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Feminist science fiction

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3728:, following the destruction of her home and family, Lauren Olamina, one of many who live in a dystopian, ungoverned society, seeks to form her own utopian religion entitled 'Earthseed'. Olamina's utopian creation does not justify the use of violence as a means, no matter how expedient, to justify the end, achieving utopia, no matter how desirable. Yet we witness that she cannot avoid violence, as it results from little more than promulgating ideas different from those held by the majority of those living within the current social structure, however disorganized and ungoverned that social structure may be. Butler posits that utopian society can never be achieved as an entity entirely separate from the outside world, one of the more commonly held beliefs about conditions necessary to achieve utopia. Olamina's, and Butler's, utopia is envisioned as a community with a shared vision that is not forced on all within it. 3816:'s writing, who has many contributions to the works of feminist Science Fiction. Wolf argues, "What matters to Le Guin is not what people look like or how they behave but whether or not they have choice and whether or not they receive respect for who they are and what they do rather than on the basis of sex. Feminism is for her not a matter of how many women (or characters in Science Fiction) are housewives but a part of our hope for survival, which she believes lies in the search for balance and integration". This stirs up many questions about equality (a debate which has been going on for many years) but nobody seems to have an answer. In this continual search for equality, many characters find themselves asking the same question: "Is Gender Necessary" (which is, coincidentally, one of Le Guin's novels and also another problem arising from gender biases). 3829:
weak, of the earth' (p. 159)". Science fiction criticism has come a long way from its defensive desire to create a canon. All of these authors demonstrate that science fiction criticism tackles the same questions as other literary criticism: race, gender, and the politics of Feminism itself. Wolf believes that evaluating primarily American texts, written over the past one hundred and twenty years, these critics locate science fiction's merits in its speculative possibilities. At the same time, however, all note that the texts they analyze reflect the issues and concerns of the historical period in which the literature was written. DeRose introduces her article with, in effect, the same argument. She says, "the power of women in Science Fiction has greatly depreciated in the past few years".
3789:, a semi-well known analyst of Science fiction argues along these lines as well. As Norton explored one or more novels she came across, she realized that the creation of characters and how they are shown is a clear connection to the real world situation. From here, she goes in depth of characters in these feminist novels and relates them to the real world. She concludes here article along these lines. She wanted to get the idea out that feminists have a way to get their voice out there. Now, all their works are famous/ popular enough for their ideas to be let out. Virginia Wolf can attest to this fact. She introduced the idea that women were not represented well in the field till the early 1900s and added to the fact by stating, "Women are not represented well in Science Fiction". 3766:
Although the history of science fiction reveals few heroic, realistic, or even original images of women, the genre had a potential recognized by the women writers drawn to it in the 1960s and 1970s. Before this time, the appeal for women writers was not that great. The impact of feminism on the science fiction field can be observed not only in science fiction texts themselves, but also on the development of feminist approaches to science fiction criticism and history, as well as conversations and debates in the science fiction community. One of the main debates is about the representation of women in science fiction.
4101:. Television and film have offered opportunities for expressing new ideas about social structures and the ways feminists influence science. Feminist science fiction provides a means to challenge the norms of society and suggest new standards for how societies view gender. The genre also deals with male/female categories, showing how female roles can differ from feminine roles. Hence feminism influences the film industry by creating new ways of exploring and looking at masculinity/femininity and male/female roles. A contemporary example of feminist science fiction television can be found in 3891:. In this work, females are no longer born naturally but are genetically designed before birth to conform to the physical desires of men, then placed in a school in which they are taught not to think (they are never taught to read), and to focus on appearance until they are rated by beauty on a scale at age sixteen, with the top ten becoming the brides of elite men, the middle ten forced into concubinage, and the bottom ten forced to continue their lives as instructors at the school in very humiliating circumstances. At age forty, the women are euthanized. In the post-apocalyptic novel, 9079: 9039: 3020:, 1932), in which a mixed crew travel to Venus. The story opens in a future in which women are no longer enslaved by pregnancy and childbirth thanks to artificial incubators, which are opposed by a religious minority. Women have used this freedom to enter professions including chemistry. Wyndham's outlook was so rare that in a serialisation of his novel Stowaway to Mars, one magazine editor "corrected" the name of the central character Joan to John. Wyndham then had to write them a new final instalment to replace the conclusion in which Joan fell in love and became pregnant. 3063:. The story was published as part of a science fiction competition, in which 300 short stories were proposed. Hugo Gernsback put out a call to his magazine's readership for this competition, inviting them to send in texts describing the cover of Amazing Stories in December 1926. The cover featured an ocean liner floating in space. Using the term β€˜fans’ to describe his male and female readers, blurring the boundary between readership and writing, he allowed women to take part for the first time. The 1920s saw the establishment of what was later to become β€˜fandom’. 3032: 6409:, a psychologist explicitly stated that he wanted a female hero worthy of being a role model for young women. "Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman." Marston, in 9239: 9059: 8612: 8592: 7692: 8652: 2662: 435: 25: 8572: 8472: 8392: 8332: 8145: 7936: 7605: 7354: 7190: 7177: 7106: 7093: 9119: 9019: 8979: 8959: 8879: 8859: 8839: 8819: 8759: 8712: 8692: 8672: 8552: 8512: 8352: 8292: 8165: 8125: 8092: 8072: 8052: 8012: 7974: 7954: 7900: 7868: 7850: 7837: 7818: 7798: 7778: 7758: 7712: 7679: 7661: 7634: 7618: 7592: 7579: 7566: 7553: 7523: 7510: 7497: 7484: 7445: 7419: 7406: 7393: 7380: 7367: 7317: 7274: 7233: 7218: 7121: 7069: 9139: 3785:," and continues, "In the early twentieth century, a few women were successful Science Fiction writers". But, "The times changed. Repression gave way to questioning and outright rebellion, and in the Science Fiction of the 1960s stylistic innovations and new concerns emerged 'Many of their stories, instead of dealing with the traditional hardware of science fiction, concentrated on the effects that different societies or perceptions would have on individual characters'". 2553: 9199: 11997: 8112: 7540: 7289: 4322: 9259: 12007: 9179: 8372: 7918: 7458: 7162: 7149: 3824:, addresses the link of these characters and what that means for our society today. Roberts believes that men and women would like to be equal, but are not equal. They should be fighting the same battle when in fact they are fighting each other. She also debates that gender equality has been a problem in every reach of feminism, not just in feminist science fiction. Wolf also tackles this problem, "As she explains in "Is Gender Necessary?", 7738: 4563: 2448: 2696: 9099: 8999: 8939: 8919: 8732: 8492: 7994: 7725: 7641: 7432: 7134: 4575: 8232: 7341: 9159: 9226: 8899: 8779: 8532: 8312: 8185: 8032: 7881: 7471: 7205: 7056: 7032: 7008: 8272: 7302: 7261: 9279: 8799: 8632: 8452: 8432: 8412: 8252: 8212: 7246: 5770: 2856:(1893) features a male protagonist who takes an "aeroplane" to Mars, visiting two different "Marsian" societies; in both, there is equality between men and women. In one, Paleveria, women have adopted the negative characteristics of men; in Caskia, the other, gender equality "has made both sexes kind, loving, and generous." Two American Populists, A.O. Grigsby and Mary P. Lowe, published 3705:
the expectation that utopia justifies violence, second is the expectation that utopia collapses individual desires into one communal norm, and third is the expectation that utopia mandates a robotic focus on problem-solving." In feminist science fiction, utopias are often realized through a communal want for an ideal society. One such novel is summarized in the aforementioned article,
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more equal gendered social order, this possibility is undermined by figuring female desire for greater equality in terms of a (stereotypical) masculine drive for power and domination." Examples of these types of stories, written in the 1920s and 30s through the 50s, include Francis Steven's "Friend Island" and Margaret Rupert's "Via the Hewitt Ray"; in 1978,
3743:. In literary works female utopias are portrayed as free of conflict, and intentionally free of men. The single gendered utopias of female science fiction are free of the conflicts that feminism aims to eliminate, such as patriarchal oppression and the gender inequality inherent in patriarchal society. In a statement about these single gendered utopias, 3770:
women in science fiction should make us ponder about whether science fiction is civilized at all". The women's movement has made most of us conscious of the fact that Science Fiction has totally ignored women. This "lack of appreciation" is the main reason that women are rebelling and actively fighting to be noticed in the field anyway.
