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Follies

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finally get married, and Ben is about to protest until Sally interrupts him with a kiss and runs off to gather her things, thinking that the two will leave together. Buddy leaves the shadows furious, and fantasizes about the girl he should have married, Margie, who loves him and makes him feel like "a somebody", but bitterly concludes he does not love her back ("The Right Girl"). He tells Sally that he's done, but she is lost in a fantasy world and tells him that Ben has asked her to marry him. Buddy tells her she must be either crazy or drunk, but he's already supported Sally through rehab clinics and mental hospitals and cannot take any more. Ben drunkenly propositions Carlotta, with whom he once had a fling, but she has a young lover and coolly turns him down. Heidi Schiller, joined by her younger counterpart, performs "One More Kiss", her aged voice a stark contrast to the sparkling coloratura of her younger self. Phyllis kisses a waiter and confesses to him that she had always wanted a son. She then tells Ben that their marriage can't continue the way it has been. Ben replies by saying that he wants a divorce, and Phyllis assumes the request is due to his love for Sally. Ben denies this, but still wants Phyllis out of his life. Angry and hurt, Phyllis considers whether to grant his request ("
422:"). In a jazzy dance number, accompanied by a squadron of chorus boys, Phyllis reflects on the two sides of her personality, one naive and passionate and the other jaded and sophisticated and her desire to combine them ("The Story of Lucy and Jessie"). Resplendent in top hat and tails, Ben begins to offer his devil-may-care philosophy ("Live, Laugh, Love"), but stumbles and anxiously calls to the conductor for the lyrics, as he frantically tries to keep going. Ben becomes frenzied, while the dancing ensemble continues as if nothing was wrong. Amidst a deafening discord, Ben screams at all the figures from his past and collapses as he cries out for Phyllis. 390:
Phyllis join their spouses and the foursome reminisces about the old days of their courtship and the theater, their memories vividly coming to life in the apparitions of their young counterparts ("Waiting For The Girls Upstairs"). Each of the four is shaken at the realization of how life has changed them. Elsewhere, Willy Wheeler (portly, in his sixties) cartwheels for a photographer. Emily and Theodore Whitman, ex-vaudevillians in their seventies, perform an old routine ("The Rain on the Roof"). Solange proves she is still fashionable at what she claims is 66 ("Ah, Paris!"), and Hattie Walker performs her old showstopping number ("Broadway Baby").
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they are mirrored by their younger selves. Afterward, Phyllis and Ben angrily discuss their lives and relationship, which has become numb and emotionless. Sally is bitter, having never been happy with Buddy, although he has always adored her. She accuses him of having affairs while he is on the road, and he admits he has a steady girlfriend, Margie, in another town, but always returns home. Carlotta amuses a throng of admirers with a tale of how her dramatic solo was cut from the Follies because the audience found it humorous, transforming it as she sings it into an anthem-like toast to her own hard-won survival ("
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each other." Sondheim "did not think the London script was as good as the original." However, he thought that it was "wonderful" that, at the end of the first act, "the principal characters recognized their younger selves and were able to acknowledge them throughout the last thirty minutes of the piece." Sondheim wrote four new songs: "Country House" (replacing "The Road You Didn't Take"), "Loveland" (replacing the song of the same title), "Ah, But Underneath" (replacing "The Story of Lucy and Jessie", for the non-dancer Diana Rigg), and "Make the Most of Your Music" (replacing "Live, Laugh, Love").
1419:, "almost every performance of the show played to a full house, more often than not to standing-room-only. Tickets always were tough to come by. The reason the final curtain came down Saturday was that being a production by the Roundabout Theatre Company – a subscription-based 'not-for-profit' theater company – it was presented under special Equity terms, with its actors paid a minimal fee. To extend the show, it would have been necessary to negotiate new contracts with the entire company ... because of the Belasco's limited seating, it wasn't deemed financially feasible to do so." 414:
firmly tells Sally that he never loved her. All the voices begin speaking and yelling at each other. Suddenly, at the peak of madness and confusion, the couples are engulfed by their follies, which transform the rundown theater into a fantastical "Loveland", an extravaganza even more grand and opulent than the gaudiest Weismann confection: "the place where lovers are always young and beautiful, and everyone lives only for love". Sally, Phyllis, Ben, and Buddy show their "real and emotional lives" in "a sort of group nervous breakdown".
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score in consultation with Steve." "One More Kiss" was omitted from the final release but was restored for CD release. Chapin relates that "there was one song that Dick Jones didn't want to include on the album but which Steve Sondheim most definitely did. The song was "One More Kiss", and the compromise was that if there was time, it would be recorded, even if Jones couldn't promise it would end up on the album. (It did get recorded but didn't make its way onto the album until the CD reissue years later.)"
425:"Loveland" has dissolved back into the reality of the crumbling and half-demolished theater; dawn is approaching. Ben admits to Phyllis his admiration for her, and Phyllis shushes him and helps Ben regain his dignity before they leave. After exiting, Buddy escorts the emotionally devastated Sally back to their hotel with the promise to work things out later. Their ghostly younger selves appear, watching them go. The younger Ben and Buddy softly call to their "girls upstairs", and the Follies end. 3198:. Not only has it already outsold every other album at our website, but the steady stream of emails from customers has been amazing." This recording includes "extended segments of the show's dialogue". The theatermania.com reviewer wrote that "The result is an album that, more so than any of the other existing recordings, allows listeners to re-experience the heartbreaking collision of past and present that's at the core of the piece." The recording of the 2011 revival was nominated for a 1200:
a lengthy appendix of songs cut from the original production in tryouts. The production was mounted with the intention of bringing it to Broadway with the same cast, but despite rave reviews the revival was nixed by book writer James Goldman's wife Barbara, who controlled her husband's interests in the musical. Barbara Goldman reportedly wanted a different production to be mounted by Roundabout, leading to the eventual 2001 Broadway revival with a different team and cast.
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were performed in two acts. However, the August 23, 2011 Broadway preview performance was performed without an intermission. By the time the 2011 Broadway revival opened, it was performed with an intermission in two acts. The 2017 National Theatre production was performed without an interval, along with largely returning to the 1971 book. As with previous productions, however, the production's book was unique to this iteration as well.
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how her days have been spent with Buddy, trying to convince him (and herself) that she is happily married. ("In Buddy's Eyes"). However, it is clear that Sally is still in love with Ben – even though their affair ended badly when Ben decided to marry Phyllis. She shakes loose from the memory and begins to dance with Ben, who is touched by the memory of the Sally he once cast aside.
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husband Ben, a renowned philanthropist and politician. As their younger counterparts approach them, Phyllis comments to Ben about their past. He feigns a lack of interest; there is an underlying tension in their relationship. As more guests arrive, Sally's husband, Buddy, enters. He is a salesman, in his early 50s, appealing and lively, whose smiles cover inner disappointment.
810:), Alexis Smith (Phyllis), John McMartin (Ben; replaced by Edward Winter), Gene Nelson (Buddy), and Yvonne De Carlo (Carlotta) reprising their original roles. The production was the premiere attraction at the newly constructed 1,800-seat theater, which, coincidentally, was itself razed thirty years later (in 2002, in order to build a new office building), thus mirroring the 672: 918:(Heidi Schiller). Rich, in his review, noted that "As performed at Avery Fisher Hall, the score emerged as an original whole, in which the 'modern' music and mock vintage tunes constantly comment on each other, much as the script's action unfolds simultaneously in 1971 (the year of the reunion) and 1941 (the year the Follies disbanded)." 418:
pants, garish jacket, and a shiny derby hat", and performs a high-energy vaudeville routine depicting how he is caught between his love for Sally and Margie's love for him ("The God-Why-Don't-You-Love-Me Blues"). Sally appears next, dressed as a torch singer, singing of her passion for Ben from the past - and her obsession with him now ("
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picked up a pulse ... I am happy to report that since then, Ms Peters has connected with her inner frump, Mr. Raines has found the brittle skeleton within his solid flesh, and Ms. Maxwell and Mr. Burstein have only improved. Two new additions to the cast, Jayne Houdyshell and Mary Beth Peil, are
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The book "was extensively reworked by James Goldman, with Sondheim's cooperation and also given an intermission." The producer Cameron Mackintosh did not like "that there was no change in the characters from beginning to end ... In the London production ... the characters come to understand
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The musical was written in one act, and the original director, Prince, did not want an intermission, while the co-director, Bennett, wanted two acts. It originally was performed in one act. The 1987 West End, 2005 Barrington Stage Company, the 2001 Broadway revival and Kennedy Center 2011 productions
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Phyllis interrupts this tender moment and has a biting encounter with Sally. Before she has a chance to really let loose, they are both called on to participate in another performance – Stella Deems gets Sally, Phyllis, Emily, Hattie, and some others to perform an old number ("Who's That Woman?"), as
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Buddy warns Phyllis that Sally is still in love with Ben, and she is shaken by how the past threatens to repeat itself. Sally is awed by Ben's apparently glamorous life, but Ben wonders if he made the right choices and considers how things might have been ("The Road You Didn't Take"). Sally tells Ben
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reprised the roles they played in the Lincoln Center production. "Ah, but Underneath" was substituted for "The Story of Lucy and Jessie" in order to accommodate non-dancer Hoty. This production received a full-length recording on two CDs, including not only the entire score as originally written but
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to Capitol Records, which in order to squeeze the unusually long score onto one disc, mutilated the songs by condensing some and omitting others." Chapin confirms this: "Alas ... final word came from Capitol that they would not go for two records ... now had to propose cuts throughout the
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is rarely performed twice in exactly the same version. James Goldman's widow made the observation that the show has morphed throughout its entire life ... The London production had new songs and dialogue. The Paper Mill Playhouse production used some elements from London but stayed close to the
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and Leland Hayward in late 1967, but the plans ultimately fell through, and Stuart Ostrow became the producer, with Joseph Hardy as director. These plans also did not work out, and finally Harold Prince, who had worked previously with Sondheim, became the producer and director. He had agreed to work
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has, no question, the best score on Broadway." He noted, though, that "I'm sorry the cast was reduced from 52 to 38, the orchestra from 26 players to 14 ... To appreciate the revival, you must buy into James Goldman's book, which is peddling a panoramically bleak take on marriage." Finally, he
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examines obsessive behavior, neurosis and self-indulgence more microscopically than anything I know of." Bernadette Peters quoted Sondheim on the character of "Sally": "He said early on that is off-balance, to put it mildly. He thinks she's very neurotic, and she is very neurotic, so he said to me
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Songs cut before the Broadway premiere include "All Things Bright and Beautiful" (used in the prologue), "Can That Boy Foxtrot!", "Who Could Be Blue?", "Little White House", "It Wasn't Meant to Happen", "Pleasant Little Kingdom", "That Old Piano Roll Rag", "The World's Full of Girls", "Bring On The
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What follows is a series of musical numbers performed by the principal characters, each exploring their biggest desires. The two younger couples sing in a counterpoint of their hopes for the future ("You're Gonna Love Tomorrow/Love Will See Us Through"). Buddy then appears, dressed in "plaid baggy
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Finally, Weismann enters to greet his guests. Roscoe, the old master of ceremonies, introduces the former showgirls ("Beautiful Girls"). Former Weismann performers at the reunion include Max and Stella Deems, who lost their radio jobs and became store owners in Miami; Solange La Fitte, a coquette,
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gave a very favorable review to the "lavish and entirely satisfying production", saying that Schaeffer directs "in methodical fashion, building progressively to a crescendo exactly as Sondheim does with so many of his stirring melodies. Several show-stopping routines are provided by choreographer
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Ben confides to Sally that his life is empty. She yearns for him to hold her, but young Sally slips between them and the three move together ("Too Many Mornings"). Ben, caught in the passion of memories, kisses Sally as Buddy watches from the shadows. Sally thinks this is a sign that the two will
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Sally Durant Plummer, "blond, petite, sweet-faced" and at 49 "still remarkably like the girl she was thirty years ago", a former Weismann girl, is the first guest to arrive, and her ghostly youthful counterpart moves towards her. Phyllis Rogers Stone, a stylish and elegant woman, arrives with her
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never makes fun of the honorable musical tradition to which it belongs. The show and the score have a double vision: simultaneously squinting at the messes people make of their lives and wide-eyed at the lingering grace and lift of the music they want to hear. Sondheim's songs aren't parodies or
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that amounts to a small army ... Marge Champion and Donald Saddler are endearing as the old hoofers ... I dare you not to fall in love with Betty Garrett's understated "Broadway Baby" – you just want to pick her up and hug her. Polly Bergen stops everything cold with "I'm Still Here",
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took some liberties in adapting the book and score for the concert format—dance music was changed, songs were given false endings, the new dialogue was spoken, reprises were added, and Patinkin was allowed to sing "The God-Why-Don't-You-Love-Me Blues" as a solo instead of a trio with two chorus
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asked for changes for the 1987 London production. "I was reluctantly happy to comply, my only serious balk being at his request that I cut "The Road You Didn't Take" ... I saw no reason not to try new things, knowing we could always revert to the original (which we eventually did). The net
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is theatre nostalgia, representing the rose-colored glasses through which we face the fact of age ... the show is conceived in ghostliness. At its very start, ghosts of Follies showgirls stalk the stage, mythic giants in winged, feathered, black and white opulence. Similarly, ghosts of the
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Phyllis begins wondering at her younger self, who worked so hard to become the socialite that Ben needed. Ben yells at his younger self for not appreciating all the work that Phyllis did. Both Buddys enter to confront the Bens about how they stole Sally. Sally and her younger self enter and Ben
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As the guests reminisce, the stories of Ben, Phyllis, Buddy, and Sally unfold. Phyllis and Sally were roommates while in the Follies, and Ben and Buddy were best friends at school in New York. When Sally sees Ben, her former lover, she greets him self-consciously ("Don't Look at Me"). Buddy and
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as acutely as I did watching the emotionally transparent concert production ... At almost any moment, to look at the faces of any of the principal performers ... is to be aware of people both bewitched and wounded by the contemplation of who they used to be. When they sing, in voices
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is in part an affectionate look at the American musical theatre between the two World Wars and provides Sondheim with an opportunity to use the traditional conventions of the genre to reveal the hollowness and falsity of his characters' dreams and illusions. The emotional high generated by the
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Girls" and "Uptown Downtown". The musical numbers "Ah, but Underneath" (replacing "The Story of Lucy and Jessie"), "Country House", "Make the Most of Your Music" (replacing "Live, Laugh, Love"), "Social Dancing" and a new version of "Loveland" have been incorporated into various productions.
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stated "It is not much of a story, and whatever possibilities it may have had in theory are scuppered by James Goldman's book ... a blend of lifeless small-talk, bitching and dreadful gags". Clines further commented: "In part, the show is a tribute to musical stage history, in which the
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wrote: "it is stylish, innovative, it has some of the best lyrics I have ever encountered, and above all it is a serious attempt to deal with the musical form." Barnes also called the story shallow and Sondheim's words a joy "even when his music sends shivers of indifference up your spine."
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A full production ran at the Forum Theatre, Wythenshawe, England, from April 30, 1985, directed by Howard Lloyd-Lewis, design by Chris Kinman, costumes by Charles Cusick-Smith, lighting by Tim Wratten, musical direction by Simon Lowe, and choreographed by Paul Kerryson. The cast included
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is a dramatic and conceptual failure. The good news is that it also features some of the most exciting musical moments Broadway has seen in several seasons. Since you don't get those moments from the production, the book or the leads, that leaves the featured ensemble, and in
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ballad "The Man I Love". Sondheim noted that the song "The God-Why-Don't-You-Love-Me Blues" is "another generic pastiche: vaudeville music for chases and low comics, but with a patter lyric ... I tried to give it the sardonic knowingness of Lorenz Hart or Frank Loesser."
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in January 2003 reunited the four principal young ghosts of the original Broadway cast: Kurt Peterson, Harvey Evans, Virginia Sandifur, and Marti Rolph. Having originated the young ghosts over 30 years prior, the actors portrayed the older versions of their Broadway roles.
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shows past and the beautiful chorus girls who performed there every year between the two world wars. The once resplendent theater is now little but planks and scaffolding ("Prologue"/"Overture"). As the ghosts of the young showgirls slowly drift through the theater, a
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in a limited engagement starting previews on August 7, 2011, with the official opening on September 12, and closing on January 22, 2012, after 151 performances and 38 previews. The four principal performers reprised their roles, as well as Paige as Carlotta.
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Critics who had seen the production in New York (such as Frank Rich) found it substantially more "upbeat" and lacking in the atmosphere it had originally possessed. According to the Associated Press (AP) reviewer, "A revised version of the Broadway hit
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wrote in his liner notes to Kritzerland's remixed version of the album, "What it did have made it something that, despite the frustrations, meant it would never be bettered – the original cast." The cast recording of the 2011 Broadway revival, by
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Goldman continued to revise the book of the musical right up to his death, which occurred shortly before the 1998 Paper Mill Playhouse production. Sondheim, too, has added and removed songs that he judged to be problematic in various productions.
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about the show, which he had seen during its pre-Broadway run in Boston. He predicted that the show eventually would achieve recognition as a Broadway classic. Rich later wrote that audiences at the original production were baffled and restless.
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result was four new songs ... For reasons which I've forgotten, I rewrote "Loveland" for the London production. There were only four showgirls in this version, and each one carried a shepherd's crook with a letter of the alphabet on it."
