320:
41:
353:, evolutionist John Fiske describes the flower as an “elementary principle” that is both “simple and broad.” According to Fiske, all living things "represents the continuous adjustment of inner to outer relations". The flower mentioned by Tennyson is a plant consisting of complex systems that regulates its "relations within" itself and its "relations existing outside" itself. Further understanding these complex systems scientifically can reveal the "mysteries of Nature." Others including Theodore Soares, the then department head from the University of Chicago, also viewed Tennyson as "one of the earliest of the spiritual interpreters of life" who saw the impacts of science with macroscopic lenses.
951:
22:
33:
91:, shows Tennyson holding a flower in his hand standing alongside a dog. Underneath, on the pedestal of the statue, lies a plaque of the poem. Since the statue was unveiled in 1905, there has been concerns over discoloration and disintegration. A commissioned firm specializing in bronze restoration then expressed its view that the statue appears similar to when it was first unveiled.
302:
is sometimes used in a metaphorical sense for the idea of seeking holistic and grander principles from constituent parts and their connections. The poem can be interpreted as
Tennyson’s perspective on the connection between God and Nature. English critic
123:
where the organization of the poem relied on the "count of stresses, not by count of syllables". The pattern for the number of stresses in this poem is 3-3-4-4-4-3.
319:
260:(1757 –1827) in the year 1803, but remaining unpublished until 1863 - the very year of Tennyson’s composition of "Flower in the Crannied Wall".
80:
speculation and is one of multiple poems where
Tennyson touches upon the topic of the relationships between God, nature, and human life.
501:
36:
Plaque bearing the text of "Flower in the
Crannied Wall" mounted upon the pedestal of the Tennyson memorial statue at Lincoln Cathedral
844:
1315:
345:
of her botanical work (written jointly with Amos Avery and Jacob
Rietsema) named in honour of her late friend and mentor, Blakeslee
973:
703:
521:
1263:
1257:
311:
described
Tennyson as incorporating the “interpenetration of the spiritual and material worlds" into his literary works.
65:
1269:
924:
581:
233:
40:
1251:
837:
1065:
1043:
249:
728:
1079:
1218:
830:
380:
950:
1281:
1199:
1029:
1235:
1050:
868:
252:
apprehended through the microcosm may be found in the oft-quoted first four lines of the poem "
573:
567:
1160:
987:
853:
676:
361:
342:
304:
253:
84:
61:
349:
Scientists have also mentioned and drawn their own interpretations of the poem. In his book
1167:
1153:
1086:
939:
918:
513:
308:
8:
1320:
966:
890:
1287:
1072:
1022:
1015:
876:
775:
767:
614:
482:
452:
444:
409:
822:
1223:
1093:
1058:
883:
808:
779:
709:
699:
618:
577:
517:
456:
88:
26:
1132:
1125:
1001:
897:
803:
798:
757:
653:
649:
606:
509:
436:
330:
1275:
1174:
932:
563:
120:
49:
1107:
1100:
904:
713:
680:
1309:
1293:
1228:
1191:
1036:
994:
980:
911:
812:
559:
500:
Brogan, T. V. F. BroganT V. F.; Hartman, C. O. HartmanC O. (24 August 2017),
357:
334:
257:
746:"A Professional Reading Course on the Preaching Task of the Modern Minister"
52:, bearing the text of the poem and commemorating its composition at the site
622:
229:
45:
610:
1139:
77:
546:
486:
413:
400:
Campbell, William R. (1976). "A Note on the
Flowers in 'Pippa Passes'".
72:
rooted in the wall of the wishing well - as a source of inspiration for
68:. The poem uses the image of a flowering plant - specifically that of a
1008:
771:
640:
Sait, J. E. (November 1984). "Tennyson's Flower in the
Crannied Wall".
376:
371:, their work of botany and plant genetics devoted to the poisonous and
69:
21:
626:
448:
372:
245:
73:
762:
745:
440:
280:
274:
32:
427:
Tucker, Herbert F. (1983). "Tennyson and the
Measure of Doom".
367:
325:
268:
239:
597:
Brandom, Robert (1981). "Leibniz and
Degrees of Perception".
793:
Avery, Amos Geer; Satina, Sophie; Rietsema, Jacob (1959).
852:
667:
Watts, Theodore (October 1893). "ASPECTS OF TENNYSON".
83:
The
Tennyson memorial statue was completed in 1903 by
379:, so named in honour of pioneering plant geneticist
792:
244:A previous exploration of the theme of a mystical
1307:
572:(Newly revised ed.). Anchor Books. p.
506:The Princeton Encyclopedia of Poetry and Poetics
468:
466:
838:
499:
696:Science and a Future Life: With Other Essays
463:
240:Parallel in an earlier work by William Blake
307:characterized Tennyson as a "nature poet."
