
254:Notable ideas
251:
245:
242:
240:
237:
235:
232:
230:
227:
226:
224:
218:
214:
213:
209:
207:
203:
200:
197:
193:
190:
187:
185:
181:
177:
173:
169:
165:
161:
155:
152:
149:
146:
143:
142:
138:
137:
135:
129:
123:
120:
118:
115:
114:
112:
108:
104:
100:
95:
85:
81:
76:
63:
59:
52:
47:
40:
37:
33:
19:
4617:Ressentiment
4502:Death of God
4494:
4488:Postcritique
4448:Authenticity
4338:Hermeneutics
4242:Schopenhauer
4147:LĂ©vi-Strauss
4036:
3860:Philosophers
3669:Valorisation
3659:Law of value
3592:
3433:
3426:
3356:Other topics
3149:. Retrieved
3123:. Retrieved
3118:
3109:
3097:. Retrieved
3092:
3083:
3071:. Retrieved
3060:
3051:
3039:. Retrieved
3035:
3025:
3013:. Retrieved
3004:
2994:
2982:. Retrieved
2973:
2963:
2951:. Retrieved
2943:The Guardian
2942:
2932:
2920:. Retrieved
2911:
2901:
2889:. Retrieved
2880:
2870:
2858:. Retrieved
2849:
2839:
2827:. Retrieved
2818:
2808:
2796:. Retrieved
2788:The Guardian
2787:
2777:
2770:The Guardian
2769:
2753:
2746:Ipswich Star
2745:
2729:
2717:. Retrieved
2708:
2699:
2672:
2666:
2654:. Retrieved
2645:
2635:
2623:. Retrieved
2614:
2605:
2593:. Retrieved
2584:
2575:
2563:. Retrieved
2554:
2545:
2533:. Retrieved
2524:
2515:
2503:. Retrieved
2494:
2484:
2459:
2455:
2449:
2437:. Retrieved
2428:
2418:
2406:. Retrieved
2397:
2388:
2368:
2361:
2342:
2337:
2331:. SBE Media.
2328:
2322:
2310:. Retrieved
2296:
2284:. Retrieved
2257:
2233:
2226:
2218:
2214:
2206:
2202:
2183:
2177:
2161:
2145:
2141:
2131:
2117:
2111:
2099:. Retrieved
2088:
2078:
2068:
2053:
2043:
2027:
2015:. Retrieved
2006:
1997:
1989:the original
1978:
1966:. Retrieved
1962:the original
1952:
1940:. Retrieved
1929:
1919:
1907:. Retrieved
1896:
1865:
1853:. Retrieved
1844:
1835:
1810:
1804:
1792:. Retrieved
1784:"Whitemagic"
1778:
1766:. Retrieved
1762:
1752:
1740:. Retrieved
1731:Melody Maker
1729:
1719:
1707:. Retrieved
1696:
1672:. Retrieved
1663:
1653:
1645:the original
1620:
1615:
1608:
1596:. Retrieved
1585:
1575:
1567:The Guardian
1565:
1511:
1494:
1481:
1468:
1443:
1430:
1415:
1402:
1397:Bibliography
1382:
1376:
1365:
1351:
1347:The Guardian
1345:
1339:
1333:
1331:
1321:The Guardian
1319:
1315:
1298:
1292:
1282:
1280:
1266:
1258:
1248:
1242:
1238:
1231:
1226:
1207:
1199:
1195:
1193:
1188:
1167:
1157:
1143:
1140:Joan Lindsay
1111:
1109:
1104:
1079:
1072:Joy Division
1063:
1053:
1040:
1026:post-Fordist
1003:
977:
959:common sense
947:Slavoj Žižek
939:Althusserian
936:
931:
926:Soviet Union
921:
915:
895:
881:
875:
867:
857:
846:
838:
832:
820:
814:
803:
797:
785:
779:
774:
773:, and later
770:
766:
734:
708:
697:conservative
689:Loughborough
682:
672:
667:, and later
658:
652:
646:
640:
634:
632:
603:
599:
598:
543:Rave culture
527:
497:
462:
447:
430:Leslie White
420:Paul Virilio
395:Bruno Latour
369:
345:Ray Brassier
293:
215: (1999)
211:
195:Institutions
147:
139:
132:Notable work
88:(2017-01-13)
71:11 July 1968
36:
4756:2017 deaths
4746:1968 births
4692:Film theory
4602:Ontopoetics
4507:Death drive
4483:Ideological
4402:Romanticism
4333:Hegelianism
4107:Kierkegaard
3967:Castoriadis
3927:de Beauvoir
3912:Baudrillard
3705:Das Kapital
3593:Mark Fisher
3583:Robert Kurz
3512:John Ruskin
3405:Retro style
3390:Lo-fi music
3347:Nick Nicely
3337:Philip Jeck
3232:Mark Fisher
3036:The Quietus
2646:The Quietus
2525:The Quietus
2017:30 November
1909:28 February
1742:20 November
1709:20 November
1621:ethos.bl.uk
1454:). London:
1452:Kodwo Eshun