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in a limited engagement. After previews from August 3, 2002, it opened officially on August 6, and closed on August 31, 2002. Paul Kerryson - who had choreographed the UK premiere in 1984 - directed, and the cast starred David Durham as Ben,
606:-style numbers, reflecting the leading characters' emotional problems, before returning to the theater for the end of the reunion party. The four characters are "whisked into a dream show in which each acts out his or her own principal 'folly 1748:", as well as "the show's final 20 minutes, when we ascend with the main characters into an ironic vaudeville dreamscape of assorted neuroses - the most intoxicating articulation of the musical's 'Loveland' sequence that I've ever seen." 1821:, Los Angeles, California, in a limited engagement, from May 3, 2012, through June 9. The majority of the Broadway cast reprised their roles, with the exception of Bernadette Peters, who had prior concert commitments and was replaced by 1808:
for Outstanding Revival of a Musical, Outstanding Actor in a Musical (Burstein) and Outstanding Costume Design (Barnes). Out of seven Tony Award nominations, including Best Revival of a Musical, it won only one, for Barnes' costumes.
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is a blend of both, and the new production is rounded out with production numbers celebrating love's simple hope for young lovers, its extravagant fantasies for Ziegfeld aficionados, and its fresh lesson for the graying principals."
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and won seven. The original production, among the most costly on Broadway, ran for over 500 performances but ultimately lost its entire investment. The musical has had a number of major revivals, and several of its songs have become
1765:, so much so that the first act is bitter enough to sting. Yet he and Warren Carlyle ... just as clearly revel in the richness of the knowing pastiche songs with which Mr. Sondheim evokes the popular music of the prerock era." 6033: 4483: 3070:, passionately pro or con but rarely on the fence ... Is it really a great musical, or merely the greatest of all cult musicals?" (Chapin, p. xi) Ted Chapin wrote, "Taken as a whole, the collection of reviews 5937: 5991: 631:
Major changes were made for the original production in London, which attempted to establish a lighter tone and favored a happier ending than the original Broadway production. According to Joanne Gordon, "When
1412:, best known to younger audiences for her television work, played Hattie. It was significantly stripped down (earlier productions had featured extravagant sets and costumes) and was not a success critically. 5964: 6923: 4797: 4208: 3194:, was released officially on November 29, 2011, and was in pre-sale before the store release. PS Classics co-founder Tommy Krasker stated "We've never had the kind of reaction that we've had for 5790: 5766: 5488: 1559:(Young Ben), Abby Feldman (Young Stella), Barbara Chiofalo (Young Heidi), Trevor Brackney (Young Vincent), Melissa Driscoll (Young Vanessa), Stephen Reed (Kevin), and Billy Barnes (Theodore). 835:(Hattie Walker), Shirley Greenwood (Emily Whitman), Bryan Burdon (Theodore Whitman), Monica Dell (Solange LaFitte), Jeannie Harris (Carlotta Campion), Josephine Blake (Phyllis Rogers Stone), 6720: 6012: 5874: 301:'s music, Sondheim decided that he would henceforth work only on projects where he could write both the music and lyrics himself. He asked author and playwright James Goldman to join him as 7456: 1797:
terrific. This production has taken on the glint of crystalline sharpness." The production's run was extended, and its grosses exceeded expectations, but it did not recoup its investment.
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For commercial reasons, the cast album was cut from two LPs to one early in production. Most songs were therefore heavily abridged and several were left entirely unrecorded. According to
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is mannered and pretentious, overreaching for Significance. At its best moments—and there are many—it is the most imaginative and original new musical that Broadway has seen in years."
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Among the reasons the concert was staged was to provide an opportunity to record the entire score. The resulting album was more complete than the original cast album. However, director
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replaced Staunton and Quast as Sally and Ben. Bennett also reprised her Olivier-nominated performance. A recording of the National Theatre production was released on January 18, 2019.
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Twenties shows slip through the evening as the characters try desperately to regain their youth through re-creations of their performances and inane theatre sentiments of their past."
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replaced Gray, sparking somewhat of a comeback (she went on to perform her own one-woman show at The Shaftesbury Theatre to sell-out houses for three weeks from March 18, 1989, after
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is intermissionless and exhausting, an extravaganza that becomes so tedious ... because its extravaganzas have nothing to do with its pebble of a plot." On the other hand,
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as Carlotta. This production notably goes back to the original plan of a one-act performance. The production was broadcast live to cinemas worldwide on November 16 through the
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received a standing ovation from its opening-night audience and raves from British critics, who stated the show was worth a 16-year wait." The AP quoted Michael Coveney of the
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opened in London ... it had an entirely different, and significantly more optimistic, tone. Goldman's revised book offered some small improvements over the original."
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bringing a rare degree of introspection to a song that is too often a mere belt-fest ... he emotional highpoint comes when Joan Roberts sings 'One More Kiss'."
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girls. Portions of the concert were seen by audiences worldwide in the televised documentary about the making of the concert, also released on videotape and DVD, of
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in the Musical Theater Album category. The 2017 London revival cast was recorded after the production closed in January 2018, and was released in early 2019.
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will adapt the screenplay as well as direct, following the successful 2017 National Theatre revival in London, which returned in 2019 due to popular demand.
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original. The 2001 Roundabout Broadway revival, the first major production following Goldman's death in 1998, was again a combination of previous versions."
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as Buddy. Variety singer and performer Joan Savage sang "Broadway Baby". This production conducted by Julian Kelly featured the original Broadway score.
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Opera House in March 2013. This English-language production, using the full original orchestration, was directed by Olivier Bénézech and conducted by
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and had three performances. It was directed and staged by Stephen Lloyd Helper and produced by Helper and Alistair Thomson for Mardi Gras. It starred
386:?" Facts never interest her; what matters is the song!); and Carlotta Campion, a film star who has embraced life and benefited from every experience. 5625: 374:
who is vibrant and flirtatious even at 66; Hattie Walker, who has outlived five younger husbands; Vincent and Vanessa, former dancers who now own an
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sequence, with Sally, Phyllis, Ben and Buddy performing "like comics and torch singers from a Broadway of yore." "Loveland" features a string of
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is that it succeeds in untangling each and every strand of the show's knotty plot ... Mr. Schaeffer is clearly unafraid of the darkness of
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wrote that the revival "takes an audience halfway to paradise." He praised a "broodingly luminous Jan Maxwell" and Burstein's "hapless onetime
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Osborne, Robert. "Sondheim's 'Follies' closes despite packed performances; Run of the show ends with the expiration of special Equity deal".
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and usually is given to a well-known veteran performer who can belt out a song. Other notable performers in the original productions were
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and became the acknowledged master songwriter who bridged past musical stage romance into the modern musical era of irony and neurosis.
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was praised as Carlotta, continuing to perform after breaking her ankle, although in a reduced version of the part. During the run,
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as Solange LaFitte, and Don Correia as Theodore joined the Broadway cast. A two-disc cast album of this production was recorded by
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numbers and the book numbers." Some of the Follies numbers imitate the style of particular composers of the early 20th century: "
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and then on a national tour. However, the show did not do well in its Los Angeles engagement and plans for a tour ended.
4565: 839:(Ben), Debbie Snook (Young Phyllis), Stephen Hale (Young Ben), Bill Bradley (Buddy Plummer), Paul Burton (Young Buddy), 10696: 10629: 9423: 8871: 8115: 8004: 7703: 7553: 3861: 3747: 3732: 3524: 3460: 453:"Waiting for the Girls Upstairs" – Ben, Sally, Phyllis and Buddy, Young Ben, Young Sally, Young Phyllis and Young Buddy 6707: 5875:"The Right Girls: Kennedy Center Follies, With Bernadette Peters, Jan Maxwell, Elaine Paige, Begins Broadway Previews" 5288: 4508: 1096:
as part of their main stage repertoire, running from October 21, 1988, through November 6. The MOT production starred
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In 1971, on the soon-to-be-demolished stage of the Weismann Theatre, a reunion is being held to honor the Weismann's
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layered with ambivalence and anger and longing, it is clear that it is their past selves whom they are serenading."
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started previews on May 7, 2011, with an official opening on May 21, and closed on June 19, 2011. The cast starred
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The Dublin Concert was held in May 1996 at the National Concert Hall. Directed by Michael Scott, the cast included
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Joanne Gordon, author and chair and artistic director, Theatre, at California State University, Long Beach, wrote "
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enters with his entourage of waiters and waitresses. They pass through the spectral showgirls without seeing them.
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as its 40th production for six performances in February 2007 in a sold out semi-staged concert. The cast starred
758: 508:"You're Gonna Love Tomorrow" / "Love Will See Us Through" – Young Ben, Young Sally, Young Phyllis and Young Buddy 578:
reunion of the Follies girls ultimately gives way to anger, disappointment, and weary resignation to reality." "
345:; he was "intrigued by the psychology of a reunion of old chorus dancers and loved the play on the word 'follies 10497: 10483: 10413: 10336: 10329: 10125: 9975: 8696: 8314: 8258: 8250: 8154: 7727: 7421: 6418: 5188: 4470: 1408:), Larry Raiken (Roscoe) and an assortment of famous names from the past. Former MGM and onetime Broadway star 847:(Young Vincent), Kim Ismay (Young Vanessa), Lorraine Croft (Young Stella), and Meryl Richardson (Young Heidi). 5532: 9890: 9862: 8520: 8108: 8087: 8036: 6594: 1653:. This production used the original text, and the "Loveland" lyrics performed in the 1987 London production. 1423: 991: 803: 6200: 5507: 10540: 10434: 10392: 10322: 10315: 10250: 9744: 9286: 8712: 8445: 8063: 7858: 7826: 7585: 7314: 7274: 4170: 2788: 2011:
will be staged and directed by Jack Cummings III and music directed by Joey Chancey. The cast will feature
1582: 771:, had first garnered attention, while an undergraduate at Harvard University, with a lengthy essay for the 623:, who worked on the original 1971 production and wrote a book about the process in 2003, explains: "Today, 4980: 10721: 10441: 10343: 10276: 10242: 10202: 10178: 9236: 7767: 6542: 6034:"Victoria Clark Will Be Sally in L.A. Follies with Elaine Paige, Jan Maxwell, Danny Burstein, Ron Raines" 4524: 3395: 10522: 9328: 7786: 7751: 7151: 6504: 5989:'Once', 'Tribes', 'Follies', 'Salesman', Audra McDonald, Danny Burstein and More Are Drama Desk Winners" 4395: 10706: 10691: 10681: 10462: 9676: 9465: 8827: 8413: 8020: 7933: 7095: 6442: 6383: 6343: 5828: 540:
Note: This is the song list from the original Broadway production in 1971. Variations are discussed in
499: 407: 276: 9333: 6482: 10406: 10002: 9968: 9918: 9775: 8704: 8453: 8365: 8044: 5935:" 'Good Times and Bum Times': Broadway Revival of 'Follies' Exceeds Expectations, But Doesn't Recoup" 5595: 3499: 3484: 3364: 3275: 1591: 1315: 1280: 1081:
was voted ninth in a BBC Radio 2 listener poll of the UK's "Nation's Number One Essential Musicals".
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in the role of Sally, a role she had played previously in New York. Other new cast members included
10269: 10024: 9369: 9182: 8760: 8421: 8381: 8282: 8202: 2269: 2259: 1977: 1890: 1792:, writing: "Somewhere along the road from Washington to Broadway, the Kennedy Center production of 1283:, London, on December 8, 1996, and broadcast on BBC Radio 2 on February 15, 1997. The cast starred 1211: 20: 8533: 6126:"Follies in Concert review – stars align in Melbourne for rare and exhilarating night of Sondheim" 1480:, presented as a staged concert, running from June 15 to 23, 2002. The production was directed by 10427: 9576: 9387: 8971: 8915: 8736: 8720: 8469: 8373: 8306: 8274: 7885: 7850: 7794: 7370: 7298: 2430: 2367: 1626: 1335: 383: 6086: 1921:(Stella). The production was directed by Tyran Parke and produced by StoreyBoard Entertainment. 10676: 10645: 10490: 8776: 8584: 7909: 7893: 6884: 5156: 5131: 3598: 3588: 3583: 3153:
deconstructions; they are evocations that recognize the power of a love song. In 1971 or 2001,
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as Stella. The budget was reported to be $ 7.3 million. The production played to 95% capacity.
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is a great deal more than a camp love-in for old burlesque buffs and Sondheim aficionados." In
831:(Stella Deems), Les Want (Max Deems), Betty Benfield (Heidi Schiller), Joseph Powell (Roscoe), 739: 73: 8100: 7434: 5962:'Other Desert Cities', 'Salesman', 'Follies', 'Once', Audra McDonald Are Drama League Winners" 4360: 10234: 10160: 9784: 8680: 8461: 8210: 7242: 3079: 2831: 2561: 2231: 1958: 967: 828: 785:, "It's generally felt that ... Prince made a mistake by giving the recording rights of 687: 4546: 1358:
on April 5, 2001, and closed on July 14, 2001, after 117 performances and 32 previews. This
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described the evening as 'a wonderful idea for a show which has failed to grow into a story.
10290: 10090: 9927: 9658: 9474: 9089: 8887: 8194: 7652: 7628: 5377:
Vance, David. "Review: Musical Theatre 1998 Sydney Gay & Lesbian Mardi Gras Festival",
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The production returned to the Olivier Theatre on February 14, 2019, playing until May 11.
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on July 21, 1987, and closed on February 4, 1989, after 644 performances. The producer was
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originally was going to play Ben, but left because he was cast in the Broadway revival of
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Kirkeby, Marc (released April 1971). "Liner notes to original Broadway cast recording".
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rumored to star. Tony Award-winning playwright and Academy Award-nominated screenwriter
10583: 10575: 10476: 10054: 9835: 9830: 9812: 9803: 9699: 9538: 9437: 8640: 8616: 8592: 8477: 8242: 8170: 7810: 7513: 6948: 6016:'Once', 'Clybourne Park', 'Porgy and Bess', Audra McDonald, 'Salesman' Win Tony Awards" 5011: 4533: 3737: 2627: 2553: 2529: 2508: 2319: 1866: 1801: 1666: 1630: 1359: 1311: 1159:
production (Millburn, New Jersey) was directed by Robert Johanson with choreography by
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as Phyllis. Julia McKenzie returned to the production for the final four performances.
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as Hattie Walker, and Marcie Stringer and Charles Welch as Emily and Theodore Whitman.
640: 307: 262:, with choreography by Bennett, opened April 4, 1971. The musical was nominated for 11 753:
The show closed on July 1, 1972, after 522 performances and 12 previews. According to
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57-year-old Mr Sondheim is steeped, for he first learned song writing at the knee of
851: 333: 114: 47: 9881: 6814: 6399: 959: 10371: 9991: 9844: 9533: 9520: 9456: 9355: 9337: 9209: 9094: 9080: 9066: 9003: 8493: 8012: 7636: 7413: 7338: 6769: 5116: 5048: 5026: 4967: 4952: 4795:"By the Book: Broadway Revival of 'Follies' Performed Without Intermission Aug. 23" 4781: 4663:(p. 14). . Capitol Records, 1971. Angel Records, 1992. Middlesex. EMI Records, Ltd. 3904: 3851: 3642: 3465: 3340: 3290: 3265: 3143:
reviewer wrote of the 2001 Broadway revival: "Even in its more modest incarnation,
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validates the legend that a Broadway show can be an event worth dressing up for."
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limited engagement had been expected to close on September 30, 2001. Directed by
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writing "It wasn't until the second act that I fell in love all over again with
243:). The evening follows a reunion of the Weismann Girls who performed during the 41: 10469: 10420: 10132: 9923: 9817: 9708: 9694: 9547: 9487: 9442: 9350: 9268: 9254: 9173: 9126: 9103: 8728: 8688: 8485: 8218: 8186: 7988: 7941: 7877: 7802: 7759: 7561: 7354: 7306: 7258: 7250: 7202: 6458: 5788:"Casting Complete for Kennedy Center 'Follies'; "Young" Counterparts Announced" 4213: 3994: 3924: 3811: 3603: 3529: 3315: 2949: 2931: 2783: 2746: 2718: 2672: 2662: 2647: 2422: 2372: 2357: 2342: 2186: 2166: 2032: 1954: 1862: 1834: 1830: 1822: 1778: 1714: 1698: 1690: 1650: 1642: 1618: 1536: 1524: 1512: 1387: 1379: 1284: 1192: 1160: 1148: 1097: 1075:
This production was also recorded on two CDs and was the first full recording.
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magazine wrote about the original Broadway production: "At its worst moments,
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is truly awesome and, if it is not consistently good, it is always great."
