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finally get married, and Ben is about to protest until Sally interrupts him with a kiss and runs off to gather her things, thinking that the two will leave together. Buddy leaves the shadows furious, and fantasizes about the girl he should have married, Margie, who loves him and makes him feel like "a somebody", but bitterly concludes he does not love her back ("The Right Girl"). He tells Sally that he's done, but she is lost in a fantasy world and tells him that Ben has asked her to marry him. Buddy tells her she must be either crazy or drunk, but he's already supported Sally through rehab clinics and mental hospitals and cannot take any more. Ben drunkenly propositions
Carlotta, with whom he once had a fling, but she has a young lover and coolly turns him down. Heidi Schiller, joined by her younger counterpart, performs "One More Kiss", her aged voice a stark contrast to the sparkling coloratura of her younger self. Phyllis kisses a waiter and confesses to him that she had always wanted a son. She then tells Ben that their marriage can't continue the way it has been. Ben replies by saying that he wants a divorce, and Phyllis assumes the request is due to his love for Sally. Ben denies this, but still wants Phyllis out of his life. Angry and hurt, Phyllis considers whether to grant his request ("
422:"). In a jazzy dance number, accompanied by a squadron of chorus boys, Phyllis reflects on the two sides of her personality, one naive and passionate and the other jaded and sophisticated and her desire to combine them ("The Story of Lucy and Jessie"). Resplendent in top hat and tails, Ben begins to offer his devil-may-care philosophy ("Live, Laugh, Love"), but stumbles and anxiously calls to the conductor for the lyrics, as he frantically tries to keep going. Ben becomes frenzied, while the dancing ensemble continues as if nothing was wrong. Amidst a deafening discord, Ben screams at all the figures from his past and collapses as he cries out for Phyllis.
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Phyllis join their spouses and the foursome reminisces about the old days of their courtship and the theater, their memories vividly coming to life in the apparitions of their young counterparts ("Waiting For The Girls
Upstairs"). Each of the four is shaken at the realization of how life has changed them. Elsewhere, Willy Wheeler (portly, in his sixties) cartwheels for a photographer. Emily and Theodore Whitman, ex-vaudevillians in their seventies, perform an old routine ("The Rain on the Roof"). Solange proves she is still fashionable at what she claims is 66 ("Ah, Paris!"), and Hattie Walker performs her old showstopping number ("Broadway Baby").
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they are mirrored by their younger selves. Afterward, Phyllis and Ben angrily discuss their lives and relationship, which has become numb and emotionless. Sally is bitter, having never been happy with Buddy, although he has always adored her. She accuses him of having affairs while he is on the road, and he admits he has a steady girlfriend, Margie, in another town, but always returns home. Carlotta amuses a throng of admirers with a tale of how her dramatic solo was cut from the
Follies because the audience found it humorous, transforming it as she sings it into an anthem-like toast to her own hard-won survival ("
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each other." Sondheim "did not think the London script was as good as the original." However, he thought that it was "wonderful" that, at the end of the first act, "the principal characters recognized their younger selves and were able to acknowledge them throughout the last thirty minutes of the piece." Sondheim wrote four new songs: "Country House" (replacing "The Road You Didn't Take"), "Loveland" (replacing the song of the same title), "Ah, But
Underneath" (replacing "The Story of Lucy and Jessie", for the non-dancer Diana Rigg), and "Make the Most of Your Music" (replacing "Live, Laugh, Love").
1419:, "almost every performance of the show played to a full house, more often than not to standing-room-only. Tickets always were tough to come by. The reason the final curtain came down Saturday was that being a production by the Roundabout Theatre Company – a subscription-based 'not-for-profit' theater company – it was presented under special Equity terms, with its actors paid a minimal fee. To extend the show, it would have been necessary to negotiate new contracts with the entire company ... because of the Belasco's limited seating, it wasn't deemed financially feasible to do so."
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firmly tells Sally that he never loved her. All the voices begin speaking and yelling at each other. Suddenly, at the peak of madness and confusion, the couples are engulfed by their follies, which transform the rundown theater into a fantastical "Loveland", an extravaganza even more grand and opulent than the gaudiest
Weismann confection: "the place where lovers are always young and beautiful, and everyone lives only for love". Sally, Phyllis, Ben, and Buddy show their "real and emotional lives" in "a sort of group nervous breakdown".
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score in consultation with Steve." "One More Kiss" was omitted from the final release but was restored for CD release. Chapin relates that "there was one song that Dick Jones didn't want to include on the album but which Steve
Sondheim most definitely did. The song was "One More Kiss", and the compromise was that if there was time, it would be recorded, even if Jones couldn't promise it would end up on the album. (It did get recorded but didn't make its way onto the album until the CD reissue years later.)"
425:"Loveland" has dissolved back into the reality of the crumbling and half-demolished theater; dawn is approaching. Ben admits to Phyllis his admiration for her, and Phyllis shushes him and helps Ben regain his dignity before they leave. After exiting, Buddy escorts the emotionally devastated Sally back to their hotel with the promise to work things out later. Their ghostly younger selves appear, watching them go. The younger Ben and Buddy softly call to their "girls upstairs", and the Follies end.
3198:. Not only has it already outsold every other album at our website, but the steady stream of emails from customers has been amazing." This recording includes "extended segments of the show's dialogue". The theatermania.com reviewer wrote that "The result is an album that, more so than any of the other existing recordings, allows listeners to re-experience the heartbreaking collision of past and present that's at the core of the piece." The recording of the 2011 revival was nominated for a
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a lengthy appendix of songs cut from the original production in tryouts. The production was mounted with the intention of bringing it to
Broadway with the same cast, but despite rave reviews the revival was nixed by book writer James Goldman's wife Barbara, who controlled her husband's interests in the musical. Barbara Goldman reportedly wanted a different production to be mounted by Roundabout, leading to the eventual 2001 Broadway revival with a different team and cast.
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were performed in two acts. However, the August 23, 2011 Broadway preview performance was performed without an intermission. By the time the 2011 Broadway revival opened, it was performed with an intermission in two acts. The 2017 National
Theatre production was performed without an interval, along with largely returning to the 1971 book. As with previous productions, however, the production's book was unique to this iteration as well.
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how her days have been spent with Buddy, trying to convince him (and herself) that she is happily married. ("In Buddy's Eyes"). However, it is clear that Sally is still in love with Ben – even though their affair ended badly when Ben decided to marry
Phyllis. She shakes loose from the memory and begins to dance with Ben, who is touched by the memory of the Sally he once cast aside.
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husband Ben, a renowned philanthropist and politician. As their younger counterparts approach them, Phyllis comments to Ben about their past. He feigns a lack of interest; there is an underlying tension in their relationship. As more guests arrive, Sally's husband, Buddy, enters. He is a salesman, in his early 50s, appealing and lively, whose smiles cover inner disappointment.
810:), Alexis Smith (Phyllis), John McMartin (Ben; replaced by Edward Winter), Gene Nelson (Buddy), and Yvonne De Carlo (Carlotta) reprising their original roles. The production was the premiere attraction at the newly constructed 1,800-seat theater, which, coincidentally, was itself razed thirty years later (in 2002, in order to build a new office building), thus mirroring the
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918:(Heidi Schiller). Rich, in his review, noted that "As performed at Avery Fisher Hall, the score emerged as an original whole, in which the 'modern' music and mock vintage tunes constantly comment on each other, much as the script's action unfolds simultaneously in 1971 (the year of the reunion) and 1941 (the year the Follies disbanded)."
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pants, garish jacket, and a shiny derby hat", and performs a high-energy vaudeville routine depicting how he is caught between his love for Sally and Margie's love for him ("The God-Why-Don't-You-Love-Me Blues"). Sally appears next, dressed as a torch singer, singing of her passion for Ben from the past - and her obsession with him now ("
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3185:, Avery Fisher Hall (1985); the original London production (1987); the Paper Mill Playhouse (1998); the 2011 Broadway revival; and the 2017 London revival. The original cast album has always been controversial, because significant portions of the score were cut to fit onto one LP. However, as Kritzerland Records head
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picked up a pulse ... I am happy to report that since then, Ms Peters has connected with her inner frump, Mr. Raines has found the brittle skeleton within his solid flesh, and Ms. Maxwell and Mr. Burstein have only improved. Two new additions to the cast, Jayne
Houdyshell and Mary Beth Peil, are
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The book "was extensively reworked by James Goldman, with Sondheim's cooperation and also given an intermission." The producer Cameron Mackintosh did not like "that there was no change in the characters from beginning to end ... In the London production ... the characters come to understand
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The musical was written in one act, and the original director, Prince, did not want an intermission, while the co-director, Bennett, wanted two acts. It originally was performed in one act. The 1987 West End, 2005 Barrington Stage Company, the 2001 Broadway revival and Kennedy Center 2011 productions
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Phyllis interrupts this tender moment and has a biting encounter with Sally. Before she has a chance to really let loose, they are both called on to participate in another performance – Stella Deems gets Sally, Phyllis, Emily, Hattie, and some others to perform an old number ("Who's That Woman?"), as
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Buddy warns Phyllis that Sally is still in love with Ben, and she is shaken by how the past threatens to repeat itself. Sally is awed by Ben's apparently glamorous life, but Ben wonders if he made the right choices and considers how things might have been ("The Road You Didn't Take"). Sally tells Ben
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reprised the roles they played in the Lincoln Center production. "Ah, but Underneath" was substituted for "The Story of Lucy and Jessie" in order to accommodate non-dancer Hoty. This production received a full-length recording on two CDs, including not only the entire score as originally written but
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to Capitol Records, which in order to squeeze the unusually long score onto one disc, mutilated the songs by condensing some and omitting others." Chapin confirms this: "Alas ... final word came from Capitol that they would not go for two records ... now had to propose cuts throughout the
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is rarely performed twice in exactly the same version. James Goldman's widow made the observation that the show has morphed throughout its entire life ... The London production had new songs and dialogue. The Paper Mill Playhouse production used some elements from London but stayed close to the
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and Leland Hayward in late 1967, but the plans ultimately fell through, and Stuart Ostrow became the producer, with Joseph Hardy as director. These plans also did not work out, and finally Harold Prince, who had worked previously with Sondheim, became the producer and director. He had agreed to work
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has, no question, the best score on Broadway." He noted, though, that "I'm sorry the cast was reduced from 52 to 38, the orchestra from 26 players to 14 ... To appreciate the revival, you must buy into James Goldman's book, which is peddling a panoramically bleak take on marriage." Finally, he
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examines obsessive behavior, neurosis and self-indulgence more microscopically than anything I know of." Bernadette Peters quoted Sondheim on the character of "Sally": "He said early on that is off-balance, to put it mildly. He thinks she's very neurotic, and she is very neurotic, so he said to me
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Songs cut before the Broadway premiere include "All Things Bright and Beautiful" (used in the prologue), "Can That Boy Foxtrot!", "Who Could Be Blue?", "Little White House", "It Wasn't Meant to Happen", "Pleasant Little Kingdom", "That Old Piano Roll Rag", "The World's Full of Girls", "Bring On The
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What follows is a series of musical numbers performed by the principal characters, each exploring their biggest desires. The two younger couples sing in a counterpoint of their hopes for the future ("You're Gonna Love Tomorrow/Love Will See Us Through"). Buddy then appears, dressed in "plaid baggy
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Finally, Weismann enters to greet his guests. Roscoe, the old master of ceremonies, introduces the former showgirls ("Beautiful Girls"). Former Weismann performers at the reunion include Max and Stella Deems, who lost their radio jobs and became store owners in Miami; Solange La Fitte, a coquette,
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gave a very favorable review to the "lavish and entirely satisfying production", saying that Schaeffer directs "in methodical fashion, building progressively to a crescendo exactly as Sondheim does with so many of his stirring melodies. Several show-stopping routines are provided by choreographer
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Ben confides to Sally that his life is empty. She yearns for him to hold her, but young Sally slips between them and the three move together ("Too Many Mornings"). Ben, caught in the passion of memories, kisses Sally as Buddy watches from the shadows. Sally thinks this is a sign that the two will
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Sally Durant Plummer, "blond, petite, sweet-faced" and at 49 "still remarkably like the girl she was thirty years ago", a former Weismann girl, is the first guest to arrive, and her ghostly youthful counterpart moves towards her. Phyllis Rogers Stone, a stylish and elegant woman, arrives with her
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never makes fun of the honorable musical tradition to which it belongs. The show and the score have a double vision: simultaneously squinting at the messes people make of their lives and wide-eyed at the lingering grace and lift of the music they want to hear. Sondheim's songs aren't parodies or
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that amounts to a small army ... Marge Champion and Donald Saddler are endearing as the old hoofers ... I dare you not to fall in love with Betty Garrett's understated "Broadway Baby" – you just want to pick her up and hug her. Polly Bergen stops everything cold with "I'm Still Here",
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took some liberties in adapting the book and score for the concert format—dance music was changed, songs were given false endings, the new dialogue was spoken, reprises were added, and Patinkin was allowed to sing "The God-Why-Don't-You-Love-Me Blues" as a solo instead of a trio with two chorus
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asked for changes for the 1987 London production. "I was reluctantly happy to comply, my only serious balk being at his request that I cut "The Road You Didn't Take" ... I saw no reason not to try new things, knowing we could always revert to the original (which we eventually did). The net
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is theatre nostalgia, representing the rose-colored glasses through which we face the fact of age ... the show is conceived in ghostliness. At its very start, ghosts of Follies showgirls stalk the stage, mythic giants in winged, feathered, black and white opulence. Similarly, ghosts of the
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Phyllis begins wondering at her younger self, who worked so hard to become the socialite that Ben needed. Ben yells at his younger self for not appreciating all the work that Phyllis did. Both Buddys enter to confront the Bens about how they stole Sally. Sally and her younger self enter and Ben
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As the guests reminisce, the stories of Ben, Phyllis, Buddy, and Sally unfold. Phyllis and Sally were roommates while in the Follies, and Ben and Buddy were best friends at school in New York. When Sally sees Ben, her former lover, she greets him self-consciously ("Don't Look at Me"). Buddy and
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as acutely as I did watching the emotionally transparent concert production ... At almost any moment, to look at the faces of any of the principal performers ... is to be aware of people both bewitched and wounded by the contemplation of who they used to be. When they sing, in voices
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is in part an affectionate look at the American musical theatre between the two World Wars and provides Sondheim with an opportunity to use the traditional conventions of the genre to reveal the hollowness and falsity of his characters' dreams and illusions. The emotional high generated by the
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Girls" and "Uptown Downtown". The musical numbers "Ah, but Underneath" (replacing "The Story of Lucy and Jessie"), "Country House", "Make the Most of Your Music" (replacing "Live, Laugh, Love"), "Social Dancing" and a new version of "Loveland" have been incorporated into various productions.
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stated "It is not much of a story, and whatever possibilities it may have had in theory are scuppered by James Goldman's book ... a blend of lifeless small-talk, bitching and dreadful gags". Clines further commented: "In part, the show is a tribute to musical stage history, in which the
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wrote: "it is stylish, innovative, it has some of the best lyrics I have ever encountered, and above all it is a serious attempt to deal with the musical form." Barnes also called the story shallow and Sondheim's words a joy "even when his music sends shivers of indifference up your spine."
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A full production ran at the Forum Theatre, Wythenshawe, England, from April 30, 1985, directed by Howard Lloyd-Lewis, design by Chris Kinman, costumes by Charles Cusick-Smith, lighting by Tim Wratten, musical direction by Simon Lowe, and choreographed by Paul Kerryson. The cast included
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is a dramatic and conceptual failure. The good news is that it also features some of the most exciting musical moments Broadway has seen in several seasons. Since you don't get those moments from the production, the book or the leads, that leaves the featured ensemble, and in
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ballad "The Man I Love". Sondheim noted that the song "The God-Why-Don't-You-Love-Me Blues" is "another generic pastiche: vaudeville music for chases and low comics, but with a patter lyric ... I tried to give it the sardonic knowingness of Lorenz Hart or Frank Loesser."
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in January 2003 reunited the four principal young ghosts of the original Broadway cast: Kurt Peterson, Harvey Evans, Virginia Sandifur, and Marti Rolph. Having originated the young ghosts over 30 years prior, the actors portrayed the older versions of their Broadway roles.
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shows past and the beautiful chorus girls who performed there every year between the two world wars. The once resplendent theater is now little but planks and scaffolding ("Prologue"/"Overture"). As the ghosts of the young showgirls slowly drift through the theater, a
1346:(Dimitri), Susan Johnston (Heidi), and Leonie Page, Maree Johnson, Mitchell Butel, Maureen Howard. The Sydney Symphony was conducted by Maestro Tommy Tycho. It followed a similar presentation at the 1995 Melbourne Festival of Arts with a different cast and orchestra.
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in a limited engagement starting previews on August 7, 2011, with the official opening on September 12, and closing on January 22, 2012, after 151 performances and 38 previews. The four principal performers reprised their roles, as well as Paige as Carlotta.
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Critics who had seen the production in New York (such as Frank Rich) found it substantially more "upbeat" and lacking in the atmosphere it had originally possessed. According to the Associated Press (AP) reviewer, "A revised version of the Broadway hit
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wrote in his liner notes to Kritzerland's remixed version of the album, "What it did have made it something that, despite the frustrations, meant it would never be bettered – the original cast." The cast recording of the 2011 Broadway revival, by
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Goldman continued to revise the book of the musical right up to his death, which occurred shortly before the 1998 Paper Mill Playhouse production. Sondheim, too, has added and removed songs that he judged to be problematic in various productions.
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about the show, which he had seen during its pre-Broadway run in Boston. He predicted that the show eventually would achieve recognition as a Broadway classic. Rich later wrote that audiences at the original production were baffled and restless.
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result was four new songs ... For reasons which I've forgotten, I rewrote "Loveland" for the London production. There were only four showgirls in this version, and each one carried a shepherd's crook with a letter of the alphabet on it."
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in a limited engagement. After previews from August 3, 2002, it opened officially on August 6, and closed on August 31, 2002. Paul Kerryson - who had choreographed the UK premiere in 1984 - directed, and the cast starred David Durham as Ben,
606:-style numbers, reflecting the leading characters' emotional problems, before returning to the theater for the end of the reunion party. The four characters are "whisked into a dream show in which each acts out his or her own principal 'folly
1748:", as well as "the show's final 20 minutes, when we ascend with the main characters into an ironic vaudeville dreamscape of assorted neuroses - the most intoxicating articulation of the musical's 'Loveland' sequence that I've ever seen."
1821:, Los Angeles, California, in a limited engagement, from May 3, 2012, through June 9. The majority of the Broadway cast reprised their roles, with the exception of Bernadette Peters, who had prior concert commitments and was replaced by
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for Outstanding Revival of a Musical, Outstanding Actor in a Musical (Burstein) and Outstanding Costume Design (Barnes). Out of seven Tony Award nominations, including Best Revival of a Musical, it won only one, for Barnes' costumes.
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is a blend of both, and the new production is rounded out with production numbers celebrating love's simple hope for young lovers, its extravagant fantasies for Ziegfeld aficionados, and its fresh lesson for the graying principals."