1391:Sweatmother
1244:The Quietus
1216:psychedelia
1162:(2006) and
1154:David Lynch
1094:David Peace
1032:and ironic
888:Kodwo Eshun
747:Sadie Plant
600:Mark Fisher
508:Hari Kunzru
415:Sadie Plant
370:Mark Fisher
43:Mark Fisher
4740:Categories
4647:Wertkritik
4552:Hauntology
4517:Difference
4512:Différance
4252:Sloterdijk
4122:Kołakowski
3710:Grundrisse
3674:Value-form
3553:André Gorz
3543:Guy Debord
3302:Ariel Pink
3213:Hauntology
2984:22 January
2953:22 January
2922:22 January
2891:22 January
2860:22 January
2850:The Nation
2829:22 January
2798:18 January
2691:1023859141
2535:18 October
2347:Zero Books
2312:19 January
2286:19 January
2120:: a review
2101:21 January
1845:Zer0 Books
1598:28 January
1526:References
1448:Gavin Butt
1387:Goldsmiths
1312:depression
1295:Felixstowe
1270:empiricism
1235:Hauntology
1074:, and the
1010:hauntology
988:Hauntology
982:Hauntology
963:Capitalist
892:Gavin Butt
872:hauntology
665:Zero Books
513:Hypermedia
425:Mike Wesch
405:Ted Nelson
385:Mizuko Ito
234:philosophy
166:Zoe Fisher
94:Felixstowe
67:1968-07-11
4682:Semiotics
4677:Semantics
4662:Discourse
4542:Genealogy
4532:Facticity
4303:Absurdism
4232:Schelling
4202:Nietzsche
4077:Heidegger
3892:Bachelard
3877:Althusser
3801:Economics
3695:Sarvodaya
3639:Commodity
3502:Karl Marx
3332:I Monster
3312:Broadcast
3295:Musicians
3279:Vaporwave
3262:Chillwave
2656:8 October
2625:8 October
2595:8 October
2495:boundary2
2476:149095699
2250:142588084
1942:22 August
1827:142588084
1794:17 August
1674:12 August
1182:Brian Eno
1180:musician
1116:the weird
1076:Ghost Box
1030:nostalgia
1014:modernity
751:Nick Land
705:post-punk
685:Leicester
518:Hypertext
473:Cybertext
390:Nick Land
365:Roy Ellen
96:, England
77:, England
75:Leicester
4720:Category
4562:Ideology
4478:Immanent
4473:Critique
4428:Alterity
4421:Concepts
4296:Theories
4282:Williams
4257:Spengler
4212:Rancière
4142:Lefebvre
4127:Kristeva
4092:Irigaray
4087:Ingarden
4067:Habermas
4057:Guattari
4042:Foucault
4017:Eagleton
3962:Cassirer
3942:Bourdieu
3937:Blanchot
3922:Benjamin
3907:Bataille
3622:Concepts
3151:1 August
3125:30 April
3099:30 April
3067:Archived
3062:The Wire
3009:Archived
2978:Archived
2947:Archived
2916:Archived
2885:Archived
2854:Archived
2823:Archived
2792:Archived
2762:Archived
2738:Archived
2713:Archived
2650:Archived
2619:Archived
2589:Archived
2585:Hyperdub
2559:Archived
2529:Archived
2499:Archived
2439:28 March
2433:Archived
2402:Archived
2306:Archived
2280:Archived
2134:magazine
2123:Archived
2095:Archived
2062:Archived
2036:Archived
2011:Archived
1968:1 August
1936:Archived
1903:Archived
1873:Archived
1849:Archived
1788:Archived
1736:Archived
1703:Archived
1698:The Wire
1668:Archived
1633:59534159
1592:Archived
1554:Archived
1458:, 2016.
1220:the Left
1174:The Fall
1142:'s 1967
1034:pastiche
973:ontology
883:The Wire
834:The Wire
759:Hyperdub
675:(2017).
642:The Wire
616:blogging
171:Children
4547:Habitus
4463:Boredom
4353:Freudo-
4348:Western
4343:Marxism
4267:Strauss
4237:Schmitt
4177:Marcuse
4167:Lyotard
4157:Luhmann
4152:Levinas
4102:Jaspers
4097:Jameson
4082:Husserl
4062:Gramsci
4052:Gentile
4047:Gadamer
4007:Dilthey
4002:Derrida
3997:Deleuze
3932:Bergson
3902:Barthes
3872:Agamben
3764:Related
3415:Vintage
3220:Writers
3015:8 March
2881:Tribune
2719:23 July
2565:16 July
2505:23 July
2408:16 July
2221:, p. 15
1855:5 March
1587:Jacobin
1335:Tribune
1259:Fisher
1178:ambient
933:action.