2964: 2940: 2887: 2882: 2869: 2861: 2821: 2793: 2778: 2741: 2731: 2695: 2632: 2617: 2607: 2521: 2465: 2400: 2309: 2279: 2264: 2226: 2161: 2072: 1950: 1910: 1894: 1722: 1710: 1706: 1702: 1678: 1646: 1634: 1614: 1556: 1395: 1391: 1343: 1339: 1180: 1152: 995: 951: 922: 907: 883: 879: 863: 859: 836: 747: 711: 7089: 10637: 10448: 9941: 9905: 9853: 9771: 9749: 9731: 9524: 9428: 9277: 9241: 9026: 9008: 8962: 8906: 8405: 7181: 5558:"What Follies! Linden, Duke, Carr, Bosley Do Sondheim in L.A. June 15-23" 5076:
Gets Rave Reception in London". July 23, 1987, International News section
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The Complete Follies Collection puiblished by Hal Leonard publishers>
9849: 9757: 9599: 9581: 9552: 9392: 9374: 9187: 9044: 9012: 8990: 8943: 8892: 7834: 7529: 5845:"Hey, L.A., We're Coming Your Way: 'Follies' Ends Broadway Run Jan. 22" 3821: 3791: 3687: 3390: 3063: 2826: 2816: 2806: 2736: 2612: 2581: 2513: 2289: 2284: 2254: 2056: 2048: 1906: 1686: 1570: 1560: 1520: 1500: 1496: 1488: 1458: 1252: 1188: 1136: 1109: 1105: 963: 871: 764: 620: 603: 302: 263: 5713:'Live, Laugh, Love': 'Follies' Begins City Center Encores! Run Feb. 8" 3132:, concluded that it was a "fine, heartfelt production, which confirms 1804:, Distinguished Production of a Musical Revival for 2011-2012 and the 9909: 9876: 9821: 9635: 9590: 9409: 8819: 8632: 8576: 7973: 7135: 6629:"Review:'Follies':Oh, Those Sharp Stones in a Dance Down Memory Lane" 6178: 5392:"Roundabout's Revival of Follies Starts Previews at Belasco, March 8" 5103: 4144: 2327: 1965: 1946: 1400: 1296: 1132: 1054: 955: 363: 10621: 9960: 9626: 9556: 9432: 9245: 9227: 9030: 8563: 7917: 6924:"These are the winners of the 2017 Evening Standard Theatre Awards" 4805: 2294: 1817:
The 2011 Broadway and Kennedy Center production transferred to the
1606: 1516: 1168: 799: 583: 248: 6744:"Follies to return to National Theatre and release cast recording" 5002:, University of Bristol (bris.ac.uk). Retrieved February 22, 2010. 521:"The Story of Lucy and Jessie" – Phyllis and backup male dancers ≠ 9121: 8957: 7644: 3074:
received was as rangy as possible." (Chapin, p. 300) In his
1878: 4547:"Faculty, Theatre Arts, California State University, Long Beach" 858:, was performed on September 6 and 7, 1985. The concert starred 671: 511:"The God-Why-Don't-You-Love-Me Blues" – Buddy, "Margie", "Sally" 8298: 8130: 7464: 5445:"Peters Withdraws from London Follies; Casting Almost Complete" 1850: 1214:(Massachusetts) in June–July 2005. The principal cast included 802:, St. Louis, Missouri in July 1972 and then transferred to the 1893:, staged with a full 23-piece orchestra and Australian actors 9936: 8330: 5363:"Concert Performances of Sondheim's Follies Win Sydney Raves" 1929:
A London revival was performed in the Olivier Theatre at the
251:
of 1920s and 1930s musical styles, evoking a nostalgic tone.
234: 233:, now scheduled for demolition, previously home to a musical 5000:"Follies at the Forum Theatre, Wythenshawe, partial listing" 4321:, starring Katharine Hepburn, as era's actual record holder) 1476:
was part of L.A.'s Reprise series, and it was housed at the
1092:(MOT) was the first major American opera company to present 6064:"Review: 'Follies' is a source of heartache and razzmatazz" 5699:. Musicals101.com, February 2007. Retrieved January 1, 2011 5032:
Internet Movie Database listing, Retrieved August 29, 2010.
6275:"National Theatre Live to Broadcast Follies this November" 5918:"Theater Review. 'Follies'. Darkness Around the Spotlight" 1299:(Buddy). This show recreated the original Broadway score. 6979:
Everything Was Possible: The Birth of the Musical Follies
5241:"The Girls Upstairs: Stories of 1998's Ill-Fated FOLLIES" 7042:
Contradictions: Notes on Twenty-six Years in the Theatre
6250:"Full Casting Announced for Follies at National Theatre" 5669:"McKechnie, Evans, Peterson in Follies in Concert in MI" 4556:
California State University, accessed September 30, 2011
3128:, reviewing the 1998 Paper Mill Playhouse production in 3066:
wrote: "From the start, critics have been divided about
6874:
officiallondontheatre.co.uk. Retrieved August 29, 2010.
6301:"Follies cast recording released on Spotify and iTunes" 8870: 5521:. albemarle-london.com. Retrieved on December 31, 2010 4910:"Stage View; Sondheim's 'Follies' Evokes Old Broadway" 1119:
A production also ran from March to April 1995 at the
817: 7183:
Drama Desk Award for Outstanding Revival of a Musical
1609:"Great American Musicals in Concert" series featured 1597: 193:
Drama Desk Award for Outstanding Revival of a Musical
162:
1971 - New York Drama Critics' Award for Best Musical
7009:. New York, New York: Theatre Communications Group. 6152:"Follies in Concert review [Melbourne 2016]" 5902:"Two-Disc 'Follies' Revival Recording Is Big Seller" 3164:, wrote: "I have never felt the splendid sadness of 6789:"Is a Follies Film With Meryl Streep in the Works?" 6326:
All-Star Concert of Follies Will Play Carnegie Hall
5896: 5894: 5697:'Follies', Encores at NY City Center - NYC, Review" 3847:
Best Performance by a Featured Actress in a Musical
3718:
Best Performance by a Featured Actress in a Musical
3136:as a landmark musical and a work of art ...". 1840: 1757:noted that "One of the signal achievements of this 1656: 668:, Boston, from February 20 through March 20, 1971. 473:"Bolero d'Amour" – Danced by Vincent and Vanessa ≠≠ 7827:Smokey Joe's Cafe: The Songs of Leiber and Stoller 6578:"Stage: Concert Version of 'Follies' Is a Reunion" 5088:Clines, Francis X. "Follies' Restaged In London", 4292:The orchestra, Nicholas Skilbeck and Nigel Lilley 3832:Best Performance by a Leading Actress in a Musical 3703:Best Performance by a Leading Actress in a Musical 3421:Best Performance by a Leading Actress in a Musical 3222:has expressed interest in writing the adaptation. 3160:Brantley, reviewing the 2007 Encores! concert for 1884: 1267:, Alex Sharpe, Christine Scarry, Aidan Conway and 1123:, Houston, Texas, and in April to May 1995 at the 7070:A Chorus Line and the Musicals of Michael Bennett 5143:"MOT Box Office Opens Sept. 11 For Fall Season", 4784:. sondheimguide.com, retrieved December 15, 2010, 3446:Best Performance by a Featured Actor in a Musical 3181:released: the original 1971 Broadway cast album; 1398:(Laurey from the original Broadway production of 698:, with choreography by Bennett, scenic design by 10668: 7787:Les MisĂ©rables: The Complete Symphonic Recording 7522:How to Succeed in Business Without Really Trying 5891: 5307:. sondheimguide.com, retrieved December 15, 2010 5178:. sondheimguide.com, retrieved December 15, 2010 4958:. sondheimguide.com, retrieved December 14, 2010 4956:'Follies' 1971 Original Broadway Cast Recording" 4325:One More Kiss: The Broadway Musical in the 1970s 3807:Best Performance by a Leading Actor in a Musical 827:(Sally Durant Plummer), Liz Izen (Young Sally), 315:, they decided upon a story about ex-showgirls. 8565:Laurence Olivier Award for Best Musical Revival 7720:Cats: Complete Original Broadway Cast Recording 6885:"2017 Results | Critics' Circle Theatre Awards" 6479:"Follies in Concert - Melbourne Recital Centre" 5229:. sondheimguide.com. Retrieved August 29, 2010. 5217:. Sondheimguide.com. Retrieved August 29, 2010. 4970:. sondheimguide.com. Retrieved August 29, 2010. 3237: 297:(1965), for which he had written the lyrics to 199:Laurence Olivier Award for Best Musical Revival 10557:Best Worst Thing That Ever Could Have Happened 10219:Sweeney Todd: The Demon Barber of Fleet Street 10195:A Funny Thing Happened on the Way to the Forum 10112:Sweeney Todd: The Demon Barber of Fleet Street 10048:A Funny Thing Happened on the Way to the Forum 7677:Sweeney Todd: The Demon Barber of Fleet Street 6995:. Dell Publishing, Alfred A. Knopf (reprint). 6612:"That Old Feeling III: The Ghosts of Broadway" 4852:"Abstract-'Follies' musical opens at Colonial" 4841:sondheimguide.com, retrieved December 30. 2010 4820:"Kennedy Center 'Follies' Steps onto Broadway" 4488:Harold Prince and the American Musical Theatre 4209:Best Actress in a Supporting Role in a Musical 3062:In the foreword to "Everything Was Possible", 1768:The production transferred to Broadway at the 565:" Martin Gottfried wrote: "The concept behind 337:; Michael Bennett, the young choreographer of 254:The original Broadway production, directed by 187:Laurence Olivier Award for Musical of the Year 9976: 8856: 8549: 8116: 7450: 7167: 7005:Sondheim, Stephen and Goldman, James (2001). 6416: 5434:. Musicals101.com. Retrieved August 29, 2010. 5319:andrejkoymasky.com, accessed October 14, 2011 5166:. jayrecords.com, retrieved December 15, 2010 5054:sondheimguide.com. Retrieved August 29, 2010. 5017:sondheimguide.com, accessed October 13, 2011, 4981:"Loss of Shubert Alters Face of L.A. Theater" 4675: 4673: 4671: 4669: 3555: 3120:Frank Rich, in reviewing the 1985 concert in 1998: 1555:(Young Buddy), Tia Riebling (Young Phyllis), 910:(Young Sally), Daisy Prince (Young Phyllis), 46:Original Broadway windowcard with artwork by 6907:"Standard Theatre Awards 2017 the Shortlist" 6559:"Show Business: The Once and Future Follies" 5122:sondheimguide.com. Retrieved August 29, 2010 4509:"Bernadette Peters on 'Follies' and Puppies" 3078:review of the original Broadway production, 1909:(Young Buddy), Sophie Wright (Young Sally), 1857:. The cast featured Charlotte Page (Sally), 1084: 767:, for many years the chief drama critic for 456:"Montage" ("Rain on the Roof"/"Ah, Paris!"/" 8132:Laurence Olivier Award for Best New Musical 7466:Grammy Award for Best Musical Theater Album 6643: 6641: 6201:"Imelda Staunton to Star in London Follies" 5812:"Kennedy Centers Follies is Broadway Bound" 5533:"'Follies' remains marvelous contradiction" 4770:"Song list and acts, 2005 Barrington Stage" 1937:, choreographed by Bill Deamer and starred 1788:Brantley reviewed the Broadway revival for 814:plot line upon which the musical is based. 9983: 9969: 8863: 8849: 8556: 8542: 8123: 8109: 7457: 7443: 7174: 7160: 7132:at the Music Theatre International website 6812: 5381:(Australia), February 9, 1998, Arts; p. 14 5295:lornaluft.com, retrieved December 15, 2010 4782:"2001 Broadway revival song list and acts" 4666: 4368:Sondheim and Lloyd-Webber: The New Musical 4362:Sondheim and Lloyd-Webber: The New Musical 3614: 1535:(Carlotta), Carole Swarbrick (Christine), 1006:closed). Other cast replacements included 40: 6532:, April 11, 1971, p. D1. Fee for article. 6247: 5618: 5120:'Follies' - The First Complete Recording" 5084: 5082: 4417: 4415: 4166: 3960:Outstanding Featured Actress in a Musical 3787: 3658:Outstanding Featured Actress in a Musical 3638: 3232: 1983:The 2017 production was nominated for 10 1732:Reviews were mixed, with Ben Brantley of 1693:as Buddy. The production was directed by 1573:originally was cast as Dimitri Weismann. 1318:in February 1998 as the highlight of the 1241: 656: 467:") – Emily, Theodore, Solange, and Hattie 7712:Dreamgirls: Original Broadway Cast Album 6921: 6813:McKittrick, Christopher (May 19, 2017). 6638: 6243: 6241: 5758: 5756: 5660: 5101:Wardle, Irving. "Show without a story", 5044: 5042: 5040: 5038: 4904: 4902: 4900: 4898: 4655: 4653: 4617:sondheim.com. Retrieved August 29, 2010. 4424:mtishows.com. Retrieved August 30, 2010. 4390: 4388: 4386: 4384: 4346: 4344: 4087: 4063: 3763: 3579: 3261: 3225:In November 2019, it was announced that 2886: 2881: 2876: 2873: 2868: 2865: 2860: 2855: 2850: 2845: 2840: 2830: 2825: 2820: 2815: 2810: 2805: 2802: 2797: 2792: 2787: 2782: 2777: 2763: 2758: 2753: 2750: 2745: 2740: 2735: 2730: 2727: 2722: 2717: 2712: 2704: 2699: 2694: 2689: 2684: 2681: 2676: 2671: 2666: 2661: 2656: 2646: 2641: 2636: 2631: 2626: 2621: 2616: 2611: 2606: 2601: 2596: 2588: 2585: 2580: 2577: 2574: 2571: 2568: 2565: 2560: 2557: 2552: 2549: 2541: 2536: 2533: 2528: 2525: 2520: 2517: 2512: 2507: 2502: 2499: 2496: 2488: 2485: 2482: 2477: 2474: 2469: 2464: 2461: 2456: 2453: 2448: 2445: 2437: 2434: 2429: 2426: 2421: 2418: 2415: 2410: 2407: 2404: 2399: 2396: 2386: 2381: 2376: 2371: 2366: 2361: 2356: 2351: 2346: 2341: 2336: 2326: 2323: 2318: 2313: 2308: 2303: 2298: 2293: 2288: 2283: 2278: 2268: 2263: 2258: 2253: 2248: 2245: 2240: 2235: 2230: 2225: 2220: 2210: 2205: 2200: 2195: 2190: 2185: 2180: 2175: 2170: 2165: 2160: 2155: 1349: 670: 479:"Who's That Woman?" – Stella and Company 10687:Laurence Olivier Award-winning musicals 7112:on The Stephen Sondheim Reference Guide 6981:. New York, New York: Alfred A. Knopf. 6786: 6688:from the original on September 23, 2012 6647: 6570: 6505:"Stage: 'Follies' Couples, Years Later" 6225: 5530: 5492:'Follies', Royal Festival Hall, London" 5266:"A CurtainUp Berkshires Review:'Follies 5072:Wolf, Matt. Associated Press. "Revised 4322: 2900: 2895: 2078: 1785:and was released on November 29, 2011. 