1036:, the critic Francis X. Clines wrote: "The initial critics' reviews ranged from unqualified raves to some doubts whether the reworked book of James Goldman is up to the inventiveness of Sondheim's songs. 'A truly fantastic evening,'
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and won seven. The original production, among the most costly on Broadway, ran for over 500 performances but ultimately lost its entire investment. The musical has had a number of major revivals, and several of its songs have become
1765:, so much so that the first act is bitter enough to sting. Yet he and Warren Carlyle ... just as clearly revel in the richness of the knowing pastiche songs with which Mr. Sondheim evokes the popular music of the prerock era."
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3070:, passionately pro or con but rarely on the fence ... Is it really a great musical, or merely the greatest of all cult musicals?" (Chapin, p. xi) Ted Chapin wrote, "Taken as a whole, the collection of reviews
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Major changes were made for the original production in London, which attempted to establish a lighter tone and favored a happier ending than the original Broadway production. According to Joanne Gordon, "When
1412:, best known to younger audiences for her television work, played Hattie. It was significantly stripped down (earlier productions had featured extravagant sets and costumes) and was not a success critically.
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3194:, was released officially on November 29, 2011, and was in pre-sale before the store release. PS Classics co-founder Tommy Krasker stated "We've never had the kind of reaction that we've had for
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1559:(Young Ben), Abby Feldman (Young Stella), Barbara Chiofalo (Young Heidi), Trevor Brackney (Young Vincent), Melissa Driscoll (Young Vanessa), Stephen Reed (Kevin), and Billy Barnes (Theodore).
835:(Hattie Walker), Shirley Greenwood (Emily Whitman), Bryan Burdon (Theodore Whitman), Monica Dell (Solange LaFitte), Jeannie Harris (Carlotta Campion), Josephine Blake (Phyllis Rogers Stone),
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301:'s music, Sondheim decided that he would henceforth work only on projects where he could write both the music and lyrics himself. He asked author and playwright James Goldman to join him as
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terrific. This production has taken on the glint of crystalline sharpness." The production's run was extended, and its grosses exceeded expectations, but it did not recoup its investment.
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For commercial reasons, the cast album was cut from two LPs to one early in production. Most songs were therefore heavily abridged and several were left entirely unrecorded. According to
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is mannered and pretentious, overreaching for Significance. At its best moments—and there are many—it is the most imaginative and original new musical that Broadway has seen in years."
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Among the reasons the concert was staged was to provide an opportunity to record the entire score. The resulting album was more complete than the original cast album. However, director
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replaced Staunton and Quast as Sally and Ben. Bennett also reprised her Olivier-nominated performance. A recording of the National Theatre production was released on January 18, 2019.
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Twenties shows slip through the evening as the characters try desperately to regain their youth through re-creations of their performances and inane theatre sentiments of their past."
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replaced Gray, sparking somewhat of a comeback (she went on to perform her own one-woman show at The Shaftesbury Theatre to sell-out houses for three weeks from March 18, 1989, after
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1484:, set design by Ray Klausen, lighting design by Tom Ruzika, costumes by Randy Gardell, sound design by Philip G. Allen, choreography by Kay Cole, musical director Gerald Sternbach.
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is intermissionless and exhausting, an extravaganza that becomes so tedious ... because its extravaganzas have nothing to do with its pebble of a plot." On the other hand,
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as Carlotta. This production notably goes back to the original plan of a one-act performance. The production was broadcast live to cinemas worldwide on November 16 through the
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received a standing ovation from its opening-night audience and raves from British critics, who stated the show was worth a 16-year wait." The AP quoted Michael Coveney of the
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opened in London ... it had an entirely different, and significantly more optimistic, tone. Goldman's revised book offered some small improvements over the original."
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bringing a rare degree of introspection to a song that is too often a mere belt-fest ... he emotional highpoint comes when Joan Roberts sings 'One More Kiss'."
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girls. Portions of the concert were seen by audiences worldwide in the televised documentary about the making of the concert, also released on videotape and DVD, of
1933:(August 22 until November 4, 2017 - later extended to January 3, 2018, as extensions are common practice at the National Theatre). The production was directed by
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in the Musical Theater Album category. The 2017 London revival cast was recorded after the production closed in January 2018, and was released in early 2019.
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will adapt the screenplay as well as direct, following the successful 2017 National Theatre revival in London, which returned in 2019 due to popular demand.
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original. The 2001 Roundabout Broadway revival, the first major production following Goldman's death in 1998, was again a combination of previous versions."
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3124:, wrote: "Friday's performance made the case that this Broadway musical ... can take its place among our musical theater's very finest achievements."
806:, Century City, California, running from July 22, 1972, through October 1, 1972. It was directed by Prince and starred Dorothy Collins (Sally; replaced by
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as Buddy. Variety singer and performer Joan Savage sang "Broadway Baby". This production conducted by Julian Kelly featured the original Broadway score.
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Opera House in March 2013. This English-language production, using the full original orchestration, was directed by Olivier Bénézech and conducted by
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and had three performances. It was directed and staged by Stephen Lloyd Helper and produced by Helper and Alistair Thomson for Mardi Gras. It starred
386:?" Facts never interest her; what matters is the song!); and Carlotta Campion, a film star who has embraced life and benefited from every experience.
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who is vibrant and flirtatious even at 66; Hattie Walker, who has outlived five younger husbands; Vincent and Vanessa, former dancers who now own an
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sequence, with Sally, Phyllis, Ben and Buddy performing "like comics and torch singers from a Broadway of yore." "Loveland" features a string of
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is that it succeeds in untangling each and every strand of the show's knotty plot ... Mr. Schaeffer is clearly unafraid of the darkness of
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wrote that the revival "takes an audience halfway to paradise." He praised a "broodingly luminous Jan Maxwell" and Burstein's "hapless onetime
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Osborne, Robert. "Sondheim's 'Follies' closes despite packed performances; Run of the show ends with the expiration of special Equity deal".
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and usually is given to a well-known veteran performer who can belt out a song. Other notable performers in the original productions were
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247:. Several of the former showgirls perform their old numbers, often accompanied by the ghosts of their younger selves. The score offers a
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and became the acknowledged master songwriter who bridged past musical stage romance into the modern musical era of irony and neurosis.
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6721:"Grammy Nominees for Musical Album Include 'Nice Work', 'Once', 'Follies', 'Newsies' and 'Porgy and Bess'; Shaiman & Wittman, Too"
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598:"Loveland", the final musical sequence, (that "consumed the last half-hour of the original" production) is akin to an imaginary 1941
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was praised as Carlotta, continuing to perform after breaking her ankle, although in a reduced version of the part. During the run,
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as Solange LaFitte, and Don Correia as Theodore joined the Broadway cast. A two-disc cast album of this production was recorded by
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numbers and the book numbers." Some of the Follies numbers imitate the style of particular composers of the early 20th century: "
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6840:"'Follies': Stephen Sondheim Musical Getting Film Treatment From 'On Chesil Beach' Director Dominic Cooke, Heyday, BBC Films"
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726:(Buddy), along with several veterans of the Broadway and vaudeville stage. The supporting role of Carlotta was created by
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and then on a national tour. However, the show did not do well in its Los Angeles engagement and plans for a tour ended.
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839:(Ben), Debbie Snook (Young Phyllis), Stephen Hale (Young Ben), Bill Bradley (Buddy Plummer), Paul Burton (Young Buddy),
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453:"Waiting for the Girls Upstairs" – Ben, Sally, Phyllis and Buddy, Young Ben, Young Sally, Young Phyllis and Young Buddy
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5875:"The Right Girls: Kennedy Center Follies, With Bernadette Peters, Jan Maxwell, Elaine Paige, Begins Broadway Previews"
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as part of their main stage repertoire, running from October 21, 1988, through November 6. The MOT production starred
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In 1971, on the soon-to-be-demolished stage of the Weismann Theatre, a reunion is being held to honor the Weismann's
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layered with ambivalence and anger and longing, it is clear that it is their past selves whom they are serenading."
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started previews on May 7, 2011, with an official opening on May 21, and closed on June 19, 2011. The cast starred
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The Dublin Concert was held in May 1996 at the National Concert Hall. Directed by Michael Scott, the cast included
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Joanne Gordon, author and chair and artistic director, Theatre, at California State University, Long Beach, wrote "
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enters with his entourage of waiters and waitresses. They pass through the spectral showgirls without seeing them.
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534:≠Some productions substitute "Ah, but Underneath" when the actress portraying Phyllis is not primarily a dancer.
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as its 40th production for six performances in February 2007 in a sold out semi-staged concert. The cast starred
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508:"You're Gonna Love Tomorrow" / "Love Will See Us Through" – Young Ben, Young Sally, Young Phyllis and Young Buddy
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reunion of the Follies girls ultimately gives way to anger, disappointment, and weary resignation to reality." "
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1653:. This production used the original text, and the "Loveland" lyrics performed in the 1987 London production.
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will be staged and directed by Jack Cummings III and music directed by Joey Chancey. The cast will feature
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6034:"Victoria Clark Will Be Sally in L.A. Follies with Elaine Paige, Jan Maxwell, Danny Burstein, Ron Raines"
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5989:'Once', 'Tribes', 'Follies', 'Salesman', Audra McDonald, Danny Burstein and More Are Drama Desk Winners"
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Note: This is the song list from the original Broadway production in 1971. Variations are discussed in
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5935:" 'Good Times and Bum Times': Broadway Revival of 'Follies' Exceeds Expectations, But Doesn't Recoup"
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was voted ninth in a BBC Radio 2 listener poll of the UK's "Nation's Number One Essential Musicals".
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in the role of Sally, a role she had played previously in New York. Other new cast members included
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6126:"Follies in Concert review – stars align in Melbourne for rare and exhilarating night of Sondheim"
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1921:(Stella). The production was directed by Tyran Parke and produced by StoreyBoard Entertainment.
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deconstructions; they are evocations that recognize the power of a love song. In 1971 or 2001,
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as Stella. The budget was reported to be $ 7.3 million. The production played to 95% capacity.
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is a great deal more than a camp love-in for old burlesque buffs and Sondheim aficionados." In
831:(Stella Deems), Les Want (Max Deems), Betty Benfield (Heidi Schiller), Joseph Powell (Roscoe),
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5962:'Other Desert Cities', 'Salesman', 'Follies', 'Once', Audra McDonald Are Drama League Winners"
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on April 5, 2001, and closed on July 14, 2001, after 117 performances and 32 previews. This
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described the evening as 'a wonderful idea for a show which has failed to grow into a story.
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Vance, David. "Review: Musical Theatre 1998 Sydney Gay & Lesbian Mardi Gras Festival",
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The production returned to the Olivier Theatre on February 14, 2019, playing until May 11.
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on July 21, 1987, and closed on February 4, 1989, after 644 performances. The producer was
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originally was going to play Ben, but left because he was cast in the Broadway revival of
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Kirkeby, Marc (released April 1971). "Liner notes to original Broadway cast recording".
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rumored to star. Tony Award-winning playwright and Academy Award-nominated screenwriter
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6016:'Once', 'Clybourne Park', 'Porgy and Bess', Audra McDonald, 'Salesman' Win Tony Awards"
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production (Millburn, New Jersey) was directed by Robert Johanson with choreography by
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as Phyllis. Julia McKenzie returned to the production for the final four performances.
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as Hattie Walker, and Marcie Stringer and Charles Welch as Emily and Theodore Whitman.
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262:, with choreography by Bennett, opened April 4, 1971. The musical was nominated for 11
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The show closed on July 1, 1972, after 522 performances and 12 previews. According to
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57-year-old Mr Sondheim is steeped, for he first learned song writing at the knee of
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4795:"By the Book: Broadway Revival of 'Follies' Performed Without Intermission Aug. 23"
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4663:(p. 14). . Capitol Records, 1971. Angel Records, 1992. Middlesex. EMI Records, Ltd.
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reviewer wrote of the 2001 Broadway revival: "Even in its more modest incarnation,
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validates the legend that a Broadway show can be an event worth dressing up for."
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6815:""We wanted to create a really frightening movie!" John Logan on Alien: Covenant"
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6228:"National Theatre Announces Additional Casting for Angels in America and Follies"
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limited engagement had been expected to close on September 30, 2001. Directed by
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writing "It wasn't until the second act that I fell in love all over again with
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5788:"Casting Complete for Kennedy Center 'Follies'; "Young" Counterparts Announced"
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This production was also recorded on two CDs and was the first full recording.
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magazine wrote about the original Broadway production: "At its worst moments,
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5764:"Broadway-Bound 'Follies' Plays Final Performance at Kennedy Center June 19"
5581:"Evita's Bob Gunton Replaces Hal Linden as Ben in L.A. 'Follies' June 15-23"
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is truly awesome and, if it is not consistently good, it is always great."
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5558:"What Follies! Linden, Duke, Carr, Bosley Do Sondheim in L.A. June 15-23"
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Gets Rave Reception in London". July 23, 1987, International News section
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The Complete Follies Collection puiblished by Hal Leonard publishers>
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5845:"Hey, L.A., We're Coming Your Way: 'Follies' Ends Broadway Run Jan. 22"
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5713:'Live, Laugh, Love': 'Follies' Begins City Center Encores! Run Feb. 8"
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1804:, Distinguished Production of a Musical Revival for 2011-2012 and the
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6629:"Review:'Follies':Oh, Those Sharp Stones in a Dance Down Memory Lane"
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5392:"Roundabout's Revival of Follies Starts Previews at Belasco, March 8"
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6924:"These are the winners of the 2017 Evening Standard Theatre Awards"
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The 2011 Broadway and Kennedy Center production transferred to the
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6744:"Follies to return to National Theatre and release cast recording"
5002:, University of Bristol (bris.ac.uk). Retrieved February 22, 2010.
521:"The Story of Lucy and Jessie" – Phyllis and backup male dancers â‰
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received was as rangy as possible." (Chapin, p. 300) In his
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4547:"Faculty, Theatre Arts, California State University, Long Beach"
858:, was performed on September 6 and 7, 1985. The concert starred
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511:"The God-Why-Don't-You-Love-Me Blues" – Buddy, "Margie", "Sally"
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5445:"Peters Withdraws from London Follies; Casting Almost Complete"
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1214:(Massachusetts) in June–July 2005. The principal cast included
802:, St. Louis, Missouri in July 1972 and then transferred to the
1893:, staged with a full 23-piece orchestra and Australian actors
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5363:"Concert Performances of Sondheim's Follies Win Sydney Raves"
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A London revival was performed in the Olivier Theatre at the
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of 1920s and 1930s musical styles, evoking a nostalgic tone.
234:
233:, now scheduled for demolition, previously home to a musical
5000:"Follies at the Forum Theatre, Wythenshawe, partial listing"
4321:, starring Katharine Hepburn, as era's actual record holder)
1476:
was part of L.A.'s Reprise series, and it was housed at the
1092:(MOT) was the first major American opera company to present
6064:"Review: 'Follies' is a source of heartache and razzmatazz"
5699:. Musicals101.com, February 2007. Retrieved January 1, 2011
5032:
Internet Movie Database listing, Retrieved August 29, 2010.
6275:"National Theatre Live to Broadcast Follies this November"
5918:"Theater Review. 'Follies'. Darkness Around the Spotlight"
1299:(Buddy). This show recreated the original Broadway score.
6979:
Everything Was Possible: The Birth of the Musical Follies
5241:"The Girls Upstairs: Stories of 1998's Ill-Fated FOLLIES"
7042:
Contradictions: Notes on Twenty-six Years in the Theatre
6250:"Full Casting Announced for Follies at National Theatre"
5669:"McKechnie, Evans, Peterson in Follies in Concert in MI"
4556:
California State University, accessed September 30, 2011
3128:, reviewing the 1998 Paper Mill Playhouse production in
3066:
wrote: "From the start, critics have been divided about
6874:
officiallondontheatre.co.uk. Retrieved August 29, 2010.
6301:"Follies cast recording released on Spotify and iTunes"
8870:
5521:. albemarle-london.com. Retrieved on December 31, 2010
4910:"Stage View; Sondheim's 'Follies' Evokes Old Broadway"
1119:
A production also ran from March to April 1995 at the
817:
7183:
Drama Desk Award for Outstanding Revival of a Musical
1609:"Great American Musicals in Concert" series featured
1597:
193:
Drama Desk Award for Outstanding Revival of a Musical
162:
1971 - New York Drama Critics' Award for Best Musical
7009:. New York, New York: Theatre Communications Group.
6152:"Follies in Concert review [Melbourne 2016]"
5902:"Two-Disc 'Follies' Revival Recording Is Big Seller"
3164:, wrote: "I have never felt the splendid sadness of
6789:"Is a Follies Film With Meryl Streep in the Works?"
6326:
All-Star Concert of Follies Will Play Carnegie Hall
5896:
5894:
5697:'Follies', Encores at NY City Center - NYC, Review"
3847:
Best Performance by a Featured Actress in a Musical
3718:
Best Performance by a Featured Actress in a Musical
3136:as a landmark musical and a work of art ...".
1840:
1757:noted that "One of the signal achievements of this
1656:
668:, Boston, from February 20 through March 20, 1971.
473:"Bolero d'Amour" – Danced by Vincent and Vanessa ≠â‰
7827:Smokey Joe's Cafe: The Songs of Leiber and Stoller
6578:"Stage: Concert Version of 'Follies' Is a Reunion"
5088:Clines, Francis X. "Follies' Restaged In London",
4292:The orchestra, Nicholas Skilbeck and Nigel Lilley
3832:Best Performance by a Leading Actress in a Musical
3703:Best Performance by a Leading Actress in a Musical
3421:Best Performance by a Leading Actress in a Musical
3222:has expressed interest in writing the adaptation.
3160:Brantley, reviewing the 2007 Encores! concert for
1884:
1267:, Alex Sharpe, Christine Scarry, Aidan Conway and
1123:, Houston, Texas, and in April to May 1995 at the
7070:A Chorus Line and the Musicals of Michael Bennett
5143:"MOT Box Office Opens Sept. 11 For Fall Season",
4784:. sondheimguide.com, retrieved December 15, 2010,
3446:Best Performance by a Featured Actor in a Musical
3181:released: the original 1971 Broadway cast album;
1398:(Laurey from the original Broadway production of
698:, with choreography by Bennett, scenic design by
10668:
7787:Les Misérables: The Complete Symphonic Recording
7522:How to Succeed in Business Without Really Trying
5891:
5307:. sondheimguide.com, retrieved December 15, 2010
5178:. sondheimguide.com, retrieved December 15, 2010
4958:. sondheimguide.com, retrieved December 14, 2010
4956:'Follies' 1971 Original Broadway Cast Recording"
4325:One More Kiss: The Broadway Musical in the 1970s
3807:Best Performance by a Leading Actor in a Musical
827:(Sally Durant Plummer), Liz Izen (Young Sally),
315:, they decided upon a story about ex-showgirls.
8565:Laurence Olivier Award for Best Musical Revival
7720:Cats: Complete Original Broadway Cast Recording
6885:"2017 Results | Critics' Circle Theatre Awards"
6479:"Follies in Concert - Melbourne Recital Centre"
5229:. sondheimguide.com. Retrieved August 29, 2010.