3715:, in which "Gilman perfectly captures the utopian impulse that all problems are solvable. She establishes a society where every consideration about a question aims for the rational answer." Gilman's utopia is presented as something attainable and achievable without conflict, neither enabling violence nor extinguishing individualism. 3854:"relying on realist techniques to convey the message about the deficiencies of our world and its social organization, in particular the continued inequality of women". There are many examples of redefined gender roles and gender identity found in Feminist SF, ranging from the inversion of gendered oppression to the amplification of 2784:, published in 1758, is considered one of the first science fiction novels. Refusing to overlook the contribution made by women to science and culture for the sole benefit of men, Marie-Anne Robert wrote an initiatory tale designed to develop women's critical faculties, and ultimately work towards their emancipation. 3909:
societies in which women have overcome their patriarchal oppressors and have achieved dominance. These stories are representative of an anxiety that perceives women's power as a threat to masculinity and the heterosexual norm. As Merrick explains, "And whilst they may at least hint at the vision of a
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explore and expose gender based oppression. Gilarek outlines two approaches to social critique via Feminist SF: the use of fantastical elements such as "invented worlds, planets, moons, and lands", used to call attention to the ills of society by exaggerating them, or a more straightforward approach,
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convinced her that if men and women were completely and genuinely equal in their social roles, equal legally and economically, equal in freedom, in responsibility, and in self-esteem, ... our central problem would not be the one it is now: the problem of exploitationβ€”exploitation of the woman, of the
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society in which women's rights are stripped away and fertile women are relegated to the roles of handmaids who will bear children to further the human race. New books continue the dystopian theme of women living in a society which conforms to the wishes of men, at the expense of women's rights and
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In her article "Redefining Women's Power through Feminist Science Fiction", Maria DeRose suggests that, "One of the great early socialists said that the status of women in a society is a pretty reliable index of the degree of civilization of that society. If this is true, then the very low status of
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already contained some strong female characters, although they often suffered from stereotypical female weakness such as fainting after intense exertion. By the 1970s and 1980s, true female heroes started to emerge on the pages of comics. This was helped by the emergence of self-identified feminist
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Anti-utopian philosophies and feminist science fiction come to odds in the possibility of achieving utopia. In "Rehabilitating Utopia: Feminist Science Fiction and Finding the Ideal", an article published in Contemporary Justice Review, philosophers against the dream of utopia argue that "First is
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eras were a pivotal and often overlooked period in feminist SF history. During this time, female authors utilized the SF genre to assess critically the rapidly changing social, cultural, and technological landscape. Women SF authors during the post-WWII and Cold War time periods directly engage in
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SF authors. Both female and feminist SF authors are historically significant to the feminist SF subgenre, as female writers have increased women's visibility and perspectives in SF literary traditions, while the feminist writers have foregrounded political themes and tropes in their works. Because
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Fantasy literature is de facto a privileged genre for tackling feminist themes. Because it allows to reflect on the future, on the possibilities of humanity and science, this literature allows all progressive and innovative ideas to coexist. So, to qualify as feminist science fiction, the stories
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should be considered the first true science fiction story, because unlike in previous stories with fantastical Γ©lΓ©ments resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results.
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should be considered the first true science fiction story, because unlike in previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results.
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Utopia as an ideal to strive for is not a concept wholly limited to feminist science fiction, however many non-feminist science fiction works often dismiss utopia as an unachievable goal, and as such, believe that pursuits for utopia should be considered dangerous and barren. Anti-utopian theory
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is still publishing as of 2021 and has brought over 1000 authors, critics and artists into print. Having lost their academic home in May 2003, they increasingly cross genres and print write-ups of all books and media received, as well as of events that feature creative works that imaginatively
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Over the decades, SF and feminist SF authors have taken different approaches to criticizing gender and gendered society. Helen Merrick outlines the transition from what Joanna Russ describes as the "Battle of the Sexes" tradition to a more egalitarian or androgynous approach. Also known as the
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often criticize the idea of utopia, theorizing that it would be impossible to establish a utopia without violence and hegemony. Many male authored works of science fiction as well as threads of philosophical utopian thought dismiss utopias as something unattainable, whereas in feminist science
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and also of the use of science without ethical reflection, as well as of the seventeenth-century view that science was endowed with a certain virility aimed at penetrating the secrets of nature, presented as other, feminine and objectified. The book paved the way for future explorations of the
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Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions (to science) are
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Perhaps the most obvious attraction of science fiction to women writers – feminist or not – is the possibilities it offers for the creation of a female hero. The demands of realism in the contemporary or historical novel set limits which do not bind the universes available to science fiction.
