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372:, where he practiced law. When his father-in-law, Álvaro de Montalbán, was accused of secretly returning to Judaism in 1525, the Inquisition refused to allow Rojas to act as defending lawyer, but this was evidently on account of Rojas's status as a converso rather than from any suspicion that he might be secretly practicing Judaism. He was allowed to testify on Montalbán's behalf, and the charge was dropped. Rojas served as mayor of Talavera de la Reina in the 1530s.
348:), which was published in 1499. The work has been variously described as a drama, a dramatic poem, a dialogued novel, a novel-drama, and as 'ageneric' – a genre entirely of its own. It was never staged during Rojas's lifetime, but the majority of modern scholars consider it a drama. It describes a love affair, with much bawdy and comic detail, before a tragic ending. The scholar
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On returning to the family home after leaving the university Rojas found his relations under scrutiny from the
Inquisition; he himself was never suspected of Judaism. Many conversos chose to marry into families of unquestioned Christian descent, and by Rojas's time many noble families were of mixed
323:", but scholarly opinion differs on whether this means that he himself converted from Judaism to Christianity or whether the term implied that he was "de linaje de conversos" – of convert descent. Jewish descent was not a bar to social advancement, and Rojas's family had been recognised as
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achieved rapid success: "in the course of the sixteenth century some 60 editions and six sequels were published. Its sexual explicitness and amoral pessimism did not trouble the
Spanish Inquisition, which was content simply to excise anticlerical passages."
65:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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has written that it may be considered as either the last
Spanish work of the Middle Ages or the first of the Renaissance. As far as is known it is Rojas's only work of literature or drama. The writer Keith Gregor calls
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365:, the first Grand Inquisitor of Spain. Rojas, however, married into another converso family. His wife was Leonor Álvarez de Montalbán. They had four sons and three daughters.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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while still a student. After graduating he practised law and is not known to have written any further literary works, although
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achieved widespread success during his lifetime. Despite difficulties with the
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to the source of your translation. A model attribution edit summary is
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and were vulnerable to accusations of secretly practising
Judaism.
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The writer Gordon
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397:"Fernando de Rojas | Spanish writer | Britannica"
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531:Oxford Encyclopedia of Theatre and Performance
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16:Spanish author and playwright (c. 1470–1541)
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81:edit summary
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45:(June 2018)
591:Categories
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228:Occupation
217:Alma mater
189:1541-04-00
166:c. 1465/73
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