5217:. Sondheimguide.com. Retrieved August 29, 2010.
4970:. sondheimguide.com. Retrieved August 29, 2010.
3237:
297:(1965), for which he had written the lyrics to
199:Laurence Olivier Award for Best Musical Revival
10557:Best Worst Thing That Ever Could Have Happened
10219:Sweeney Todd: The Demon Barber of Fleet Street
10195:A Funny Thing Happened on the Way to the Forum
10112:Sweeney Todd: The Demon Barber of Fleet Street
10048:A Funny Thing Happened on the Way to the Forum
7677:Sweeney Todd: The Demon Barber of Fleet Street
6995:. Dell Publishing, Alfred A. Knopf (reprint).
6612:"That Old Feeling III: The Ghosts of Broadway"
4852:"Abstract-'Follies' musical opens at Colonial"
4841:sondheimguide.com, retrieved December 30. 2010
4820:"Kennedy Center 'Follies' Steps onto Broadway"
4488:Harold Prince and the American Musical Theatre
4209:Best Actress in a Supporting Role in a Musical
3062:In the foreword to "Everything Was Possible",
1768:The production transferred to Broadway at the
565:" Martin Gottfried wrote: "The concept behind
337:; Michael Bennett, the young choreographer of
254:The original Broadway production, directed by
187:Laurence Olivier Award for Musical of the Year
9976:
8856:
8549:
8116:
7450:
7167:
7005:Sondheim, Stephen and Goldman, James (2001).
6416:
5434:. Musicals101.com. Retrieved August 29, 2010.
5319:andrejkoymasky.com, accessed October 14, 2011
5166:. jayrecords.com, retrieved December 15, 2010
5054:sondheimguide.com. Retrieved August 29, 2010.
5017:sondheimguide.com, accessed October 13, 2011,
4981:"Loss of Shubert Alters Face of L.A. Theater"
4675:
4673:
4671:
4669:
3555:
3120:Frank Rich, in reviewing the 1985 concert in
1998:
1555:(Young Buddy), Tia Riebling (Young Phyllis),
910:(Young Sally), Daisy Prince (Young Phyllis),
46:Original Broadway windowcard with artwork by
6907:"Standard Theatre Awards 2017 the Shortlist"
6559:"Show Business: The Once and Future Follies"
5122:sondheimguide.com. Retrieved August 29, 2010
4509:"Bernadette Peters on 'Follies' and Puppies"
3078:review of the original Broadway production,
1909:(Young Buddy), Sophie Wright (Young Sally),
1857:. The cast featured Charlotte Page (Sally),
1084:
767:, for many years the chief drama critic for
456:"Montage" ("Rain on the Roof"/"Ah, Paris!"/"
8132:Laurence Olivier Award for Best New Musical
7466:Grammy Award for Best Musical Theater Album
6643:
6641:
6201:"Imelda Staunton to Star in London Follies"
5812:"Kennedy Centers Follies is Broadway Bound"
5533:"'Follies' remains marvelous contradiction"
4770:"Song list and acts, 2005 Barrington Stage"
1937:, choreographed by Bill Deamer and starred
1788:Brantley reviewed the Broadway revival for
814:plot line upon which the musical is based.
9983:
9969:
8863:
8849:
8556:
8542:
8123:
8109:
7457:
7443:
7174:
7160:
7132:at the Music Theatre International website
6812:
5381:(Australia), February 9, 1998, Arts; p. 14
5295:lornaluft.com, retrieved December 15, 2010
4782:"2001 Broadway revival song list and acts"
4666:
4368:Sondheim and Lloyd-Webber: The New Musical
4362:Sondheim and Lloyd-Webber: The New Musical
3614:
1535:(Carlotta), Carole Swarbrick (Christine),
1006:closed). Other cast replacements included
40:
6532:, April 11, 1971, p. D1. Fee for article.
6247:
5618:
5120:'Follies' - The First Complete Recording"
5084:
5082:
4417:
4415:
4166:
3960:Outstanding Featured Actress in a Musical
3787:
3658:Outstanding Featured Actress in a Musical
3638:
3232:
1983:The 2017 production was nominated for 10
1732:Reviews were mixed, with Ben Brantley of
1693:as Buddy. The production was directed by
1573:originally was cast as Dimitri Weismann.
1318:in February 1998 as the highlight of the
1241:
656:
467:") – Emily, Theodore, Solange, and Hattie
7712:Dreamgirls: Original Broadway Cast Album
6921:
6813:McKittrick, Christopher (May 19, 2017).
6638:
6243:
6241:
5758:
5756:
5660:
5101:Wardle, Irving. "Show without a story",
5044:
5042:
5040:
5038:
4904:
4902:
4900:
4898:
4655:
4653:
4617:sondheim.com. Retrieved August 29, 2010.
4424:mtishows.com. Retrieved August 30, 2010.
4390:
4388:
4386:
4384:
4346:
4344:
4087:
4063:
3763:
3579:
3261:
3225:In November 2019, it was announced that
2886:
2881:
2876:
2873:
2868:
2865:
2860:
2855:
2850:
2845:
2840:
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2727:
2722:
2717:
2712:
2704:
2699:
2694:
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2681:
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2671:
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2656:
2646:
2641:
2636:
2631:
2626:
2621:
2616:
2611:
2606:
2601:
2596:
2588:
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2574:
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2565:
2560:
2557:
2552:
2549:
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2205:
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2195:
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2180:
2175:
2170:
2165:
2160:
2155:
1349:
670:
479:"Who's That Woman?" – Stella and Company
10687:Laurence Olivier Award-winning musicals
7112:on The Stephen Sondheim Reference Guide
6981:. New York, New York: Alfred A. Knopf.
6786:
6688:from the original on September 23, 2012
6647:
6570:
6505:"Stage: 'Follies' Couples, Years Later"
6225:
5530:
5492:'Follies', Royal Festival Hall, London"
5266:"A CurtainUp Berkshires Review:'Follies
5072:Wolf, Matt. Associated Press. "Revised
4322:
2900:
2895:
2078:
1785:and was released on November 29, 2011.
1753:Warren Carlyle." Terry Teachout of the
495:"One More Kiss" – Heidi and Young Heidi
10669:
7140:
6949:"Olivier Awards 2018: Winners in full"
6770:"Follies 2019 | National Theatre"
6110:: CS1 maint: archived copy as title (
5079:
4706:"Chapter: Nixon's America and 'Follies
4630:(2007). University of Michigan Press.
4465:, University of Michigan Press, 1993,
4412:
4401:. Theatre Communications Group, 2001,
4394:Sondheim, Stephen, and Goldman, James.
3210:In January 2015, it was reported that
2003:On 20 June 2024, a concert version of
1924:
1663:Kennedy Center for the Performing Arts
1439:
1044:stated 'The musical is inspired,' and
447:"Beautiful Girls" – Roscoe and Company
9964:
8844:
8537:
8104:
7438:
7387:Fiddler on the Roof (Fidler Afn Dakh)
7155:
7139:
6922:Thompson, Jessie (December 4, 2017).
6238:
5753:
5750:. theaterscene.net, February 13, 2007
5655:"Whatever Happened To Kurt Peterson?"
5238:
5189:"Sneak Peek at the 'Follies' Revival"
5035:
4968:"1972 Los Angeles Production listing"
4895:
4650:
4605:
4381:
4341:
1972:returned as Phyllis and Buddy, while
1649:. The director and choreographer was
1444:A production was mounted at London's
1218:(Sally), Leslie Denniston (Phyllis),
1112:(Carlotta), Thelma Lee (Hattie), and
1100:(Sally), John-Charles Kelly (Buddy),
914:(Dmitri), Arthur Rubin (Roscoe), and
524:"Live, Laugh, Love" – Ben and Company
9990:
9894:by Christopher Nightingale (2020/21)
6522:"Yes, Yes, Alexis! No, No, 'Follies!
6419:"Encores! Follies Cast Now Complete"
6031:
5842:
5666:
4370:, Oxford University Press US, 2001,
3057:
1845:For its first production in France,
675:Model of set design by Boris Aronson
530:"Finale" – Young Buddy and Young Ben
378:franchise; Heidi Schiller, for whom
322:, the musical was to be produced by
311:article about a gathering of former
229:The plot takes place in a crumbling
7056:Harold Prince: A Director's Journey
6710:theatermania.com, November 29, 2011
4749:Harold Prince: A Director's Journey
1812:
1468:
1206:directed a fully staged version of
818:1985 Wythenshawe and Lincoln Center
793:
664:had its pre-Broadway tryout at the
489:"Too Many Mornings" – Ben and Sally
13:
8872:Tony Award for Best Original Score
8005:Beautiful: The Carole King Musical
7704:Lena Horne: The Lady and Her Music
7554:On a Clear Day You Can See Forever
7034:
6787:Hetrick, Adam (January 16, 2015).
6673:
6648:Barrios, Richard (April 4, 2015).
6417:Gans, Andrewl (January 18, 2007).
6226:Shenton, Mark (October 11, 2016).
6168:
5478:. whatsonstage.com, August 7, 2002
5215:'Follies' at Paper Mill Playhouse"
4327:. Palgrave Macmillan. p. 39.
3205:
3177:There have been six recordings of
3044:
2983:
2083:The characters and original cast:
1598:2007 New York City Center Encores!
1238:attended one of the performances.
450:"Don't Look at Me" – Sally and Ben
14:
10733:
8072:The Unofficial Bridgerton Musical
7696:Evita: Premier American Recording
7083:
6456:
6435:
6397:
6376:
6357:
6336:
6032:Gans, Andrew (January 11, 2012).
5843:Gans, Andrew (January 22, 2012).
5338:tv.com, accessed October 14, 2011
5030:'Follies in Concert' (1986) (TV)"
4839:'Follies' listing, Broadway 1971"
4751:, Hal Leonard Corporation, 1989;
4686:. BroadwayWorld.com, June 2, 2011
3975:Outstanding Director of a Musical
1576:
1426:wrote "the bad news is that this
1354:A Broadway revival opened at the
1342:(Hattie), Glenn Butcher (Buddy),
1320:Sydney Gay and Lesbian Mardi Gras
1302:
1274:
1246:
639:According to Sondheim, producer
582:contains two scores: the Follies
537:≠≠Omitted from some productions
305:for a new musical. Inspired by a
7227:You're a Good Man, Charlie Brown
6941:
6915:
6899:
6877:
6858:
6832:
6806:
6780:
6762:
6736:
6713:
6700:
6667:
6621:
6604:
6587:
6552:
6535:
6514:
6497:
6471:
6450:
6429:
6410:
6391:
6370:
6351:
6330:
6319:
6293:
6267:
6219:
6193:
5900:Gans, Andrew and Jones, Kenneth.
5667:Gans, Andrew (January 4, 2003).
4288:Outstanding Achievement in Music
3935:Outstanding Actress in a Musical
3910:Outstanding Revival of a Musical
3648:Outstanding Revival of a Musical
3599:Actress of the Year in a Musical
3093:about the original production: "
1841:2013 Toulon Opera House (France)
1800:The Broadway production won the
1657:2011 Kennedy Center and Broadway
1310:was performed in concert at the
933:
470:"The Road You Didn't Take" – Ben
16:1971 musical by Stephen Sondheim
8505:Back to the Future: The Musical
6162:
6144:
6118:
6072:
6056:
6025:
6005:
5978:
5951:
5927:
5910:
5867:
5836:
5821:
5804:
5780:
5729:
5702:
5686:
5648:
5589:
5573:
5550:
5531:Johnson, Reed (June 16, 2002).
5524:
5501:
5481:
5461:
5437:
5421:
5408:
5384:
5371:
5355:
5341:
5322:
5310:
5298:
5279:
5258:
5232:
5220:
5205:
5181:
5169:
5150:
5137:
5125:
5110:
5095:
5066:
5057:
5020:
5005:
4993:
4973:
4961:
4946:
4937:
4928:
4919:
4886:
4877:
4868:
4844:
4829:
4812:
4787:
4775:
4762:
4736:
4727:
4698:
4689:
4641:
4620:
4615:'Follies' analysis and summary"
4581:
4559:
4540:
4517:
4501:
4364:, "Chapter: Prince and Company"
1885:2016 Australian concert version
382:once wrote a waltz ("or was it
10298:Stephen Sondheim's Old Friends
10126:Sunday in the Park with George
8697:Sunday in the Park with George
8259:Sunday in the Park with George
8251:Return to the Forbidden Planet
7878:Elton John and Tim Rice's Aida
7728:Sunday in the Park with George
7422:I Can Get It for You Wholesale
5657:, BroadwayWorld, May 15, 2005.
5305:"Listing, 1996 London concert"
5227:"Paper Mill recording listing"
5132:"BBC - Radio 2 - Elaine Paige"
4772:. CurtainUp.com, June 26, 2005
4716:, Taylor & Francis, 1999;
4594:(1999), Taylor & Francis,
4571:(1999), Taylor & Francis,
4476:
4445:
4436:
4427:
4353:
4308:
4125:Evening Standard Theatre Award
3920:Outstanding Actor in a Musical
3375:New York Drama Critics' Circle
1905:(Sally), Anne Wood (Phyllis),
1637:sang Heidi. The cast included
1263:, Dave Willetts, Trevor Jones
1226:(Buddy), Joy Franz (Solange),
992:Pearl Carr & Teddy Johnson
651:
561:'Congratulations. She's crazy.
331:if Sondheim agreed to work on
271:, including "Broadway Baby", "
1:
10712:Musicals set in New York City
9799:The Bridges of Madison County
7621:Don't Bother Me, I Can't Cope
6971:
6912:, retrieved November 18, 2017
5833:. Theatre Mania, May 22, 2011
4092:Critics' Circle Theatre Award
3172:
1422:Theater writer and historian
541:
286:
10702:Musicals by Stephen Sondheim
10541:Original Cast Album: Company
10400:Everything's Coming Up Roses
4714:Stephen Sondheim: A Casebook
4628:How Sondheim Found His Sound
4592:Stephen Sondheim: A Casebook
4569:Stephen Sondheim: A Casebook
4463:Sondheim's Broadway Musicals
4067:
3767:
3618:
3559:
3241:
3238:Original Broadway production
1581:A concert production at the
1040:concluded, while the London
798:The musical was produced at
7:
10717:Tony Award-winning musicals
10630:The Seven-Per-Cent Solution
6584:, September 9, 1985, p. C16
5880:September 15, 2011, at the
3476:Best Direction of a Musical
1415:According to an article in
613:
551:
10:
10738:
9315:The Mystery of Edwin Drood
8513:Standing at the Sky's Edge
7096:Internet Broadway Database
7019:Sondheim, Stephen (2010).
6870:November 28, 2010, at the
6774:www.nationaltheatre.org.uk
6708:"A Fantastic 'Follies' CD"
6543:"Flipping Over 'Follies' "
6443:Internet Broadway Database
6384:Internet Broadway Database
6344:Internet Broadway Database
6156:Simon Parris: Man in Chair
5793:February 18, 2011, at the
5517:December 13, 2010, at the
5317:"Biography, Judi Connelli"
4800:December 27, 2011, at the
4237:Best Theatre Choreographer
4169:
4053:Best Musical Theater Album
4020:Outstanding Costume Design
3903:
3673:Outstanding Orchestrations
3556:Original London production
3389:
3386:
3311:Outstanding Costume Design
3214:signed on to direct, with
2973:Ethel Barrymore Colt (u/s)
1999:2024 Carnegie Hall concert
938:The musical played in the
18:
10697:Musicals by James Goldman
10613:
10594:
10567:
10532:
10507:
10307:
10261:
10170:
10016:
9998:
9567:
9137:
8878:
8571:
8366:Jerry Springer: The Opera
8341:
8138:
8055:
7960:
7869:
7778:
7687:
7596:
7505:
7472:
7347:Hedwig and the Angry Inch
7189:
7149:
6726:December 8, 2012, at the
5940:January 27, 2012, at the
5605:January 18, 2022, at the
5450:October 17, 2012, at the
5397:October 17, 2012, at the
5194:October 17, 2012, at the
5052:'Follies' London listing"
4857:November 4, 2012, at the
4552:October 12, 2011, at the
4484:"A little Sondheim music"
4253:
4186:Best Actress in a Musical
4184:
4174:
4128:
4123:
4090:
4082:
4079:
4076:
4073:
4051:
3933:
3908:
3805:
3797:Best Revival of a Musical
3795:
3790:
3782:
3779:
3776:
3773:
3693:Best Revival of a Musical
3691:
3686:
3646:
3641:
3633:
3630:
3627:
3624:
3587:
3582:
3574:
3571:
3568:
3565:
3419:
3394:
3378:
3289:
3264:
3256:
3253:
3250:
3247:
1889:A concert version at the
1316:Sydney Symphony Orchestra
1281:Theatre Royal, Drury Lane
1085:U.S. regional productions
686:on April 4, 1971, at the
527:"Chaos" – Ben and Company
476:"In Buddy's Eyes" – Sally
275:", "Too Many Mornings", "
218:with music and lyrics by
167:Tony Award for Best Score
155:
84:
72:
64:
54:
39:
30:
10603:Getting Away with Murder
10407:Together, Wherever We Go
10270:Side by Side by Sondheim
9424:Kiss of the Spider Woman
9183:On the Twentieth Century
8227:The Phantom of the Opera
7768:Jerome Robbins' Broadway
7105:at the Sondheim Database
7068:Mandelbaum, Ken (1990).
6993:Stephen Sondheim: A Life
6991:Secrest, Meryle (1998).
5746:August 22, 2011, at the
5630:unites '71 cast members"
4350:Chapin, pp. xxii–xxvi, 7
4301:
4140:Best Musical Performance
4070:
4035:Outstanding Sound Design
3990:Outstanding Choreography
3770:
3621:
3562:
3271:Outstanding Choreography
3244:
1891:Melbourne Recital Centre
1212:Barrington Stage Company
874:(Phyllis), and featured
492:"The Right Girl" – Buddy
428:
21:Follies (disambiguation)
10414:You Gotta Get a Gimmick
9645:The Light in the Piazza
9388:The Will Rogers Follies
9334:Claude-Michel Schönberg
7918:Monty Python's Spamalot
7795:The Will Rogers Follies
7040:Prince, Harold (1974).
6436:l (November 25, 2016).
6398:l (November 25, 2016).
6377:l (November 25, 2016).
6358:l (November 25, 2016).
6337:l (November 25, 2016).
6175:Folliesinconcert.com.au
5563:March 12, 2014, at the
5092:. July 23, 1987, p. C17
4892:Chapin, pp. 116, 193-95
4537:(books), April 25, 1971
4512:The Wall Street Journal
4323:Mordden, Ethan (2003).
3341:Outstanding Performance
1985:Laurence Olivier Awards
1697:, with choreography by
1487:The production starred
1121:Theatre Under the Stars
954:, with choreography by
950:, the direction was by
590:" is in the style of a
352:
10008:Awards and nominations
8777:Jesus Christ Superstar
8585:The Boys from Syracuse
7902:Gypsy: A Musical Fable
7395:Little Shop of Horrors
7058:, Limelight Editions.