1753:Warren Carlyle." Terry Teachout of the 495:"One More Kiss" – Heidi and Young Heidi 10669: 7140: 6949:"Olivier Awards 2018: Winners in full" 6770:"Follies 2019 | National Theatre" 6110:: CS1 maint: archived copy as title ( 5079: 4706:"Chapter: Nixon's America and 'Follies 4630:(2007). University of Michigan Press. 4465:, University of Michigan Press, 1993, 4412: 4401:. Theatre Communications Group, 2001, 4394:Sondheim, Stephen, and Goldman, James. 3210:In January 2015, it was reported that 2003:On 20 June 2024, a concert version of 1924: 1663:Kennedy Center for the Performing Arts 1439: 1044:stated 'The musical is inspired,' and 447:"Beautiful Girls" – Roscoe and Company 9964: 8844: 8537: 8104: 7438: 7387:Fiddler on the Roof (Fidler Afn Dakh) 7155: 7139: 6922:Thompson, Jessie (December 4, 2017). 6238: 5753: 5750:. theaterscene.net, February 13, 2007 5655:"Whatever Happened To Kurt Peterson?" 5238: 5189:"Sneak Peek at the 'Follies' Revival" 5035: 4968:"1972 Los Angeles Production listing" 4895: 4650: 4605: 4381: 4341: 1972:returned as Phyllis and Buddy, while 1649:. The director and choreographer was 1444:A production was mounted at London's 1218:(Sally), Leslie Denniston (Phyllis), 1112:(Carlotta), Thelma Lee (Hattie), and 1100:(Sally), John-Charles Kelly (Buddy), 914:(Dmitri), Arthur Rubin (Roscoe), and 524:"Live, Laugh, Love" – Ben and Company 9990: 9894:by Christopher Nightingale (2020/21) 6522:"Yes, Yes, Alexis! No, No, 'Follies! 6419:"Encores! Follies Cast Now Complete" 6031: 5842: 5666: 4370:, Oxford University Press US, 2001, 3057: 1845:For its first production in France, 675:Model of set design by Boris Aronson 530:"Finale" – Young Buddy and Young Ben 378:franchise; Heidi Schiller, for whom 322:, the musical was to be produced by 311:article about a gathering of former 229:The plot takes place in a crumbling 7056:Harold Prince: A Director's Journey 6710:theatermania.com, November 29, 2011 4749:Harold Prince: A Director's Journey 1812: 1468: 1206:directed a fully staged version of 818:1985 Wythenshawe and Lincoln Center 793: 664:had its pre-Broadway tryout at the 489:"Too Many Mornings" – Ben and Sally 13: 8872:Tony Award for Best Original Score 8005:Beautiful: The Carole King Musical 7704:Lena Horne: The Lady and Her Music 7554:On a Clear Day You Can See Forever 7034: 6787:Hetrick, Adam (January 16, 2015). 6673: 6648:Barrios, Richard (April 4, 2015). 6417:Gans, Andrewl (January 18, 2007). 6226:Shenton, Mark (October 11, 2016). 6168: 5478:. whatsonstage.com, August 7, 2002 5215:'Follies' at Paper Mill Playhouse" 4327:. Palgrave Macmillan. p. 39. 3205: 3177:There have been six recordings of 3044: 2983: 2083:The characters and original cast: 1598:2007 New York City Center Encores! 1238:attended one of the performances. 450:"Don't Look at Me" – Sally and Ben 14: 10733: 8072:The Unofficial Bridgerton Musical 7696:Evita: Premier American Recording 7083: 6456: 6435: 6397: 6376: 6357: 6336: 6032:Gans, Andrew (January 11, 2012). 5843:Gans, Andrew (January 22, 2012). 5338:tv.com, accessed October 14, 2011 5030:'Follies in Concert' (1986) (TV)" 4839:'Follies' listing, Broadway 1971" 4751:, Hal Leonard Corporation, 1989; 4686:. BroadwayWorld.com, June 2, 2011 3975:Outstanding Director of a Musical 1576: 1426:wrote "the bad news is that this 1354:A Broadway revival opened at the 1342:(Hattie), Glenn Butcher (Buddy), 1320:Sydney Gay and Lesbian Mardi Gras 1302: 1274: 1246: 639:According to Sondheim, producer 582:contains two scores: the Follies 537:≠≠ Omitted from some productions 305:for a new musical. Inspired by a 7227:You're a Good Man, Charlie Brown 6941: 6915: 6899: 6877: 6858: 6832: 6806: 6780: 6762: 6736: 6713: 6700: 6667: 6621: 6604: 6587: 6552: 6535: 6514: 6497: 6471: 6450: 6429: 6410: 6391: 6370: 6351: 6330: 6319: 6293: 6267: 6219: 6193: 5900:Gans, Andrew and Jones, Kenneth. 5667:Gans, Andrew (January 4, 2003). 4288:Outstanding Achievement in Music 3935:Outstanding Actress in a Musical 3910:Outstanding Revival of a Musical 3648:Outstanding Revival of a Musical 3599:Actress of the Year in a Musical 3093:about the original production: " 1841:2013 Toulon Opera House (France) 1800:The Broadway production won the 1657:2011 Kennedy Center and Broadway 1310:was performed in concert at the 933: 470:"The Road You Didn't Take" – Ben 16:1971 musical by Stephen Sondheim 8505:Back to the Future: The Musical 6162: 6144: 6118: 6072: 6056: 6025: 6005: 5978: 5951: 5927: 5910: 5867: 5836: 5821: 5804: 5780: 5729: 5702: 5686: 5648: 5589: 5573: 5550: 5531:Johnson, Reed (June 16, 2002). 5524: 5501: 5481: 5461: 5437: 5421: 5408: 5384: 5371: 5355: 5341: 5322: 5310: 5298: 5279: 5258: 5232: 5220: 5205: 5181: 5169: 5150: 5137: 5125: 5110: 5095: 5066: 5057: 5020: 5005: 4993: 4973: 4961: 4946: 4937: 4928: 4919: 4886: 4877: 4868: 4844: 4829: 4812: 4787: 4775: 4762: 4736: 4727: 4698: 4689: 4641: 4620: 4615:'Follies' analysis and summary" 4581: 4559: 4540: 4517: 4501: 4364:, "Chapter: Prince and Company" 1885:2016 Australian concert version 382:once wrote a waltz ("or was it 10298:Stephen Sondheim's Old Friends 10126:Sunday in the Park with George 8697:Sunday in the Park with George 8259:Sunday in the Park with George 8251:Return to the Forbidden Planet 7878:Elton John and Tim Rice's Aida 7728:Sunday in the Park with George 7422:I Can Get It for You Wholesale 5657:, BroadwayWorld, May 15, 2005. 5305:"Listing, 1996 London concert" 5227:"Paper Mill recording listing" 5132:"BBC - Radio 2 - Elaine Paige" 4772:. CurtainUp.com, June 26, 2005 4716:, Taylor & Francis, 1999; 4594:(1999), Taylor & Francis, 4571:(1999), Taylor & Francis, 4476: 4445: 4436: 4427: 4353: 4308: 4125:Evening Standard Theatre Award 3920:Outstanding Actor in a Musical 3375:New York Drama Critics' Circle 1905:(Sally), Anne Wood (Phyllis), 1637:sang Heidi. The cast included 1263:, Dave Willetts, Trevor Jones 1226:(Buddy), Joy Franz (Solange), 992:Pearl Carr & Teddy Johnson 651: 561:'Congratulations. She's crazy. 331:if Sondheim agreed to work on 271:, including "Broadway Baby", " 1: 10712:Musicals set in New York City 9799:The Bridges of Madison County 7621:Don't Bother Me, I Can't Cope 6971: 6912:, retrieved November 18, 2017 5833:. Theatre Mania, May 22, 2011 4092:Critics' Circle Theatre Award 3172: 1422:Theater writer and historian 541: 286: 10702:Musicals by Stephen Sondheim 10541:Original Cast Album: Company 10400:Everything's Coming Up Roses 4714:Stephen Sondheim: A Casebook 4628:How Sondheim Found His Sound 4592:Stephen Sondheim: A Casebook 4569:Stephen Sondheim: A Casebook 4463:Sondheim's Broadway Musicals 4067: 3767: 3618: 3559: 3241: 3238:Original Broadway production 1581:A concert production at the 1040:concluded, while the London 798:The musical was produced at 7: 10717:Tony Award-winning musicals 10630:The Seven-Per-Cent Solution 6584:, September 9, 1985, p. C16 5880:September 15, 2011, at the 3476:Best Direction of a Musical 1415:According to an article in 613: 551: 10: 10738: 9315:The Mystery of Edwin Drood 8513:Standing at the Sky's Edge 7096:Internet Broadway Database 7019:Sondheim, Stephen (2010). 6870:November 28, 2010, at the 6774:www.nationaltheatre.org.uk 6708:"A Fantastic 'Follies' CD" 6543:"Flipping Over 'Follies' " 6443:Internet Broadway Database 6384:Internet Broadway Database 6344:Internet Broadway Database 6156:Simon Parris: Man in Chair 5793:February 18, 2011, at the 5517:December 13, 2010, at the 5317:"Biography, Judi Connelli" 4800:December 27, 2011, at the 4237:Best Theatre Choreographer 4169: 4053:Best Musical Theater Album 4020:Outstanding Costume Design 3903: 3673:Outstanding Orchestrations 3556:Original London production 3389: 3386: 3311:Outstanding Costume Design 3214:signed on to direct, with 2973:Ethel Barrymore Colt (u/s) 1999:2024 Carnegie Hall concert 938:The musical played in the 18: 10697:Musicals by James Goldman 10613: 10594: 10567: 10532: 10507: 10307: 10261: 10170: 10016: 9998: 9567: 9137: 8878: 8571: 8366:Jerry Springer: The Opera 8341: 8138: 8055: 7960: 7869: 7778: 7687: 7596: 7505: 7472: 7347:Hedwig and the Angry Inch 7189: 7149: 6726:December 8, 2012, at the 5940:January 27, 2012, at the 5605:January 18, 2022, at the 5450:October 17, 2012, at the 5397:October 17, 2012, at the 5194:October 17, 2012, at the 5052:'Follies' London listing" 4857:November 4, 2012, at the 4552:October 12, 2011, at the 4484:"A little Sondheim music" 4253: 4186:Best Actress in a Musical 4184: 4174: 4128: 4123: 4090: 4082: 4079: 4076: 4073: 4051: 3933: 3908: 3805: 3797:Best Revival of a Musical 3795: 3790: 3782: 3779: 3776: 3773: 3693:Best Revival of a Musical 3691: 3686: 3646: 3641: 3633: 3630: 3627: 3624: 3587: 3582: 3574: 3571: 3568: 3565: 3419: 3394: 3378: 3289: 3264: 3256: 3253: 3250: 3247: 1889:A concert version at the 1316:Sydney Symphony Orchestra 1281:Theatre Royal, Drury Lane 1085:U.S. regional productions 686:on April 4, 1971, at the 527:"Chaos" – Ben and Company 476:"In Buddy's Eyes" – Sally 275:", "Too Many Mornings", " 218:with music and lyrics by 167:Tony Award for Best Score 155: 84: 72: 64: 54: 39: 30: 10603:Getting Away with Murder 10407:Together, Wherever We Go 10270:Side by Side by Sondheim 9424:Kiss of the Spider Woman 9183:On the Twentieth Century 8227:The Phantom of the Opera 7768:Jerome Robbins' Broadway 7105:at the Sondheim Database 7068:Mandelbaum, Ken (1990). 6993:Stephen Sondheim: A Life 6991:Secrest, Meryle (1998). 5746:August 22, 2011, at the 5630:unites '71 cast members" 4350:Chapin, pp. xxii–xxvi, 7 4301: 4140:Best Musical Performance 4070: 4035:Outstanding Sound Design 3990:Outstanding Choreography 3770: 3621: 3562: 3271:Outstanding Choreography 3244: 1891:Melbourne Recital Centre 1212:Barrington Stage Company 874:(Phyllis), and featured 492:"The Right Girl" – Buddy 428: 21:Follies (disambiguation) 10414:You Gotta Get a Gimmick 9645:The Light in the Piazza 9388:The Will Rogers Follies 9334:Claude-Michel Schönberg 7918:Monty Python's Spamalot 7795:The Will Rogers Follies 7040:Prince, Harold (1974). 6436:l (November 25, 2016). 6398:l (November 25, 2016). 6377:l (November 25, 2016). 6358:l (November 25, 2016). 6337:l (November 25, 2016). 6175:Folliesinconcert.com.au 5563:March 12, 2014, at the 5092:. July 23, 1987, p. C17 4892:Chapin, pp. 116, 193-95 4537:(books), April 25, 1971 4512:The Wall Street Journal 4323:Mordden, Ethan (2003). 3341:Outstanding Performance 1985:Laurence Olivier Awards 1697:, with choreography by 1487:The production starred 1121:Theatre Under the Stars 954:, with choreography by 950:, the direction was by 590:" is in the style of a 352: 10008:Awards and nominations 8777:Jesus Christ Superstar 8585:The Boys from Syracuse 7902:Gypsy: A Musical Fable 7395:Little Shop of Horrors 7058:, Limelight Editions. 6819:Creative Screenwriting 6595:"Beguiled By the Past" 6457:l (February 3, 2017). 5769:June 21, 2011, at the 5600:that's in their bones" 5474:June 15, 2011, at the 5416:The Hollywood Reporter 5334:March 4, 2016, at the 5162:July 13, 2011, at the 5107:, July 22, 1987, p. 16 4733:Sondheim, pp. 243, 245 4684:at the Kennedy Center" 4525:Flipping Over 'Follies 4171:Laurence Olivier Award 4005:Outstanding Set Design 3584:Laurence Olivier Award 3406:Best Book of a Musical 3326:Outstanding Set Design 3233:Awards and nominations 1482:Arthur Allan Seidelman 1417:The Hollywood Reporter 1279:A concert was held at 1242:1996 and 1998 concerts 1155:(Carlotta). The 1998 1090:Michigan Opera Theatre 676: 657:1971 original Broadway 444:"Overture" – Orchestra 441:"Prologue" – Orchestra 182:for Outstanding Lyrics 10435:Getting Married Today 10251:Merrily We Roll Along 10119:Merrily We Roll Along 8753:Merrily We Roll Along 8350:Merrily We Roll Along 7091:​Follies​ 7072:. St. Martins Press. 7054:Ilson, Carol (2004). 6865:"Olivier Winners 1987 6067:The Los Angeles Times 5994:June 6, 2012, at the 5967:May 20, 2012, at the 5827:Lipton, Brian Scott. 5718:June 4, 2011, at the 5379:Sydney Morning Herald 5291:May 15, 2011, at the 5015:'Follies' Manchester" 4826:, September 12, 2011. 4589:"The Art of Illusion" 4490:, CUP Archive, 1989, 3764:2011 Broadway revival 3615:2001 Broadway revival 3034:, Joan Marshall (u/s) 3008:Young Phyllis Rogers: 2947:Young Phyllis Rogers: 2929:Phyllis Rogers Stone: 2907:Sally Durant Plummer: 2427:Amy Ellen Richardson 2276:Phyllis Rogers Stone 2153:Sally Durant Plummer 1995:(by Vicki Mortimer). 1959:National Theatre Live 1849:was presented at the 1713:. Also featured were 1633:played Carlotta, and 1366:with choreography by 1350:2001 Broadway revival 746:as Dimitri Weismann, 690:. It was directed by 688:Winter Garden Theatre 674: 291:After the failure of 175:for Outstanding Music 139:2011 Broadway revival 136:2011 Washington, D.C. 10484:Not While I'm Around 10442:The Ladies Who Lunch 10393:Let Me Entertain You 10291:Sondheim on Sondheim 10203:A Little Night Music 10091:A Little Night Music 9928:David Lindsay-Abaire 9659:The Drowsy Chaperone 9090:A Little Night Music 8315:Beauty and the Beast 8155:The Comedy of Errors 7843:Chicago: The Musical 7653:Bubbling Brown Sugar 7629:A Little Night Music 6977:Chapin, Ted (2003). 