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in which the female main character, Nyles Etland, armed only with intelligence and intimate knowledge of her home environment, allies and science, intimidated an alien species who had intended to invade. Schmitz, who still commands a cult audience half a century after his death, dealt almost
3121:. Published feminist SF stories were told from the perspectives of women (characters and authors) who often identified within traditional roles of housewives or homemakers, a subversive act in many ways given the traditionally male-centered nature of the SF genre and society during that time. 3776:
relates to this aspect of feminist science fiction in the article "Feminist Criticism and Science Fiction for Children". As she discusses the scarcity of women in the field, she states, "During the first period, that of the nineteenth century, apparently only two women wrote Science Fiction,
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focuses on the 'how' in the transition from present society to a utopian future. In feminist science fiction, the achievement of a utopian future depends on the ability to recognize the need for improvement and the perseverance to overcome the obstacles present in creating a utopian society.
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Works of feminist science fiction are often similar in the goals they work towards as well as the subjects and plotlines they focus on in order to achieve those goals. Feminist science fiction is science fiction that carries across feminist ideals and the promotion of societal values such as
10304: 10312: 3221:(1962), written for children and teens, features a 13-year-old girl protagonist, Meg Murry, whose mother, Mrs. Murry, is a scientist with degrees in biology and bacteriology. L'Engle's novel is decidedly science fiction, feminist, and deeply Christian, and the first of her series, 3267:(1979) tells the story of an African American woman living in the United States in 1979 who uncontrollably time travels to the antebellum South. The novel poses complicated questions about the nature of sexuality, gender, and race when the present faces the past. 3449:(1992) was published. Her story, set in the year 2052, examines tensions between two groups as defined as the "haves" and the "have-nots" and is written as seen through the eyes of a nineteen-year-old girl who is of Asian and African descent. 3152:
SF authors to directly engage with the feminist project. "Simply put, women turned to SF in the 1940s, 1950s, and 1960s because it provided them with growing audiences for fiction that was both socially engaged and aesthetically innovative."
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the exploration of the impacts of science and technology on women and their families, which was a focal point in the public consciousness during the 1950s and 1960s. These female SF authors, often published in SF magazines such as
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pointed out that what is described as feminist β€˜SF’ is not really β€˜SF’ at all, because it is not concerned with β€˜hard science’ but with women's drive for power. She thought we needed to reinvent a term like feminist fabulation.
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Feminist science fiction offers authors the opportunity to imagine worlds and futures in which women are not bound by the standards, rules, and roles that exist in reality. Rather, the genre creates a space in which the
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in an alternate technologically futuristic world, Rokeya Sakhawat Hussain,'s book has been described as illustrating the potential for cultural insights through role reversals early on in the subgenre's formation.
3459:(2015) is a collection of her short stories whose subjects range from an historical fantasy involving colonialism in the Caribbean, to age manipulation, to ethnic diversity in the land of Faerie, among others. 2977:
During the 1920s and 1930s, many popular pulp science fiction magazines exaggerated views of masculinity and featured portrayals of women that were perceived as sexist. These views would be subtly satirized by
3298:(1985), a dystopic tale of a theocratic society in which women have been systematically stripped of all liberty. The book was motivated by fear of potential retrogressive effects on women's rights. 2687:
distinctions between female and feminist can be blurry, whether a work is considered feminist can be debatable, but there are generally agreed-upon canonical texts, which help define the subgenre.
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and implants, as well as utopias and dystopias, are given context in a gendered environment, providing a real contrast with present-day gender relations while remaining a work of science fiction.
3866:, traditional gender roles are completely swapped. Men are relegated to roles of athletes and prostitutes while women control the means of production and have exclusive access to education. In 3668:. Feminist science fiction works often present tropes that are recurrent across science fiction with an emphasis on gender relations and gender roles. Many elements of science fiction, such as 3923:
In the 1960s and 1970s, feminist SF authors shifted from the "Battle of the Sexes" writing more egalitarian stories and stories that sought to make the feminine more visible. Ursula Le Guin's
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in 1970, follows the life of a gay man that includes themes involving sadomasochism, gender, significance of language, and when high and low society encounter one another, while his novel
2870:. This recently rediscovered novel displays familiar feminist SF conventions: a heroine narrator who masquerades as a man, the exploration of sexist mores, and the description of a future 10196: 3817: 3609:, which includes stories "Up the Fire Road" and "Chop Wood, Carry Water". She also edited "The WisCon Chronicles 2: Provocative Essays on Feminism, Race, Revolution, and the Future" with 3445: 630: 3812:
are fully aware of the situation at hand and their role in society. This idea is a continuation of the argument presented by Andre Norton. Wolf argues the same point in her analysis of
3901:, females living in an island society are sexually exploited from the time they are girls, are forced to marry at adolescence, and after they become grandmothers must commit suicide. 542: 2524:. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using 11026: 3526: 75: 10406: 2654:
distinguishes between feminist SF and women's SF insofar as the latter, while having a certain influence on the development of science fiction in general by rejecting
4407: 3117:, and an emphasis on consumptive practices, carved out a new technological domestic sphere where women were circumscribed to a new job description – the professional 10132: 4292: 625: 6063: 4670: 4509:
focus of the journal, both in content and in the diverse makeup of its editorial group. The first issue came out in 1999 under the editorial direction of founder
3935:", women are able to be seen in their full humanity due to the absence of men in a post-apocalyptic society. Joanna Russ's works, including "When it Changed" and 2635:
published a list of ten levels of feminism to measure the political content of a text. This graduation of the political message ranges from simple questioning of
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must carry a political message, that of challenging the male/female paradigm in society. With this in mind, in the early 1990s the American feminist fanzine
9528: 3753:, theorized that male-only societies were not written because in patriarchal society, male oppression is not as pressing an issue as is female oppression. 2715:, female authors were using themes of SF and imagined futures to explore women's issues, roles, and place in society. This can be seen as early as 1666 in 547: 11432: 3590: 3499: 3407: 3403: 5579:
Larbalestier, Justine (2006). "chap. 1 (Β« Illicit reproduction : Clare Winger Harris's The Fate of the Poseidonia Β») by Jane Donawerth".
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As Anna Gilarek explains, issues of gender have been a part of feminist discourse throughout the feminist movement, and the work of authors such as
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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in Seattle. Special issues of magazines linked to science fiction meetings were also published at that moment, like the Khatru symposium's fanzine
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in February 1991. The authors' publishing in feminist SF after 1991 were now eligible for an award named after one of the genre's beloved authors.