6819:Creative Screenwriting
6595:"Beguiled By the Past"
6457:l (February 3, 2017).
5769:June 21, 2011, at the
5600:that's in their bones"
5474:June 15, 2011, at the
5416:The Hollywood Reporter
5334:March 4, 2016, at the
5162:July 13, 2011, at the
5107:, July 22, 1987, p. 16
4733:Sondheim, pp. 243, 245
4684:at the Kennedy Center"
4525:Flipping Over 'Follies
4171:Laurence Olivier Award
4005:Outstanding Set Design
3584:Laurence Olivier Award
3406:Best Book of a Musical
3326:Outstanding Set Design
3233:Awards and nominations
1482:Arthur Allan Seidelman
1417:The Hollywood Reporter
1279:A concert was held at
1242:1996 and 1998 concerts
1155:(Carlotta). The 1998
1090:Michigan Opera Theatre
676:
657:1971 original Broadway
444:"Overture" – Orchestra
441:"Prologue" – Orchestra
182:for Outstanding Lyrics
10435:Getting Married Today
10251:Merrily We Roll Along
10119:Merrily We Roll Along
8753:Merrily We Roll Along
8350:Merrily We Roll Along
7091:Follies
7072:. St. Martins Press.
7054:Ilson, Carol (2004).
6865:"Olivier Winners 1987
6067:The Los Angeles Times
5994:June 6, 2012, at the
5967:May 20, 2012, at the
5827:Lipton, Brian Scott.
5718:June 4, 2011, at the
5379:Sydney Morning Herald
5291:May 15, 2011, at the
5015:'Follies' Manchester"
4826:, September 12, 2011.
4589:"The Art of Illusion"
4490:, CUP Archive, 1989,
3764:2011 Broadway revival
3615:2001 Broadway revival
3034:, Joan Marshall (u/s)
3008:Young Phyllis Rogers:
2947:Young Phyllis Rogers:
2929:Phyllis Rogers Stone:
2907:Sally Durant Plummer:
2427:Amy Ellen Richardson
2276:Phyllis Rogers Stone
2153:Sally Durant Plummer
1995:(by Vicki Mortimer).
1959:National Theatre Live
1849:was presented at the
1713:. Also featured were
1633:played Carlotta, and
1366:with choreography by
1350:2001 Broadway revival
746:as Dimitri Weismann,
690:. It was directed by
688:Winter Garden Theatre
674:
291:After the failure of
175:for Outstanding Music
139:2011 Broadway revival
136:2011 Washington, D.C.
10484:Not While I'm Around
10442:The Ladies Who Lunch
10393:Let Me Entertain You
10291:Sondheim on Sondheim
10203:A Little Night Music
10091:A Little Night Music
9928:David Lindsay-Abaire
9659:The Drowsy Chaperone
9090:A Little Night Music
8315:Beauty and the Beast
8155:The Comedy of Errors
7843:Chicago: The Musical
7653:Bubbling Brown Sugar
7629:A Little Night Music
6977:Chapin, Ted (2003).
6207:. September 30, 2016
6171:"Follies in Concert"
6092:on February 28, 2013
5924:, September 12, 2011
5286:"Lorna Luft Listing"
4916:, September 15, 1985
4514:, September 3, 2011,
4273:Best Lighting Design
4176:Best Musical Revival
3877:Best Lighting Design
3540:Best Lighting Design
3356:Outstanding Director
2958:Marion Marlowe (s/b)
2914:Ethel Barrymore Colt
2901:Broadway (1971–1972)
2896:Notable replacements
2701:Queenie van de Zandt
2120:City Center Encores!
2105:Paper Mill Playhouse
2079:Casts and characters
1989:Best Musical Revival
1919:Queenie van de Zandt
1603:New York City Center
1495:(Dimitri Weismann),
1404:; later replaced by
1157:Paper Mill Playhouse
1065:Oscar Hammerstein II
962:. The cast featured
928:'Follies' in Concert
850:A staged concert at
843:(Dimitri Weismann),
734:as Solange LaFitte,
505:"Loveland" – Company
131:New York City Center
19:For other uses, see
10379:Gee, Officer Krupke
10351:One Hand, One Heart
10284:Putting It Together
9479:Christopher Hampton
9471:Andrew Lloyd Webber
9274:Andrew Lloyd Webber
9224:Andrew Lloyd Webber
8986:Fiddler on the Roof
8801:Fiddler on the Roof
8649:Singin' in the Rain
8521:Operation Mincemeat
8430:Matilda the Musical
8390:Caroline, or Change
8291:Once on This Island
7989:Once: A New Musical
7023:. Alfred A. Knopf.
6846:. November 15, 2019
6635:, February 10, 2007
6541:Gottfried, Martin.
6181:on November 4, 2016
6044:on January 13, 2012
5907:, November 28, 2011
5855:on January 24, 2012
5801:, February 15, 2011
5612:The Sondheim Review
5368:, February 10, 1998
5157:"Ron Raines Career"
5147:, September 9, 1988
4883:Chapin, pp. 309-310
4865:, February 25, 1971
4824:The Washington Post
4523:Gottfried, Martin.
4451:Banfield, Stephen.
4263:Best Costume Design
4064:2017 London revival
3862:Best Costume Design
3748:Best Orchestrations
3733:Best Costume Design
3589:Musical of the Year
3525:Best Costume Design
3461:Best Original Score
3040:Joan Marshall (u/s)
3025:Joan Marshall (u/s)
2999:Young Sally Durant:
2575:Christian Delcroix
2061:Alexander Gemignani
1993:Best Costume Design
1925:2017 London revival
1855:David Charles Abell
1755:Wall Street Journal
1742:The Washington Post
1446:Royal Festival Hall
1440:2002 London revival
1197:Liliane Montevecchi
1038:The Financial Times
944:Shaftesbury Theatre
890:(Solange LaFitte),
888:Liliane Montevecchi
738:as Heidi Schiller,
148:2017 London revival
10722:Backstage musicals
10584:The Last of Sheila
10523:Look, I Made a Hat
10477:Send In the Clowns
10463:Could I Leave You?
10316:Something's Coming
10062:Do I Hear a Waltz?
10055:Anyone Can Whistle
9836:Lin-Manuel Miranda
9804:Jason Robert Brown
9745:The Book of Mormon
9700:Lin-Manuel Miranda
9539:Jason Robert Brown
9287:La Cage aux Folles
8807:No Ceremony (2021)
8713:La Cage aux Folles
8500:No Ceremony (2021)
8446:The Book of Mormon
8064:Jagged Little Pill
7981:The Book of Mormon
7859:Annie Get Your Gun
7744:Follies in Concert
7586:Promises, Promises
7514:The Sound of Music
7315:La Cage aux Folles
7275:La Cage aux Folles
6928:www.standard.co.uk
6887:. January 31, 2018
6750:. January 30, 2018
6733:, December 6, 2012
6654:Cast Album Reviews
6633:The New York Times
6599:The New York Times
6582:The New York Times
6547:The New York Times
6530:The New York Times
6509:The New York Times
6307:. January 18, 2019
6169:Spiker, Dhurba -.
6062:McNulty, Charles.
5948:, January 24, 2012
5922:The New York Times
5737:"Encores! 'Follies
5726:, February 8, 2007
5508:"Archive-'Follies'
5390:McBride, Murdoch.
5187:Ehren, Christine.
5090:The New York Times
4989:. August 29, 2001.
4914:The New York Times
4534:The New York Times
3738:Theoni V. Aldredge
3510:Best Scenic Design
3286:Outstanding Lyrics
3183:Follies in Concert
3162:The New York Times
3130:The New York Times
3122:The New York Times
3091:The New York Times
3076:The New York Times
2979:Helon Blount (u/s)
2789:Margaret Courtenay
2628:Christine Baranski
2530:Laura Pitt-Pulford
2509:Meredith Patterson
2497:Virginia Sandifur
2486:Adam Rhys-Charles
2320:Christine Baranski
2135:Australian Concert
1802:Drama League Award
1790:The New York Times
1740:". Peter Marks of
1734:The New York Times
1667:Eisenhower Theater
1665:production at the
1631:Christine Baranski
1360:Roundabout Theatre
1312:Sydney Opera House
1125:5th Avenue Theatre
1034:The New York Times
948:Cameron Mackintosh
769:The New York Times
706:, and lighting by
677:
641:Cameron Mackintosh
556:Hal Prince said: "
500:Could I Leave You?
408:Could I Leave You?
329:The Girls Upstairs
320:The Girls Upstairs
318:Originally titled
294:Do I Hear a Waltz?
277:Could I Leave You?
10707:West End musicals
10692:Original musicals
10682:Broadway musicals
10664:
10663:
10516:Finishing the Hat
10277:Marry Me a Little
10105:Pacific Overtures
9958:
9957:
9952:
9951:
9891:A Christmas Carol
9237:Woman of the Year
9040:Hallelujah, Baby!
8838:
8837:
8673:Pacific Overtures
8531:
8530:
8323:Kat and the Kings
8098:
8097:
7669:Ain't Misbehavin'
7432:
7431:
7078:978-0-312-04280-6
7064:978-0-87910-296-8
7050:978-0-396-07019-1
7029:978-0-679-43907-3
7021:Finishing the Hat
7015:978-1-55936-196-5
6987:978-0-375-41328-5
6776:. April 12, 2018.
6610:Corliss, Richard.
6279:BroadwayWorld.com
6254:BroadwayWorld.com
5636:. January 3, 2003
5579:Ehren, Christine.
5556:Ehren, Christine.
5537:Los Angeles Times
5498:, August 18, 2002
5467:Beaumont, Sarah.
4986:Los Angeles Times
4809:, August 24, 2011
4680:"Review Roundup:
4636:978-0-472-03229-7
4433:Sondheim, pg. 231
4407:978-1-55936-196-5
4359:Citron, Stephen.
4299:
4298:
4061:
4060:
3950:Bernadette Peters
3892:Best Sound Design
3761:
3760:
3612:
3611:
3553:
3552:
3495:Best Choreography
3301:Outstanding Music
3058:Critical response
3053:Don Correia (u/s)
3014:Carlotta Campion:
2956:Carlotta Campion:
2893:
2892:
2838:Dimitri Weismann
2769:Josephine Barstow
2760:Josephine Barstow
2594:Carlotta Campion
2569:Matthew Cammelle
2542:Christine Tucker
2237:Laurence Guittard
2192:Bernadette Peters
2130:Royal Albert Hall
2041:Jennifer Holliday
1746:stage-door Johnny
1671:Bernadette Peters
1569:as Herr Schultz.
1549:Jean Louisa Kelly
1478:Wadsworth Theatre
1368:Kathleen Marshall
1173:Laurence Guittard
894:(Hattie Walker),
852:Avery Fisher Hall
742:as Stella Deems,
207:
206:
48:David Edward Byrd
10729:
10171:Film adaptations
10070:Evening Primrose
9992:Stephen Sondheim
9985:
9978:
9971:
9962:
9961:
9945:
9931:
9913:
9895:
9885:
9871:
9863:The Band's Visit
9857:
9845:Dear Evan Hansen
9839:
9825:
9807:
9793:
9779:
9761:
9739:
9721:
9703:
9689:
9677:Spring Awakening
9671:
9653:
9639:
9621:
9603:
9585:
9560:
9542:
9528:
9521:Stephen Flaherty
9510:
9496:
9482:
9466:Sunset Boulevard
9460:
9457:Stephen Sondheim
9446:
9418:
9404:
9382:
9364:
9359:
9356:Stephen Sondheim
9345:
9338:Herbert Kretzmer
9323:
9309:
9295:
9281:
9263:
9249:
9231:
9213:
9210:Stephen Sondheim
9199:
9177:
9159:
9130:
9116:
9098:
9095:Stephen Sondheim
9084:
9081:Stephen Sondheim
9070:
9067:Stephen Sondheim
9056:
9034:
9016:
9004:Man of La Mancha
8998:
8980:
8966:
8952:
8938:
8924:
8910:
8896:
8865:
8858:
8851:
8842:
8841:
8828:Sunset Boulevard
8558:
8551:
8544:
8535:
8534:
8494:Dear Evan Hansen
8414:Spring Awakening
8125:
8118:
8111:
8102:
8101:
8088:Some Like It Hot
8037:The Band's Visit
8029:Dear Evan Hansen
8021:The Color Purple
7934:Spring Awakening
7459:
7452:
7445:
7436:
7435:
7176:
7169:
7162:
7153:
7152:
7137:
7136:
6965:
6964:
6962:
6960:
6945:
6939:
6938:
6936:
6934:
6919:
6913:
6910:Evening Standard
6903:
6897:
6896:
6894:
6892:
6881:
6875:
6862:
6856:
6855:
6853:
6851:
6836:
6830:
6829:
6827:
6825:
6810:
6804:
6803:
6801:
6799:
6784:
6778:
6777:
6766:
6760:
6759:
6757:
6755:
6740:
6734:
6719:Jones, Kenneth.
6717:
6711:
6704:
6698:
6697:
6695:
6693:
6687:
6680:
6671:
6665:
6664:
6662:
6660:
6645:
6636:
6625:
6619:
6618:, April 14, 2001
6608:
6602:
6591:
6585:
6574:
6568:
6556:
6550:
6549:, April 25, 1971
6539:
6533:
6525:
6518:
6512:
6501:
6495:
6494:
6492:
6490:
6485:on April 3, 2018
6481:. Archived from
6475:
6469:
6468:
6454:
6448:
6447:
6433:
6427:
6426:
6414:
6408:
6407:
6395:
6389:
6388:
6374:
6368:
6367:
6355:
6349:
6348:
6334:
6328:
6323:
6317:
6316:
6314:
6312:
6297:
6291:
6290:
6288:
6286:
6271:
6265:
6264:
6262:
6260:
6245:
6236:
6235:
6223:
6217:
6216:
6214:
6212:
6197:
6191:
6190:
6188:
6186:
6177:. Archived from
6166:
6160:
6159:
6148:
6142:
6141:
6122:
6116:
6115:
6109:
6101:
6099:
6097:
6091:
6085:. Archived from
6084:
6076:
6070:
6060:
6054:
6053:
6051:
6049:
6040:. Archived from
6029:
6023:
6015:
6011:Jones, Kenneth.
6009:
6003:
5988:
5982:
5976:
5961:
5955:
5949:
5931:
5925:
5914:
5908:
5898:
5889:
5888:, August 7, 2011
5871:
5865:
5864:
5862:
5860:
5851:. Archived from
5840:
5834:
5825:
5819:
5808:
5802:
5784:
5778:
5760:
5751:
5740:
5733:
5727:
5712:
5706:
5700:
5696:
5690:
5684:
5683:
5681:
5679:
5664:
5658:
5652:
5646:
5645:
5643:
5641:
5622:
5616:
5593:
5587:
5577:
5571:
5570:, April 11, 2002
5554:
5548:
5547:
5545:
5543:
5528:
5522:
5511:
5505:
5499:
5491:
5485:
5479:
5469:"Follies review"
5465:
5459:
5441:
5435:
5431:
5425:
5419:
5412:
5406:
5405:, March 8, 2001,
5388:
5382:
5375:
5369:
5359:
5353:
5352:
5345:
5339:
5326:
5320:
5314:
5308:
5302:
5296:
5283:
5277:
5269:
5262:
5256:
5255:
5253:
5251:
5236:
5230:
5224:
5218:
5214:
5209:
5203:
5202:, April 7, 1998,
5185:
5179:
5173:
5167:
5154:
5148:
5141:
5135:
5129:
5123:
5119:
5114:
5108:
5099:
5093:
5086:
5077:
5070:
5064:
5061:
5055:
5051:
5046:
5033:
5029:
5024:
5018:
5014:
5009:
5003:
4997:
4991:
4990:
4977:
4971:
4965:
4959:
4955:
4950:
4944:
4941:
4935:
4932:
4926:
4923:
4917:
4906:
4893:
4890:
4884:
4881:
4875:
4872:
4866:
4848:
4842:
4838:
4833:
4827:
4816:
4810:
4791:
4785:
4779:
4773:
4766:
4760:
4740:
4734:
4731:
4725:
4709:
4704:Gordon, Joanne.
4702:
4696:
4693:
4687:
4677:
4664:
4657:
4648:
4647:Sondheim, p. 235
4645:
4639:
4624:
4618:
4614:
4609:
4603:
4587:Gordon, Joanne.
4585:
4579:
4563:
4557:
4544:
4538:
4528:
4521:
4515:
4507:Gamerman, Ellen.
4505:
4499:
4482:Hirsch, Foster.
4480:
4474:
4459:
4455:
4449:
4443:
4440:
4434:
4431:
4425:
4419:
4410:
4392:
4379:
4357:
4351:
4348:
4339:
4338:
4312:
4068:
3905:Drama Desk Award
3852:Jayne Houdyshell
3768:
3643:Drama Desk Award
3619:
3560:
3466:Stephen Sondheim
3291:Stephen Sondheim
3266:Drama Desk Award
3242:
3099:Martin Gottfried
2878:Alistair McGowan
2812:Jayne Houdyshell
2728:Carol Skarimbas
2714:Justine Johnston
2572:Curtis Holbrook
2479:Alistair Brammer
2405:Deborah Poplett
2378:Peter Polycarpou
2270:Alexander Hanson
2260:Alexander Hanson
2242:Gregory Harrison
2125:Broadway Revival
2110:Broadway Revival
2092:Broadway (1971)
2086:
2085:
2069:Erika Henningsen
2045:Stephen Bogardus
2037:Carolee Carmello
2029:Rachel Bay Jones
2013:Norbert Leo Butz
1978:Alexander Hanson
1931:National Theatre
1917:(Carlotta), and
1871:Nicole Croisille
1833:as Theodore and
1819:Ahmanson Theatre
1813:2012 Los Angeles
1806:Drama Desk Award
1775:Jayne Houdyshell
1709:and lighting by
1583:Michigan Theater
1545:Justine Johnston
1493:Warren Berlinger
1469:2002 Los Angeles
1384:Gregory Harrison
1257:Millicent Martin
1236:Stephen Sondheim
1187:(Weismann), and
1129:Constance Towers
1051:
1008:Millicent Martin
898:(Stella Deems),
794:1972 Los Angeles
736:Justine Johnston
666:Colonial Theatre
609:
600:Ziegfeld Follies
564:
466:
348:
240:Ziegfeld Follies
231:Broadway theater
220:Stephen Sondheim
180:Drama Desk Award
173:Drama Desk Award
142:2012 Los Angeles
119:2002 Los Angeles
94:1972 Los Angeles
68:Stephen Sondheim
59:Stephen Sondheim
44:
34:
28:
27:
10737:
10736:
10732:
10731:
10730:
10728:
10727:
10726:
10667:
10666:
10665:
10660:
10609:
10590:
10563:
10549:Six by Sondheim
10528:
10503:
10498:Sooner or Later
10491:No One Is Alone
10386:A Boy Like That
10358:Tonight Quintet
10303:
10257:
10243:West Side Story
10179:West Side Story
10166:
10032:West Side Story
10012:
9994:
9989:
9959:
9954:
9953:
9948:
9934:
9919:Kimberly Akimbo
9916:
9898:
9888:
9874:
9860:
9842:
9828:
9810:
9796:
9782:
9764:
9742:
9724:
9706:
9692:
9674:
9656:
9642:
9624:
9606:
9588:
9574:
9563:
9545:
9531:
9513:
9499:
9493:Jonathan Larson
9485:
9463:
9449:
9438:The Who's Tommy
9421:
9407:
9385:
9367:
9363:No Award (1989)
9362:
9348:
9326:
9312:
9298:
9284:
9266:
9252:
9234:
9216:
9202:
9180:
9170:Charles Strouse
9162:
9152:Marvin Hamlisch
9144:
9133:
9119:
9113:Alan Jay Lerner
9109:Frederick Loewe
9101:
9087:
9073:
9059:
9037:
9019:
9001:
8995:Sheldon Harnick
8983:
8969:
8955:
8949:Richard Rodgers
8941:
8927:
8921:Richard Rodgers
8913:
8899:
8885:
8874:
8869:
8839:
8834:
8705:The Magic Flute
8617:The Who's Tommy
8567:
8562:
8532:
8527:
8454:Sunny Afternoon
8337:
8134:
8129:
8099:
8094:
8051:
7956:
7950:West Side Story
7865:
7811:The Who's Tommy
7774:
7736:West Side Story
7683:
7592:
7501:
7468:
7463:
7433:
7428:
7401:No Award (2021)
7185:
7180:
7145:
7086:
7037:
7035:Further reading
6974:
6969:
6968:
6958:
6956:
6955:. April 8, 2018
6947:
6946:
6942:
6932:
6930:
6920:
6916:
6904:
6900:
6890:
6888:
6883:
6882:
6878:
6872:Wayback Machine
6863:
6859:
6849:
6847:
6838:
6837:
6833:
6823:
6821:
6811:
6807:
6797:
6795:
6785:
6781:
6768:
6767:
6763:
6753:
6751:
6742:
6741:
6737:
6728:Wayback Machine
6718:
6714:
6705:
6701:
6691:
6689:
6685:
6678:
6674:Kimmel, Bruce.