6207:. September 30, 2016 6171:"Follies in Concert" 6092:on February 28, 2013 5924:, September 12, 2011 5286:"Lorna Luft Listing" 4916:, September 15, 1985 4514:, September 3, 2011, 4273:Best Lighting Design 4176:Best Musical Revival 3877:Best Lighting Design 3540:Best Lighting Design 3356:Outstanding Director 2958:Marion Marlowe (s/b) 2914:Ethel Barrymore Colt 2901:Broadway (1971–1972) 2896:Notable replacements 2701:Queenie van de Zandt 2120:City Center Encores! 2105:Paper Mill Playhouse 2079:Casts and characters 1989:Best Musical Revival 1919:Queenie van de Zandt 1603:New York City Center 1495:(Dimitri Weismann), 1404:; later replaced by 1157:Paper Mill Playhouse 1065:Oscar Hammerstein II 962:. The cast featured 928:'Follies' in Concert 850:A staged concert at 843:(Dimitri Weismann), 734:as Solange LaFitte, 505:"Loveland" – Company 131:New York City Center 19:For other uses, see 10379:Gee, Officer Krupke 10351:One Hand, One Heart 10284:Putting It Together 9479:Christopher Hampton 9471:Andrew Lloyd Webber 9274:Andrew Lloyd Webber 9224:Andrew Lloyd Webber 8986:Fiddler on the Roof 8801:Fiddler on the Roof 8649:Singin' in the Rain 8521:Operation Mincemeat 8430:Matilda the Musical 8390:Caroline, or Change 8291:Once on This Island 7989:Once: A New Musical 7023:. Alfred A. Knopf. 6846:. November 15, 2019 6635:, February 10, 2007 6541:Gottfried, Martin. 6181:on November 4, 2016 6044:on January 13, 2012 5907:, November 28, 2011 5855:on January 24, 2012 5801:, February 15, 2011 5612:The Sondheim Review 5368:, February 10, 1998 5157:"Ron Raines Career" 5147:, September 9, 1988 4883:Chapin, pp. 309-310 4865:, February 25, 1971 4824:The Washington Post 4523:Gottfried, Martin. 4451:Banfield, Stephen. 4263:Best Costume Design 4064:2017 London revival 3862:Best Costume Design 3748:Best Orchestrations 3733:Best Costume Design 3589:Musical of the Year 3525:Best Costume Design 3461:Best Original Score 3040:Joan Marshall (u/s) 3025:Joan Marshall (u/s) 2999:Young Sally Durant: 2575:Christian Delcroix 2061:Alexander Gemignani 1993:Best Costume Design 1925:2017 London revival 1855:David Charles Abell 1755:Wall Street Journal 1742:The Washington Post 1446:Royal Festival Hall 1440:2002 London revival 1197:Liliane Montevecchi 1038:The Financial Times 944:Shaftesbury Theatre 890:(Solange LaFitte), 888:Liliane Montevecchi 738:as Heidi Schiller, 148:2017 London revival 10722:Backstage musicals 10584:The Last of Sheila 10523:Look, I Made a Hat 10477:Send In the Clowns 10463:Could I Leave You? 10316:Something's Coming 10062:Do I Hear a Waltz? 10055:Anyone Can Whistle 9836:Lin-Manuel Miranda 9804:Jason Robert Brown 9745:The Book of Mormon 9700:Lin-Manuel Miranda 9539:Jason Robert Brown 9287:La Cage aux Folles 8807:No Ceremony (2021) 8713:La Cage aux Folles 8500:No Ceremony (2021) 8446:The Book of Mormon 8064:Jagged Little Pill 7981:The Book of Mormon 7859:Annie Get Your Gun 7744:Follies in Concert 7586:Promises, Promises 7514:The Sound of Music 7315:La Cage aux Folles 7275:La Cage aux Folles 6928:www.standard.co.uk 6887:. January 31, 2018 6750:. January 30, 2018 6733:, December 6, 2012 6654:Cast Album Reviews 6633:The New York Times 6599:The New York Times 6582:The New York Times 6547:The New York Times 6530:The New York Times 6509:The New York Times 6307:. January 18, 2019 6169:Spiker, Dhurba -. 6062:McNulty, Charles. 5948:, January 24, 2012 5922:The New York Times 5737:"Encores! 'Follies 5726:, February 8, 2007 5508:"Archive-'Follies' 5390:McBride, Murdoch. 5187:Ehren, Christine. 5090:The New York Times 4989:. August 29, 2001. 4914:The New York Times 4534:The New York Times 3738:Theoni V. Aldredge 3510:Best Scenic Design 3286:Outstanding Lyrics 3183:Follies in Concert 3162:The New York Times 3130:The New York Times 3122:The New York Times 3091:The New York Times 3076:The New York Times 2979:Helon Blount (u/s) 2789:Margaret Courtenay 2628:Christine Baranski 2530:Laura Pitt-Pulford 2509:Meredith Patterson 2497:Virginia Sandifur 2486:Adam Rhys-Charles 2320:Christine Baranski 2135:Australian Concert 1802:Drama League Award 1790:The New York Times 1740:". Peter Marks of 1734:The New York Times 1667:Eisenhower Theater 1665:production at the 1631:Christine Baranski 1360:Roundabout Theatre 1312:Sydney Opera House 1125:5th Avenue Theatre 1034:The New York Times 948:Cameron Mackintosh 769:The New York Times 706:, and lighting by 677: 641:Cameron Mackintosh 556:Hal Prince said: " 500:Could I Leave You? 408:Could I Leave You? 329:The Girls Upstairs 320:The Girls Upstairs 318:Originally titled 294:Do I Hear a Waltz? 277:Could I Leave You? 10707:West End musicals 10692:Original musicals 10682:Broadway musicals 10664: 10663: 10516:Finishing the Hat 10277:Marry Me a Little 10105:Pacific Overtures 9958: 9957: 9952: 9951: 9891:A Christmas Carol 9237:Woman of the Year 9040:Hallelujah, Baby! 8838: 8837: 8673:Pacific Overtures 8531: 8530: 8323:Kat and the Kings 8098: 8097: 7669:Ain't Misbehavin' 7432: 7431: 7078:978-0-312-04280-6 7064:978-0-87910-296-8 7050:978-0-396-07019-1 7029:978-0-679-43907-3 7021:Finishing the Hat 7015:978-1-55936-196-5 6987:978-0-375-41328-5 6776:. April 12, 2018. 6610:Corliss, Richard. 6279:BroadwayWorld.com 6254:BroadwayWorld.com 5636:. January 3, 2003 5579:Ehren, Christine. 5556:Ehren, Christine. 5537:Los Angeles Times 5498:, August 18, 2002 5467:Beaumont, Sarah. 4986:Los Angeles Times 4809:, August 24, 2011 4680:"Review Roundup: 4636:978-0-472-03229-7 4433:Sondheim, pg. 231 4407:978-1-55936-196-5 4359:Citron, Stephen. 4299: 4298: 4061: 4060: 3950:Bernadette Peters 3892:Best Sound Design 3761: 3760: 3612: 3611: 3553: 3552: 3495:Best Choreography 3301:Outstanding Music 3058:Critical response 3053:Don Correia (u/s) 3014:Carlotta Campion: 2956:Carlotta Campion: 2893: 2892: 2838:Dimitri Weismann 2769:Josephine Barstow 2760:Josephine Barstow 2594:Carlotta Campion 2569:Matthew Cammelle 2542:Christine Tucker 2237:Laurence Guittard 2192:Bernadette Peters 2130:Royal Albert Hall 2041:Jennifer Holliday 1746:stage-door Johnny 1671:Bernadette Peters 1569:as Herr Schultz. 1549:Jean Louisa Kelly 1478:Wadsworth Theatre 1368:Kathleen Marshall 1173:Laurence Guittard 894:(Hattie Walker), 852:Avery Fisher Hall 742:as Stella Deems, 207: 206: 48:David Edward Byrd 10729: 10171:Film adaptations 10070:Evening Primrose 9992:Stephen Sondheim 9985: 9978: 9971: 9962: 9961: 9945: 9931: 9913: 9895: 9885: 9871: 9863:The Band's Visit 9857: 9845:Dear Evan Hansen 9839: 9825: 9807: 9793: 9779: 9761: 9739: 9721: 9703: 9689: 9677:Spring Awakening 9671: 9653: 9639: 9621: 9603: 9585: 9560: 9542: 9528: 9521:Stephen Flaherty 9510: 9496: 9482: 9466:Sunset Boulevard 9460: 9457:Stephen Sondheim 9446: 9418: 9404: 9382: 9364: 9359: 9356:Stephen Sondheim 9345: 9338:Herbert Kretzmer 9323: 9309: 9295: 9281: 9263: 9249: 9231: 9213: 9210:Stephen Sondheim 9199: 9177: 9159: 9130: 9116: 9098: 9095:Stephen Sondheim 9084: 9081:Stephen Sondheim 9070: 9067:Stephen Sondheim 9056: 9034: 9016: 9004:Man of La Mancha 8998: 8980: 8966: 8952: 8938: 8924: 8910: 8896: 8865: 8858: 8851: 8842: 8841: 8828:Sunset Boulevard 8558: 8551: 8544: 8535: 8534: 8494:Dear Evan Hansen 8414:Spring Awakening 8125: 8118: 8111: 8102: 8101: 8088:Some Like It Hot 8037:The Band's Visit 8029:Dear Evan Hansen 8021:The Color Purple 7934:Spring Awakening 7459: 7452: 7445: 7436: 7435: 7176: 7169: 7162: 7153: 7152: 7137: 7136: 6965: 6964: 6962: 6960: 6945: 6939: 6938: 6936: 6934: 6919: 6913: 6910:Evening Standard 6903: 6897: 6896: 6894: 6892: 6881: 6875: 6862: 6856: 6855: 6853: 6851: 6836: 6830: 6829: 6827: 6825: 6810: 6804: 6803: 6801: 6799: 6784: 6778: 6777: 6766: 6760: 6759: 6757: 6755: 6740: 6734: 6719:Jones, Kenneth. 6717: 6711: 6704: 6698: 6697: 6695: 6693: 6687: 6680: 6671: 6665: 6664: 6662: 6660: 6645: 6636: 6625: 6619: 6618:, April 14, 2001 6608: 6602: 6591: 6585: 6574: 6568: 6556: 6550: 6549:, April 25, 1971 6539: 6533: 6525: 6518: 6512: 6501: 6495: 6494: 6492: 6490: 6485:on April 3, 2018 6481:. 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Dolls 7799: 7791: 7782: 7780: 7776: 7775: 7773: 7772: 7764: 7760:Into the Woods 7756: 7752:Les MisĂ©rables 7748: 7740: 7732: 7724: 7716: 7708: 7700: 7691: 7689: 7685: 7684: 7682: 7681: 7673: 7665: 7657: 7649: 7641: 7633: 7625: 7617: 7609: 7600: 7598: 7594: 7593: 7591: 7590: 7582: 7574: 7566: 7558: 7550: 7542: 7534: 7526: 7518: 7509: 7507: 7503: 7502: 7500: 7499: 7485: 7476: 7474: 7470: 7469: 7462: 7461: 7454: 7447: 7439: 7430: 7429: 7427: 7426: 7418: 7410: 7402: 7399: 7391: 7383: 7375: 7367: 7359: 7355:The King and I 7351: 7343: 7335: 7327: 7319: 7311: 7303: 7295: 7287: 7279: 7271: 7263: 7255: 7251:Into the Woods 7247: 7239: 7231: 7223: 7215: 7207: 7203:The King and I 7199: 7190: 7187: 7186: 7179: 7178: 7171: 7164: 7156: 7150: 7147: 7146: 7134: 7133: 7125: 7114: 7106: 7098: 7085: 7084:External links 7082: 7081: 7080: 7066: 7052: 7044:. Dodd, Mead. 7036: 7033: 7032: 7031: 7017: 7003: 6989: 6973: 6970: 6967: 6966: 6940: 6914: 6898: 6876: 6857: 6831: 6805: 6779: 6761: 6735: 6712: 6699: 6666: 6637: 6620: 6603: 6586: 6569: 6551: 6534: 6520:Kerr, Walter. 6513: 6496: 6470: 6459:"Follies 2015" 6449: 6438:"Follies 2011" 6428: 6409: 6404:Sondheim Guide 6400:"Follies 2002" 6390: 6379:"Follies 2001" 6369: 6364:Sondheim Guide 6360:"Follies 1998" 6350: 6339:"Follies 1971" 6329: 6318: 6292: 6281:. July 7, 2017 6266: 6237: 6218: 6192: 6161: 6143: 6117: 6071: 6069:, May 10, 2012 6055: 6024: 6004: 6002:, June 3, 2012 5984:Gans, Andrew. 5977: 5975:, May 18, 2012 5957:Gans, Andrew. 5950: 5926: 5909: 5890: 5873:Gans, Andrew. 5866: 5835: 5820: 5810:Marks, Peter. 5803: 5786:Gans, Andrew. 5779: 5752: 5728: 5708:Gans, Andrew. 5701: 5685: 5659: 5647: 5617: 5588: 5572: 5549: 5523: 5500: 5480: 5460: 5458:, July 8, 2002 5443:Gans, Andrew. 5436: 5420: 5407: 5383: 5370: 5354: 5340: 5321: 5309: 5297: 5278: 5257: 5231: 5219: 5204: 5180: 5168: 5149: 5136: 5124: 5109: 5094: 5078: 5065: 5056: 5034: 5019: 5004: 4992: 4972: 4960: 4945: 4943:Chapin, p. 305 4936: 4934:Chapin, p. 279 4927: 4918: 4894: 4885: 4876: 4874:Chapin, p. 310 4867: 4850:Kelly, Kevin. 4843: 4828: 4811: 4786: 4774: 4761: 4735: 4726: 4697: 4695:Chapin, p. 312 4688: 4665: 4649: 4640: 4619: 4604: 4580: 4558: 4539: 4516: 4500: 4475: 4444: 4435: 4426: 4411: 4380: 4352: 4340: 4333: 4306: 4305: 4303: 4300: 4297: 4296: 4293: 4290: 4284: 4283: 4280: 4275: 4269: 4268: 4265: 4259: 4258: 4255: 4252: 4246: 4245: 4242: 4239: 4233: 4232: 4229: 4228:Dominic Cooke 4226: 4220: 4219: 4216: 4214:Tracie Bennett 4211: 4205: 4204: 4201: 4195: 4194: 4191: 4188: 4182: 4181: 4178: 4173: 4168: 4164: 4163: 4160: 4159:Dominic Cooke 4157: 4151: 4150: 4147: 4142: 4136: 4135: 4132: 4127: 4121: 4120: 4117: 4114: 4108: 4107: 4104: 4099: 4094: 4089: 4085: 4084: 4081: 4078: 4075: 4072: 4065: 4062: 4059: 4058: 4055: 4050: 4044: 4043: 4040: 4037: 4031: 4030: 4027: 4022: 4016: 4015: 4012: 4007: 4001: 4000: 3997: 3995:Warren Carlyle 3992: 3986: 3985: 3982: 3980:Eric Schaeffer 3977: 3971: 3970: 3967: 3962: 3956: 3955: 3952: 3946: 3945: 3942: 3937: 3931: 3930: 3927: 3925:Danny Burstein 3922: 3916: 3915: 3912: 3907: 3901: 3900: 3897: 3894: 3888: 3887: 3884: 3879: 3873: 3872: 3869: 3864: 3858: 3857: 3854: 3849: 3843: 3842: 3839: 3834: 3828: 3827: 3824: 3818: 3817: 3814: 3812:Danny Burstein 3809: 3803: 3802: 3799: 3794: 3789: 3785: 3784: 3781: 3778: 3775: 3772: 3765: 3762: 3759: 3758: 3755: 3750: 3744: 3743: 3740: 3735: 3729: 3728: 3725: 3720: 3714: 3713: 3710: 3705: 3699: 3698: 3695: 3690: 3684: 3683: 3680: 3675: 3669: 3668: 3665: 3660: 3654: 3653: 3650: 3645: 3640: 3636: 3635: 3632: 3629: 3626: 3623: 3616: 3613: 3610: 3609: 3606: 3604:Julia McKenzie 3601: 3595: 3594: 3591: 3586: 3581: 3577: 3576: 3573: 3570: 3567: 3564: 3557: 3554: 3551: 3550: 3547: 3542: 3536: 3535: 3532: 3530:Florence Klotz 3527: 3521: 3520: 3517: 3512: 3506: 3505: 3502: 3497: 3491: 3490: 3487: 3478: 3472: 3471: 3468: 3463: 3457: 3456: 3453: 3448: 3442: 3441: 3438: 3432: 3431: 3428: 3423: 3417: 3416: 3413: 3408: 3402: 3401: 3398: 3393: 3388: 3384: 3383: 3380: 3377: 3371: 3370: 3367: 3358: 3352: 3351: 3348: 3343: 3337: 3336: 3333: 3328: 3322: 3321: 3318: 3316:Florence Klotz 3313: 3307: 3306: 3303: 3297: 3296: 3293: 3288: 3282: 3281: 3278: 3273: 3268: 3263: 3259: 3258: 3255: 3252: 3249: 3246: 3239: 3236: 3234: 3231: 3207: 3204: 3174: 3171: 3059: 3056: 3055: 3054: 3051:Buddy Plummer: 3046: 3043: 3042: 3041: 3038:Hattie Walker: 3035: 3026: 3020: 3011: 3005: 2996: 2990:Buddy Plummer: 2985: 2982: 2981: 2980: 2977:Hattie Walker: 2974: 2968: 2959: 2953: 2950:Suzanne Rogers 2944: 2938:Buddy Plummer: 2935: 2932:Marion Marlowe 2926: 2917: 2902: 2899: 2897: 2894: 2891: 2890: 2885: 2880: 2875: 2872: 2867: 2866:Russell Dixon 2864: 2859: 2854: 2849: 2844: 2839: 2835: 2834: 2829: 2824: 2819: 2814: 2809: 2804: 2801: 2796: 2791: 2786: 2784:Elaine Stritch 2781: 2776: 2775:Hattie Walker 2772: 2771: 2762: 2757: 2752: 2749: 2747:Rosalind Elias 2744: 2739: 2734: 2729: 2726: 2721: 2719:Licia Albanese 2716: 2711: 2707: 