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movement of the late nineteenth and early twentieth centuries could be considered the first feminist SF authors. Their texts, emerging during the
11216: 9513: 4382: 3016:, writing under his early pen-name of John Beynon Harris, was a rare pulp writer to include female leads in stories such as The Venus Adventure ( 2779: 5718: 10013: 6289: 6242: 4358: 1808: 3144:"One Ordinary Day, with Peanuts" (1955) and "The Omen" (1958). These authors often blurred the boundaries of feminist SF fiction and feminist 2924:
creates a world where gender is no longer recognized and the story itself is told without the use of gendered nouns. Along these same lines,
1356: 3575:(1999). All of these authors have had an important impact on the SF world by adding a feminist perspective to the traditionally male genre. 9384: 3092: 3010:, 1920), published science fiction stories written from female perspectives and occasionally dealt with gender and sexuality based topics. 6324:
Wright, Bradford W. (2003), "Great Power and Great Responsibility: Superheroes in a Superpower, 1956–1967", in Wright, Bradford W. (ed.),
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Ferrando, Francesca (2015). "Of Posthuman Born: Gender, Utopia and the Posthuman". In Hauskeller, M.; Carbonell, C.; Philbeck, T. (eds.).
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Individual characters, as we come to know, have their own perception and observation of their surroundings. Characters in novels such as
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and a "deconstruction of the acceptable, liberal 'whole' woman towards a multiple, shifting postmodernist sense of female 'selfhood'".
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By the 1960s, science fiction was combining sensationalism with political and technological critiques of society. With the advent of
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against considerable resistance. Reactions to the appearance of feminists among fannish ranks led indirectly to the creation of
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is set on a near-future earth controlled by a male-dominated ruling class patterned loosely after the corporate world of today.
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More recent science fiction authors illuminate what they contend are injustices that are still prevalent. At the time of the
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recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
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herself is considered a feminist SF writer for her short stories, such as "What I Didn't See", for which she received the
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society, to egalitarian discourse between the sexes, to systematic criticism of men, to the establishment of feminist and
11427: 11066: 10950: 6852: 6784: 6372: 5976: 3420:" (1986–2012). This saga includes points of view from a number of minority characters, and is also highly concerned with 2404: 2399: 2094: 1818: 1419: 401: 70: 5693: 4979: 2725:, in which she describes a utopian kingdom ruled by an empress. This foundational work has garnered attention from some 11824: 11788: 11722: 11422: 11368: 10256: 9616: 9592: 6706: 5681: 4097:
However, feminists have also created science fiction that directly engages with feminism beyond the creation of female
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featured a powerful female protagonist, with gender roles between her and the main male character generally reversed.
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for this series. Tepper has written under several pseudonyms, including A. J. Orde, E. E. Horlak, and B. J. Oliphant.
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to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
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Cyberpunk Women, Feminism and Science Fiction: A Critical Study, Carlen Lavigne, McFarland & Company, 2013, p.25
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in 1963 and has never been out of print. Men also contributed literature to feminist science fiction. Prominently,
2800:, often addressed issues of sexism through imagining different worlds that challenged gender expectations. In 1881, 1079: 106:
Content in this edit is translated from the existing French Knowledge article at ]; see its history for attribution.
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is a feminist academic journal specializing in works that challenge gender through speculative genres, including
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At the beginning of the Cold War, economic restructuring, technological advancements, new domestic technologies (
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Hollinger, Veronica (2003), "Feminist Theory and Science Fiction", in James, Edward; Mendlesohn, Farah (eds.),
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Feminist Aspects in Frankenstein Anne K. Mellor's and Other Feminist Approaches to Mary Shelley's Gothic Novel
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In the 1970s, the first feminist science fiction publications were created. The most well-known are fanzines
3877: 3455: 2793: 2374: 2364: 2266: 1796: 1614: 706: 607: 587: 238: 165: 115: 3356:(2002). This novel explores the prey/predator mentality through an alien race. Another author of the 1980s, 875: 716: 11865: 11707: 11543: 10854: 10288: 10185: 10117: 9712: 9600: 7060: 6948: 6646: 5663: 5134: 4546: 4536: 4128: 3724: 2775: 2354: 2329: 2154: 1423: 1373: 1366: 652: 602: 597: 170: 5788: 4993: 4884:(1986), "Biographical beginnings: Anne Cllifford, Lucy Hutchinson, Anne Fanshawe, Margaret Cavendish", in 858: 10704: 10559: 10371: 9758: 9640: 9473: 4162: 4090: 3987: 3794: 3513: 3310:, a portion of a planet explored by humanity somewhere in the future. In November 2015, she received the 2726: 2591: 2509: 2359: 2349: 2319: 2201: 2186: 2176: 1764: 1629: 1624: 1316: 894: 484: 10392: 3920:, a novel about a futuristic matriarchy on a human colony planet where the men are extremely oppressed. 11875: 10875: 10819: 10549: 10504: 9624: 9536: 7194: 6815: 5206: 4579: 4553: 4267: 4254: 4060: 4044:
Feminism has driven the creation of a considerable body of action-oriented science fiction with female
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was a female writer who published science fiction under the Tiptree pen name). Science fiction authors
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exclusively in competent and intelligent female main characters in dozens of novels and short stories.
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Lips, Hilary M. (October 1990). "Using Science Fiction to Teach the Psychology of Sex and Gender".
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in 2004. This story is an homage to Sheldon, and describes a gorilla hunting expedition in Africa.
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The Feminist companion to literature in English: women writers from the Middle Ages to the present
3136:" (1948), "Daughters of Earth" (1952), "Project Nursemaid" (1955), "The Lady Was a Tramp" (1957); 11565: 11394: 11206: 11186: 10960: 10955: 10900: 10895: 10880: 10849: 10829: 10623: 10232: 9750: 9648: 9552: 7384: 7250: 6848: 6406: 6210: 5606: 4895: 4889: 4124: 4119:
was confronting questions of feminism and sexism within science fiction culture itself. Multiple
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Curtis, Claire (2005). "Rehabilitating Utopia: Feminist Science Fiction and Finding the Ideal".
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The WisCon chronicles. Vol. 2: provocative essays on feminism, race, revolution, and the future
5491:"La Campagna di Crowdfunding per Ridare alle Stampe il Libro Cult del Futurismo "al Femminile"" 4149: 4116: 4072: 4017: 3872: 3808: 3436: 3294: 3098: 2959:
is also one of a number of 19th-century women writing in the successful science fiction genre.
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while countering the anti-utopian philosophies of the 20th century. Male philosophers such as
2846:
and records the hopes of many African Americans for social equalityβ€”of race and genderβ€”during
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to explore a society in which gender differences or gender power imbalances do not exist, or
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Feminist science fiction is sometimes taught at the university level to explore the role of
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Pre-1950 Utopias and Science Fiction by Women, An Annotated Reading List of Online Editions
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One common trend in feminist science fiction utopias is the existence of utopian worlds as
3594: 3551: 3531: 3399: 3212: 3195:(1970). Each highlights what the authors believe to be the socially constructed aspects of 3162: 3149: 2928:
explores and critiques the expectations of women and men by creating a single-sex world in
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DeRose, Maria (Spring 2005). "Redefining Women's Power Through Feminist Science Fiction".