6672:
6668:
6658:
6656:
6646:
6639:
6627:Brantley, Ben.
6626:
6622:
6609:
6605:
6593:Brantley, Ben.
6592:
6588:
6575:
6571:
6557:
6553:
6540:
6536:
6523:
6519:
6515:
6511:, April 5, 1971
6503:Barnes, Clive.
6502:
6498:
6488:
6486:
6477:
6476:
6472:
6455:
6451:
6434:
6430:
6415:
6411:
6396:
6392:
6375:
6371:
6356:
6352:
6335:
6331:
6324:
6320:
6310:
6308:
6305:What's On Stage
6299:
6298:
6294:
6284:
6282:
6273:
6272:
6268:
6258:
6256:
6248:BWW News Desk.
6246:
6239:
6224:
6220:
6210:
6208:
6199:
6198:
6194:
6184:
6182:
6167:
6163:
6158:. May 24, 2016.
6150:
6149:
6145:
6124:
6123:
6119:
6103:
6102:
6095:
6093:
6089:
6082:
6080:"Archived copy"
6078:
6077:
6073:
6061:
6057:
6047:
6045:
6030:
6026:
6022:, June 10, 2012
6013:
6010:
6006:
5996:Wayback Machine
5986:
5983:
5979:
5969:Wayback Machine
5959:
5956:
5952:
5942:Wayback Machine
5933:Hetrick, Adam.
5932:
5928:
5916:Brantley, Ben.
5915:
5911:
5899:
5892:
5882:Wayback Machine
5872:
5868:
5858:
5856:
5841:
5837:
5826:
5822:
5818:, June 15, 2011
5816:Washington Post
5809:
5805:
5795:Wayback Machine
5785:
5781:
5777:, June 19, 2011
5771:Wayback Machine
5761:
5754:
5748:Wayback Machine
5738:
5735:Gluck, Victor.
5734:
5730:
5720:Wayback Machine
5710:
5707:
5703:
5694:
5692:Kenrick, John.
5691:
5687:
5677:
5675:
5665:
5661:
5653:
5649:
5639:
5637:
5624:
5623:
5619:
5607:Wayback Machine
5594:
5590:
5578:
5574:
5565:Wayback Machine
5555:
5551:
5541:
5539:
5529:
5525:
5519:Wayback Machine
5509:
5506:
5502:
5496:The Independent
5489:
5487:Bassett, Kate.
5486:
5482:
5476:Wayback Machine
5466:
5462:
5452:Wayback Machine
5442:
5438:
5432:'Follies' 2001"
5429:
5427:Kenrick, John.
5426:
5422:
5418:. July 17, 2001
5413:
5409:
5399:Wayback Machine
5389:
5385:
5376:
5372:
5360:
5356:
5347:
5346:
5342:
5336:Wayback Machine
5327:
5323:
5315:
5311:
5303:
5299:
5293:Wayback Machine
5284:
5280:
5276:, June 26, 2005
5267:
5264:Sommer, Elyse.
5263:
5259:
5249:
5247:
5239:Hunsucker, AJ.
5237:
5233:
5225:
5221:
5212:
5210:
5206:
5196:Wayback Machine
5186:
5182:
5174:
5170:
5164:Wayback Machine
5155:
5151:
5142:
5138:
5130:
5126:
5117:
5115:
5111:
5100:
5096:
5087:
5080:
5071:
5067:
5063:Secrest, p. 216
5062:
5058:
5049:
5047:
5036:
5027:
5025:
5021:
5012:
5010:
5006:
4998:
4994:
4979:
4978:
4974:
4966:
4962:
4953:
4951:
4947:
4942:
4938:
4933:
4929:
4924:
4920:
4907:
4896:
4891:
4887:
4882:
4878:
4873:
4869:
4859:Wayback Machine
4849:
4845:
4836:
4834:
4830:
4817:
4813:
4802:Wayback Machine
4793:Hetrick, Adam.
4792:
4788:
4780:
4776:
4768:Sommer, Elyse.
4767:
4763:
4741:
4737:
4732:
4728:
4707:
4703:
4699:
4694:
4690:
4678:
4667:
4658:
4651:
4646:
4642:
4626:Swayne, Steve.
4625:
4621:
4612:
4610:
4606:
4586:
4582:
4566:"Joanne Gordon"
4564:
4560:
4554:Wayback Machine
4545:
4541:
4526:
4522:
4518:
4506:
4502:
4481:
4477:
4457:
4453:
4450:
4446:
4441:
4437:
4432:
4428:
4420:
4413:
4393:
4382:
4358:
4354:
4349:
4342:
4335:
4313:
4309:
4304:
4278:Paule Constable
4254:Vicki Mortimer
4250:Best Set Design
4199:Imelda Staunton
4116:Vicki Mortimer
4066:
3766:
3753:Jonathan Tunick
3678:Jonathan Tunick
3617:
3558:
3500:Michael Bennett
3485:Michael Bennett
3436:Dorothy Collins
3365:Michael Bennett
3276:Michael Bennett
3240:
3235:
3208:
3206:Film adaptation
3175:
3060:
3047:
3045:Broadway (2011)
3029:Heidi Schiller:
2986:
2984:Broadway (2001)
2971:Heidi Schiller:
2920:Benjamin Stone:
2903:
2898:
2751:Charlotte Page
2710:Heidi Schiller
2682:Shezwae Powell
2598:Yvonne De Carlo
2483:Lachlan Graham
2462:Richard Roland
2450:Howard McGillin
2408:Danette Holden
2368:Michael McGrath
2218:Benjamin Stone
2207:Imelda Staunton
2197:Ruthie Henshall
2172:Donna McKechnie
2157:Dorothy Collins
2145:London Revival
2141:
2136:
2131:
2126:
2121:
2116:
2111:
2106:
2101:
2096:
2081:
2065:Santino Fontana
2001:
1943:Imelda Staunton
1927:
1887:
1881:(Young Buddy).
1843:
1815:
1770:Marquis Theatre
1659:
1627:Michael McGrath
1600:
1588:Donna McKechnie
1579:
1551:(Young Sally),
1541:Mary Jo Catlett
1533:Donna McKechnie
1471:
1442:
1364:Matthew Warchus
1356:Belasco Theatre
1352:
1336:Terence Donovan
1305:
1289:Donna McKechnie
1277:
1249:
1244:
1232:Donna McKechnie
1210:in 2005 by the
1165:Donna McKechnie
1127:, Seattle with
1114:Dennis Grimaldi
1087:
1049:
1025:Financial Times
936:
904:Howard McGillin
902:(Young Buddy),
845:Mitch Sebastian
820:
804:Shubert Theatre
796:
774:Harvard Crimson
728:Yvonne De Carlo
720:Dorothy Collins
696:Michael Bennett
659:
654:
616:
607:
592:George Gershwin
562:
554:
460:
431:
355:
346:
299:Richard Rodgers
289:
260:Michael Bennett
245:interwar period
203:
151:
50:
32:
24:
17:
12:
11:
5:
10735:
10725:
10724:
10719:
10714:
10709:
10704:
10699:
10694:
10689:
10684:
10679:
10662:
10661:
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10658:
10650:
10642:
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10615:
10611:
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10588:
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10571:
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10545:
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10534:
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10527:
10526:
10519:
10511:
10509:
10505:
10504:
10502:
10501:
10494:
10487:
10480:
10473:
10470:Losing My Mind
10466:
10459:
10456:I'm Still Here
10452:
10445:
10438:
10431:
10424:
10417:
10410:
10403:
10396:
10389:
10382:
10375:
10368:
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10354:
10347:
10340:
10333:
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10319:
10311:
10309:
10305:
10304:
10302:
10301:
10294:
10287:
10280:
10273:
10265:
10263:
10262:Musical revues
10259:
10258:
10256:
10255:
10247:
10239:
10235:Into the Woods
10231:
10223:
10215:
10207:
10199:
10191:
10183:
10174:
10172:
10168:
10167:
10165:
10164:
10157:
10150:
10143:
10136:
10133:Into the Woods
10129:
10122:
10115:
10108:
10101:
10094:
10087:
10080:
10073:
10066:
10058:
10051:
10044:
10036:
10028:
10025:Saturday Night
10020:
10018:
10014:
10013:
10011:
10010:
10005:
9999:
9996:
9995:
9988:
9987:
9980:
9973:
9965:
9956:
9955:
9950:
9949:
9947:
9946:
9932:
9924:Jeanine Tesori
9914:
9896:
9886:
9882:AnaĂŻs Mitchell
9872:
9858:
9840:
9826:
9818:Jeanine Tesori
9808:
9794:
9780:
9762:
9740:
9722:
9709:Next to Normal
9704:
9695:In the Heights
9690:
9672:
9654:
9640:
9622:
9604:
9586:
9571:
9569:
9565:
9564:
9562:
9561:
9543:
9529:
9511:
9497:
9483:
9461:
9447:
9443:Pete Townshend
9419:
9405:
9383:
9370:City of Angels
9365:
9360:
9351:Into the Woods
9346:
9329:Les Misérables
9324:
9310:
9296:
9282:
9264:
9250:
9232:
9214:
9200:
9178:
9174:Martin Charnin
9160:
9141:
9139:
9135:
9134:
9132:
9131:
9127:Charlie Smalls
9117:
9099:
9085:
9071:
9057:
9035:
9017:
8999:
8981:
8967:
8953:
8939:
8925:
8911:
8897:
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8868:
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8853:
8845:
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8835:
8833:
8832:
8824:
8816:
8808:
8805:
8797:
8789:
8781:
8773:
8765:
8761:City of Angels
8757:
8749:
8741:
8733:
8729:Into the Woods
8725:
8717:
8709:
8701:
8693:
8689:Guys and Dolls
8685:
8677:
8669:
8661:
8653:
8645:
8637:
8629:
8621:
8613:
8605:
8597:
8589:
8581:
8572:
8569:
8568:
8561:
8560:
8553:
8546:
8538:
8529:
8528:
8526:
8525:
8517:
8509:
8501:
8498:
8490:
8486:Come from Away
8482:
8474:
8466:
8458:
8450:
8442:
8434:
8426:
8422:Legally Blonde
8418:
8410:
8402:
8394:
8386:
8378:
8370:
8362:
8354:
8345:
8343:
8339:
8338:
8336:
8335:
8327:
8319:
8311:
8303:
8295:
8287:
8283:City of Angels
8279:
8271:
8263:
8255:
8247:
8239:
8231:
8223:
8219:Me and My Girl
8215:
8207:
8203:Blood Brothers
8199:
8191:
8183:
8175:
8167:
8159:
8151:
8142:
8140:
8136:
8135:
8128:
8127:
8120:
8113:
8105:
8096:
8095:
8093:
8092:
8084:
8080:Into the Woods
8076:
8068:
8059:
8057:
8053:
8052:
8050:
8049:
8041:
8033:
8025:
8017:
8009:
8001:
7993:
7985:
7977:
7969:American Idiot
7964:
7962:
7958:
7957:
7955:
7954:
7946:
7942:In the Heights
7938:
7930:
7922:
7914:
7906:
7898:
7890:
7882:
7873:
7871:
7867:
7866:
7864:
7863:
7855:
7847:
7839:
7831:
7823:
7815:
7807:
7803:Guys and Dolls
7799:
7791:
7782:
7780:
7776:
7775:
7773:
7772:
7764:
7760:Into the Woods
7756:
7752:Les Misérables
7748:
7740:
7732:
7724:
7716:
7708:
7700:
7691:
7689:
7685:
7684:
7682:
7681:
7673:
7665:
7657:
7649:
7641:
7633:
7625:
7617:
7609:
7600:
7598:
7594:
7593:
7591:
7590:
7582:
7574:
7566:
7558:
7550:
7542:
7534:
7526:
7518:
7509:
7507:
7503:
7502:
7500:
7499:
7485:
7476:
7474:
7470:
7469:
7462:
7461:
7454:
7447:
7439:
7430:
7429:
7427:
7426:
7418:
7410:
7402:
7399:
7391:
7383:
7375:
7367:
7359:
7355:The King and I
7351:
7343:
7335:
7327:
7319:
7311:
7303:
7295:
7287:
7279:
7271:
7263:
7255:
7251:Into the Woods
7247:
7239:
7231:
7223:
7215:
7207:
7203:The King and I
7199:
7190:
7187:
7186:
7179:
7178:
7171:
7164:
7156:
7150:
7147:
7146:
7134:
7133:
7125:
7114:
7106:
7098:
7085:
7084:External links
7082:
7081:
7080:
7066:
7052:
7044:. Dodd, Mead.
7036:
7033:
7032:
7031:
7017:
7003:
6989:
6973:
6970:
6967:
6966:
6940:
6914:
6898:
6876:
6857:
6831:
6805:
6779:
6761:
6735:
6712:
6699:
6666:
6637:
6620:
6603:
6586:
6569:
6551:
6534:
6520:Kerr, Walter.
6513:
6496:
6470:
6459:"Follies 2015"
6449:
6438:"Follies 2011"
6428:
6409:
6404:Sondheim Guide
6400:"Follies 2002"
6390:
6379:"Follies 2001"
6369:
6364:Sondheim Guide
6360:"Follies 1998"
6350:
6339:"Follies 1971"
6329:
6318:
6292:
6281:. July 7, 2017
6266:
6237:
6218:
6192:
6161:
6143:
6117:
6071:
6069:, May 10, 2012
6055:
6024:
6004:
6002:, June 3, 2012
5984:Gans, Andrew.
5977:
5975:, May 18, 2012
5957:Gans, Andrew.
5950:
5926:
5909:
5890:
5873:Gans, Andrew.
5866:
5835:
5820:
5810:Marks, Peter.
5803:
5786:Gans, Andrew.
5779:
5752:
5728:
5708:Gans, Andrew.
5701:
5685:
5659:
5647:
5617:
5588:
5572:
5549:
5523:
5500:
5480:
5460:
5458:, July 8, 2002
5443:Gans, Andrew.
5436:
5420:
5407:
5383:
5370:
5354:
5340:
5321:
5309:
5297:
5278:
5257:
5231:
5219:
5204:
5180:
5168:
5149:
5136:
5124:
5109:
5094:
5078:
5065:
5056:
5034:
5019:
5004:
4992:
4972:
4960:
4945:
4943:Chapin, p. 305
4936:
4934:Chapin, p. 279
4927:
4918:
4894:
4885:
4876:
4874:Chapin, p. 310
4867:
4850:Kelly, Kevin.