2706: 2703: 2698: 2693: 2688: 2683: 2680: 2675: 2673:Phyllis Newman 2670: 2665: 2663:Phyllis Newman 2660: 2655: 2651: 2650: 2648:Tracie Bennett 2645: 2640: 2635: 2630: 2625: 2620: 2615: 2610: 2605: 2600: 2595: 2591: 2590: 2587: 2584: 2579: 2576: 2573: 2570: 2567: 2564: 2559: 2556: 2551: 2548: 2544: 2543: 2540: 2535: 2532: 2527: 2526:Kirsten Scott 2524: 2519: 2516: 2511: 2506: 2501: 2498: 2495: 2494:Young Phyllis 2491: 2490: 2487: 2484: 2481: 2476: 2473: 2468: 2463: 2460: 2458:Michael Gruber 2455: 2452: 2447: 2446:Kurt Peterson 2444: 2440: 2439: 2436: 2433: 2428: 2425: 2423:Lora Lee Gayer 2420: 2417: 2416:Emma Clifford 2414: 2409: 2406: 2403: 2398: 2395: 2391: 2390: 2385: 2380: 2375: 2373:Danny Burstein 2370: 2365: 2360: 2358:Treat Williams 2355: 2350: 2345: 2343:Mandy Patinkin 2340: 2335: 2334:Buddy Plummer 2331: 2330: 2325: 2322: 2317: 2312: 2307: 2302: 2297: 2292: 2287: 2282: 2277: 2273: 2272: 2267: 2262: 2257: 2252: 2247: 2244: 2239: 2234: 2229: 2224: 2219: 2215: 2214: 2209: 2204: 2199: 2194: 2189: 2187:Victoria Clark 2184: 2179: 2174: 2169: 2167:Julia McKenzie 2164: 2159: 2154: 2150: 2149: 2143: 2140:London Revival 2138: 2133: 2128: 2123: 2118: 2115:London Revival 2113: 2108: 2103: 2098: 2095:Lincoln Center 2093: 2090: 2080: 2077: 2033:Isabel Keating 2000: 1997: 1987:and won 2 for 1955:Tracie Bennett 1926: 1923: 1886: 1883: 1863:Graham Bickley 1842: 1839: 1835:Obba Babatunde 1831:Sammy Williams 1823:Victoria Clark 1814: 1811: 1779:Mary Beth Peil 1725:as Emily, and 1715:Rosalind Elias 1701:, costumes by 1699:Warren Carlyle 1695:Eric Schaeffer 1691:Danny Burstein 1658: 1655: 1651:Casey Nicholaw 1643:Jo Anne Worley 1619:Victoria Clark 1599: 1596: 1578: 1577:2003 Ann Arbor 1575: 1537:Stella Stevens 1525:Amanda McBroom 1513:Carol Lawrence 1470: 1467: 1441: 1438: 1388:Marge Champion 1380:Treat Williams 1351: 1348: 1304: 1303:Sydney concert 1301: 1285:Julia McKenzie 1276: 1275:London concert 1273: 1248: 1247:Dublin concert 1245: 1243: 1240: 1193:Phyllis Newman 1161:Jerry Mitchell 1151:(Hattie), and 1149:Maxene Andrews 1104:(Phyllis) and 1098:Nancy Dussault 1086: 1083: 1028:, who wrote: " 972:Julia McKenzie 960:Maria Björnson 958:and design by 935: 932: 916:Licia Albanese 896:Phyllis Newman 892:Elaine Stritch 868:Mandy Patinkin 856:Lincoln Center 833:Chili Bouchier 819: 816: 795: 792: 704:Florence Klotz 702:, costumes by 658: 655: 653: 650: 615: 612: 588:Losing My Mind 553: 550: 532: 531: 528: 525: 522: 519: 516:Losing My Mind 512: 509: 506: 503: 496: 493: 490: 487: 484:I'm Still Here 480: 477: 474: 471: 468: 454: 451: 448: 445: 442: 430: 427: 420:Losing My Mind 400:I'm Still Here 354: 351: 313:Ziegfeld Girls 308:New York Times 288: 285: 281:Losing My Mind 273:I'm Still Here 237:(based on the 222:and a book by 205: 204: 202: 201: 195: 189: 183: 176: 169: 163: 159: 157: 153: 152: 150: 149: 146: 143: 140: 137: 134: 127: 120: 117: 108: 102: 99:Lincoln Center 95: 92: 88: 86: 82: 81: 76: 70: 69: 66: 62: 61: 56: 52: 51: 45: 37: 36: 15: 9: 6: 4: 3: 2: 10734: 10723: 10720: 10718: 10715: 10713: 10710: 10708: 10705: 10703: 10700: 10698: 10695: 10693: 10690: 10688: 10685: 10683: 10680: 10678: 10677:1971 musicals 10675: 10674: 10672: 10656: 10655: 10651: 10648: 10647: 10643: 10640: 10639: 10635: 10632: 10631: 10627: 10624: 10623: 10619: 10618: 10616: 10614:Film composer 10612: 10605: 10604: 10600: 10599: 10597: 10593: 10586: 10585: 10581: 10578: 10577: 10573: 10572: 10570: 10566: 10559: 10558: 10554: 10551: 10550: 10546: 10543: 10542: 10538: 10537: 10535: 10533:Documentaries 10531: 10525: 10524: 10520: 10518: 10517: 10513: 10512: 10510: 10506: 10499: 10495: 10492: 10488: 10485: 10481: 10478: 10474: 10471: 10467: 10464: 10460: 10457: 10453: 10450: 10446: 10443: 10439: 10436: 10432: 10429: 10425: 10422: 10418: 10415: 10411: 10408: 10404: 10401: 10397: 10394: 10390: 10387: 10383: 10380: 10376: 10373: 10369: 10366: 10365:I Feel Pretty 10362: 10359: 10355: 10352: 10348: 10345: 10341: 10338: 10334: 10331: 10327: 10324: 10320: 10317: 10313: 10312: 10310: 10306: 10300: 10299: 10295: 10293: 10292: 10288: 10286: 10285: 10281: 10279: 10278: 10274: 10272: 10271: 10267: 10266: 10264: 10260: 10253: 10252: 10248: 10245: 10244: 10240: 10237: 10236: 10232: 10229: 10228: 10224: 10221: 10220: 10216: 10213: 10212: 10208: 10205: 10204: 10200: 10197: 10196: 10192: 10189: 10188: 10184: 10181: 10180: 10176: 10175: 10173: 10169: 10163: 10162: 10158: 10156: 10155: 10151: 10149: 10148: 10144: 10142: 10141: 10137: 10135: 10134: 10130: 10128: 10127: 10123: 10121: 10120: 10116: 10114: 10113: 10109: 10107: 10106: 10102: 10100: 10099: 10095: 10093: 10092: 10088: 10086: 10085: 10081: 10079: 10078: 10074: 10072: 10071: 10067: 10065:(lyrics only) 10064: 10063: 10059: 10057: 10056: 10052: 10050: 10049: 10045: 10043:(lyrics only) 10042: 10041: 10037: 10035:(lyrics only) 10034: 10033: 10029: 10027: 10026: 10022: 10021: 10019: 10015: 10009: 10006: 10004: 10001: 10000: 9997: 9993: 9986: 9981: 9979: 9974: 9972: 9967: 9966: 9963: 9943: 9939: 9938: 9933: 9929: 9925: 9921: 9920: 9915: 9911: 9907: 9903: 9902: 9897: 9893: 9892: 9887: 9883: 9879: 9878: 9873: 9869: 9865: 9864: 9859: 9855: 9851: 9847: 9846: 9841: 9837: 9833: 9832: 9827: 9823: 9819: 9815: 9814: 9809: 9805: 9801: 9800: 9795: 9791: 9787: 9786: 9781: 9777: 9773: 9769: 9768: 9763: 9759: 9755: 9751: 9747: 9746: 9741: 9737: 9733: 9729: 9728: 9723: 9719: 9715: 9711: 9710: 9705: 9701: 9697: 9696: 9691: 9687: 9683: 9679: 9678: 9673: 9669: 9668:Greg Morrison 9665: 9661: 9660: 9655: 9651: 9647: 9646: 9641: 9637: 9633: 9629: 9628: 9623: 9619: 9618:Scott Wittman 9615: 9611: 9610: 9605: 9601: 9597: 9596:Mark Hollmann 9593: 9592: 9587: 9583: 9579: 9578: 9577:The Producers 9573: 9572: 9570: 9566: 9558: 9554: 9550: 9549: 9544: 9540: 9536: 9535: 9530: 9526: 9522: 9518: 9517: 9512: 9508: 9504: 9503: 9498: 9494: 9490: 9489: 9484: 9480: 9476: 9472: 9468: 9467: 9462: 9458: 9454: 9453: 9448: 9444: 9440: 9439: 9434: 9430: 9426: 9425: 9420: 9416: 9412: 9411: 9406: 9402: 9398: 9394: 9390: 9389: 9384: 9380: 9376: 9372: 9371: 9366: 9361: 9357: 9353: 9352: 9347: 9343: 9342:Alain Boublil 9339: 9335: 9331: 9330: 9325: 9321: 9320:Rupert Holmes 9317: 9316: 9311: 9307: 9303: 9302: 9297: 9293: 9289: 9288: 9283: 9279: 9275: 9271: 9270: 9265: 9261: 9257: 9256: 9251: 9247: 9243: 9239: 9238: 9233: 9229: 9225: 9221: 9220: 9215: 9211: 9207: 9206: 9201: 9197: 9193: 9189: 9185: 9184: 9179: 9175: 9171: 9167: 9166: 9161: 9157: 9156:Edward Kleban 9153: 9149: 9148: 9147:A Chorus Line 9143: 9142: 9140: 9136: 9128: 9124: 9123: 9118: 9114: 9110: 9106: 9105: 9100: 9096: 9092: 9091: 9086: 9082: 9078: 9077: 9072: 9068: 9064: 9063: 9058: 9054: 9050: 9046: 9042: 9041: 9036: 9032: 9028: 9024: 9023: 9018: 9014: 9010: 9006: 9005: 9000: 8996: 8992: 8988: 8987: 8982: 8978: 8974: 8973: 8972:Hello, Dolly! 8968: 8964: 8960: 8959: 8954: 8950: 8946: 8945: 8940: 8936: 8935:Irving Berlin 8932: 8931: 8930:Call Me Madam 8926: 8922: 8918: 8917: 8916:South Pacific 8912: 8908: 8904: 8903: 8902:Kiss Me, Kate 8898: 8894: 8890: 8889: 8884: 8883: 8881: 8877: 8873: 8866: 8861: 8859: 8854: 8852: 8847: 8846: 8843: 8830: 8829: 8825: 8822: 8821: 8817: 8814: 8813: 8809: 8806: 8803: 8802: 8798: 8795: 8794: 8790: 8787: 8786: 8782: 8779: 8778: 8774: 8771: 8770: 8766: 8763: 8762: 8758: 8755: 8754: 8750: 8747: 8746: 8742: 8739: 8738: 8737:Crazy for You 8734: 8731: 8730: 8726: 8723: 8722: 8721:Hello, Dolly! 8718: 8715: 8714: 8710: 8707: 8706: 8702: 8699: 8698: 8694: 8691: 8690: 8686: 8683: 8682: 8678: 8675: 8674: 8670: 8667: 8666: 8665:Anything Goes 8662: 8659: 8658: 8654: 8651: 8650: 8646: 8643: 8642: 8638: 8635: 8634: 8630: 8627: 8626: 8622: 8619: 8618: 8614: 8611: 8610: 8606: 8603: 8602: 8598: 8595: 8594: 8590: 8587: 8586: 8582: 8579: 8578: 8574: 8573: 8570: 8566: 8559: 8554: 8552: 8547: 8545: 8540: 8539: 8536: 8523: 8522: 8518: 8515: 8514: 8510: 8507: 8506: 8502: 8499: 8496: 8495: 8491: 8488: 8487: 8483: 8480: 8479: 8475: 8472: 8471: 8470:Groundhog Day 8467: 8464: 8463: 8459: 8456: 8455: 8451: 8448: 8447: 8443: 8440: 8439: 8435: 8432: 8431: 8427: 8424: 8423: 8419: 8416: 8415: 8411: 8408: 8407: 8403: 8400: 8399: 8395: 8392: 8391: 8387: 8384: 8383: 8379: 8376: 8375: 8374:The Producers 8371: 8368: 8367: 8363: 8360: 8359: 8355: 8352: 8351: 8347: 8346: 8344: 8340: 8333: 8332: 8328: 8325: 8324: 8320: 8317: 8316: 8312: 8309: 8308: 8307:Martin Guerre 8304: 8301: 8300: 8296: 8293: 8292: 8288: 8285: 8284: 8280: 8277: 8276: 8275:Crazy for You 8272: 8269: 8268: 8264: 8261: 8260: 8256: 8253: 8252: 8248: 8245: 8244: 8240: 8237: 8236: 8232: 8229: 8228: 8224: 8221: 8220: 8216: 8213: 8212: 8208: 8205: 8204: 8200: 8197: 8196: 8192: 8189: 8188: 8184: 8181: 8180: 8176: 8173: 8172: 8168: 8165: 8164: 8160: 8157: 8156: 8152: 8149: 8148: 8147:A Chorus Line 8144: 8143: 8141: 8137: 8133: 8126: 8121: 8119: 8114: 8112: 8107: 8106: 8103: 8090: 8089: 8085: 8082: 8081: 8077: 8074: 8073: 8069: 8066: 8065: 8061: 8060: 8058: 8054: 8047: 8046: 8042: 8039: 8038: 8034: 8031: 8030: 8026: 8023: 8022: 8018: 8015: 8014: 8010: 8007: 8006: 8002: 7999: 7998: 7994: 7991: 7990: 7986: 7983: 7982: 7978: 7975: 7971: 7970: 7966: 7965: 7963: 7959: 7952: 7951: 7947: 7944: 7943: 7939: 7936: 7935: 7931: 7928: 7927: 7923: 7920: 7919: 7915: 7912: 7911: 7907: 7904: 7903: 7899: 7896: 7895: 7891: 7888: 7887: 7886:The Producers 7883: 7880: 7879: 7875: 7874: 7872: 7868: 7861: 7860: 7856: 7853: 7852: 7851:The Lion King 7848: 7845: 7844: 7840: 7837: 7836: 7832: 7829: 7828: 7824: 7821: 7820: 7816: 7813: 7812: 7808: 7805: 7804: 7800: 7797: 7796: 7792: 7789: 7788: 7784: 7783: 7781: 7777: 7770: 7769: 7765: 7762: 7761: 7757: 7754: 7753: 7749: 7746: 7745: 7741: 7738: 7737: 7733: 7730: 7729: 7725: 7722: 7721: 7717: 7714: 7713: 7709: 7706: 7705: 7701: 7698: 7697: 7693: 7692: 7690: 7686: 7679: 7678: 7674: 7671: 7670: 7666: 7663: 7662: 7658: 7655: 7654: 7650: 7647: 7646: 7642: 7639: 7638: 7634: 7631: 7630: 7626: 7623: 7622: 7618: 7615: 7614: 7610: 7607: 7606: 7602: 7601: 7599: 7595: 7588: 7587: 7583: 7580: 7579: 7575: 7572: 7571: 7567: 7564: 7563: 7559: 7556: 7555: 7551: 7548: 7547: 7543: 7540: 7539: 7535: 7532: 7531: 7527: 7524: 7523: 7519: 7516: 7515: 7511: 7510: 7508: 7504: 7497: 7496: 7491: 7490: 7486: 7483: 7482: 7481:The Music Man 7478: 7477: 7475: 7471: 7467: 7460: 7455: 7453: 7448: 7446: 7441: 7440: 7437: 7424: 7423: 7419: 7416: 7415: 7411: 7408: 7407: 7403: 7400: 7397: 7396: 7392: 7389: 7388: 7384: 7381: 7380: 7376: 7373: 7372: 7371:Hello, Dolly! 7368: 7365: 7364: 7360: 7357: 7356: 7352: 7349: 7348: 7344: 7341: 7340: 7336: 7333: 7332: 7328: 7325: 7324: 7323:Anything Goes 7320: 7317: 7316: 7312: 7309: 7308: 7304: 7301: 7300: 7299:South Pacific 7296: 7293: 7292: 7288: 7285: 7284: 7280: 7277: 7276: 7272: 7269: 7268: 7264: 7261: 7260: 7256: 7253: 7252: 7248: 7245: 7244: 7240: 7237: 7236: 7235:Kiss Me, Kate 7232: 7229: 7228: 7224: 7221: 7220: 7216: 7213: 7212: 7208: 7205: 7204: 7200: 7197: 7196: 7192: 7191: 7188: 7184: 7177: 7172: 7170: 7165: 7163: 7158: 7157: 7154: 7148: 7144: 7138: 7131: 7130: 7126: 7124: 7120: 7119: 7115: 7113: 7111: 7107: 7104: 7103: 7099: 7097: 7093: 7092: 7088: 7087: 7079: 7075: 7071: 7067: 7065: 7061: 7057: 7053: 7051: 7047: 7043: 7039: 7038: 7030: 7026: 7022: 7018: 7016: 7012: 7008: 7004: 7002: 7001:0-385-33412-5 6998: 6994: 6990: 6988: 6984: 6980: 6976: 6975: 6954: 6950: 6944: 6929: 6925: 6918: 6911: 6908: 6905:Dex, Robert. 6902: 6886: 6880: 6873: 6869: 6866: 6861: 6845: 6841: 6835: 6820: 6816: 6809: 6794: 6790: 6783: 6775: 6771: 6765: 6749: 6745: 6739: 6732: 6729: 6725: 6722: 6716: 6709: 6706:Probst, Andy. 6703: 6684: 6677: 6670: 6655: 6651: 6644: 6642: 6634: 6630: 6624: 6617: 6613: 6607: 6601:, May 8, 1998 6600: 6596: 6590: 6583: 6579: 6576:Rich, Frank. 6573: 6567:, May 3, 1971 6566: 6565: 6560: 6555: 6548: 6544: 6538: 6531: 6527: 6517: 6510: 6506: 6500: 6484: 6480: 6474: 6466: 6465: 6460: 6453: 6445: 6444: 6439: 6432: 6424: 6420: 6413: 6405: 6401: 6394: 6386: 6385: 6380: 6373: 6365: 6361: 6354: 6346: 6345: 6340: 6333: 6327: 6322: 6306: 6302: 6296: 6280: 6276: 6270: 6255: 6251: 6244: 6242: 6233: 6229: 6222: 6211:September 30, 6206: 6202: 6196: 6180: 6176: 6172: 6165: 6157: 6153: 6147: 6139: 6135: 6131: 6127: 6121: 6113: 6107: 6088: 6081: 6075: 6068: 6065: 6059: 6043: 6039: 6035: 6028: 6021: 6017: 6008: 6001: 5997: 5993: 5990: 5981: 5974: 5970: 5966: 5963: 5954: 5947: 5943: 5939: 5936: 5930: 5923: 5919: 5913: 5906: 5903: 5897: 5895: 5887: 5883: 5879: 5876: 5870: 5854: 5850: 5846: 5839: 5832: 5831: 5824: 5817: 5813: 5807: 5800: 5796: 5792: 5789: 5783: 5776: 5772: 5768: 5765: 5762:Gans, Andrew. 