469:, Janet Maslin wrote that "for inwardly panoramic songwriting of an apocalyptic bent, Jackson Browne's second album is rivaled only by his first (the second one wins), and Jackson himself is rivaled by nobody," adding that "his work is a unique fusion of West Coast casualness and East Coast paranoia, easygoing slang and painstaking precision, child's-eye romanticizing and adult's-eye acceptance." Mostly complimentary throughout, she noted that his singing had improved since the first album, and consciously reviews the album by placing it squarely within the context of the times: "Jackson's concerns, even more than his genius for rendering them simultaneously intimate and universal, are the basis for the album's unique strengths. He stands alone as a composite of ambivalence about maturity, weariness of the race, fear that love may not be enough ... confusion over whether or not a lasting home can be found in a progressively nightmarish world. He also stands alone as someone who, resigned to all that, is still willing to seek out some quiet way of weathering his time's new trials. Brilliantly conceived, incomparably immediate,
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312:. Nico was the first to record the song in 1967. Browne later commented "When did I thought that he really unlocked a power in that song that I sort of then emulated in my version. I started playing the piano. I wasn't trying to sing it like Gregg; I couldn't possibly. I took the cue, playin' this slow walk. But it was written very sort of, kind of a little more flatpicking." "
38:
484:, William Ruhlmann claimed Browne "turned to some of his secondary older material, which was still better than most people's best and, ironically, more accessible..." and summarized the album as a "less consistent collection than Browne's debut album. But Browne's songwriting ability remained impressive."
505:
gave the album a B grade, writing "Even as he lists toward the pretentious and the vague, the reflective evenness of Browne's delivery sets up an expectation of cogency that on this album is satisfied only by such relatively unambitious songs as 'These Days,' 'Red Neck Friend,' and the charming
491:
review, Anthony DeCurtis claimed the album as uneven and that "Browne is still searching for his true voice on For
Everyman. Is he the genial rogue of 'Red Neck Friend' or the mystical dreamer of 'Our Lady of the Well'? He will find that voice the following year on his masterpiece,
514:
called "Ready or Not" a "catchy autobiographical sketch of life on the road" whose "story line is an intriguing romance with humorous overtones" and said the song had "excellent balance and instrumentation."
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called it a "nifty self-produced number that features good country-tinged instrumental work behind ear-catching vocalizing" and that "straightforward lyrics follow a solid melody line."
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498:. But on For Everyman, he was testing his various talents with obvious joy, because, like his audience, he was just discovering them."
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885:"500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time"
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Jackson Browne β vocals, acoustic guitar (1, 2, 5, 7, 10), acoustic piano (3, 8, 9), rhythm guitar (6)
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The title track was written by Browne in response to the apocalyptic "
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was certified as a Gold record in 1975 and
Platinum in 1989 by the
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662:β electric guitar (1, 9, 10), acoustic guitar (2, 3, 4, 7, 10),
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269:(credited as Rockaday Johnnie, piano on "Redneck Friend"),
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Doug
Haywood β bass (1β6, 8), harmony vocals (1, 2, 5, 8)
300:" appears here after having been previously recorded by
249:'s long association with Browne. Guest artists included
1065:
Christgau's Record Guide: Rock Albums of the
Seventies
1396:
The Next Voice You Hear: The Best of
Jackson Browne
224:chart. In 2012, the album was ranked number 450 on
912:"Elton John, 30 years of music with Bernie Taupin"
198:is the second album by American singer-songwriter
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910:White, Timothy; Rosen, Craig (October 4, 1997).
316:" was written by Browne and Frey and became the
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1660:Looking Into You: A Tribute to Jackson Browne
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308:, who also covered "Colors of the Sun", and
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976:, October 10, 2002. Accessed May 26, 2007.
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245:marked the debut of multi-instrumentalist
36:
1697:Albums recorded at Sunset Sound Recorders
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320:' first single, released on May 1, 1972.
206:). The album peaked at number 43 on the
506:'Ready or Not.' Which save it for me."
25:1973 studio album by Jackson Browne
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780:Anthony Hudson β art direction, design
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768:Kent Nebergall β assistant engineer
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232:The 500 Greatest Albums of All Time
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273:(harmony on "Colors of the Sun"),
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1378:Love Is Strange: En Vivo Con Tino
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414:The Encyclopedia of Popular Music
1089:– via robertchristgau.com.
783:Alan F. Blumenthal β photography
559:"I Thought I Was a Child" β 3:43
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1403:The Very Best of Jackson Browne
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1186:. February 2, 1974. p. 12
1157:. February 2, 1974. p. 42
1133:Maslin, Janet. Rolling Stone,
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583:"The Times You've Come" β 3:39
16:For the Steve Camp album, see
1:
1106:Encyclopedia of Popular Music
986:RIAA Gold and Platinum award.
959:Interview with Jackson Browne
870:
747:
553:"Our Lady of the Well" β 3:51
288:", a song written by Crosby,
831:β Billboard (United States)
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589:"Sing My Songs to Me" β 3:25
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1463:Here Come Those Tears Again
991:September 24, 2015, at the
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529:All tracks are written by
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753:Jackson Browne β producer
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1339:Downhill from Everywhere
1148:"CashBox Record Reviews"
1060:"Consumer Guide '70s: B"
473:truly earns its title."
