260:;' both songs provide visions of the apocalypse, but this time the image is significantly altered. 'Rock Me' was a fiery youthful fantasy shot through with contempt (and) dreams of escape... 'For Everyman' presents the crisis in gentler terms ... and offers an impassioned discerner of special wisdom ('I'm not trying to tell you that I've seen the plan/Turn and walk away if you think I am'). Most notably, the renegade spirit who once dreamed of being bathed by 'the sisters of the sun' while everything around him went up in flames is now ready to be left behind on the eve of the exodus — 'holding sand ... weighing all my fine dreams, well thought-out schemes ...,' and realizing that this time patience may make more sense than flight." Critiquing the music, she wrote that she felt the song had one of the best arrangements on the album, describing how it "begins and ends with a low rumble from Russ Kunkel, then bursts out into a high-spirited release that mirrors the spirit of the song's resolution, simultaneously joyful and cautious."
176:. He stayed there several months, not finding a home to rent or purchase, before going on tour to support his recently finished and released album. While staying with Crosby, Browne was introduced to two of Crosby's neighbors, who also owned boats. The two friends along with Crosby, often talked about fulfilling their idyllic dream of simply sailing off into the "sunset," presumably somewhere to the South Pacific. This was just a couple of years after
335:
29:
190:, Browne relays the story that the song was written "having spent some time with some people who were planning to sail away... I mean, and they had the boats to do it in, they knew what they were doing, they kinda had it all planned... Well, I won't say that they knew what they were doing, but they had a plan."
184:" that contains the same theme. Crosby stated that the songwriters "imagined ourselves as the few survivors, escaping on a boat to create a new civilization." Browne admits that the dreamers were in a bit of a "fog," and composed his song as a response to their unrealizable dream. On his album
213:) imagined a kind of hipster exodus by sea from a straight world teetering on the edge of apocalypse: 'We are leaving/You don't need us,' the song declared. Browne wasn't giving up so easily... (He) sings in his characteristic long, fluid lines:"
439:
On the studio album, the song "For
Everyman" is joined, through a crossfade, to the song preceding it, "Sing My Songs to Me." This same structure is also used to join the first two songs on the album: "
205:
was a response to the escapist vision of Crosby, Stills and Nash's 'Wooden Ships.' As violence, fear and paranoia overtook
Sixties utopianism, 'Wooden Ships' (written by Crosby and Stills, along with
253:
In her 1973 review of the album, Janet Maslin went straight to the title track as key on his second album of "inwardly panoramic songwriting of an apocalyptic bent:"
1073:
767:
564:
241:
Browne entitled the song "For
Everyman," taking the name for his song from the name of a boat that had sailed to the South Pacific to protest the
1031:
1068:
474:
496:
1058:
595:
443:" plays into "Our Lady of the Well." Browne, rarely, if ever, plays "Sing My Songs to Me" in concert when playing "For Everyman."
407:
668:
379:
356:
841:
675:
386:
950:
537:
749:
426:
166:
where he'd grown up. He moved to the Bay Area of
California where he looked for a house. He was invited to live with
364:
989:
393:
774:
270:
177:
360:
375:
859:
588:
558:
982:
943:
834:
1020:
922:
908:
28:
238:"Deliverance must come for everyone, Browne insisted, not just hippie troubadours," wrote DeCurtis.
1063:
728:
710:
345:
302:
1003:
936:
848:
581:
349:
242:
223:
They've seen the end coming down long enough to believe that they've heard their last warning...
975:
901:
703:
619:
400:
1053:
742:
735:
640:
471:
186:
880:
866:
799:
661:
257:
8:
689:
894:
827:
696:
210:
887:
873:
633:
194:
172:
792:
654:
478:
128:
1025:
806:
604:
519:
278:
145:
108:
43:
1047:
968:
318:
314:
915:
855:
820:
813:
682:
626:
523:
500:
440:
308:
290:
284:
206:
181:
167:
150:
103:
52:
929:
296:
163:
75:
228:
But all my fine dreams, well-thought-out schemes to gain the motherland
116:
80:
334:
218:
Everybody I talk to is ready to leave with the light of the morning.
647:
256:"'For Everyman' is a more thoughtful, less impetuous reworking of '
573:
144:" is a song written and performed by American singer-songwriter
553:(liner notes). Jackson Browne. Elektra. 2004. 8122 78091 2.
39:
245:
in the early 1960s. Crosby sings harmony on the song.
233:
Have all eventually come down to waiting for
Everyman.