5378:"Oubliée pendant un siècle, L'Oiselle, première superhéroïne française, reprend son envol" 4714:
Ecofeminist science fiction: international perspectives on gender, ecology, and literature
4605:
Ecofeminist Science Fiction: International Perspectives on Gender, Ecology, and Literature
8: 11966: 11870: 11041: 10667: 10180: 9913: 9790: 9560: 8763: 8741: 8696: 8276: 8076: 7410: 7278: 7125: 5105:. 2455 Teller Road Thousand Oaks California 91320 United States: SAGE Publications, Inc. 4531: 4248: 3732: 3598: 3560: 3535: 3503: 3483: 3429: 3343: 3311: 3145: 3137: 3086: 3052: 3040: 2999: 2808: 2797: 2640: 2059: 2049: 2019: 2007: 2002: 1904: 1850: 1845: 1840: 1498: 1433: 1413: 1346: 1289: 1252: 1230: 1196: 1130: 882: 787: 566: 514: 504: 459: 281: 5860: 5585:. Internet Archive. Middletown, Conn. : Wesleyan University Press. pp. 20–33. 5465:"Il Novecento italiano ha conosciuto molte piΓΉ scrittrici di quante possiamo immaginare" 5312:
Borgstrom, Michael (Winter 2006). "Face Value: Ambivalent Citizenship in "Iola Leroy"".
3722:, anti-utopian philosophies are criticized via a dystopian setting. In the first novel, 3701:
fiction, utopian society is often presented as something both achievable and desirable.
3140:"Life, Incorporated" (1955), "The Happy Clown" (1955), "Recruiting Officer" (1955); and 11850: 11520: 11485: 11477: 11151: 11101: 11076: 10988: 10768: 10532: 10305:
She's such a geek! : women write about science, technology & other nerdy stuff
10264: 9993: 9497: 9457: 9208: 8883: 8194: 7716: 7153: 7036: 7012: 6679: 6519:. The ThunderChild.com : Science Fiction and Fantasy Web Magazine and Source-books 6430: 6306: 6259: 6172: 6164: 6117: 5321: 5233:
Cartesian Women : Versions and Subversions of Rational Discourse in the Old Regime
5173: 5128: 4787: 4716:. Routledge studies in world literatures and the environment. New York, NY: Routledge. 3928: 3927:
portrayed an androgynous society in which a world without gender could be imagined. In
3821: 3572: 3546: 3542: 3200: 3133: 2994: 2935: 2886: 2882: 2863: 2847: 2716: 2564: 2246: 2236: 2226: 2211: 2206: 2191: 2144: 2124: 2099: 2064: 2054: 2034: 1931: 1813: 1803: 1704: 1458: 1284: 1155: 1037: 750: 711: 464: 387: 8496: 8036: 5954: 3506:
won a number of awards for her feminist SF novels as well, including her second novel
3261:
has an autistic woman of colour as its primary hero and protagonist. Octavia Butler's
12006: 11911: 11860: 11661: 11636: 11211: 11086: 10721: 10677: 10672: 10006: 9798: 9782: 9568: 9544: 9338: 9043: 8296: 7978: 7872: 7854: 7570: 7397: 6909: 6899: 6881: 6862: 6770:, James Gunn, Marleen Barr, Matthew Candelaria (eds), Palgrave Macmillan, 2009, p.170 6683: 6640: 6578: 6543: 6437: 6339: 6310: 6263: 6176: 6156: 6152: 6121: 6073: 6039: 6014: 6006: 5658: 5586: 5559: 5534: 5423: 5247: 5237: 5155: 5114: 5075: 5065: 5034: 5024: 4951: 4899: 4858: 4777: 4742: 4717: 4680: 4643: 4613: 4447: 4433: 4416: 4033: 3916: 3882: 3863: 3813: 3799: 3697: 3626: 3614: 3610: 3508: 3462:
In the early 1990s, a new award opportunity for feminist SF authors was created. The
3362: 3352: 3328: 3235: 3217: 3166: 3031: 2984: 2721: 2602:. Feminist science fiction spans a wider range than science fiction itself, covering 2583: 2568: 2501: 2307: 2171: 2134: 2129: 2109: 2104: 2074: 2039: 1992: 1982: 1946: 1941: 1926: 1921: 1835: 1570: 1563: 1538: 1528: 1513: 1378: 1351: 1242: 1201: 1177: 1052: 1032: 1019: 980: 975: 970: 943: 843: 418: 317: 97: 6878:
The Greenwood Encyclopedia of Science Fiction and Fantasy: themes, works and wonders
6756:
Politics and Scholarship: Feminist Academic Journals and the Production of Knowledge
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Being Married, Doing Gender: A Critical Analysis of Gender Relationships in Marriage
4640:
The Greenwood Encyclopedia of Science Fiction and Fantasy: themes, works and wonders
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by creating worlds with genderless societies. Two of these authors were pioneers in
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Dystopias and Utopias on Earth and Beyond: Feminist Ecocriticism of Science Fiction
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Dystopias and Utopias on Earth and Beyond: Feminist Ecocriticism of Science Fiction
4107:, which deals with issues of reproductive justice, science, gender, and sexuality. 4054: 3648: 3495: 3487: 3440: 3319: 3276: 3244: 2893: 2839: 2256: 2251: 2161: 2089: 2084: 2044: 1997: 1972: 1909: 1781: 1709: 1558: 1443: 1408: 1326: 1237: 1191: 1167: 1091: 1064: 1027: 870: 863: 853: 833: 777: 760: 701: 454: 5814: 3047:
The first science fiction story published in a magazine by a woman in America was
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Gateways to Forever: The Story of the Science-Fiction Magazines from 1970 to 1980
5528: 4567: 4494: 4313: 4224: 4066: 3982: 3867: 3803: 3782: 3710: 3661: 3568: 3556: 3467: 3417: 3299: 3289: 3271: 3263: 3141: 3128:, author Lisa Yaszek recovers many women SF authors of the post-WWII era such as 3110: 3106: 3060: 3036: 2989: 2956: 2930: 2812: 2734: 2661: 2623: 2587: 2575: 2493: 2452: 1860: 1669: 1657: 1463: 1403: 1383: 1341: 1206: 1096: 1042: 1000: 938: 933: 899: 811: 765: 337: 286: 243: 6675: 11951: 11936: 11931: 11753: 11748: 11505: 11257: 11191: 11166: 11136: 11111: 11031: 11016: 10376: 10341: 10313:
Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories
10021: 9929: 9854: 9806: 9680: 9656: 9584: 9243: 9123: 9103: 9063: 9003: 8983: 8943: 8803: 8676: 8571: 8516: 8471: 8391: 8376: 8331: 8216: 8169: 8144: 8116: 7935: 7841: 7729: 7604: 7358: 7353: 7189: 7176: 7166: 7105: 7092: 6780: 6610: 6059: 4666: 4599: 4510: 4502: 3962: 3937: 3749: 3719: 3634: 3630: 3521: 3450: 3421: 3357: 3191: 3056: 3017: 2979: 2829: 2615: 2231: 1674: 1639: 1448: 1259: 1211: 1005: 965: 848: 347: 310: 276: 6388: 6113: 5980: 5251: 5159: 5038: 4501:, magical realism, mythic explorations in poetry and post-modern fiction, and 4025: 12026: 11981: 11941: 11651: 11262: 11252: 11156: 10643: 10399: 9822: 9743: 9283: 9183: 9118: 9018: 8978: 8958: 8903: 8878: 8858: 8843: 8838: 8823: 8818: 8758: 8711: 8691: 8671: 8636: 8551: 8511: 8356: 8351: 8291: 8164: 8124: 8096: 8091: 8071: 8051: 8016: 8011: 7973: 7953: 7899: 7867: 7849: 7836: 7822: 7817: 7797: 7777: 7757: 7711: 7678: 7660: 7633: 7617: 7591: 7578: 7565: 7552: 7522: 7514: 7509: 7501: 7496: 7483: 7444: 7418: 7405: 7392: 7379: 7366: 7316: 7273: 7232: 7217: 7120: 7068: 6598: 6563: 6284: 6223: 6160: 5427: 5079: 4506: 4258: 4008: 3995: 3839: 3693: 3479: 3395: 3303: 3240: 3129: 2938:), possibly the most well-known of the early feminist SF and utopian novels. 2912: 1533: 1493: 1488: 1398: 1145: 1108: 733: 728: 203: 5659:"A Consumers' Republic: The Politics of Mass Consumption in Postwar America" 5403: 5342:, London, Lawrence Erlbaum Associates/Taylor & Francis, 1998; pp. 331-2. 4791: 4763: 3965:. One of the first appearances of a strong female character was that of the 434: 11743: 11533: 11490: 11221: 11141: 11081: 11056: 10993: 10386: 10330: 9406: 9083: 8616: 7665: 7557: 7531: 7527: 7097: 6953: 6937: 6425: 6402: 6237: 5582:
Daughters of earth : feminist science fiction in the twentieth century
5231: 5018: 4966: 4921: 4885: 4881: 4103: 4049: 3969: 3850: 3786: 3778: 3582: 3225:. Meg's adventures to other planets, galaxies, and dimensions are aided in 3176: 3013: 2953:, a winged superheroine and the first of the francophone superhero series. 2950: 2871: 2824: 2756: 2747: 2742: 2730: 2699: 2670: 2665: 2651: 2599: 2556: 2517: 1754: 1684: 1548: 1483: 1478: 1438: 1388: 1150: 1069: 1047: 948: 823: 696: 271: 253: 7265: 5887:"Emshwiller Interview (Robert Freeman Wexler interviews Carol Emshwiller)" 5839: 5110: 5100: 5059: 4366: 4015:, believe that female characters are still relegated to plot devices (see 3905:"Dominant Woman" stories, the "Battle of the Sexes" stories often present 3203:
of science fiction during the 1960s and 1970s through essays collected in
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Feminist science fiction is evidenced in the globally popular mediums of
3855: 3846: 3744: 3685: 3578: 3196: 3186: 2965:(Edith von Haynau) wrote the first Italian feminist science fiction with 2921: 2900: 1162: 953: 6714: 6631:
McClenahan, Catherine (1996), "Wiscon, Then and Now", in Various (ed.),
5325: 3681: 3641:(2007) is one of her better known works, and another one of her novels, 11686: 11641: 11631: 11267: 11021: 10780: 10297:
Dark Matter: A Century of Speculative Fiction from the African Diaspora
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Other winners of the James Tiptree, Jr. Award include "The Sparrow" by
2998:(2000). As early as 1920, however, women writers of this time, such as 2838:, one of the first novels by an African American woman. Set during the 2834: 2636: 1714: 1699: 1393: 322: 104:
to the source of your translation. A model attribution edit summary is
6287:(Winter 1982). "Feminist Criticism and Science Fiction for Children". 5149: 4473: 11447: 11335: 11116: 10795: 10790: 10763: 10733: 10716: 9953: 9489: 8656: 8476: 8111: 7539: 7288: 6069: 5840:"isfdb science fiction Β» Sheri S. Tepper - Summary Bibliography" 4676: 4609: 4078: 3966: 3230: 3118: 2763: 2619: 2595: 2529: 2513: 2505: 1694: 1689: 772: 10190: 6819: 6542:, Cambridge New York: Cambridge University Press, pp. 125–134, 4387: 3621:(2005), the first of a series of five titled "The Marq'ssan Cycle". 11717: 10859: 10785: 10601: 9258: 8923: 6432:
Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema
5676: 3629:
has also published a number of short stories, and is an editor for
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The Utopian Novel in America 1886–1896: The Politics of Form
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of new life, and has been considered by some a reimagining of the
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Comic Book Nation: The Transformation of Youth Culture in America
6609:. Feminist Science Fiction, Fantasy, & Utopia. Archived from 6327:
Comic Book Nation: The Transformation of Youth Culture in America
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It was closely followed by other feminist utopian works, such as
2603: 1135: 6876:
Helford, Elyce Rae (2005), "Feminism", in Westfahl, Gary (ed.),
6707:"Feminist SFF & Utopia: Journals, Newsletters, & 'Zines" 5932:"'Hominids' Is A Deeply Human Collection of Speculative Fiction" 4638:
Helford, Elyce Rae (2005), "Feminism", in Westfahl, Gary (ed.),
4574: 4058:
during the time of the organized women's movement in the 1970s;
3617:
has been known in the feminist SF community for her first novel
2771:
theme by feminist science fiction and had a lasting influence.