108:What you are, root and all, and all in all,
845:
831:
119:In terms of stresses, the poem follows an
104:I hold you here, root and all, in my hand,
802:
761:
399:
318:
39:
31:
20:
596:
360:and Jacob Rietsema use the poem as the
106:Little flower—but if I could understand
1308:
743:
694:Myers, Frederic William Henry (2018).
549:Retrieved at 12.33 on Thursday 21/7/22
426:
826:
726:
693:
666:
558:
552:
547:http://donel.net/archives/000604.html
375:jimsonweed genus of the plant family
639:
599:Journal of the History of Philosophy
514:10.1093/acref/9780190681173.001.0001
854:Alfred Tennyson, 1st Baron Tennyson
265:To see the world in a grain of sand
236:found in the second and last line.
110:I should know what God and man is.
64:in 1863 beside the wishing well at
13:
232:. There are also 2 instances of a
14:
1332:
733:. Houghton, Mifflin. p. 178.
949:
744:Soares, Theodore Gerald (1916).
473:"The Tennyson Statue, Lincoln".
293:
228:The poem also follows an ABCCAB
102:I pluck you out of the crannies,
25:Tennyson memorial statue beside
1316:Poetry by Alfred, Lord Tennyson
974:The Charge of the Light Brigade
786:
737:
720:
687:
660:
654:10.1080/00144940.1984.11483829
633:
590:
536:
508:, Princeton University Press,
493:
420:
393:
1:
569:The Complete Poetry and Prose
386:
314:
1044:Now Sleeps the Crimson Petal
288:
114:
100:Flower in the crannied wall,
7:
1147:Flower in the Crannied Wall
795:Blakeslee: the Genus Datura
339:Flower in the Crannied Wall
300:flower in the crannied wall
58:Flower in the Crannied Wall
10:
1337:
475:Tennyson Research Bulletin
1244:
1211:
1184:
1117:
958:
947:
860:
323:Authorities on the genus
1219:Chapel House, Twickenham
797:. Ronald Press Company.
381:Albert Francis Blakeslee
277:in the palm of your hand
87:and unveiled in 1905 at
60:" is a poem composed by
44:Plaque mounted upon the
1282:Charles Tennyson Turner
1030:Lady Clara Vere de Vere
804:2027/mdp.39015006821188
542:McClellan, Donel Gage,
94:
16:Poem by Alfred Tennyson
1236:Blackdown, West Sussex
869:Poems, Chiefly Lyrical
669:The Nineteenth Century
346:
286:
226:
53:
37:
29:
988:A Dream of Fair Women
926:The Miller's Daughter
730:Through Nature to God
611:10.1353/hph.2008.0100
366:Blakeslee: the genus
351:Through Nature to God
322:
262:
254:Auguries of Innocence
125:
85:George Frederic Watts
43:
35:
24:
1168:Ring Out, Wild Bells
1154:The Higher Pantheism
940:The Ballad of Oriana
919:Mariana in the South
727:Fiske, John (1899).
1080:St. Simeon Stylites
967:Break, Break, Break
891:The Lady of Shalott
698:. Hansebooks GmbH.
1288:Frederick Tennyson
1023:In Memoriam A.H.H.
1016:Idylls of the King
877:The Deserted House
750:The Biblical World
347:
54:
38:
30:
1303:
1302:
1224:Farringford House
1094:Tears, Idle Tears
1059:The Palace of Art
705:978-3-337-60220-8
623:Project MUSE
523:978-0-691-15491-6
502:"Accentual Verse"
89:Lincoln Cathedral
27:Lincoln Cathedral
1328:
1270:Charles Tennyson
1126:Crossing the Bar
953:
898:The Lotos-Eaters
847:
840:
833:
824:
823:
817:
816:
806:
790:
784:
783:
765:
741:
735:
734:
724:
718:
717:
691:
685:
684:
675:(200): 657–672.
664:
658:
657:
637:
631:
630:
594:
588:
587:
564:Erdman, David V.
556:
550:
540:
534:
533:
532:
530:
497:
491:
490:
481:(4): 111. 1970.