5759: 5757: 5749: 5745: 5742: 5732: 5725: 5721: 5717: 5714: 5705: 5698: 5689: 5674: 5670: 5663: 5656: 5651: 5635: 5631: 5629: 5621: 5614: 5613: 5608: 5604: 5601: 5599: 5596:"Recalling a 5592: 5586:, May 6, 2002 5585: 5582: 5576: 5569: 5566: 5562: 5559: 5553: 5538: 5534: 5527: 5520: 5516: 5513: 5504: 5497: 5493: 5484: 5477: 5473: 5470: 5464: 5457: 5453: 5449: 5446: 5440: 5433: 5424: 5417: 5411: 5404: 5400: 5396: 5393: 5387: 5380: 5374: 5367: 5364: 5358: 5350: 5344: 5337: 5333: 5330: 5329:"Toni Lamond" 5325: 5318: 5313: 5306: 5301: 5294: 5290: 5287: 5282: 5275: 5271: 5261: 5246: 5245:BroadwayWorld 5242: 5235: 5228: 5223: 5216: 5208: 5201: 5197: 5193: 5190: 5184: 5177: 5172: 5165: 5161: 5158: 5153: 5146: 5140: 5133: 5128: 5121: 5113: 5106: 5105: 5098: 5091: 5085: 5083: 5075: 5069: 5060: 5053: 5045: 5043: 5041: 5039: 5031: 5023: 5016: 5008: 5001: 4996: 4988: 4987: 4982: 4976: 4969: 4964: 4957: 4949: 4940: 4931: 4925:Zadan, p. 175 4922: 4915: 4911: 4908:Rich, Frank. 4905: 4903: 4901: 4899: 4889: 4880: 4871: 4864: 4860: 4856: 4853: 4847: 4840: 4832: 4825: 4821: 4818:Marks, Peter. 4815: 4808: 4807: 4803: 4799: 4796: 4790: 4783: 4778: 4771: 4765: 4758: 4757:0-87910-296-9 4754: 4750: 4747: 4746: 4742:Ilson, Carol. 4739: 4730: 4723: 4722:0-8153-3586-5 4719: 4715: 4711: 4701: 4692: 4685: 4683: 4676: 4674: 4672: 4670: 4662: 4656: 4654: 4644: 4637: 4633: 4629: 4623: 4616: 4608: 4602:, pp. 109-110 4601: 4600:0-8153-3586-5 4597: 4593: 4590: 4584: 4578: 4577:0-8153-3586-5 4574: 4570: 4567: 4562: 4555: 4551: 4548: 4543: 4536: 4535: 4530: 4520: 4513: 4510: 4504: 4497: 4496:0-521-33609-0 4493: 4489: 4485: 4479: 4472: 4468: 4464: 4461: 4448: 4439: 4430: 4423: 4418: 4416: 4409:, pp. 2-3, 71 4408: 4404: 4400: 4397: 4391: 4389: 4387: 4385: 4377: 4376:0-19-509601-0 4373: 4369: 4365: 4363: 4356: 4347: 4345: 4336: 4334:1-4039-6539-0 4330: 4326: 4320: 4316: 4311: 4307: 4294: 4291: 4289: 4286: 4285: 4281: 4279: 4276: 4274: 4271: 4270: 4266: 4264: 4261: 4260: 4256: 4251: 4248: 4247: 4243: 4240: 4238: 4235: 4234: 4230: 4227: 4225: 4224:Best Director 4222: 4221: 4217: 4215: 4212: 4210: 4207: 4206: 4202: 4200: 4197: 4196: 4192: 4189: 4187: 4183: 4179: 4177: 4172: 4165: 4161: 4158: 4156: 4155:Best Director 4153: 4152: 4148: 4146: 4143: 4141: 4138: 4137: 4133: 4131: 4126: 4122: 4118: 4115: 4113: 4112:Best Designer 4110: 4109: 4105: 4103: 4102:Dominic Cooke 4100: 4098: 4097:Best Director 4095: 4093: 4086: 4069: 4056: 4054: 4049: 4046: 4045: 4041: 4038: 4036: 4033: 4032: 4028: 4026: 4023: 4021: 4018: 4017: 4013: 4011: 4008: 4006: 4003: 4002: 3998: 3996: 3993: 3991: 3988: 3987: 3983: 3981: 3978: 3976: 3973: 3972: 3968: 3966: 3963: 3961: 3958: 3957: 3953: 3951: 3948: 3947: 3943: 3941: 3938: 3936: 3932: 3928: 3926: 3923: 3921: 3918: 3917: 3913: 3911: 3906: 3902: 3898: 3895: 3893: 3890: 3889: 3885: 3883: 3880: 3878: 3875: 3874: 3870: 3868: 3865: 3863: 3860: 3859: 3855: 3853: 3850: 3848: 3845: 3844: 3840: 3838: 3835: 3833: 3830: 3829: 3825: 3823: 3820: 3819: 3815: 3813: 3810: 3808: 3804: 3800: 3798: 3793: 3786: 3769: 3756: 3754: 3751: 3749: 3746: 3745: 3741: 3739: 3736: 3734: 3731: 3730: 3726: 3724: 3721: 3719: 3716: 3715: 3711: 3709: 3708:Blythe Danner 3706: 3704: 3701: 3700: 3696: 3694: 3689: 3685: 3681: 3679: 3676: 3674: 3671: 3670: 3666: 3664: 3661: 3659: 3656: 3655: 3651: 3649: 3644: 3637: 3620: 3607: 3605: 3602: 3600: 3597: 3596: 3592: 3590: 3585: 3578: 3561: 3548: 3546: 3545:Tharon Musser 3543: 3541: 3538: 3537: 3533: 3531: 3528: 3526: 3523: 3522: 3518: 3516: 3515:Boris Aronson 3513: 3511: 3508: 3507: 3503: 3501: 3498: 3496: 3493: 3492: 3488: 3486: 3482: 3481:Harold Prince 3479: 3477: 3474: 3473: 3469: 3467: 3464: 3462: 3459: 3458: 3454: 3452: 3449: 3447: 3444: 3443: 3439: 3437: 3434: 3433: 3429: 3427: 3424: 3422: 3418: 3414: 3412: 3411:James Goldman 3409: 3407: 3404: 3403: 3399: 3397: 3392: 3385: 3381: 3379:Best Musical 3376: 3373: 3372: 3368: 3366: 3362: 3361:Harold Prince 3359: 3357: 3354: 3353: 3349: 3347: 3344: 3342: 3339: 3338: 3334: 3332: 3331:Boris Aronson 3329: 3327: 3324: 3323: 3319: 3317: 3314: 3312: 3309: 3308: 3304: 3302: 3299: 3298: 3294: 3292: 3287: 3284: 3283: 3279: 3277: 3274: 3272: 3269: 3267: 3260: 3243: 3230: 3228: 3227:Dominic Cooke 3223: 3221: 3217: 3213: 3203: 3201: 3197: 3193: 3188: 3184: 3180: 3170: 3167: 3163: 3158: 3156: 3151: 3146: 3142: 3137: 3135: 3131: 3127: 3123: 3118: 3116: 3112: 3111: 3106: 3104: 3100: 3096: 3092: 3088: 3084: 3081: 3077: 3073: 3069: 3065: 3052: 3049: 3048: 3039: 3036: 3033: 3030: 3027: 3024: 3023:Stella Deems: 3021: 3018: 3017:Joan Marshall 3015: 3012: 3009: 3006: 3003: 3000: 2997: 2994: 2991: 2988: 2987: 2978: 2975: 2972: 2969: 2966: 2963: 2962:Stella Deems: 2960: 2957: 2954: 2951: 2948: 2945: 2942: 2939: 2936: 2933: 2930: 2927: 2924: 2921: 2918: 2915: 2911: 2908: 2905: 2904: 2889: 2884: 2879: 2871: 2863: 2858: 2857:Eddie Bracken 2853: 2852:Leonard Sachs 2848: 2847:Andre Gregory 2843: 2837: 2836: 2833: 2828: 2823: 2818: 2813: 2808: 2800: 2799:Betty Garrett 2795: 2790: 2785: 2780: 2774: 2773: 2770: 2766: 2765:Felicity Lott 2761: 2756: 2755:Cheryl Barker 2748: 2743: 2738: 2733: 2725: 2720: 2715: 2709: 2708: 2702: 2697: 2692: 2687: 2686:Joanne Worley 2679: 2674: 2669: 2664: 2659: 2654:Stella Deems 2653: 2652: 2649: 2644: 2639: 2638:Betty Buckley 2634: 2629: 2624: 2623:Diane Langton 2619: 2614: 2609: 2604: 2603:Carol Burnett 2599: 2593: 2592: 2589:Henry Hepple 2583: 2563: 2562:Billy Hartung 2555: 2550:Harvey Evans 2546: 2545: 2539: 2538:Zizi Strallen 2534:Jenni Little 2531: 2523: 2515: 2510: 2505: 2504:Gillian Bevan 2500:Daisy Prince 2493: 2492: 2489:Ian McIntosh 2480: 2472: 2471:Colin Donnell 2467: 2459: 2451: 2442: 2441: 2438:Gemma Sutton 2432: 2431:Sophie Wright 2424: 2413: 2402: 2393: 2392: 2389: 2384: 2379: 2374: 2369: 2364: 2363:Henry Goodman 2359: 2354: 2349: 2344: 2339: 2333: 2332: 2329: 2321: 2316: 2311: 2306: 2301: 2300:Blythe Danner 2296: 2291: 2286: 2281: 2275: 2274: 2271: 2266: 2261: 2256: 2251: 2250:Victor Garber 2246:David Durham 2243: 2238: 2233: 2232:Daniel Massey 2228: 2223: 2222:John McMartin 2217: 2216: 2213: 2212:Joanna Riding 2208: 2203: 2198: 2193: 2188: 2183: 2182:Kathryn Evans 2178: 2173: 2168: 2163: 2158: 2152: 2151: 2148: 2144: 2139: 2134: 2129: 2124: 2119: 2114: 2109: 2104: 2099: 2094: 2091: 2088: 2087: 2084: 2076: 2074: 2070: 2066: 2062: 2058: 2054: 2053:Barbara Walsh 2050: 2046: 2042: 2038: 2034: 2030: 2026: 2022: 2021:Ryan McCartan 2018: 2014: 2010: 2009:Carnegie Hall 2006: 1996: 1994: 1990: 1986: 1981: 1979: 1975: 1974:Joanna Riding 1971: 1967: 1962: 1960: 1956: 1952: 1948: 1944: 1940: 1936: 1935:Dominic Cooke 1932: 1922: 1920: 1916: 1912: 1908: 1904: 1900: 1896: 1892: 1882: 1880: 1877:(Hattie) and 1876: 1872: 1868: 1867:JĂ©rĂ´me Pradon 1864: 1860: 1859:Liz Robertson 1856: 1852: 1848: 1838: 1836: 1832: 1828: 1827:Carol Neblett 1824: 1820: 1810: 1807: 1803: 1798: 1795: 1791: 1786: 1784: 1780: 1776: 1771: 1766: 1764: 1760: 1756: 1751: 1747: 1743: 1739: 1735: 1730: 1728: 1724: 1720: 1716: 1712: 1708: 1704: 1700: 1696: 1692: 1688: 1684: 1681:as Carlotta, 1680: 1676: 1672: 1668: 1664: 1654: 1652: 1648: 1644: 1640: 1636: 1632: 1628: 1624: 1623:Victor Garber 1620: 1616: 1612: 1608: 1604: 1595: 1594:as Carlotta. 1593: 1589: 1584: 1574: 1572: 1568: 1567: 1562: 1558: 1554: 1553:Austin Miller 1550: 1546: 1542: 1538: 1534: 1530: 1526: 1522: 1518: 1514: 1510: 1506: 1505:Harry Groener 1502: 1498: 1494: 1490: 1485: 1483: 1479: 1475: 1466: 1464: 1463:Henry Goodman 1461:as Heidi and 1460: 1456: 1452: 1451:Kathryn Evans 1447: 1437: 1434: 1429: 1425: 1420: 1418: 1413: 1411: 1410:Betty Garrett 1407: 1403: 1402: 1397: 1393: 1389: 1385: 1381: 1377: 1373: 1372:Blythe Danner 1370:, it starred 1369: 1365: 1361: 1357: 1347: 1345: 1341: 1337: 1333: 1332:Judi Connelli 1329: 1328:Jill Perryman 1325: 1321: 1317: 1313: 1309: 1300: 1298: 1294: 1293:Denis Quilley 1290: 1286: 1282: 1272: 1270: 1266: 1262: 1258: 1254: 1239: 1237: 1233: 1230:(Heidi), and 1229: 1225: 1221: 1220:Jeff McCarthy 1217: 1213: 1209: 1205: 1204:Julianne Boyd 1201: 1198: 1194: 1190: 1186: 1185:Eddie Bracken 1182: 1178: 1174: 1170: 1166: 1162: 1158: 1154: 1150: 1146: 1145:Virginia Mayo 1142: 1141:Denise Darcel 1138: 1134: 1130: 1126: 1122: 1117: 1115: 1111: 1107: 1103: 1102:Juliet Prowse 1099: 1095: 1091: 1082: 1080: 1076: 1073: 1070: 1066: 1061: 1060:Irving Wardle 1057: 1056: 1047: 1043: 1039: 1035: 1031: 1027: 1026: 1021: 1015: 1011: 1009: 1005: 1001: 997: 993: 989: 988:Maria Charles 985: 984:Leonard Sachs 981: 977: 973: 969: 968:Daniel Massey 965: 961: 957: 953: 949: 945: 941: 934:1987 West End 931: 929: 924: 919: 917: 913: 912:Andre Gregory 909: 906:(Young Ben), 905: 901: 897: 893: 889: 885: 881: 877: 876:Carol Burnett 873: 870:(Buddy), and 869: 865: 861: 857: 853: 848: 846: 842: 838: 834: 830: 826: 815: 813: 809: 805: 801: 791: 788: 784: 779: 776: 775: 770: 766: 762: 760: 756: 751: 749: 745: 741: 737: 733: 729: 725: 721: 717: 716:John McMartin 713: 710:. It starred 709: 708:Tharon Musser 705: 701: 700:Boris Aronson 697: 693: 692:Harold Prince 689: 685: 682:premiered on 681: 673: 669: 667: 663: 649: 645: 642: 637: 635: 629: 626: 622: 611: 605: 601: 596: 593: 589: 585: 581: 576: 571: 568: 559: 549: 545: 543: 538: 535: 529: 526: 523: 520: 517: 513: 510: 507: 504: 501: 497: 494: 491: 488: 485: 481: 478: 475: 472: 469: 464: 459: 458:Broadway Baby 455: 452: 449: 446: 443: 440: 439: 438: 436: 426: 423: 421: 415: 411: 409: 403: 401: 395: 391: 387: 385: 381: 377: 376:Arthur Murray 371: 367: 365: 360: 350: 344: 340: 336: 335: 330: 325: 324:David Merrick 321: 316: 314: 310: 309: 304: 300: 296: 295: 284: 282: 278: 274: 270: 265: 261: 257: 256:Harold Prince 252: 250: 246: 242: 241: 236: 232: 227: 225: 224:James Goldman 221: 217: 213: 212: 200: 196: 194: 190: 188: 184: 181: 177: 174: 170: 168: 164: 161: 160: 158: 154: 147: 144: 141: 138: 135: 132: 128: 125: 121: 118: 116: 113: 109: 107: 103: 100: 96: 93: 91:1971 Broadway 90: 89: 87: 83: 80: 79:James Goldman 77: 75: 71: 67: 63: 60: 57: 53: 49: 43: 38: 35: 29: 26: 22: 10654:The Birdcage 10652: 10644: 10636: 10628: 10620: 10601: 10582: 10574: 10555: 10547: 10539: 10521: 10514: 10296: 10289: 10282: 10275: 10268: 10249: 10241: 10233: 10225: 10217: 10209: 10201: 10193: 10185: 10177: 10159: 10152: 10145: 10138: 10131: 10124: 10117: 10110: 10103: 10096: 10089: 10083: 10082: 10075: 10068: 10060: 10053: 10046: 10038: 10030: 10023: 9935: 9917: 9899: 9889: 9875: 9868:David Yazbek 9861: 9843: 9829: 9811: 9797: 9790:Cyndi Lauper 9783: 9776:Jack Feldman 9765: 9754:Robert Lopez 9743: 9736:Joe DiPietro 9725: 9718:Brian Yorkey 9707: 9693: 9686:Steven Sater 9682:Duncan Sheik 9675: 9664:Lisa Lambert 9657: 9650:Adam Guettel 9643: 9632:Robert Lopez 9625: 9614:Marc Shaiman 9607: 9589: 9575: 9568:2001–present 9546: 9532: 9514: 9507:Maury Yeston 9500: 9486: 9464: 9450: 9436: 9422: 9415:William Finn 9408: 9401:Adolph Green 9397:Betty Comden 9386: 9379:David Zippel 9368: 9349: 9327: 9313: 9306:Roger Miller 9299: 9292:Jerry Herman 9285: 9267: 9260:Maury Yeston 9253: 9235: 9217: 9205:Sweeney Todd 9203: 9196:Adolph Green 9192:Betty Comden 9181: 9163: 9145: 9120: 9102: 9088: 9075: 9074: 9060: 9053:Adolph Green 9049:Betty Comden 9038: 9020: 9002: 8984: 8977:Jerry Herman 8970: 8956: 8942: 8928: 8914: 8900: 8888:Street Scene 8886: 8826: 8818: 8810: 8799: 8791: 8784: 8783: 8775: 8767: 8759: 8751: 8745:Sweeney Todd 8743: 8735: 8727: 8719: 8711: 8703: 8695: 8687: 8679: 8671: 8663: 8657:My Fair Lady 8655: 8647: 8639: 8631: 8623: 8615: 8609:She Loves Me 8607: 8601:Sweeney Todd 8599: 8591: 8583: 8575: 8519: 8511: 8503: 8492: 8484: 8476: 8468: 8460: 8452: 8444: 8436: 8428: 8420: 8412: 8404: 8396: 8388: 8382:Billy Elliot 8380: 8372: 8364: 8356: 8348: 8342:2001-present 8329: 8321: 8313: 8305: 8297: 8289: 8281: 8273: 8267:Carmen Jones 8265: 8257: 8249: 8241: 8234: 8233: 8225: 8217: 8209: 8201: 8193: 8185: 8179:Sweeney Todd 8177: 8169: 8161: 8153: 8145: 8086: 8078: 8070: 8062: 8043: 8035: 8027: 8019: 8011: 8003: 7995: 7987: 7979: 7967: 7948: 7940: 7932: 7924: 7916: 7908: 7900: 7892: 7884: 7876: 7857: 7849: 7841: 7833: 7825: 7817: 7809: 7801: 7793: 7785: 7766: 7758: 7750: 7743: 7742: 7734: 7726: 7718: 7710: 7702: 7694: 7675: 7667: 7659: 7651: 7643: 7635: 7627: 7619: 7611: 7603: 7584: 7576: 7568: 7560: 7552: 7544: 7538:She Loves Me 7536: 7528: 7520: 7512: 7493: 7487: 7479: 7420: 7412: 7404: 7393: 7385: 7379:My Fair Lady 7377: 7369: 7363:She Loves Me 7361: 7353: 7345: 7337: 7330: 7329: 7321: 7313: 7305: 7297: 7289: 7283:Sweeney Todd 7281: 7273: 7265: 7257: 7249: 7241: 7233: 7225: 7217: 7209: 7201: 7195:She Loves Me 7193: 7142: 7127: 7117: 7109: 7101: 7090: 7069: 7055: 7041: 7020: 7006: 6992: 6978: 6957:. 