162:
Shortly after releasing his first album, Browne left
768:
The Next Voice You Hear: The Best of
Jackson Browne
201:"The title track of Jackson Browne's second album,
1045:
197:told it in a 1999 retrospective album review of
563:: CS1 maint: others in cite AV media (notes) (
1032:Looking Into You: A Tribute to Jackson Browne
589:
268:Credits are adapted from the liner notes of
148:. It is the title track to his second album
472:Liner Notes Crosby Stills & Nash Boxset
363:. Unsourced material may be challenged and
1074:Song recordings produced by Jackson Browne
596:
582:
27:
427:Learn how and when to remove this message
1046:
514:
512:
510:
491:
489:
487:
577:
457:
455:
361:adding citations to reliable sources
328:
1069:Songs about nuclear war and weapons
507:
484:
13:
603:
518:DeCurtis, Anthony. Rolling Stone,
495:DeCurtis, Anthony. Rolling Stone,
305:– acoustic guitar, electric guitar
14:
1085:
750:Love Is Strange: En Vivo Con Tino
452:
333:
1059:Songs written by Jackson Browne
775:The Very Best of Jackson Browne
551:The Very Best Of Jackson Browne
271:The Very Best of Jackson Browne
543:
536:Maslin, Janet. Rolling Stone,
530:
464:
461:VH1 Storytellers Classics 2000
281:– lead vocals, acoustic guitar
1:
446:
263:
248:
7:
835:Here Come Those Tears Again
180:had released their single "
16:1973 song by Jackson Browne
10:
1090:
243:testing of nuclear weapons
1013:
960:
784:
759:
720:
611:
178:Crosby, Stills & Nash
157:
126:
114:
102:
86:
74:
59:
49:
38:
26:
21:
711:Downhill from Everywhere
376:"For Everyman" song
324:
937:In the Shape of a Heart
923:You're a Friend of Mine
1026:Groove Masters Studios
976:The Birds of St. Marks
704:Standing in the Breach
538:Review of For Everyman
743:Solo Acoustic, Vol. 2
736:Solo Acoustic, Vol. 1
187:Solo Acoustic, Vol. 1
983:Jamaica Say You Will
944:Lives in the Balance
881:That Girl Could Sing
867:You Love the Thunder
800:Rock Me on the Water
662:Lives in the Balance
357:improve this section
258:Rock Me on the Water
154:, released in 1973.
909:Tender Is the Night
690:The Naked Ride Home
559:cite AV media notes
520:Hall of Fame Review
497:Hall of Fame Review
828:Fountain of Sorrow
697:Time the Conqueror
477:2017-06-20 at the
211:Jefferson Airplane
170:on Crosby's boat,
33:1973 advertisement
1041:
1040:
437:
436:
429:
411:
138:
137:
1081:
1014:Related articles
1004:Late for the Sky
888:Hold On Hold Out
849:Running on Empty
729:Running on Empty
634:Late for the Sky
598:
591:
584:
575:
574:
569:
568:
562:
554:
547:
541:
540:, Nov. 22, 1973.
534:
528:
516:
505:
493:
482:
468:
462:
459:
432:
425:
421:
418:
412:
410:
369:
337:
329:
287:– harmony vocals
195:Anthony DeCurtis
131:
119:
98:
97:
93:
70:
68:
31:
19:
18:
1089:
1088:
1084:
1083:
1082:
1080:
1079:
1078:
1064:Folk rock songs
1044:
1043:
1042:
1037:
1009:
956:
902:Lawyers in Love
895:Somebody's Baby
793:Doctor, My Eyes
780:
755:
716:
669:World in Motion
655:Lawyers in Love
607:
602:
572:
556:
555:
549:
548:
544:
535:
531:
527:, Aug. 5, 1999.
517:
508:
504:, Aug. 5, 1999.
494:
485:
479:Wayback Machine
470:Crosby, David.
469:
465:
460:
453:
449:
433:
422:
416:
413:
370:
368:
354:
338:
327:
266:
251:
160:
127:
115:
95:
91:
90:
66:
64:
50:from the album
34:
17:
12:
11:
5:
1087:
1077:
1076:
1071:
1066:
1061:
1056:
1039:
1038:
1036:
1035:
1028:
1023:
1017:
1015:
1011:
1010:
1008:
1007:
1000:
993:
986:
979:
972:
964:
962:
958:
957:
955:
954:
947:
940:
933:
926:
919:
912:
905:
898:
891:
884:
877:
870:
863:
852:
845:
838:
831:
824:
817:
810:
807:Redneck Friend
803:
796:
788:
786:
782:
781:
779:
778:
771:
763:
761:
757:
756:
754:
753:
746:
739:
732:
724:
722:
718:
717:
715:
714:
707:
700:
693:
686:
679:
672:
665:
658:
651:
644:
637:
630:
623:
620:Jackson Browne
615:
613:
609:
608:
605:Jackson Browne
601:
600:
593:
586:
578:
571:
570:
542:
529:
506:
483:
463:
450:
448:
445:
435:
434:
341:
339:
332:
326:
323:
322:
321:
312:
306:
300:
294:
288:
282:
279:Jackson Browne
265:
262:
250:
247:
236:
235:
230:
225:
220:
159:
156:
146:Jackson Browne
136:
135:
134:Jackson Browne
132:
124:
123:
122:Jackson Browne
120:
112:
111:
106:
100:
99:
88:
84:
83:
78:
72:
71:
61:
57:
56:
47:
46:
44:Jackson Browne
36:
35:
32:
24:
23:
22:"For Everyman"
15:
9:
6:
4:
3:
2:
1086:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1051:
1049:
1034:
1033:
1029:
1027:
1024:
1022:
1019:
1018:
1016:
1012:
1005:
1001:
998:
994:
991:
987:
984:
980:
977:
973:
970:
969:Song for Adam
966:
965:
963:
959:
952:
948:
945:
941:
938:
934:
931:
927:
924:
920:
917:
913:
910:
906:
903:
899:
896:
892:
889:
885:
882:
878:
875:
871:
868:
864:
861:
857:
853:
850:
846:
843:
842:The Pretender
839:
836:
832:
829:
825:
822:
818:
815:
811:
808:
804:
801:
797:
794:
790:
789:
787:
783:
777:
776:
772:
770:
769:
765:
764:
762:
758:
752:
751:
747:
745:
744:
740:
738:
737:
733:
731:
730:
726:
725:
723:
719:
713:
712:
708:
706:
705:
701:
699:
698:
694:
692:
691:
687:
685:
684:
680:
678:
677:
673:
671:
670:
666:
664:
663:
659:
657:
656:
652:
650:
649:
645:
643:
642:
641:The Pretender
638:
636:
635:
631:
629:
628:
624:
622:
621:
617:
616:
614:
612:Studio albums
610:
606:
599:
594:
592:
587:
585:
580:
579:
576:
566:
560:
552:
546:
539:
533:
526:
525:
521:
515:
513:
511:
503:
502:
498:
492:
490:
488:
480:
476:
473:
467:
458:
456:
451:
444:
442:
431:
428:
420:
417:February 2023
409:
406:
402:
399:
395:
392:
388:
385:
381:
378: –
377:
373:
372:Find sources:
366:
362:
358:
352:
351:
347:
342:This section
340:
336:
331:
330:
320:
319:Hammond organ
316:
315:Michael Utley
313:
311:– bass guitar
310:
307:
304:
303:David Lindley
301:
298:
295:
292:
289:
286:
283:
280:
277:
276:
275:
273:
272:
261:
259:
254:
246:
244:
239:
234:
231:
229:
226:
224:
221:
219:
216:
215:
214:
212:
208:
204:
203:For Everyman,
200:
199:For Everyman,
196:
191:
189:
188:
183:
179:
175:
174:
169:
165:
155:
153:
152:
147:
143:
133:
130:
125:
121:
118:
117:Songwriter(s)
113:
110:
107:
105:
101:
89:
85:
82:
79:
77:
73:
62:
58:
55:
54:
48:
45:
41:
37:
30:
25:
20:
1054:1973 singles
1030:
997:For Everyman
996:
916:For a Rocker
856:The Load-Out
821:Walking Slow
814:Take It Easy
773:
766:
760:Compilations
748:
741:
734:
727:
709:
702:
695:
688:
683:Looking East
681:
674:
667:
660:
653:
646:
639:
632:
627:For Everyman
625:
618:
550:
545:
532:
524:For Everyman
522:
501:For Everyman
499:
466:
441:Take It Easy
438:
423:
414:
404:
397:
390:
383:
371:
355:Please help
343:
309:Leland Sklar
291:Craig Doerge
285:David Crosby
269:
267:
255:
252:
240:
237:
232:
227:
222:
217:
207:Paul Kantner
202:
198:
192:
185:
182:Wooden Ships
171:
168:David Crosby
161:
151:For Everyman
149:
142:For Everyman
141:
139:
53:For Everyman
51:
1021:Discography
961:Other songs
930:For America
721:Live albums
297:Russ Kunkel
164:Los Angeles
129:Producer(s)
1048:Categories
990:These Days
447:References
387:newspapers
951:I'm Alive
874:Boulevard
676:I'm Alive
344:does not
264:Personnel
249:Reception
648:Hold Out
475:Archived
60:Released
785:Singles
481:, pg. 5
401:scholar
365:removed
350:sources
299:– drums
293:– piano
209:of the
65: (
403:
396:
389:
382:
374:
158:Origin
109:Asylum
87:Length
408:JSTOR
394:books
325:Style
173:Mayan
104:Label
76:Genre
860:Stay
565:link
380:news
348:any
346:cite
81:Rock
67:1973
63:1973
40:Song
359:by
193:As
42:by
1050::
561:}}
557:{{
509:^
486:^
454:^
317:–
274:.
96:20
1006:"
1002:"
999:"
995:"
992:"
988:"
985:"
981:"
978:"
974:"
971:"
967:"
953:"
949:"
946:"
942:"
939:"
935:"
932:"
928:"
925:"
921:"
918:"
914:"
911:"
907:"
904:"
900:"
897:"
893:"
890:"
886:"
883:"
879:"
876:"
872:"
869:"
865:"
862:"
858:/
854:"
851:"
847:"
844:"
840:"
837:"
833:"
830:"
826:"
823:"
819:"
816:"
812:"
809:"
805:"
802:"
798:"
795:"
791:"
597:e
590:t
583:v
567:)
430:)
424:(
419:)
415:(
405:·
398:·
391:·
384:·
367:.
353:.
140:"
94::
92:6
69:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