470:
461:
460:
424:
418:
417:
402:Victorian Poetry
397:
331:Albert Blakeslee
271:in a wild flower
1336:
1335:
1331:
1330:
1329:
1327:
1326:
1325:
1306:
1305:
1304:
1299:
1276:Emilia Tennyson
1264:Lionel Tennyson
1258:Hallam Tennyson
1240:
1207:
1180:
1113:
954:
945:
856:
851:
821:
820:
791:
787:
742:
738:
725:
721:
706:
692:
688:
665:
661:
638:
634:
595:
591:
584:
557:
553:
541:
537:
528:
526:
524:
498:
494:
472:
471:
464:
425:
421:
398:
394:
389:
317:
296:
291:
285:
278:
272:
266:
256:", composed by
242:
234:feminine ending
121:accentual meter
117:
112:
109:
107:
105:
103:
101:
97:
66:Waggoners Wells
62:Alfred Tennyson
50:Waggoners Wells
17:
12:
11:
5:
1334:
1324:
1323:
1318:
1301:
1300:
1298:
1297:
1291:
1285:
1279:
1273:
1267:
1261:
1255:
1252:Emily Tennyson
1248:
1246:
1242:
1241:
1239:
1238:
1233:
1232:
1231:
1221:
1215:
1213:
1209:
1208:
1206:
1205:
1197:
1188:
1186:
1182:
1181:
1179:
1178:
1171:
1164:
1157:
1150:
1143:
1136:
1129:
1121:
1119:
1115:
1114:
1112:
1111:
1104:
1101:The Two Voices
1097:
1090:
1083:
1076:
1069:
1062:
1055:
1047:
1040:
1033:
1026:
1019:
1012:
1005:
998:
991:
984:
977:
970:
962:
960:
956:
955:
948:
946:
944:
943:
936:
929:
922:
915:
908:
901:
894:
887:
880:
873:
864:
862:
858:
857:
850:
849:
842:
835:
827:
819:
818:
785:
763:10.1086/475535
756:(5): 344–350.
736:
719:
704:
686:
659:
642:The Explicator
632:
605:(4): 447–479.
589:
582:
560:Blake, William
551:
535:
522:
492:
462:
441:10.2307/462069
419:
391:
390:
388:
385:
337:. Satina used
316:
313:
305:Theodore Watts
295:
292:
290:
287:
263:
248:of the divine
241:
238:
116:
113:
98:
96:
93:
15:
9:
6:
4:
3:
2:
1333:
1322:
1319:
1317:
1314:
1313:
1311:
1295:
1294:Arthur Hallam
1292:
1289:
1286:
1283:
1280:
1277:
1274:
1271:
1268:
1265:
1262:
1259:
1256:
1253:
1250:
1249:
1247:
1243:
1237:
1234:
1230:
1229:Tennyson Down
1227:
1226:
1225:
1222:
1220:
1217:
1216:
1214:
1210:
1204:
1202:
1198:
1196:
1194:
1193:The Foresters
1190:
1189:
1187:
1183:
1176:
1172:
1169:
1165:
1163:
1162:
1158:
1155:
1151:
1148:
1144:
1142:
1141:
1137:
1134:
1130:
1127:
1123:
1122:
1120:
1116:
1109:
1105:
1102:
1098:
1095:
1091:
1088:
1087:Sweet and Low
1084:
1081:
1077:
1074:
1070:
1068:
1067:
1063:
1060:
1056:
1053:
1052:
1048:
1045:
1041:
1038:
1037:Locksley Hall
1034:
1031:
1027:
1024:
1020:
1018:
1017:
1013:
1011:
1010:
1006:
1003:
999:
996:
992:
989:
985:
982:
981:The Day-Dream
978:
975:
971:
968:
964:
963:
961:
957:
952:
941:
937:
934:
930:
928:
927:
923:
920:
916:
913:
909:
906:
902:
899:
895:
892:
888:
885:
881:
878:
874:
871:
870:
866:
865:
863:
859:
855:
848:
843:
841:
836:
834:
829:
828:
825:
814:
810:
805:
800:
796:
789:
781:
777:
773:
769:
764:
759:
755:
751:
747:
740:
732:
731:
723:
715:
711:
707:
701:
697:
690:
682:
678:
674:
670:
663:
655:
651:
647:
643:
636:
628:
624:
620:
616:
612:
608:
604:
600:
593:
585:
579:
575:
571:
570:
565:
561:
555:
548:
545:
539:
525:
519:
515:
511:
507:
503:
496:
488:
484:
480:
476:
469:
467:
458:
454:
450:
446:
442:
438:
434:
430:
423:
415:
411:
407:
403:
396:
392:
384:
382:
378:
374:
370:
369:
363:
359:
358:Sophia Satina
354:
352:
344:
340:
336:
335:Sophia Satina
332:
328:
327:
321:
312:
310:
309:Fredric Myers
306:
301:
294:In literature
284:
282:
276:
270:
261:
259:
258:William Blake
255:
251:
247:
237:
235:
231:
225:
223:
219:
215:
210:
208:
204:
200:
196:
191:
190:
186:
182:
178:
173:
171:
167:
163:
159:
154:
152:
148:
144:
139:
137:
133:
129:
124:
122:
111:
92:
90:
86:
81:
79:
75:
71:
67:
63:
59:
51:
47:
42:
34:
28:
23:
19:
1203:(song cycle)
1200:
1192:
1159:
1146:
1138:
1066:The Princess
1064:
1049:
1014:
1007:
925:
867:
861:Early poetry
794:
788:
753:
749:
739:
729:
722:
695:
689:
672:
668:
662:
648:(1): 27–30.