2648:
In the chinks of the world machine: feminism and science fiction
62: 10655: 10448: 10336: 9430: 9392: 9238: 9225: 9158: 9058: 8898: 8783: 8778: 8611: 8591: 8531: 8311: 8231: 8184: 8031: 7880: 7737: 7691: 7470: 7340: 7204: 7055: 7031: 7007: 6567: 5299:, Pittsburgh, University of Pittsburgh Press, 1984; pp. 146-50. 4142: 3491: 3475: 3229:
by three ancient beings, Mrs What, Mrs Which, and Mrs Who who "
2904: 2802: 2768: 2655: 2607: 2525: 342: 296: 6758:, Patrice McDermott, University of Illinois Press, 1994, p.105 3980:. In December 1941, Wonder Woman came to life on the pages of 3581:'s science fiction short story "Coming to Terms" received the 10738: 10611: 9278: 9078: 9038: 8938: 8798: 8631: 8451: 8431: 8411: 8271: 8251: 8211: 7301: 7260: 7245: 7133: 5719:"Partners in Winning the War: American Women in World War II" 4331: 3958: 3842:
might be troubled and different sexualities may be explored.
6880:, Westport, Connecticut: Greenwood Press, pp. 289–291, 6577:, Westport, Connecticut: Greenwood Press, pp. 290–301, 5789:"Locus Online News Β» World Fantasy Awards Winners 2015" 4994:"Mary Shelley: Mother of Frankenstein & Science Fiction" 4857:, Ohio, US: The Ohio State University Press, pp. 1–65, 4737:
Blain, Virginia; Clements, Patricia; Grundy, Isobel (1990).
4642:, Westport, Connecticut: Greenwood Press, pp. 289–291, 3637:
is another well respected feminist sf author. The novelette
2658:
and featuring female heroes, does not make feminist demands.
5979:. James Tiptree, Jr. Literary Award Council. Archived from 3718:
In the Parable series by feminist science fiction novelist
3682:
utopian and dystopian societies in feminist science fiction
3589:(2007) in Japan, and has been nominated twice each for the 248: 5815:"World Fantasy Convention 2015 -- Life Achievement Awards" 5443:"Storia della scrittrice e pittrice Rosa RosΓ  | Artribune" 3288:
Feminist science fiction continues on into the 1980s with
74:
to this template: there are already 1,480 articles in the
10133:
The Memory Librarian: And Other Stories of Dirty Computer
6932: 6194:. Mahwah, N.J.: Lawrence Erlbaum Associates. p. 329. 4950:
Anne K. Mellor (1988). "A feminist critique of science".
4468: 3322:
is another feminist SF author whose best known works are
3986:, and in the intervening years has been reincarnated in 2563:
who wrote one of the earliest feminist science fiction,
6737:, Mike Ashley, Liverpool University Press, 2007, p.252. 5607:"History of Household Technology-Science Tracer Bullet" 4876: 4874: 4853:
Yaszek, Lisa (2008), "Writers", in Yaszek, Lisa (ed.),
3115:
increased economic mobility of an emerging middle class
4176:(Aurora Speculative Feminism) (1981–1987). Windhaven, 5404:"Feminist Criticism and Science Fiction for Children" 4855:
Galactic suburbia: Recovering women's science fiction
4551: 2866:), which explores issues of gender norms and posited 2578:(SF for short) that focuses on theories that include 6603:"A Brief History of Feminist SF/F and Women in SF/F" 5948: 5855: 5853: 4871: 2678:
Feminist science fiction (SF) distinguishes between
58: 4736: 3023: 6746:Amazons!, Additional Reading list, DAW Books, 1979 6515:Women Scientists in Fifties Science Fiction Movies 6429: 4976:See The Detached Retina: Aspects of SF and Fantasy 4321: 3675: 3249:Time Considered as a Helix of Semi-Precious Stones 3148:, but their work laid substantive foundations for 5850: 5307: 5305: 3948: 3605:. Her most popular anthology of short stories is 2787: 12024: 9737:The Marriages Between Zones Three, Four and Five 4698: 4696: 3336:(2005). Emshwiller had also been writing SF for 2702:published in 1909 features the first super hero. 6808:"About us: A brief history of our organization" 6483:Reconstruction: Studies in Contemporary Culture 6036:Handbook on Posthumanism in Film and Television 3735:– most commonly female, an early example being 3394:(1986). Sargent is also the 2012 winner of the 5302: 4949: 4934:The Detached Retina: Aspects of SF and Fantasy 3474:that expand or explore one's understanding of 3360:has written the "Seed Series", which included 100:accompanying your translation by providing an 49:Click for important translation instructions. 36:expand this article with text translated from 10481: 9358:Voyage de Milord CΓ©ton dans les sept planΓ¨tes 6969: 6843: 6137:"Utopian Studies in Brazil: Roots and Routes" 4765:Feminist Fabulation: Space/Postmodern Fiction 4693: 4131:and others organized the "feminist panel" at 2781:Voyage de Milord CΓ©ton dans les sept planΓ¨tes 2470: 395: 6983: 6240:(Summer 1985). "Feminist Pied Piper in SF". 5578: 4991: 4633: 4631: 4629: 3988:from animated TV series to live-action films 3534:, and her 1990 novella "Bones" won the 1991 3398:for lifetime contributions to SF/F studies. 2899:, engages with the limited role of women in 6290:Children's Literature Association Quarterly 6243:Children's Literature Association Quarterly 6001: 5885:Wexler, Robert Freeman (January 19, 2010). 5694:"WGBH American Experience: Tupperware! PBS" 5408:Children's Literature Association Quarterly 5207:"Shelley's Frankenstein: a Feminist Novel?" 5098: 3339:The Magazine of Fantasy and Science Fiction 3093:The Magazine of Fantasy and Science Fiction 2844:mixed race woman with mostly white ancestry 2574:Feminist science fiction is a sub-genre of 112:{{Translated|fr|Science-fiction fΓ©ministe}} 10488: 10474: 6976: 6962: 6635:, Madison, SF3: Wiscon 20, pp. 46–48. 6630: 6540:The Cambridge Companion to Science Fiction 6134: 4917: 4915: 4522:, performance events, and film festivals. 3876:, gendered oppression is exaggerated in a 3760: 3374:(1983–2010), the "Venus Series" about the 3043:'s short story The Fate of the Poseidonia. 