402:Christgau's Record Guide
202:, released in 1973 (see
1565:In the Shape of a Heart
1551:You're a Friend of Mine
1111:Oxford University Press
995:Retrieved July 20, 2010
707:β drums (2, 4, 5, 6, 8)
650:β Hammond organ (9, 10)
87:Wally Heider's Studio 3
1654:Groove Masters Studios
1604:The Birds of St. Marks
1332:Standing in the Breach
1135:Review of For Everyman
296:. His own version of "
213:chart and the single "
1692:Asylum Records albums
1682:Jackson Browne albums
1371:Solo Acoustic, Vol. 2
1364:Solo Acoustic, Vol. 1
964:July 4, 2008, at the
743:β harmony vocals (10)
656:β acoustic piano (10)
634:β acoustic piano (6)
586:"Ready or Not" β 3:33
1611:Jamaica Say You Will
1572:Lives in the Balance
1509:That Girl Could Sing
1495:You Love the Thunder
1428:Rock Me on the Water
1290:Lives in the Balance
1137:, November 22, 1973.
1070:Ticknor & Fields
737:β harmony vocals (7)
731:β harmony vocals (6)
725:β harmony vocals (3)
628:β acoustic piano (5)
622:β acoustic piano (4)
533:except where noted.
346:Professional ratings
1537:Tender Is the Night
1318:The Naked Ride Home
1022:Ruhlmann, William.
934:DeCurtis, Anthony.
674:Sneaky Pete Kleinow
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230:magazine's list of
1456:Fountain of Sorrow
1325:Time the Conqueror
765:β engineer, mixing
678:pedal steel guitar
480:in his review for
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1632:Late for the Sky
1516:Hold On Hold Out
1477:Running on Empty
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918:. p. 43.
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1625:For Everyman
1544:For a Rocker
1484:The Load-Out
1449:Walking Slow
1442:Take It Easy
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1388:Compilations
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1311:Looking East
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1188:. Retrieved
1184:Record World
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1171:
1161:December 11,
1159:. Retrieved
1154:
1142:
1129:
1105:
1095:
1085:February 22,
1083:. Retrieved
1063:
1035:. Retrieved
1028:> Review"
1026:For Everyman
1025:
1000:
981:
954:
943:
940:> Review"
937:
915:
905:
895:September 2,
893:. Retrieved
879:
861:Pop Singles
828:
827:
792:
791:
775:Greg Ladanyi
741:David Crosby
735:Bonnie Raitt
699:Mickey McGee
687:Leland Sklar
664:slide guitar
654:Craig Doerge
594:For Everyman
544:Take It Easy
528:
518:Record World
516:
509:
508:
500:
493:
488:
486:
477:
475:
471:For Everyman
470:
464:
462:
450:
412:
400:
332:
324:For Everyman
323:
322:
314:Take It Easy
310:Gregg Allman
294:Paul Kantner
286:Wooden Ships
283:
279:Bonnie Raitt
253:(harmony on
251:David Crosby
243:For Everyman
242:
241:
225:
219:
208:
195:For Everyman
194:
193:
192:
177:
170:For Everyman
169:
168:
159:
81:Sunset Sound
61:October 1973
46:Studio album
31:For Everyman
22:
1687:1973 albums
1649:Discography
1589:Other songs
1558:For America
1349:Live albums
819:Pop Albums
777:β mastering
717:Russ Kunkel
705:Jim Keltner
701:β drums (1)
626:David Paich
546:" (Browne,
457:(no rating)
89:(Hollywood)
83:(Hollywood)
1676:Categories
1618:These Days
1079:089919026X
871:References
763:Al Schmitt
759:β engineer
757:John Haeny
748:Production
729:Glenn Frey
723:Don Henley
695:β bass (9)
648:Mike Utley
632:Elton John
620:Bill Payne
564:These Days
548:Glenn Frey
487:In a 1999
298:These Days
271:Don Henley
267:Elton John
259:Glenn Frey
150:chronology
1579:I'm Alive
1502:Boulevard
1304:I'm Alive
1190:March 17,
916:Billboard
846:Position
811:Position
797:Billboard
601:Personnel
341:Reception
220:Billboard
209:Billboard
1276:Hold Out
1155:Cash Box
1103:(2007).
1058:(1981).
1032:AllMusic
989:Archived
962:Archived
666:(5, 6),
596:" β 6:20
580:" β 3:56
571:Side Two
566:" β 4:41
550:) β 3:39
537:Side One
511:Cash Box
482:AllMusic
365:AllMusic
306:Tom Rush
136:Producer
66:Recorded
58:Released
48: by
1413:Singles
1037:July 9,
840:Single
829:Singles
238:History
222:Hot 100
183:(1974)
174:(1973)
165:(1972)
1117:
1076:
974:Austin
972:radio
891:. 2012
843:Chart
808:Chart
788:Charts
680:(1, 2)
359:Rating
356:Source
318:Eagles
277:, and
129:Asylum
107:Length
74:Studio
1180:(PDF)
1151:(PDF)
851:1973
837:Year
816:1973
805:Year
793:Album
124:Label
98:Genre
1488:Stay
1192:2023
1163:2021
1115:ISBN
1087:2019
1074:ISBN
1039:2010
970:KGSR
897:2019
328:RIAA
302:Nico
292:and
265:"),
102:Rock
69:1973
864:85
822:43
670:(8)
644:(9)
616:(3)
257:),
211:200
1678::
1182:.
1153:.
1113:.
1072:.
1068:.
1062:.
1047:^
1030:.
1014:^
968:,
942:.
924:^
914:.
887:.
858:"
795:β
676:β
640:β
612:β
330:.
304:,
281:.
234:.
116:13
112:41
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854:"
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562:"
542:"
407:B
114::
20:.
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