894:titled
729:at the
273:Website
4496:Dasein
4247:Serres
4227:Sartre
4217:Ricœur
4172:Marcel
4162:Lukács
4137:Latour
4112:Kojève
4037:Fisher
4032:Fichte
4022:Engels
3992:Debord
3987:de Man
3977:Cixous
3972:Cioran
3952:Butler
3917:Bauman
3897:Badiou
3882:Arendt
3867:Adorno
3317:Burial
3267:Glo-fi
3073:11 May
3041:11 May
2757:E.g. "
2709:k-punk
2689:
2679:
2615:Frieze
2474:
2376:
2353:
2248:
2209:, p. 8
2190:
2168:
2148:, p. 2
1870:frieze
1825:
1768:26 May
1639:
1631:
1518:
1505:
1488:
1475:
1462:
1437:
1424:
1409:
1328:Legacy
1283:k-punk
1148:, and
1132:horror
1068:Burial
811:Career
804:k-punk
786:k-punk
626:, and
604:k-punk
559:Social
533:(1981)
503:(2011)
467:(CCRU)
453:(2009)
278:k-punk
206:Thesis
184:School
163:Spouse
148:k-punk
144:(2009)
105:k-punk
4725:Index
4632:Trace
4612:Power
4607:Other
4597:Ontic
4438:Angst
4287:Žižek
4272:Weber
4262:Stein
4197:Negri
4192:Nancy
4132:Lacan
4117:Koyré
4072:Hegel
4027:Fanon
3982:Croce
3957:Camus
3947:Buber
3654:Illth
2472:S2CID
2246:S2CID
1823:S2CID
1664:Dazed
1637:EThOS
1560:" by
1289:Death
1202:, by
1050:past.
1047:Eshun
755:Kode9
624:music
4537:Gaze
4277:Weil
4222:Said
4182:Marx
3887:Aron
3153:2015
3127:2024
3101:2024
3093:Huck
3075:2021
3043:2021
3017:2021
2986:2021
2955:2021
2924:2021
2893:2021
2862:2021
2831:2021
2800:2017
2721:2023
2687:OCLC
2677:ISBN
2658:2020
2627:2020
2597:2020
2567:2018
2537:2017
2507:2017
2441:2018
2410:2018
2374:ISBN
2351:ISBN
2314:2017
2288:2017
2254:and
2188:ISBN
2166:ISBN
2132:3:AM
2103:2023
2019:2020
1970:2015
1944:2020
1911:2018
1898:Vice
1857:2022
1796:2023
1770:2024
1744:2018
1711:2018
1676:2015
1629:OCLC
1600:2021
1516:ISBN
1503:ISBN
1486:ISBN
1473:ISBN
1460:ISBN
1450:and
1435:ISBN
1422:ISBN
1407:ISBN
1372:Mind
1214:and
1176:and
1130:and
1096:and
1088:and
1020:and
990:and
945:and
890:and
880:and
877:Fact
823:and
799:Vice
769:and
749:and
657:and
648:Fact
561:and
282:.org
83:Died
61:Born
4012:Eco
2744:",
2464:doi
2238:doi
2129:",
1815:doi
1379:ICA
1237:in
1166:'s
1156:'s
827:'s
727:PhD
710:NME
691:to
4742::
3117:.
3091:.
3059:.
3034:.
3007:.
3003:.
2976:.
2972:.
2945:.
2941:.
2914:.
2910:.
2883:.
2879:.
2852:.
2848:.
2821:.
2817:.
2790:.
2786:.
2711:.
2685:.
2648:.
2644:.
2613:.
2587:.
2583:.
2557:.
2553:.
2527:.
2523:.
2497:.
2493:.
2470:.
2460:31
2458:.
2431:.
2427:.
2400:.
2396:.
2345:.
2304:.
2278:.
2267:^
2244:.
2153:^
2093:.
2087:.
2042:.
2009:.
2005:.
1934:.
1928:.
1901:.
1895:.
1883:^
1847:.
1843:.
1821:.
1786:.
1761:.
1734:.
1728:.
1701:.
1695:.
1684:^
1666:.
1662:.
1635:.
1627:.
1619:.
1590:.
1584:.
1564:,
1534:^
1374:.
1222:.
1184:.
1138:,
1100:.
1070:,
902:.
695:,
651:,
645:,
630:.
622:,
261:,
3845:e
3838:t
3831:v
3475:e
3468:t
3461:v
3250:)
3205:e
3198:t
3191:v
3155:.
3129:.
3103:.
3077:.
3045:.
3019:.
2988:.
2957:.
2926:.
2895:.
2864:.
2833:.
2802:.
2733:"
2723:.
2693:.
2660:.
2629:.
2599:.
2569:.
2539:.
2509:.
2478:.
2466::
2443:.
2412:.
2382:.
2316:.
2290:.
2262:.
2252:.
2240::
2196:.
2105:.
2021:.
1972:.
1946:.
1913:.
1859:.
1829:.
1817::
1798:.
1772:.
1746:.
1713:.
1678:.
1602:.
1549:"
588:e
581:t
574:v
174:1
69:)
65:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