4843:
4828:
4811:
4786:
4774:
4761:
4735:
4726:
4697:
4695:Chapin, p. 312
4688:
4665:
4649:
4640:
4619:
4604:
4580:
4558:
4539:
4516:
4500:
4475:
4444:
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4340:
4333:
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4283:
4280:
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4265:
4259:
4258:
4255:
4252:
4246:
4245:
4242:
4239:
4233:
4232:
4229:
4228:Dominic Cooke
4226:
4220:
4219:
4216:
4214:Tracie Bennett
4211:
4205:
4204:
4201:
4195:
4194:
4191:
4188:
4182:
4181:
4178:
4173:
4168:
4164:
4163:
4160:
4159:Dominic Cooke
4157:
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4031:
4030:
4027:
4022:
4016:
4015:
4012:
4007:
4001:
4000:
3997:
3995:Warren Carlyle
3992:
3986:
3985:
3982:
3980:Eric Schaeffer
3977:
3971:
3970:
3967:
3962:
3956:
3955:
3952:
3946:
3945:
3942:
3937:
3931:
3930:
3927:
3925:Danny Burstein
3922:
3916:
3915:
3912:
3907:
3901:
3900:
3897:
3894:
3888:
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3884:
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3854:
3849:
3843:
3842:
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3834:
3828:
3827:
3824:
3818:
3817:
3814:
3812:Danny Burstein
3809:
3803:
3802:
3799:
3794:
3789:
3785:
3784:
3781:
3778:
3775:
3772:
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3713:
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3705:
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3698:
3695:
3690:
3684:
3683:
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3675:
3669:
3668:
3665:
3660:
3654:
3653:
3650:
3645:
3640:
3636:
3635:
3632:
3629:
3626:
3623:
3616:
3613:
3610:
3609:
3606:
3604:Julia McKenzie
3601:
3595:
3594:
3591:
3586:
3581:
3577:
3576:
3573:
3570:
3567:
3564:
3557:
3554:
3551:
3550:
3547:
3542:
3536:
3535:
3532:
3530:Florence Klotz
3527:
3521:
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3517:
3512:
3506:
3505:
3502:
3497:
3491:
3490:
3487:
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3051:Buddy Plummer:
3046:
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3041:
3038:Hattie Walker:
3035:
3026:
3020:
3011:
3005:
2996:
2990:Buddy Plummer:
2985:
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2981:
2980:
2977:Hattie Walker:
2974:
2968:
2959:
2953:
2950:Suzanne Rogers
2944:
2938:Buddy Plummer:
2935:
2932:Marion Marlowe
2926:
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2899:
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2866:Russell Dixon
2864:
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2784:Elaine Stritch
2781:
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2775:Hattie Walker
2772:
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2762:
2757:
2752:
2749:
2747:Rosalind Elias
2744:
2739:
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2721:
2719:Licia Albanese
2716:
2711:
2707:
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2703:
2698:
2693:
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2680:
2675:
2673:Phyllis Newman
2670:
2665:
2663:Phyllis Newman
2660:
2655:
2651:
2650:
2648:Tracie Bennett
2645:
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2532:
2527:
2526:Kirsten Scott
2524:
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2501:
2498:
2495:
2494:Young Phyllis
2491:
2490:
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2481:
2476:
2473:
2468:
2463:
2460:
2458:Michael Gruber
2455:
2452:
2447:
2446:Kurt Peterson
2444:
2440:
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2423:Lora Lee Gayer
2420:
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2416:Emma Clifford
2414:
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2398:
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2373:Danny Burstein
2370:
2365:
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2358:Treat Williams
2355:
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2343:Mandy Patinkin
2340:
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2334:Buddy Plummer
2331:
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2209:
2204:
2199:
2194:
2189:
2187:Victoria Clark
2184:
2179:
2174:
2169:
2167:Julia McKenzie
2164:
2159:
2154:
2150:
2149:
2143:
2140:London Revival
2138:
2133:
2128:
2123:
2118:
2115:London Revival
2113:
2108:
2103:
2098:
2095:Lincoln Center
2093:
2090:
2080:
2077:
2033:Isabel Keating
2000:
1997:
1987:and won 2 for
1955:Tracie Bennett
1926:
1923:
1886:
1883:
1863:Graham Bickley
1842:
1839:
1835:Obba Babatunde
1831:Sammy Williams
1823:Victoria Clark
1814:
1811:
1779:Mary Beth Peil
1725:as Emily, and
1715:Rosalind Elias
1701:, costumes by
1699:Warren Carlyle
1695:Eric Schaeffer
1691:Danny Burstein
1658:
1655:
1651:Casey Nicholaw
1643:Jo Anne Worley
1619:Victoria Clark
1599:
1596:
1578:
1577:2003 Ann Arbor
1575:
1537:Stella Stevens
1525:Amanda McBroom
1513:Carol Lawrence
1470:
1467:
1441:
1438:
1388:Marge Champion
1380:Treat Williams
1351:
1348:
1304:
1303:Sydney concert
1301:
1285:Julia McKenzie
1276:
1275:London concert
1273:
1248:
1247:Dublin concert
1245:
1243:
1240:
1193:Phyllis Newman
1161:Jerry Mitchell
1151:(Hattie), and
1149:Maxene Andrews
1104:(Phyllis) and
1098:Nancy Dussault
1086:
1083:
1028:, who wrote: "
972:Julia McKenzie
960:Maria Björnson
958:and design by
935:
932:
916:Licia Albanese
896:Phyllis Newman
892:Elaine Stritch
868:Mandy Patinkin
856:Lincoln Center
833:Chili Bouchier
819:
816:
795:
792:
704:Florence Klotz
702:, costumes by
658:
655:
653:
650:
615:
612:
588:Losing My Mind
553:
550:
532:
531:
528:
525:
522:
519:
516:Losing My Mind
512:
509:
506:
503:
496:
493:
490:
487:
484:I'm Still Here
480:
477:
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471:
468:
454:
451:
448:
445:
442:
430:
427:
420:Losing My Mind
400:I'm Still Here
354:
351:
313:Ziegfeld Girls
308:New York Times
288:
285:
281:Losing My Mind
273:I'm Still Here
237:(based on the
222:and a book by
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99:Lincoln Center
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2:
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10703:
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10683:
10680:
10678:
10677:1971 musicals
10675:
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10640:
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10614:Film composer
10612:
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10533:Documentaries
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10365:I Feel Pretty
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10078:
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10067:
10065:(lyrics only)
10064:
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10057:
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10043:(lyrics only)
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10035:(lyrics only)
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9678:
9673:
9669:
9668:Greg Morrison
9665:
9661:
9660:
9655:
9651:
9647:
9646:
9641:
9637:
9633:
9629:
9628:
9623:
9619:
9618:Scott Wittman
9615:
9611:
9610:
9605:
9601:
9597:
9596:Mark Hollmann
9593:
9592:
9587:
9583:
9579:
9578:
9577:The Producers
9573:
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9566:
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9380:
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9372:
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9366:
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9353:
9352:
9347:
9343:
9342:Alain Boublil
9339:
9335:
9331:
9330:
9325:
9321:
9320:Rupert Holmes
9317:
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9179:
9175:
9171:
9167:
9166:
9161:
9157:
9156:Edward Kleban
9153:
9149:
9148:
9147:A Chorus Line
9143:
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9136:
9128:
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9006:
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8992:
8988:
8987:
8982:
8978:
8974:
8973:
8972:Hello, Dolly!
8968:
8964:
8960:
8959:
8954:
8950:
8946:
8945:
8940:
8936:
8935:Irving Berlin
8932:
8931:
8930:Call Me Madam
8926:
8922:
8918:
8917:
8916:South Pacific
8912:
8908:
8904:
8903:
8902:Kiss Me, Kate
8898:
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8763:
8762:
8758:
8755:
8754:
8750:
8747:
8746:
8742:
8739:
8738:
8737:Crazy for You
8734:
8731:
8730:
8726:
8723:
8722:
8721:Hello, Dolly!
8718:
8715:
8714:
8710:
8707:
8706:
8702:
8699:
8698:
8694:
8691:
8690:
8686:
8683:
8682:
8678:
8675:
8674:
8670:
8667:
8666:
8665:Anything Goes
8662:
8659:
8658:
8654:
8651:
8650:
8646:
8643:
8642:
8638:
8635:
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8502:
8499:
8496:
8495:
8491:
8488:
8487:
8483:
8480:
8479:
8475:
8472:
8471:
8470:Groundhog Day
8467:
8464:
8463:
8459:
8456:
8455:
8451:
8448:
8447:
8443:
8440:
8439:
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8408:
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8403:
8400:
8399:
8395:
8392:
8391:
8387:
8384:
8383:
8379:
8376:
8375:
8374:The Producers
8371:
8368:
8367:
8363:
8360:
8359:
8355:
8352:
8351:
8347:
8346:
8344:
8340:
8333:
8332:
8328:
8325:
8324:
8320:
8317:
8316:
8312:
8309:
8308:
8307:Martin Guerre
8304:
8301:
8300:
8296:
8293:
8292:
8288:
8285:
8284:
8280:
8277:
8276:
8275:Crazy for You
8272:
8269:
8268:
8264:
8261:
8260:
8256:
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8156:
8152:
8149:
8148:
8147:A Chorus Line
8144:
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7907:
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7903:
7899:
7896:
7895:
7891:
7888:
7887:
7886:The Producers
7883:
7880:
7879:
7875:
7874:
7872:
7868:
7861:
7860:
7856:
7853:
7852:
7851:The Lion King
7848:
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7535:
7532:
7531:
7527:
7524:
7523:
7519:
7516:
7515:
7511:
7510:
7508:
7504:
7497:
7496:
7491:
7490:
7486:
7483:
7482:
7481:The Music Man
7478:
7477:
7475:
7471:
7467:
7460:
7455:
7453:
7448:
7446:
7441:
7440:
7437:
7424:
7423:
7419:
7416:
7415:
7411:
7408:
7407:
7403:
7400:
7397:
7396:
7392:
7389:
7388:
7384:
7381:
7380:
7376:
7373:
7372:
7371:Hello, Dolly!
7368:
7365:
7364:
7360:
7357:
7356:
7352:
7349:
7348:
7344:
7341:
7340:
7336:
7333:
7332:
7328:
7325:
7324:
7323:Anything Goes
7320:
7317:
7316:
7312:
7309:
7308:
7304:
7301:
7300:
7299:South Pacific
7296:
7293:
7292:
7288:
7285:
7284:
7280:
7277:
7276:
7272:
7269:
7268:
7264:
7261:
7260:
7256:
7253:
7252:
7248:
7245:
7244:
7240:
7237:
7236:
7235:Kiss Me, Kate
7232:
7229:
7228:
7224:
7221:
7220:
7216:
7213:
7212:
7208:
7205:
7204:
7200:
7197:
7196:
7192:
7191:
7188:
7184:
7177:
7172:
7170:
7165:
7163:
7158:
7157:
7154:
7148:
7144:
7138:
7131:
7130:
7126:
7124:
7120:
7119:
7115:
7113:
7111:
7107:
7104:
7103:
7099:
7097:
7093:
7092:
7088:
7087:
7079:
7075:
7071:
7067:
7065:
7061:
7057:
7053:
7051:
7047:
7043:
7039:
7038:
7030:
7026:
7022:
7018:
7016:
7012:
7008:
7004:
7002:
7001:0-385-33412-5
6998:
6994:
6990:
6988:
6984:
6980:
6976:
6975:
6954:
6950:
6944:
6929:
6925:
6918:
6911:
6908:
6905:Dex, Robert.
6902:
6886:
6880:
6873:
6869:
6866:
6861:
6845:
6841:
6835:
6820:
6816:
6809:
6794:
6790:
6783:
6775:
6771:
6765:
6749:
6745:
6739:
6732:
6729:
6725:
6722:
6716:
6709:
6706:Probst, Andy.
6703:
6684:
6677:
6670:
6655:
6651:
6644:
6642:
6634:
6630:
6624:
6617:
6613:
6607:
6601:, May 8, 1998
6600:
6596:
6590:
6583:
6579:
6576:Rich, Frank.
6573:
6567:, May 3, 1971
6566:
6565:
6560:
6555:
6548:
6544:
6538:
6531:
6527:
6517:
6510:
6506:
6500:
6484:
6480:
6474:
6466:
6465:
6460:
6453:
6445:
6444:
6439:
6432:
6424:
6420:
6413:
6405:
6401:
6394:
6386:
6385:
6380:
6373:
6365:
6361:
6354:
6346:
6345:
6340:
6333:
6327:
6322:
6306:
6302:
6296:
6280:
6276:
6270:
6255:
6251:
6244:
6242:
6233:
6229:
6222:
6211:September 30,
6206:
6202:
6196:
6180:
6176:
6172:
6165:
6157:
6153:
6147:
6139:
6135:
6131:
6127:
6121:
6113:
6107:
6088:
6081:
6075:
6068:
6065:
6059:
6043:
6039:
6035:
6028:
6021:
6017:
6008:
6001:
5997:
5993:
5990:
5981:
5974:
5970:
5966:
5963:
5954:
5947:
5943:
5939:
5936:
5930:
5923:
5919:
5913:
5906:
5903:
5897:
5895:
5887:
5883:
5879:
5876:
5870:
5854:
5850:
5846:
5839:
5832:
5831:
5824:
5817:
5813:
5807:
5800:
5796:
5792:
5789:
5783:
5776:
5772:
5768:
5765:
5762:Gans, Andrew.
5759:
5757:
5749:
5745:
5742:
5732:
5725:
5721:
5717:
5714:
5705:
5698:
5689:
5674:
5670:
5663:
5656:
5651:
5635:
5631:
5629:
5621:
5614:
5613:
5608:
5604:
5601:
5599:
5596:"Recalling a
5592:
5586:, May 6, 2002
5585:
5582:
5576:
5569:
5566:
5562:
5559:
5553:
5538:
5534:
5527:
5520:
5516:
5513:
5504:
5497:
5493:
5484:
5477:
5473:
5470:
5464:
5457:
5453:
5449:
5446:
5440:
5433:
5424:
5417:
5411:
5404:
5400:
5396:
5393:
5387:
5380:
5374:
5367:
5364:
5358:
5350:
5344:
5337:
5333:
5330:
5329:"Toni Lamond"
5325:
5318:
5313:
5306:
5301:
5294:
5290:
5287:
5282:
5275:
5271:
5261:
5246:
5245:BroadwayWorld
5242:
5235:
5228:
5223:
5216:
5208:
5201:
5197:
5193:
5190:
5184:
5177:
5172:
5165:
5161:
5158:
5153:
5146:
5140:
5133:
5128:
5121:
5113:
5106:
5105:
5098:
5091:
5085:
5083:
5075:
5069:
5060:
5053:
5045:
5043:
5041:
5039:
5031:
5023:
5016:
5008:
5001:
4996:
4988:
4987:
4982:
4976:
4969:
4964:
4957:
4949:
4940:
4931:
4925:Zadan, p. 175
4922:
4915:
4911:
4908:Rich, Frank.
4905:
4903:
4901:
4899:
4889:
4880:
4871:
4864:
4860:
4856:
4853:
4847:
4840:
4832:
4825:
4821:
4818:Marks, Peter.
4815:
4808:
4807:
4803:
4799:
4796:
4790:
4783:
4778:
4771:
4765:
4758:
4757:0-87910-296-9
4754:
4750:
4747:
4746:
4742:Ilson, Carol.
4739:
4730:
4723:
4722:0-8153-3586-5
4719:
4715:
4711:
4701:
4692:
4685:
4683:
4676:
4674:
4672:
4670:
4662:
4656:
4654:
4644:
4637:
4633:
4629:
4623:
4616:
4608:
4602:, pp. 109-110
4601:
4600:0-8153-3586-5
4597:
4593:
4590:
4584:
4578:
4577:0-8153-3586-5
4574:
4570:
4567:
4562:
4555:
4551:
4548:
4543:
4536:
4535:
4530:
4520:
4513:
4510:
4504:
4497:
4496:0-521-33609-0
4493:
4489:
4485:
4479:
4472:
4468:
4464:
4461:
4448:
4439:
4430:
4423:
4418:
4416:
4409:, pp. 2-3, 71
4408:
4404:
4400:
4397:
4391:
4389:
4387:
4385:
4377:
4376:0-19-509601-0
4373:
4369:
4365:
4363:
4356:
4347:
4345:
4336:
4334:1-4039-6539-0
4330:
4326:
4320:
4316:
4311:
4307:
4294:
4291:
4289:
4286:
4285:
4281:
4279:
4276:
4274:
4271:
4270:
4266:
4264:
4261:
4260:
4256:
4251:
4248:
4247:
4243:
4240:
4238:
4235:
4234:
4230:
4227:
4225:
4224:Best Director
4222:
4221:
4217:
4215:
4212:
4210:
4207:
4206:
4202:
4200:
4197:
4196:
4192:
4189:
4187:
4183:
4179:
4177:
4172:
4165:
4161:
4158:
4156:
4155:Best Director
4153:
4152:
4148:
4146:
4143:
4141:
4138:
4137:
4133:
4131:
4126:
4122:
4118:
4115:
4113:
4112:Best Designer
4110:
4109:
4105:
4103:
4102:Dominic Cooke
4100:
4098:
4097:Best Director
4095:
4093:
4086:
4069:
4056:
4054:
4049:
4046:
4045:
4041:
4038:
4036:
4033:
4032:
4028:
4026:
4023:
4021:
4018:
4017:
4013:
4011:
4008:
4006:
4003:
4002:
3998:
3996:
3993:
3991:
3988:
3987:
3983:
3981:
3978:
3976:
3973:
3972:
3968:
3966:
3963:
3961:
3958:
3957:
3953:
3951:
3948:
3947:
3943:
3941:
3938:
3936:
3932:
3928:
3926:
3923:
3921:
3918:
3917:
3913:
3911:
3906:
3902:
3898:
3895:
3893:
3890:
3889:
3885:
3883:
3880:
3878:
3875:
3874:
3870:
3868:
3865:
3863:
3860:
3859:
3855:
3853:
3850:
3848:
3845:
3844:
3840:
3838:
3835:
3833:
3830:
3829:
3825:
3823:
3820:
3819:
3815:
3813:
3810:
3808:
3804:
3800:
3798:
3793:
3786:
3769:
3756:
3754:
3751:
3749:
3746:
3745:
3741:
3739:
3736:
3734:
3731:
3730:
3726:
3724:
3721:
3719:
3716:
3715:
3711:
3709:
3708:Blythe Danner
3706:
3704:
3701:
3700:
3696:
3694:
3689:
3685:
3681:
3679:
3676:
3674:
3671:
3670:
3666:
3664:
3661:
3659:
3656:
3655:
3651:
3649:
3644:
3637:
3620:
3607:
3605:
3602:
3600:
3597:
3596:
3592:
3590:
3585:
3578:
3561:
3548:
3546:
3545:Tharon Musser
3543:
3541:
3538:
3537:
3533:
3531:
3528:
3526:
3523:
3522:
3518:
3516:
3515:Boris Aronson
3513:
3511:
3508:
3507:
3503:
3501:
3498:
3496:
3493:
3492:
3488:
3486:
3482:
3481:Harold Prince
3479:
3477:
3474:
3473:
3469:
3467:
3464:
3462:
3459:
3458:
3454:
3452:
3449:
3447:
3444:
3443:
3439:
3437:
3434:
3433:
3429:
3427:
3424:
3422:
3418:
3414:
3412:
3411:James Goldman
3409:
3407:
3404:
3403:
3399:
3397:
3392:
3385:
3381:
3379:Best Musical
3376:
3373:
3372:
3368:
3366:
3362:
3361:Harold Prince
3359:
3357:
3354:
3353:
3349:
3347:
3344:
3342:
3339:
3338:
3334:
3332:
3331:Boris Aronson
3329:
3327:
3324:
3323:
3319:
3317:
3314:
3312:
3309:
3308:
3304:
3302:
3299:
3298:
3294:
3292:
3287:
3284:
3283:
3279:
3277:
3274:
3272:
3269:
3267:
3260:
3243:
3230:
3228:
3227:Dominic Cooke
3223:
3221:
3217:
3213:
3203:
3201:
3197:
3193:
3188:
3184:
3180:
3170:
3167:
3163:
3158:
3156:
3151:
3146:
3142:
3137:
3135:
3131:
3127:
3123:
3118:
3116:
3112:
3111:
3106:
3104:
3100:
3096:
3092:
3088:
3084:
3081:
3077:
3073:
3069:
3065:
3052:
3049:
3048:
3039:
3036:
3033:
3030:
3027:
3024:
3023:Stella Deems:
3021:
3018:
3017:Joan Marshall
3015:
3012:
3009:
3006:
3003:
3000:
2997:
2994:
2991:
2988:
2987:
2978:
2975:
2972:
2969:
2966:
2963:
2962:Stella Deems:
2960:
2957:
2954:
2951:
2948:
2945:
2942:
2939:
2936:
2933:
2930:
2927:
2924:
2921:
2918:
2915:
2911:
2908:
2905:
2904:
2889:
2884:
2879:
2871:
2863:
2858:
2857:Eddie Bracken
2853:
2852:Leonard Sachs
2848:
2847:Andre Gregory
2843:
2837:
2836:
2833:
2828:
2823:
2818:
2813:
2808:
2800:
2799:Betty Garrett
2795:
2790:
2785:
2780:
2774:
2773:
2770:
2766:
2765:Felicity Lott
2761:
2756:
2755:Cheryl Barker
2748:
2743:
2738:
2733:
2725:
2720:
2715:
2709:
2708:
2702:
2697:
2692:
2687:
2686:Joanne Worley
2679:
2674:
2669:
2664:
2659:
2654:Stella Deems
2653:
2652:
2649:
2644:
2639:
2638:Betty Buckley
2634:
2629:
2624:
2623:Diane Langton
2619:
2614:
2609:
2604:
2603:Carol Burnett
2599:
2593:
2592:
2589:Henry Hepple
2583:
2563:
2562:Billy Hartung
2555:
2550:Harvey Evans
2546:
2545:
2539:
2538:Zizi Strallen
2534:Jenni Little
2531:
2523:
2515:
2510:
2505:
2504:Gillian Bevan
2500:Daisy Prince
2493:
2492:
2489:Ian McIntosh
2480:
2472:
2471:Colin Donnell
2467:
2459:
2451:
2442:
2441:
2438:Gemma Sutton
2432:
2431:Sophie Wright
2424:
2413:
2402:
2393:
2392:
2389:
2384:
2379:
2374:
2369:
2364:
2363:Henry Goodman
2359:
2354:
2349:
2344:
2339:
2333:
2332:
2329:
2321:
2316:
2311:
2306:
2301:
2300:Blythe Danner
2296:
2291:
2286:
2281:
2275:
2274:
2271:
2266:
2261:
2256:
2251:
2250:Victor Garber
2246:David Durham
2243:
2238:
2233:
2232:Daniel Massey
2228:
2223:
2222:John McMartin
2217:
2216:
2213:
2212:Joanna Riding
2208:
2203:
2198:
2193:
2188:
2183:
2182:Kathryn Evans
2178:
2173:
2168:
2163:
2158:
2152:
2151:
2148:
2144:
2139:
2134:
2129:
2124:
2119:
2114:
2109:
2104:
2099:
2094:
2091:
2088:
2087:
2084:
2076:
2074:
2070:
2066:
2062:
2058:
2054:
2053:Barbara Walsh
2050:
2046:
2042:
2038:
2034:
2030:
2026:
2022:
2021:Ryan McCartan
2018:
2014:
2010:
2009:Carnegie Hall
2006:
1996:
1994:
1990:
1986:
1981:
1979:
1975:
1974:Joanna Riding
1971:
1967:
1962:
1960:
1956:
1952:
1948:
1944:
1940:
1936:
1935:Dominic Cooke
1932:
1922:
1920:
1916:
1912:
1908:
1904:
1900:
1896:
1892:
1882:
1880:
1877:(Hattie) and
1876:
1872:
1868:
1867:JĂ©rĂ´me Pradon
1864:
1860:
1859:Liz Robertson
1856:
1852:
1848:
1838:
1836:
1832:
1828:
1827:Carol Neblett
1824:
1820:
1810:
1807:
1803:
1798:
1795:
1791:
1786:
1784:
1780:
1776:
1771:
1766:
1764:
1760:
1756:
1751:
1747:
1743:
1739:
1735:
1730:
1728:
1724:
1720:
1716:
1712:
1708:
1704:
1700:
1696:
1692:
1688:
1684:
1681:as Carlotta,
1680:
1676:
1672:
1668:
1664:
1654:
1652:
1648:
1644:
1640:
1636:
1632:
1628:
1624:
1623:Victor Garber
1620:
1616:
1612:
1608:
1604:
1595:
1594:as Carlotta.