645:
641:
635:
602:
598:
592:
568:
554:
544:Bright Wings
543:
538:
527:, retrieved
505:
495:
478:
474:
432:
428:
422:
408:(1): 59–63.
405:
401:
395:
365:
356:Amos Avery,
355:
350:
348:
338:
324:
299:
297:
283:in an hour.
264:
243:
230:rhyme scheme
227:
221:
217:
213:
211:
206:
202:
198:
194:
192:
188:
184:
180:
176:
174:
169:
165:
161:
157:
155:
150:
146:
142:
140:
135:
131:
127:
126:
118:
99:
82:
78:metaphysical
57:
55:
46:wishing well
18:
1185:Other works
1140:Enoch Arden
1118:Late poetry
1073:Sir Galahad
529:19 December
435:(1): 8–20.
373:entheogenic
298:The phrase
197:, root and
183:if I could
130:-er in the
70:chasmophyte
1321:1863 poems
1310:Categories
1272:(grandson)
1266:(grandson)
1201:The Window
1009:Lady Clare
884:The Kraken
714:1189547861
583:0385152132
387:References
377:Solanaceae
315:In science
160:you here,
1290:(brother)
1284:(brother)
1133:The Eagle
1002:St. Agnes
813:681154602
780:222447263
619:170683337
457:163566360
289:Reception
250:macrocosm
212:I should
193:What you
115:Structure
1296:(friend)
1278:(sister)
1175:Tithonus
933:Claribel
677:ProQuest
562:(1988).
487:45287223
414:40001859
362:epigraph
343:epigraph
281:eternity
275:infinity
246:epiphany
168:, in my
74:mystical
1212:Related
1108:Ulysses
905:Mariana
772:3142949
681:2631437
566:(ed.).
341:as the
175:Little
149:of the
1254:(wife)
1245:People
1195:(play)
1054:(1842)
995:Godiva
959:Poetry
912:Oenone
872:(1830)
811:
778:
770:
712:
702:
679:
627:227201
625:
617:
580:
520:
485:
455:
449:462069
447:
412:
368:Datura
326:Datura
269:heaven
201:, and
153:nies,
1260:(son)
1051:Poems
776:S2CID
768:JSTOR
615:S2CID
483:JSTOR
453:S2CID
445:JSTOR
410:JSTOR
273:Hold
216:what
189:stand
187:-der-
177:flow-
151:cran-
143:pluck
134:nied
132:cran-
1161:Maud
809:OCLC
710:OCLC
700:ISBN
578:ISBN
531:2021
518:ISBN
429:PMLA
333:and
279:And
267:And
220:and
214:know
170:hand
164:and
162:root
158:hold
145:you
136:wall
128:Flow
95:Text
799:hdl
758:doi
650:doi
607:doi
574:490
510:doi
437:doi
364:of
224:is.
222:man
218:God
207:all
205:in
203:all
199:all
195:are
181:but
179:er—
166:all
147:out
48:at
1312::
807:.
774:.
766:.
754:47
752:.
748:.
708:.
673:34
671:.
646:43
644:.
621:.
613:.
603:19
601:.
576:.
516:,
504:,
477:.
465:^
451:.
443:.
433:98
431:.
406:14
404:.
383:.
329:,
209:,
185:un
172:,
156:I
141:I
138:,
1177:"
1173:"
1170:"
1166:"
1156:"
1152:"
1149:"
1145:"
1135:"
1131:"
1128:"
1124:"
1110:"
1106:"
1103:"
1099:"
1096:"
1092:"
1089:"
1085:"
1082:"
1078:"
1075:"
1071:"
1061:"
1057:"
1046:"
1042:"
1039:"
1035:"
1032:"
1028:"
1025:"
1021:"
1004:"
1000:"
997:"
993:"
990:"
986:"
983:"
979:"
976:"
972:"
969:"
965:"
942:"
938:"
935:"
931:"
921:"
917:"
914:"
910:"
907:"
903:"
900:"
896:"
893:"
889:"
886:"
882:"
879:"
875:"
846:e
839:t
832:v
815:.
801::
782:.
760::
716:.
683:.
656:.
652::
629:.
609::
586:.
512::
489:.
479:1
459:.
439::
416:.
76:/
56:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_and_Albert_Francis_Blakeslee_(1874-1954),_shown_with_samples_of_mold_(3322781086).jpg)