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S. Eliot 9242:John Kander 9027:John Kander 9009:Mitch Leigh 8963:Lionel Bart 8907:Cole Porter 8681:Grand Hotel 8462:Kinky Boots 8406:Jersey Boys 8254:(1989/1990) 8211:42nd Street 7997:Kinky Boots 7972:(featuring 7926:Jersey Boys 7243:42nd Street 7141:Awards for 6891:December 6, 6754:January 30, 6311:January 18, 6185:November 3, 6048:January 11, 5859:January 22, 5542:January 12, 5145:PR Newswire 5134:. bbc.co.uk 4039:Kai Harada 3940:Jan Maxwell 3896:Kai Harada 3837:Jan Maxwell 3451:Gene Nelson 3192:PS Classics 3087:Walter Kerr 3032:Marni Nixon 2993:Don Correia 2910:Jan Clayton 2842:Arnold Moss 2724:Adele Leigh 2691:Terri White 2678:Carol Woods 2668:Lynda Baron 2643:Debra Byrne 2566:Joey Sorge 2435:Alex Young 2412:Lauren Ward 2348:David Healy 2338:Gene Nelson 2315:Jan Maxwell 2305:Louise Gold 2202:Lisa McCune 2177:Judith Ivey 2025:Grey Henson 2017:Julie Benko 1953:as Ben and 1915:Debra Byrne 1911:Nancy Hayes 1903:Lisa McCune 1861:(Phyllis), 1783:PS Classics 1777:as Hattie, 1727:Terri White 1689:as Ben and 1685:as Hattie, 1683:Linda Lavin 1675:Jan Maxwell 1639:Anne Rogers 1617:(Phyllis), 1592:top billing 1539:(Dee Dee), 1531:(Vincent), 1529:Grover Dale 1527:(Solange), 1515:(Vanessa), 1509:Carole Cook 1499:(Phyllis), 1455:Louise Gold 1406:Marni Nixon 1376:Judith Ivey 1374:(Phyllis), 1334:(Phyllis), 1324:Toni Lamond 1291:(Phyllis), 1269:Enda Markey 1265:Bryan Smyth 1261:Mary Millar 1228:Marni Nixon 1224:Lara Teeter 1183:(Hattie ), 1171:(Phyllis), 1131:(Phyllis), 1116:(Vincent). 1000:Eartha Kitt 980:Lynda Baron 976:David Healy 966:(Phyllis), 841:David Scase 829:Meg Johnson 825:Mary Millar 808:Janet Blair 783:Craig Zadan 744:Arnold Moss 724:Gene Nelson 714:(Phyllis), 652:Productions 502:" – Phyllis 461: [ 380:Franz Lehár 264:Tony Awards 145:2012 Madrid 85:Productions 10671:Categories 10646:Dick Tracy 9850:Benj Pasek 9758:Matt Stone 9600:Greg Kotis 9582:Mel Brooks 9553:Elton John 9393:Cy Coleman 9375:Cy Coleman 9188:Cy Coleman 9045:Jule Styne 9013:Joe Darion 8991:Jerry Bock 8944:No Strings 8893:Kurt Weill 7835:Riverdance 7546:Funny Girl 7530:No Strings 6972:References 6692:January 3, 6659:January 3, 6285:October 4, 5349:"AusStage" 5274:Curtain Up 4471:0472080830 4422:"Synopsis" 4295:Nominated 4282:Nominated 4257:Nominated 4244:Nominated 4231:Nominated 4218:Nominated 4203:Nominated 4193:Nominated 4190:Janie Dee 4162:Nominated 4149:Nominated 4134:Nominated 4057:Nominated 4042:Nominated 4014:Nominated 3999:Nominated 3984:Nominated 3969:Nominated 3954:Nominated 3944:Nominated 3899:Nominated 3886:Nominated 3856:Nominated 3841:Nominated 3826:Nominated 3822:Ron Raines 3816:Nominated 3801:Nominated 3792:Tony Award 3757:Nominated 3742:Nominated 3727:Nominated 3712:Nominated 3697:Nominated 3688:Tony Award 3682:Nominated 3667:Nominated 3652:Nominated 3608:Nominated 3455:Nominated 3440:Nominated 3415:Nominated 3400:Nominated 3391:Tony Award 3220:John Logan 3173:Recordings 3064:Frank Rich 2827:Di Botcher 2817:Lorna Luft 2807:Mimi Hines 2737:Julia Goss 2705:Dawn Hope 2613:Ann Miller 2586:Fred Haig 2582:Rowan Witt 2554:Jim Walton 2518:Kerry Jay 2514:Erin Dilly 2443:Young Ben 2324:Anne Wood 2290:Diana Rigg 2285:Lee Remick 2255:Ron Raines 2089:Character 2057:Norm Lewis 2049:Len Cariou 1945:as Sally, 1941:as Buddy, 1913:(Hattie), 1907:Rowan Witt 1829:as Heidi, 1717:as Heidi, 1687:Ron Raines 1673:as Sally, 1625:(Ben) and 1571:Tom Bosley 1561:Hal Linden 1523:(Stella), 1521:Liz Torres 1519:(Roscoe), 1511:(Hattie), 1501:Vikki Carr 1497:Patty Duke 1489:Bob Gunton 1459:Julia Goss 1453:as Sally, 1295:(Ben) and 1253:Lorna Luft 1216:Kim Crosby 1189:Ann Miller 1137:Edie Adams 1110:Edie Adams 1106:Ron Raines 1042:Daily News 964:Diana Rigg 900:Jim Walton 872:Lee Remick 765:Frank Rich 759:West Coast 621:Ted Chapin 604:vaudeville 303:bookwriter 287:Background 10579:(1953–54) 10372:Somewhere 10154:Road Show 10140:Assassins 10098:The Frogs 9910:Lucy Moss 9877:Hadestown 9822:Lisa Kron 9636:Jeff Marx 9609:Hairspray 9591:Urinetown 9475:Don Black 9410:Falsettos 9301:Big River 9138:1976–2000 8879:1947–1975 8820:Oklahoma! 8633:Oklahoma! 8577:Show Boat 8398:Hairspray 8358:Our House 8139:1976-2000 8045:Hadestown 7974:Green Day 7894:Hairspray 7267:Assassins 6959:March 30, 6933:March 30, 6798:April 15, 6748:The Stage 6676:"Follies" 6650:"Follies" 6489:March 21, 6138:0261-3077 5634:The Blade 5104:The Times 4759:, pg. 190 4145:Janie Dee 4077:Category 3777:Category 3628:Category 3569:Category 3251:Category 3089:wrote in 2328:Janie Dee 1966:Janie Dee 1961:program. 1947:Janie Dee 1901:(Buddy), 1869:(Buddy), 1705:, set by 1629:(Buddy). 1621:(Sally), 1547:(Heidi), 1543:(Emily), 1507:(Buddy), 1503:(Sally), 1401:Oklahoma! 1382:(Buddy), 1378:(Sally), 1326:(Sally), 1314:with the 1297:Ron Moody 1287:(Sally), 1179:(Buddy), 1167:(Sally), 1135:(Sally), 1133:Judy Kaye 1055:The Times 1046:The Times 978:(Buddy), 974:(Sally), 956:Bob Avian 882:(Emily), 862:(Sally), 722:(Sally), 518:" – Sally 364:majordomo 269:standards 10622:Stavisky 10017:Musicals 9831:Hamilton 9813:Fun Home 9714:Tom Kitt 9627:Avenue Q 9557:Tim Rice 9433:Fred Ebb 9246:Fred Ebb 9228:Tim Rice 9031:Fred Ebb 8593:Carousel 8478:Hamilton 8171:Songbook 8013:Hamilton 7976:) (2010) 7613:Godspell 6953:BBC News 6868:Archived 6844:Deadline 6793:Playbill 6731:Playbill 6724:Archived 6683:Archived 6423:Playbill 6259:June 12, 6232:Playbill 6205:Playbill 6106:cite web 6038:Playbill 6020:Playbill 6000:Playbill 5992:Archived 5973:Playbill 5965:Archived 5946:Playbill 5938:Archived 5905:Playbill 5886:Playbill 5878:Archived 5849:Playbill 5799:Playbill 5791:Archived 5775:Playbill 5767:Archived 5744:Archived 5724:Playbill 5716:Archived 5678:March 4, 5673:Playbill 5640:March 4, 5603:Archived 5584:Playbill 5568:Playbill 5561:Archived 5515:Archived 5472:Archived 5456:Playbill 5448:Archived 5403:Playbill 5395:Archived 5366:Playbill 5332:Archived 5289:Archived 5200:Playbill 5192:Archived 5176:"Listing 5160:Archived 4855:Archived 4806:Playbill 4798:Archived 4724:, pg. 81 4550:Archived 4473:, p. 189 4456:'Follies 4080:Nominee 3780:Nominee 3631:Nominee 3572:Nominee 3254:Nominee 3101:wrote: " 2295:Dee Hoty 1837:as Max. 1607:Encores! 1590:enjoyed 1517:Ken Page 1169:Dee Hoty 940:West End 800:The Muny 684:Broadway 614:Versions 584:pastiche 552:Analysis 542:Versions 433:Source: 279:", and " 249:pastiche 124:West End 112:Broadway 106:West End 10428:Company 10337:America 10330:Tonight 10227:Company 10147:Passion 10084:Follies 10077:Company 9767:Newsies 9727:Memphis 9516:Ragtime 9502:Titanic 9452:Passion 9122:The Wiz 9076:Follies 9062:Company 9022:Cabaret 8958:Oliver! 8812:Cabaret 8793:Company 8785:Follies 8641:Candide 8625:Chicago 8438:Top Hat 8243:Candide 8235:Follies 7819:Passion 7645:The Wiz 7605:Company 7570:Cabaret 7495:Redhead 7406:Company 7331:Follies 7291:Company 7219:Cabaret 7211:Chicago 7143:Follies 7129:Follies 7118:Follies 7110:Follies 7102:Follies 7094:at the 7007:Follies 6824:May 22, 5830:Follies 5628:Follies 5598:Follies 5512:, 2002" 5074:Follies 4745:Follies 4682:Follies 4661:Follies 4638:. p.105 4498:, p. 95 4399:Follies 4396:"Act 1" 4315:Follies 4083:Result 3783:Result 3634:Result 3575:Result 3257:Result 3196:Follies 3179:Follies 3166:Follies 3155:Follies 3150:Follies 3145:Follies 3134:Follies 3115:Follies 3103:Follies 3095:Follies 3072:Follies 3068:Follies 2912:(s/b), 2147:(2019) 2142:(2017) 2137:(2016) 2132:(2015) 2127:(2011) 2122:(2007) 2117:(2002) 2112:(2001) 2107:(1998) 2102:(1987) 2097:(1985) 2005:Follies 1897:(Ben), 1879:Fra Fee 1865:(Ben), 1847:Follies 1794:Follies 1763:Follies 1759:Follies 1750:Variety 1738:Follies 1611:Follies 1566:Cabaret 1491:(Ben), 1474:Follies 1433:Follies 1428:Follies 1386:(Ben), 1338:(Ben), 1308:Follies 1222:(Ben), 1208:Follies 1175:(Ben), 1108:(Ben), 1094:Follies 1079:Follies 1069:Follies 1058:critic 1030:Follies 1020:Follies 1004:Follies 970:(Ben), 942:at the 866:(Ben), 812:Follies 787:Follies 755:Variety 718:(Ben), 680:Follies 662:Follies 634:Follies 625:Follies 580:Follies 575:Follies 567:Follies 558:Follies 435:Follies 359:Follies 343:Follies 339:Company 334:Company 216:musical 211:Follies 197:2018 - 191:2012 - 185:1987 - 178:1971 - 171:1971 - 165:1972 - 133:concert 126:revival 115:revival 101:concert 33:Follies 10657:(1996) 10649:(1990) 10641:(1980) 10633:(1976) 10625:(1974) 10606:(1996) 10587:(1973) 10576:Topper 10560:(2016) 10552:(2013) 10544:(1970) 10246:(2021) 10238:(2014) 10230:(2011) 10222:(2007) 10214:(1993) 10206:(1977) 10198:(1966) 10190:(1962) 10182:(1961) 9944:(2024) 9930:(2023) 9912:(2022) 9884:(2019) 9870:(2018) 9856:(2017) 9838:(2016) 9824:(2015) 9806:(2014) 9792:(2013) 9778:(2012) 9760:(2011) 9738:(2010) 9720:(2009) 9702:(2008) 9688:(2007) 9670:(2006) 9652:(2005) 9638:(2004) 9620:(2003) 9602:(2002) 9584:(2001) 9559:(2000) 9541:(1999) 9534:Parade 9527:(1998) 9509:(1997) 9495:(1996) 9481:(1995) 9477:, and 9459:(1994) 9445:(1993) 9417:(1992) 9403:(1991) 9399:, and 9381:(1990) 9358:(1988) 9344:(1987) 9340:, and 9322:(1986) 9308:(1985) 9294:(1984) 9280:(1983) 9262:(1982) 9248:(1981) 9230:(1980) 9212:(1979) 9198:(1978) 9194:, and 9176:(1977) 9158:(1976) 9129:(1975) 9115:(1974) 9097:(1973) 9083:(1972) 9069:(1971) 9055:(1968) 9051:, and 9033:(1967) 9015:(1966) 8997:(1965) 8979:(1964) 8965:(1963) 8951:(1962) 8937:(1951) 8923:(1950) 8909:(1949) 8895:(1947) 8831:(2024) 8823:(2023) 8815:(2022) 8804:(2020) 8796:(2019) 8788:(2018) 8780:(2017) 8772:(2016) 8764:(2015) 8756:(2014) 8748:(2013) 8740:(2012) 8732:(2011) 8724:(2010) 8716:(2009) 8708:(2008) 8700:(2007) 8692:(2006) 8684:(2005) 8676:(2004) 8668:(2003) 8660:(2002) 8652:(2001) 8644:(2000) 8636:(1999) 8628:(1998) 8620:(1997) 8612:(1995) 8604:(1994) 8596:(1993) 8588:(1992) 8580:(1991) 8524:(2024) 8516:(2023) 8508:(2022) 8497:(2020) 8489:(2019) 8481:(2018) 8473:(2017) 8465:(2016) 8457:(2015) 8449:(2014) 8441:(2013) 8433:(2012) 8425:(2011) 8417:(2010) 8409:(2009) 8401:(2008) 8393:(2007) 8385:(2006) 8377:(2005) 8369:(2004) 8361:(2003) 8353:(2001) 8334:(2000) 8326:(1999) 8318:(1998) 8310:(1997) 8302:(1996) 8299:Jolson 8294:(1995) 8286:(1994) 8278:(1993) 8270:(1992) 8262:(1991) 8246:(1988) 8238:(1987) 8230:(1986) 8222:(1985) 8214:(1984) 8206:(1983) 8198:(1982) 8190:(1981) 8182:(1980) 8174:(1979) 8166:(1978) 8158:(1977) 8150:(1976) 8091:(2023) 8083:(2022) 8075:(2021) 8067:(2020) 8048:(2019) 8040:(2018) 8032:(2017) 8024:(2016) 8016:(2015) 8008:(2014) 8000:(2013) 7992:(2012) 7984:(2011) 7953:(2009) 7945:(2008) 7937:(2007) 7929:(2006) 7921:(2005) 7913:(2004) 7910:Wicked 7905:(2003) 7897:(2002) 7889:(2001) 7881:(2000) 7862:(1999) 7854:(1998) 7846:(1997) 7838:(1996) 7830:(1995) 7822:(1994) 7814:(1993) 7806:(1992) 7798:(1991) 7790:(1990) 7771:(1989) 7763:(1988) 7755:(1987) 7747:(1986) 7739:(1985) 7731:(1984) 7723:(1983) 7715:(1982) 7707:(1981) 7699:(1980) 7680:(1979) 7672:(1978) 7664:(1977) 7656:(1976) 7648:(1975) 7640:(1974) 7637:Raisin 7632:(1973) 7624:(1972) 7616:(1971) 7608:(1970) 7589:(1969) 7581:(1968) 7573:(1967) 7565:(1966) 7557:(1965) 7549:(1964) 7541:(1963) 7533:(1962) 7525:(1961) 7517:(1960) 7498:(1959) 7484:(1958) 7425:(2024) 7417:(2023) 7414:Parade 7409:(2022) 7398:(2020) 7390:(2019) 7382:(2018) 7374:(2017) 7366:(2016) 7358:(2015) 7350:(2014) 7342:(2013) 7339:Pippin 7334:(2012) 7326:(2011) 7318:(2010) 7310:(2009) 7302:(2008) 7294:(2007) 7286:(2006) 7278:(2005) 7270:(2004) 7262:(2003) 7254:(2002) 7246:(2001) 7238:(2000) 7230:(1999) 7222:(1998) 7214:(1997) 7206:(1996) 7198:(1994) 7076:  7062:  7048:  7027:  7013:  6999:  6985:  6464:Ovrtur 6136:  5250:May 8, 4755:  4720:  4634:  4598:  4575:  4494:  4469:  4405:  4374:  4331:  4074:Award 3774:Award 3625:Award 3566:Award 3248:Award 2100:London 2071:, and 1851:Toulon 1719:RĂ©gine 437:score 156:Awards 65:Lyrics 10595:Plays 10508:Books 10323:Maria 10308:Songs 10254:(TBA) 10211:Gypsy 10187:Gypsy 10040:Gypsy 10003:Works 9937:Suffs 9219:Evita 9165:Annie 8769:Gypsy 8331:Honk! 8195:Poppy 8163:Evita 8056:2020s 7961:2010s 7870:2000s 7779:1990s 7688:1980s 7661:Annie 7597:1970s 7506:1960s 7489:Gypsy 7473:1950s 6686:(PDF) 6679:(PDF) 6090:(PDF) 6083:(PDF) 5510:' 4302:Notes 4167:2018 4088:2017 4071:Year 3788:2012 3771:Year 3639:2001 3622:Year 3580:1987 3563:Year 3387:1972 3262:1971 3245:Year 3019:(u/s) 3004:(u/s) 2995:(s/b) 2967:(u/s) 2952:(u/s) 2943:(u/s) 2934:(s/b) 2925:(u/s) 2916:(u/s) 465:] 429:Songs 235:revue 214:is a 129:2007 122:2002 110:2001 104:1987 97:1985 55:Music 10638:Reds 10344:Cool 9926:and 9908:and 9852:and 9820:and 9774:and 9756:and 9734:and 9716:and 9684:and 9666:and 9634:and 9616:and 9598:and 9555:and 9548:Aida 9523:and 9488:Rent 9431:and 9377:and 9276:and 9269:Cats 9255:Nine 9244:and 9226:and 9172:and 9154:and 9111:and 9104:Gigi 9029:and 9011:and 8993:and 8187:Cats 7578:Hair 7562:Mame 7307:Hair 7259:Nine 7123:IMDb 7074:ISBN 7060:ISBN 7046:ISBN 7025:ISBN 7011:ISBN 6997:ISBN 6983:ISBN 6961:2021 6935:2021 6893:2020 6852:2019 6826:2017 6800:2019 6756:2018 6694:2021 6661:2021 6616:Time 6564:Time 6491:2018 6313:2019 6287:2017 6261:2017 6213:2016 6187:2016 6134:ISSN 6112:link 6098:2012 6050:2012 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Index

Follies (disambiguation)

David Edward Byrd
Stephen Sondheim
Book
James Goldman
Lincoln Center
West End
Broadway
revival
West End
New York City Center
Tony Award for Best Score
Drama Desk Award
Drama Desk Award
Laurence Olivier Award for Musical of the Year
Drama Desk Award for Outstanding Revival of a Musical
Laurence Olivier Award for Best Musical Revival
musical
Stephen Sondheim
James Goldman
Broadway theater
revue
Ziegfeld Follies
interwar period
pastiche
Harold Prince
Michael Bennett
Tony Awards
standards

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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