1593:
1589:
1584:
1574:
1572:
1568:
1567:
1562:
1558:
1554:
1553:Austin Miller
1550:
1546:
1542:
1538:
1534:
1530:
1526:
1522:
1518:
1514:
1510:
1506:
1505:Harry Groener
1502:
1498:
1494:
1490:
1485:
1483:
1479:
1475:
1466:
1464:
1463:Henry Goodman
1461:as Heidi and
1460:
1456:
1452:
1451:Kathryn Evans
1447:
1437:
1434:
1429:
1425:
1420:
1418:
1413:
1411:
1410:Betty Garrett
1407:
1403:
1402:
1397:
1393:
1389:
1385:
1381:
1377:
1373:
1372:Blythe Danner
1370:, it starred
1369:
1365:
1361:
1357:
1347:
1345:
1341:
1337:
1333:
1332:Judi Connelli
1329:
1328:Jill Perryman
1325:
1321:
1317:
1313:
1309:
1300:
1298:
1294:
1293:Denis Quilley
1290:
1286:
1282:
1272:
1270:
1266:
1262:
1258:
1254:
1239:
1237:
1233:
1230:(Heidi), and
1229:
1225:
1221:
1220:Jeff McCarthy
1217:
1213:
1209:
1205:
1204:Julianne Boyd
1201:
1198:
1194:
1190:
1186:
1185:Eddie Bracken
1182:
1178:
1174:
1170:
1166:
1162:
1158:
1154:
1150:
1146:
1145:Virginia Mayo
1142:
1141:Denise Darcel
1138:
1134:
1130:
1126:
1122:
1117:
1115:
1111:
1107:
1103:
1102:Juliet Prowse
1099:
1095:
1091:
1082:
1080:
1076:
1073:
1070:
1066:
1061:
1060:Irving Wardle
1057:
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1047:
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1039:
1035:
1031:
1027:
1026:
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1015:
1011:
1009:
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997:
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989:
988:Maria Charles
985:
984:Leonard Sachs
981:
977:
973:
969:
968:Daniel Massey
965:
961:
957:
953:
949:
945:
941:
934:1987 West End
931:
929:
924:
919:
917:
913:
912:Andre Gregory
909:
906:(Young Ben),
905:
901:
897:
893:
889:
885:
881:
877:
876:Carol Burnett
873:
870:(Buddy), and
869:
865:
861:
857:
853:
848:
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842:
838:
834:
830:
826:
815:
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766:
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749:
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741:
737:
733:
729:
725:
721:
717:
716:John McMartin
713:
710:. It starred
709:
708:Tharon Musser
705:
701:
700:Boris Aronson
697:
693:
692:Harold Prince
689:
685:
682:premiered on
681:
673:
669:
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649:
645:
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629:
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459:
458:Broadway Baby
455:
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438:
436:
426:
423:
421:
415:
411:
409:
403:
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385:
381:
377:
376:Arthur Murray
371:
367:
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350:
344:
340:
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335:
330:
325:
324:David Merrick
321:
316:
314:
310:
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296:
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284:
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278:
274:
270:
265:
261:
257:
256:Harold Prince
252:
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246:
242:
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236:
232:
227:
225:
224:James Goldman
221:
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200:
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177:
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138:
135:
132:
128:
125:
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113:
109:
107:
103:
100:
96:
93:
91:1971 Broadway
90:
89:
87:
83:
80:
79:James Goldman
77:
75:
71:
67:
63:
60:
57:
53:
49:
43:
38:
35:
29:
26:
22:
10654:The Birdcage
10652:
10644:
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10628:
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10582:
10574:
10555:
10547:
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10521:
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10068:
10060:
10053:
10046:
10038:
10030:
10023:
9935:
9917:
9899:
9889:
9875:
9868:David Yazbek
9861:
9843:
9829:
9811:
9797:
9790:Cyndi Lauper
9783:
9776:Jack Feldman
9765:
9754:Robert Lopez
9743:
9736:Joe DiPietro
9725:
9718:Brian Yorkey
9707:
9693:
9686:Steven Sater
9682:Duncan Sheik
9675:
9664:Lisa Lambert
9657:
9650:Adam Guettel
9643:
9632:Robert Lopez
9625:
9614:Marc Shaiman
9607:
9589:
9575:
9568:2001–present
9546:
9532:
9514:
9507:Maury Yeston
9500:
9486:
9464:
9450:
9436:
9422:
9415:William Finn
9408:
9401:Adolph Green
9397:Betty Comden
9386:
9379:David Zippel
9368:
9349:
9327:
9313:
9306:Roger Miller
9299:
9292:Jerry Herman
9285:
9267:
9260:Maury Yeston
9253:
9235:
9217:
9205:Sweeney Todd
9203:
9196:Adolph Green
9192:Betty Comden
9181:
9163:
9145:
9120:
9102:
9088:
9075:
9074:
9060:
9053:Adolph Green
9049:Betty Comden
9038:
9020:
9002:
8984:
8977:Jerry Herman
8970:
8956:
8942:
8928:
8914:
8900:
8888:Street Scene
8886:
8826:
8818:
8810:
8799:
8791:
8784:
8783:
8775:
8767:
8759:
8751:
8745:Sweeney Todd
8743:
8735:
8727:
8719:
8711:
8703:
8695:
8687:
8679:
8671:
8663:
8657:My Fair Lady
8655:
8647:
8639:
8631:
8623:
8615:
8609:She Loves Me
8607:
8601:Sweeney Todd
8599:
8591:
8583:
8575:
8519:
8511:
8503:
8492:
8484:
8476:
8468:
8460:
8452:
8444:
8436:
8428:
8420:
8412:
8404:
8396:
8388:
8382:Billy Elliot
8380:
8372:
8364:
8356:
8348:
8342:2001-present
8329:
8321:
8313:
8305:
8297:
8289:
8281:
8273:
8267:Carmen Jones
8265:
8257:
8249:
8241:
8234:
8233:
8225:
8217:
8209:
8201:
8193:
8185:
8179:Sweeney Todd
8177:
8169:
8161:
8153:
8145:
8086:
8078:
8070:
8062:
8043:
8035:
8027:
8019:
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8003:
7995:
7987:
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7967:
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7916:
7908:
7900:
7892:
7884:
7876:
7857:
7849:
7841:
7833:
7825:
7817:
7809:
7801:
7793:
7785:
7766:
7758:
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7702:
7694:
7675:
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7659:
7651:
7643:
7635:
7627:
7619:
7611:
7603:
7584:
7576:
7568:
7560:
7552:
7544:
7538:She Loves Me
7536:
7528:
7520:
7512:
7493:
7487:
7479:
7420:
7412:
7404:
7393:
7385:
7379:My Fair Lady
7377:
7369:
7363:She Loves Me
7361:
7353:
7345:
7337:
7330:
7329:
7321:
7313:
7305:
7297:
7289:
7283:Sweeney Todd
7281:
7273:
7265:
7257:
7249:
7241:
7233:
7225:
7217:
7209:
7201:
7195:She Loves Me
7193:
7142:
7127:
7117:
7109:
7101:
7090:
7069:
7055:
7041:
7020:
7006:
6992:
6978:
6957:. Retrieved
6952:
6943:
6931:. Retrieved
6927:
6917:
6909:
6901:
6889:. Retrieved
6879:
6860:
6850:November 15,
6848:. Retrieved
6843:
6834:
6822:. Retrieved
6818:
6808:
6796:. Retrieved
6792:
6782:
6773:
6764:
6752:. Retrieved
6747:
6738:
6730:
6715:
6702:
6690:. Retrieved
6669:
6657:. Retrieved
6653:
6632:
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6615:
6606:
6598:
6589:
6581:
6572:
6562:
6554:
6546:
6537:
6529:
6516:
6508:
6499:
6487:. Retrieved
6483:the original
6473:
6462:
6452:
6441:
6431:
6422:
6412:
6403:
6393:
6382:
6372:
6363:
6353:
6342:
6332:
6321:
6309:. Retrieved
6304:
6295:
6283:. Retrieved
6278:
6269:
6257:. Retrieved
6253:
6231:
6221:
6209:. Retrieved
6204:
6195:
6183:. Retrieved
6179:the original
6174:
6164:
6155:
6146:
6130:The Guardian
6129:
6120:
6096:September 8,
6094:. Retrieved
6087:the original
6074:
6066:
6058:
6046:. Retrieved
6042:the original
6037:
6027:
6019:
6007:
5999:
5980:
5972:
5953:
5945:
5929:
5921:
5912:
5904:
5885:
5869:
5857:. Retrieved
5853:the original
5848:
5838:
5829:
5823:
5815:
5806:
5798:
5782:
5774:
5731:
5723:
5704:
5688:
5676:. Retrieved
5672:
5662:
5650:
5638:. Retrieved
5633:
5627:
5620:
5615:Spring 2003.
5610:
5597:
5591:
5583:
5575:
5567:
5552:
5540:. Retrieved
5536:
5526:
5503:
5495:
5483:
5463:
5455:
5439:
5423:
5415:
5410:
5402:
5386:
5378:
5373:
5365:
5361:Ford, Peter.
5357:
5343:
5324:
5312:
5300:
5281:
5273:
5260:
5248:. Retrieved
5244:
5234:
5222:
5207:
5199:
5183:
5171:
5152:
5144:
5139:
5127:
5112:
5102:
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5068:
5059:
5022:
5007:
4995:
4984:
4975:
4963:
4948:
4939:
4930:
4921:
4913:
4888:
4879:
4870:
4863:Boston Globe
4862:
4846:
4831:
4823:
4814:
4804:
4789:
4777:
4764:
4748:
4744:
4738:
4729:
4713:
4700:
4691:
4681:
4660:
4643:
4627:
4622:
4607:
4591:
4583:
4568:
4561:
4542:
4532:
4519:
4511:
4503:
4487:
4478:
4462:
4447:
4438:
4429:
4398:
4378:, pp.159-160
4367:
4361:
4355:
4324:
4318:
4314:
4310:
4241:Bill Deamer
4130:Best Musical
4048:Grammy Award
4025:Gregg Barnes
4010:Derek McLane
3965:Elaine Paige
3882:Natasha Katz
3867:Gregg Barnes
3723:Polly Bergen
3663:Polly Bergen
3426:Alexis Smith
3396:Best Musical
3346:Alexis Smith
3224:
3216:Meryl Streep
3212:Rob Marshall
3209:
3200:Grammy Award
3195:
3187:Bruce Kimmel
3182:
3178:
3176:
3165:
3161:
3159:
3154:
3149:
3148:wrote: "But
3144:
3140:
3138:
3133:
3129:
3126:Ben Brantley
3121:
3119:
3114:
3108:
3107:
3102:
3094:
3090:
3085:
3080:Clive Barnes
3075:
3071:
3067:
3061:
3050:
3037:
3028:
3022:
3013:
3010:Kelli O'Hara
3007:
3002:Kelli O'Hara
2998:
2989:
2976:
2970:
2965:Helon Blount
2961:
2955:
2946:
2941:Dick Latessa
2937:
2928:
2923:Peter Walker
2919:
2906:
2888:Gary Raymond
2883:Robert Grubb
2874:David Sabin
2870:Philip Bosco
2862:Louis Zorich
2832:Claire Moore
2822:Nancye Hayes
2803:Joan Savage
2794:Kaye Ballard
2779:Ethel Shutta
2742:Lucine Amara
2732:Joan Roberts
2696:Anita Dobson
2658:Mary McCarty
2633:Elaine Paige
2618:Polly Bergen
2608:Dolores Gray
2578:Jos Slovick
2558:Evan Pappas
2547:Young Buddy
2522:Jenny Powers
2475:Nick Verina
2466:Hugh Maynard
2454:Simon Green
2419:Katie Klaus
2401:Liz Callaway
2397:Marti Rolph
2394:Young Sally
2388:Peter Forbes
2383:David Hobson
2353:Tony Roberts
2310:Donna Murphy
2280:Alexis Smith
2265:Philip Quast
2227:George Hearn
2162:Barbara Cook
2146:
2082:
2073:Donna Murphy
2004:
2002:
1982:
1970:Peter Forbes
1963:
1951:Philip Quast
1949:as Phyllis,
1939:Peter Forbes
1928:
1899:David Hobson
1895:Philip Quast
1888:
1875:Julia Sutton
1873:(Carlotta),
1846:
1844:
1816:
1799:
1793:
1789:
1787:
1767:
1762:
1758:
1754:
1749:
1741:
1737:
1733:
1731:
1723:Susan Watson
1721:as Solange,
1711:Natasha Katz
1707:Derek McLane
1703:Gregg Barnes
1679:Elaine Paige
1677:as Phyllis,
1660:
1647:Philip Bosco
1635:Lucine Amara
1615:Donna Murphy
1610:
1601:
1580:
1564:
1557:Kevin Earley
1486:
1473:
1472:
1457:as Phyllis,
1443:
1432:
1427:
1424:John Kenrick
1421:
1416:
1414:
1399:
1396:Joan Roberts
1394:(Carlotta),
1392:Polly Bergen
1353:
1344:Ron Haddrick
1340:Nancye Hayes
1330:(Carlotta),
1307:
1306:
1278:
1250:
1234:(Carlotta).
1207:
1202:
1191:(Carlotta).
1181:Kaye Ballard
1177:Tony Roberts
1163:and starred
1153:Karen Morrow
1118:
1093:
1088:
1078:
1077:
1074:
1068:
1053:
1045:
1041:
1037:
1033:
1029:
1023:
1019:
1016:
1012:
1003:
996:Dolores Gray
952:Mike Ockrent
937:
927:
923:Herbert Ross
920:
908:Liz Callaway
886:(Theodore),
884:Adolph Green
880:Betty Comden
878:(Carlotta),
864:George Hearn
860:Barbara Cook
849:
837:Kevin Colson
821:
811:
797:
786:
780:
772:
768:
763:
754:
752:
748:Ethel Shutta
740:Mary McCarty
732:Fifi D'Orsay
712:Alexis Smith
679:
678:
661:
660:
646:
638:
633:
630:
624:
617:
597:
579:
574:
572:
566:
557:
555:
546:
539:
536:
533:
486:" – Carlotta
434:
432:
424:
416:
412:
404:
396:
392:
388:
384:Oscar Straus
372:
368:
358:
356:
342:
338:
332:
328:
319:
317:
306:
292:
290:
253:
238:
228:
210:
209:
208:
31:
25:
10568:Screenplays
10449:Being Alive
10421:Rose's Turn
10161:Here We Are
9942:Shaina Taub
9906:Toby Marlow
9854:Justin Paul
9785:Kinky Boots
9772:Alan Menken
9750:Trey Parker
9732:David Bryan
9525:Lynn Ahrens
9429:John Kander
9278:T. S. Eliot
9242:John Kander
9027:John Kander
9009:Mitch Leigh
8963:Lionel Bart
8907:Cole Porter
8681:Grand Hotel
8462:Kinky Boots
8406:Jersey Boys
8254:(1989/1990)
8211:42nd Street
7997:Kinky Boots
7972:(featuring
7926:Jersey Boys
7243:42nd Street
7141:Awards for
6891:December 6,
6754:January 30,
6311:January 18,
6185:November 3,
6048:January 11,
5859:January 22,
5542:January 12,
5145:PR Newswire
5134:. bbc.co.uk
4039:Kai Harada
3940:Jan Maxwell
3896:Kai Harada
3837:Jan Maxwell
3451:Gene Nelson
3192:PS Classics
3087:Walter Kerr
3032:Marni Nixon
2993:Don Correia
2910:Jan Clayton
2842:Arnold Moss
2724:Adele Leigh
2691:Terri White
2678:Carol Woods
2668:Lynda Baron
2643:Debra Byrne
2566:Joey Sorge
2435:Alex Young
2412:Lauren Ward
2348:David Healy
2338:Gene Nelson
2315:Jan Maxwell
2305:Louise Gold
2202:Lisa McCune
2177:Judith Ivey
2025:Grey Henson
2017:Julie Benko
1953:as Ben and
1915:Debra Byrne
1911:Nancy Hayes
1903:Lisa McCune
1861:(Phyllis),
1783:PS Classics
1777:as Hattie,
1727:Terri White
1689:as Ben and
1685:as Hattie,
1683:Linda Lavin
1675:Jan Maxwell
1639:Anne Rogers
1617:(Phyllis),
1592:top billing
1539:(Dee Dee),
1531:(Vincent),
1529:Grover Dale
1527:(Solange),
1515:(Vanessa),
1509:Carole Cook
1499:(Phyllis),
1455:Louise Gold
1406:Marni Nixon
1376:Judith Ivey
1374:(Phyllis),
1334:(Phyllis),
1324:Toni Lamond
1291:(Phyllis),
1269:Enda Markey
1265:Bryan Smyth
1261:Mary Millar
1228:Marni Nixon
1224:Lara Teeter
1183:(Hattie ),
1171:(Phyllis),
1131:(Phyllis),
1116:(Vincent).
1000:Eartha Kitt
980:Lynda Baron
976:David Healy
966:(Phyllis),
841:David Scase
829:Meg Johnson
825:Mary Millar
808:Janet Blair
783:Craig Zadan
744:Arnold Moss
724:Gene Nelson
714:(Phyllis),
652:Productions
502:" – Phyllis
461: [
380:Franz Lehár
264:Tony Awards
145:2012 Madrid
85:Productions
10671:Categories
10646:Dick Tracy
9850:Benj Pasek
9758:Matt Stone
9600:Greg Kotis
9582:Mel Brooks
9553:Elton John
9393:Cy Coleman
9375:Cy Coleman
9188:Cy Coleman
9045:Jule Styne
9013:Joe Darion
8991:Jerry Bock
8944:No Strings
8893:Kurt Weill
7835:Riverdance
7546:Funny Girl
7530:No Strings
6972:References
6692:January 3,
6659:January 3,
6285:October 4,
5349:"AusStage"
5274:Curtain Up
4471:0472080830
4422:"Synopsis"
4295:Nominated
4282:Nominated
4257:Nominated
4244:Nominated
4231:Nominated
4218:Nominated
4203:Nominated
4193:Nominated
4190:Janie Dee
4162:Nominated
4149:Nominated
4134:Nominated
4057:Nominated
4042:Nominated
4014:Nominated
3999:Nominated
3984:Nominated
3969:Nominated
3954:Nominated
3944:Nominated
3899:Nominated
3886:Nominated
3856:Nominated
3841:Nominated
3826:Nominated
3822:Ron Raines
3816:Nominated
3801:Nominated
3792:Tony Award
3757:Nominated
3742:Nominated
3727:Nominated
3712:Nominated
3697:Nominated
3688:Tony Award
3682:Nominated
3667:Nominated
3652:Nominated
3608:Nominated
3455:Nominated
3440:Nominated
3415:Nominated
3400:Nominated
3391:Tony Award
3220:John Logan
3173:Recordings
3064:Frank Rich
2827:Di Botcher
2817:Lorna Luft
2807:Mimi Hines
2737:Julia Goss
2705:Dawn Hope
2613:Ann Miller
2586:Fred Haig
2582:Rowan Witt
2554:Jim Walton
2518:Kerry Jay
2514:Erin Dilly
2443:Young Ben
2324:Anne Wood
2290:Diana Rigg
2285:Lee Remick
2255:Ron Raines
2089:Character
2057:Norm Lewis
2049:Len Cariou
1945:as Sally,
1941:as Buddy,
1913:(Hattie),
1907:Rowan Witt
1829:as Heidi,
1717:as Heidi,
1687:Ron Raines
1673:as Sally,
1625:(Ben) and
1571:Tom Bosley
1561:Hal Linden
1523:(Stella),
1521:Liz Torres
1519:(Roscoe),
1511:(Hattie),
1501:Vikki Carr
1497:Patty Duke
1489:Bob Gunton
1459:Julia Goss
1453:as Sally,
1295:(Ben) and
1253:Lorna Luft
1216:Kim Crosby
1189:Ann Miller
1137:Edie Adams
1110:Edie Adams
1106:Ron Raines
1042:Daily News
964:Diana Rigg
900:Jim Walton
872:Lee Remick
765:Frank Rich
759:West Coast
621:Ted Chapin
604:vaudeville
303:bookwriter
287:Background
10579:(1953–54)
10372:Somewhere
10154:Road Show
10140:Assassins
10098:The Frogs
9910:Lucy Moss
9877:Hadestown
9822:Lisa Kron
9636:Jeff Marx
9609:Hairspray
9591:Urinetown
9475:Don Black
9410:Falsettos
9301:Big River
9138:1976–2000
8879:1947–1975
8820:Oklahoma!
8633:Oklahoma!
8577:Show Boat
8398:Hairspray
8358:Our House
8139:1976-2000
8045:Hadestown
7974:Green Day
7894:Hairspray
7267:Assassins
6959:March 30,
6933:March 30,
6798:April 15,
6748:The Stage
6676:"Follies"
6650:"Follies"
6489:March 21,
6138:0261-3077
5634:The Blade
5104:The Times
4759:, pg. 190
4145:Janie Dee
4077:Category
3777:Category
3628:Category
3569:Category
3251:Category
3089:wrote in
2328:Janie Dee
1966:Janie Dee
1961:program.
1947:Janie Dee
1901:(Buddy),
1869:(Buddy),
1705:, set by
1629:(Buddy).
1621:(Sally),
1547:(Heidi),
1543:(Emily),
1507:(Buddy),
1503:(Sally),
1401:Oklahoma!
1382:(Buddy),
1378:(Sally),
1326:(Sally),
1314:with the
1297:Ron Moody
1287:(Sally),
1179:(Buddy),
1167:(Sally),
1135:(Sally),
1133:Judy Kaye
1055:The Times
1046:The Times
978:(Buddy),
974:(Sally),
956:Bob Avian
882:(Emily),
862:(Sally),
722:(Sally),
518:" – Sally
364:majordomo
269:standards
10622:Stavisky
10017:Musicals
9831:Hamilton
9813:Fun Home
9714:Tom Kitt
9627:Avenue Q
9557:Tim Rice
9433:Fred Ebb
9246:Fred Ebb
9228:Tim Rice
9031:Fred Ebb
8593:Carousel
8478:Hamilton
8171:Songbook
8013:Hamilton
7976:) (2010)
7613:Godspell
6953:BBC News
6868:Archived
6844:Deadline
6793:Playbill
6731:Playbill
6724:Archived
6683:Archived
6423:Playbill
6259:June 12,
6232:Playbill
6205:Playbill
6106:cite web
6038:Playbill
6020:Playbill
6000:Playbill
5992:Archived
5973:Playbill
5965:Archived
5946:Playbill
5938:Archived
5905:Playbill
5886:Playbill
5878:Archived
5849:Playbill
5799:Playbill
5791:Archived
5775:Playbill
5767:Archived
5744:Archived
5724:Playbill
5716:Archived
5678:March 4,
5673:Playbill
5640:March 4,
5603:Archived
5584:Playbill
5568:Playbill
5561:Archived
5515:Archived
5472:Archived
5456:Playbill
5448:Archived
5403:Playbill
5395:Archived
5366:Playbill
5332:Archived
5289:Archived
5200:Playbill
5192:Archived
5176:"Listing
5160:Archived
4855:Archived
4806:Playbill
4798:Archived
4724:, pg. 81
4550:Archived
4473:, p. 189
4456:'Follies
4080:Nominee
3780:Nominee
3631:Nominee
3572:Nominee
3254:Nominee
3101:wrote: "
2295:Dee Hoty
1837:as Max.
1607:Encores!
1590:enjoyed
1517:Ken Page
1169:Dee Hoty
940:West End
800:The Muny
684:Broadway
614:Versions
584:pastiche
552:Analysis
542:Versions
433:Source:
279:", and "
249:pastiche
124:West End
112:Broadway
106:West End
10428:Company
10337:America
10330:Tonight
10227:Company
10147:Passion
10084:Follies
10077:Company
9767:Newsies
9727:Memphis
9516:Ragtime
9502:Titanic
9452:Passion
9122:The Wiz
9076:Follies
9062:Company
9022:Cabaret
8958:Oliver!
8812:Cabaret
8793:Company
8785:Follies
8641:Candide
8625:Chicago
8438:Top Hat
8243:Candide
8235:Follies
7819:Passion
7645:The Wiz
7605:Company
7570:Cabaret
7495:Redhead
7406:Company
7331:Follies
7291:Company
7219:Cabaret
7211:Chicago
7143:Follies
7129:Follies
7118:Follies
7110:Follies
7102:Follies
7094:at the
7007:Follies
6824:May 22,
5830:Follies
5628:Follies
5598:Follies
5512:, 2002"
5074:Follies
4745:Follies
4682:Follies
4661:Follies
4638:. p.105
4498:, p. 95
4399:Follies
4396:"Act 1"
4315:Follies
4083:Result
3783:Result
3634:Result
3575:Result
3257:Result
3196:Follies
3179:Follies
3166:Follies
3155:Follies
3150:Follies
3145:Follies
3134:Follies
3115:Follies
3103:Follies
3095:Follies
3072:Follies
3068:Follies
2912:(s/b),
2147:(2019)
2142:(2017)
2137:(2016)
2132:(2015)
2127:(2011)
2122:(2007)
2117:(2002)
2112:(2001)
2107:(1998)
2102:(1987)
2097:(1985)
2005:Follies
1897:(Ben),
1879:Fra Fee
1865:(Ben),
1847:Follies
1794:Follies
1763:Follies
1759:Follies
1750:Variety
1738:Follies
1611:Follies
1566:Cabaret
1491:(Ben),
1474:Follies
1433:Follies
1428:Follies
1386:(Ben),
1338:(Ben),
1308:Follies
1222:(Ben),
1208:Follies
1175:(Ben),
1108:(Ben),
1094:Follies
1079:Follies
1069:Follies
1058:critic
1030:Follies
1020:Follies
1004:Follies
970:(Ben),
942:at the
866:(Ben),
812:Follies
787:Follies
755:Variety
718:(Ben),
680:Follies
662:Follies
634:Follies
625:Follies
580:Follies
575:Follies
567:Follies
558:Follies
435:Follies
359:Follies
343:Follies
339:Company
334:Company
216:musical
211:Follies
197:2018 -
191:2012 -
185:1987 -
178:1971 -
171:1971 -
165:1972 -
133:concert
126:revival
115:revival
101:concert
33:Follies
10657:(1996)
10649:(1990)
10641:(1980)
10633:(1976)
10625:(1974)
10606:(1996)
10587:(1973)
10576:Topper
10560:(2016)
10552:(2013)
10544:(1970)
10246:(2021)
10238:(2014)
10230:(2011)
10222:(2007)
10214:(1993)
10206:(1977)
10198:(1966)
10190:(1962)
10182:(1961)
9944:(2024)
9930:(2023)
9912:(2022)
9884:(2019)
9870:(2018)
9856:(2017)
9838:(2016)
9824:(2015)
9806:(2014)
9792:(2013)
9778:(2012)
9760:(2011)
9738:(2010)
9720:(2009)
9702:(2008)
9688:(2007)
9670:(2006)
9652:(2005)
9638:(2004)
9620:(2003)
9602:(2002)
9584:(2001)
9559:(2000)
9541:(1999)
9534:Parade
9527:(1998)
9509:(1997)
9495:(1996)
9481:(1995)
9477:, and
9459:(1994)
9445:(1993)
9417:(1992)
9403:(1991)
9399:, and
9381:(1990)
9358:(1988)
9344:(1987)
9340:, and
9322:(1986)
9308:(1985)
9294:(1984)
9280:(1983)
9262:(1982)
9248:(1981)
9230:(1980)
9212:(1979)
9198:(1978)
9194:, and
9176:(1977)
9158:(1976)
9129:(1975)
9115:(1974)
9097:(1973)
9083:(1972)
9069:(1971)
9055:(1968)
9051:, and
9033:(1967)
9015:(1966)
8997:(1965)
8979:(1964)
8965:(1963)
8951:(1962)
8937:(1951)
8923:(1950)
8909:(1949)
8895:(1947)
8831:(2024)
8823:(2023)
8815:(2022)
8804:(2020)
8796:(2019)
8788:(2018)
8780:(2017)
8772:(2016)
8764:(2015)
8756:(2014)
8748:(2013)
8740:(2012)
8732:(2011)
8724:(2010)
8716:(2009)
8708:(2008)
8700:(2007)
8692:(2006)
8684:(2005)
8676:(2004)
8668:(2003)
8660:(2002)
8652:(2001)
8644:(2000)
8636:(1999)
8628:(1998)
8620:(1997)
8612:(1995)
8604:(1994)
8596:(1993)
8588:(1992)
8580:(1991)
8524:(2024)
8516:(2023)
8508:(2022)
8497:(2020)
8489:(2019)
8481:(2018)
8473:(2017)
8465:(2016)
8457:(2015)
8449:(2014)
8441:(2013)
8433:(2012)
8425:(2011)
8417:(2010)
8409:(2009)
8401:(2008)
8393:(2007)
8385:(2006)
8377:(2005)
8369:(2004)
8361:(2003)
8353:(2001)
8334:(2000)
8326:(1999)
8318:(1998)
8310:(1997)
8302:(1996)
8299:Jolson
8294:(1995)
8286:(1994)
8278:(1993)
8270:(1992)
8262:(1991)
8246:(1988)
8238:(1987)
8230:(1986)
8222:(1985)
8214:(1984)
8206:(1983)
8198:(1982)
8190:(1981)
8182:(1980)
8174:(1979)
8166:(1978)
8158:(1977)
8150:(1976)
8091:(2023)
8083:(2022)
8075:(2021)
8067:(2020)
8048:(2019)
8040:(2018)
8032:(2017)
8024:(2016)
8016:(2015)
8008:(2014)
8000:(2013)
7992:(2012)
7984:(2011)
7953:(2009)
7945:(2008)
7937:(2007)
7929:(2006)
7921:(2005)
7913:(2004)
7910:Wicked
7905:(2003)
7897:(2002)
7889:(2001)
7881:(2000)
7862:(1999)
7854:(1998)
7846:(1997)
7838:(1996)
7830:(1995)
7822:(1994)
7814:(1993)
7806:(1992)
7798:(1991)
7790:(1990)
7771:(1989)
7763:(1988)
7755:(1987)
7747:(1986)
7739:(1985)
7731:(1984)
7723:(1983)
7715:(1982)
7707:(1981)
7699:(1980)
7680:(1979)
7672:(1978)
7664:(1977)
7656:(1976)
7648:(1975)
7640:(1974)
7637:Raisin
7632:(1973)
7624:(1972)
7616:(1971)
7608:(1970)
7589:(1969)
7581:(1968)
7573:(1967)
7565:(1966)
7557:(1965)
7549:(1964)
7541:(1963)
7533:(1962)
7525:(1961)
7517:(1960)
7498:(1959)
7484:(1958)
7425:(2024)
7417:(2023)
7414:Parade
7409:(2022)
7398:(2020)
7390:(2019)
7382:(2018)
7374:(2017)
7366:(2016)
7358:(2015)
7350:(2014)
7342:(2013)
7339:Pippin
7334:(2012)
7326:(2011)
7318:(2010)
7310:(2009)
7302:(2008)
7294:(2007)
7286:(2006)
7278:(2005)
7270:(2004)
7262:(2003)
7254:(2002)
7246:(2001)
7238:(2000)
7230:(1999)
7222:(1998)
7214:(1997)
7206:(1996)
7198:(1994)
7076:
7062:
7048:
7027:
7013:
6999:
6985:
6464:Ovrtur
6136:
5250:May 8,
4755:
4720:
4634:
4598:
4575:
4494:
4469:
4405:
4374:
4331:
4074:Award
3774:Award
3625:Award
3566:Award
3248:Award
2100:London
2071:, and
1851:Toulon
1719:RĂ©gine
437:score
156:Awards
65:Lyrics
10595:Plays
10508:Books
10323:Maria
10308:Songs
10254:(TBA)
10211:Gypsy
10187:Gypsy
10040:Gypsy
10003:Works
9937:Suffs
9219:Evita
9165:Annie
8769:Gypsy
8331:Honk!
8195:Poppy
8163:Evita
8056:2020s
7961:2010s
7870:2000s
7779:1990s
7688:1980s
7661:Annie
7597:1970s
7506:1960s
7489:Gypsy
7473:1950s
6686:(PDF)
6679:(PDF)
6090:(PDF)
6083:(PDF)
5510:'
4302:Notes
4167:2018
4088:2017
4071:Year
3788:2012
3771:Year
3639:2001
3622:Year
3580:1987
3563:Year
3387:1972
3262:1971
3245:Year
3019:(u/s)
3004:(u/s)
2995:(s/b)
2967:(u/s)
2952:(u/s)
2943:(u/s)
2934:(s/b)
2925:(u/s)
2916:(u/s)
465:]
429:Songs
235:revue
214:is a
129:2007
122:2002
110:2001
104:1987
97:1985
55:Music
10638:Reds
10344:Cool
9926:and
9908:and
9852:and
9820:and
9774:and
9756:and
9734:and
9716:and
9684:and
9666:and
9634:and
9616:and
9598:and
9555:and
9548:Aida
9523:and
9488:Rent
9431:and
9377:and
9276:and
9269:Cats
9255:Nine
9244:and
9226:and
9172:and
9154:and
9111:and
9104:Gigi
9029:and
9011:and
8993:and
8187:Cats
7578:Hair
7562:Mame
7307:Hair
7259:Nine
7123:IMDb
7074:ISBN
7060:ISBN
7046:ISBN
7025:ISBN
7011:ISBN
6997:ISBN
6983:ISBN
6961:2021
6935:2021
6893:2020
6852:2019
6826:2017
6800:2019
6756:2018
6694:2021
6661:2021
6616:Time
6564:Time
6491:2018
6313:2019
6287:2017
6261:2017
6213:2016
6187:2016
6134:ISSN
6112:link
6098:2012
6050:2012
5861:2012
5680:2021
5642:2021
5544:2018
5252:2023
4753:ISBN
4718:ISBN
4632:ISBN
4596:ISBN
4573:ISBN
4492:ISBN
4467:ISBN
4403:ISBN
4372:ISBN
4329:ISBN
4319:Coco
4267:Won
4180:Won
4119:Won
4106:Won
4029:Won
3929:Won
3914:Won
3871:Won
3593:Won
3549:Won
3534:Won
3519:Won
3504:Won
3489:Won
3483:and
3470:Won
3430:Won
3382:Won
3369:Won
3363:and
3350:Won
3335:Won
3320:Won
3305:Won
3295:Won
3280:Won
3141:Time
3139:The
3110:Time
1991:and
1976:and
1968:and
1661:The
1645:and
1195:and
694:and
410:").
402:").
353:Plot
258:and
74:Book
9940:by
9922:by
9904:by
9901:Six
9880:by
9866:by
9848:by
9834:by
9816:by
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9770:by
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