2733:, who considered this a forerunner of the 2567:. She's considered as one of the earliest 2477: 2463: 1357:African-American women's suffrage movement 402: 388: 6537: 6377:with Unisex Reproduction as a Keyconcept" 6203: 6201: 6095: 6093: 6091: 6089: 5488: 5311: 5191:CS1 maint: multiple names: authors list ( 5057: 4626: 4133:the 1976 World Science Fiction Convention 3466:is an annual literary prize for works of 9385:Man's Rights; Or, How Would You Like It? 6805: 6475:"To the Max: Embodying Intersections in 6033: 5061:Mary Shelley's Frankenstein and Feminism 4960: 3490:initiated this subsequent discussion at 3030: 2694: 2660: 2551: 1302:Discrimination against transgender women 9407:New Amazonia: A Foretaste of the Future 9377:Frankenstein; or, The Modern Prometheus 6875: 6370: 6279: 6277: 6275: 6273: 6189: 5768: 5630: 5440: 5016: 4912: 4880: 4637: 4032:among others, for whom the writings of 3571:(1993), and "The Conqueror's Child" by 3156: 2828:(1889). In 1892, poet and abolitionist 2825:New Amazonia: A Foretaste of the Future 2811:with technological innovations such as 2737:, more generally. Another early female 2582:themes, including, but not limited to, 12025: 11232:Writers and Illustrators of the Future 6897: 6562: 6472: 6373:"Japan's Feminist Fabulation: Reading 6323: 6236: 6207: 6198: 6099: 6086: 6058: 5929: 5884: 5526: 5462: 4852: 4809: 4711: 4665: 4598: 4039: 3972:, co-created by husband and wife team 2903:. Through depicting a gender-reversed 10469: 10104:When the Tiger Came Down the Mountain 6957: 6510: 5977:"2011 Tiptree Award Winner announced" 5656: 5553: 5229: 4178:A Journal of Feminist Science Fiction 3302:is perhaps best known for her series 2706: 6659: 6573:Women in Science Fiction and Fantasy 6424: 6283: 6270: 5631:Suddath, Claire (February 2, 2009). 5517:in Clute and Nicholls 1995, p. 1344. 5401: 4848: 4846: 4844: 4842: 4840: 4838: 4836: 4834: 4832: 4805: 4803: 4801: 4761: 4741:. New Haven: Yale University Press. 4513:, who is still the Editor-in-Chief. 3585:(2004) in the United States and the 3066: 3055:in 1927. The story was published by 2815:, videophones, and artificial meat. 18: 10495: 6854:The Encyclopedia of Science Fiction 6785:The Encyclopedia of Science Fiction 6773: 6597: 5865:The Encyclopedia of Science Fiction 5750:in Clute and Nicholls 1995, p. 424. 5556:Hidden Wyndham, Life, Love, Letters 5147: 4180:was published from 1977 to 1979 by 3654: 3416:, which is part of her series the " 3275:is a 1968 science fiction novel by 2972: 2496:(abbreviated "SF") focused on such 13: 10197:Battle of sexes in science fiction 9617:Ten Thousand Light-Years from Home 9593:The Kin of Ata Are Waiting for You 6940:issue of the speculative magazine 5102:Encyclopedia of Gender and Society 3832: 3446:In the Heart of the Valley of Love 14: 12049: 10089:This Is How You Lose the Time War 6926: 5930:Heller, Jason (August 11, 2015). 5463:Vitale, Di Alessia (2021-05-21). 4894:, London: Pandora Press, p.  4829: 4798: 4191: 4088:. 2001 science fiction TV series 4052:(originally created in 1941) and 4028:has been a theme in the works of 3039:, December 1926, which describes 12005: 11996: 11995: 10580:Apocalyptic and post-apocalyptic 9450:NEQUA or The Problem of the Ages 9277: 9257: 9237: 9224: 9197: 9177: 9157: 9137: 9117: 9097: 9077: 9057: 9037: 9017: 8997: 8977: 8957: 8937: 8917: 8897: 8877: 8857: 8837: 8817: 8797: 8777: 8757: 8730: 8710: 8690: 8670: 8650: 8630: 8610: 8590: 8570: 8550: 8530: 8510: 8490: 8470: 8450: 8430: 8410: 8390: 8370: 8350: 8330: 8310: 8290: 8270: 8250: 8230: 8210: 8183: 8163: 8143: 8123: 8110: 8090: 8070: 8050: 8030: 8010: 7992: 7972: 7952: 7934: 7916: 7898: 7879: 7866: 7848: 7835: 7816: 7796: 7776: 7756: 7736: 7723: 7710: 7690: 7677: 7659: 7639: 7632: 7616: 7603: 7590: 7577: 7564: 7551: 7538: 7521: 7508: 7495: 7482: 7469: 7456: 7443: 7430: 7417: 7404: 7391: 7378: 7365: 7352: 7339: 7315: 7300: 7287: 7272: 7259: 7244: 7231: 7216: 7210:RenΓ©e Marie Gouraud d'Ablancourt 7203: 7188: 7175: 7160: 7147: 7132: 7119: 7104: 7091: 7067: 7054: 7030: 7006: 6169:10.5325/utopianstudies.27.2.0210 6153:10.5325/utopianstudies.27.2.0210 5441:Pratesi, Ludovico (2022-11-06). 5148:author., Haraway, Donna Jeanne. 4712:Vakoch, Douglas A., ed. (2021). 4573: 4561: 4320: 4172:(1975–1980), which later became 3941:are other examples of exploring 3858:and tropes. In the short story " 3559:(2011), "The Carhullan Army" by 3520:in the same year for her story " 3283: 3002:("The Runaway World," 1926) and 2943:RenΓ©e Marie Gouraud dΚ»Ablancourt 2859:NEQUA or The Problem of the Ages 2446: 1978:Democratic Republic of the Congo 1312:Diversity, equity, and inclusion 433: 366:Women in Refrigerators (website) 23: 10257:How to Suppress Women's Writing 10149:Promises Stronger Than Darkness 10097:The Empress of Salt and Fortune 6938:Feminist science fiction themed 6837: 6799: 6761: 6749: 6740: 6728: 6699: 6690: 6653: 6624: 6591: 6556: 6531: 6504: 6466: 6450: 6418: 6395: 6364: 6355: 6317: 6230: 6183: 6128: 6052: 6027: 6013:. Seattle, WA: Aqueduct Press. 5995: 5969: 5942: 5923: 5917:Encyclopedia of World Biography 5905: 5878: 5832: 5807: 5781: 5762: 5753: 5741: 5711: 5686: 5650: 5624: 5599: 5572: 5547: 5520: 5508: 5482: 5456: 5434: 5395: 5370: 5345: 5332: 5289: 5264: 5223: 5199: 5141: 5092: 5051: 5010: 4985: 4943: 4155: 3684:place an increased emphasis on 3676:Utopian and dystopian societies 3524:". Her short story collection, 3253:Hugo Award for Best Short Story 3209:How To Suppress Women's Writing 11957:Science and technology studies 10111:The Future of Another Timeline 9887:Brown Girl in the Ring (novel) 9673:Houston, Houston, Do You Read? 9320:The Book of the City of Ladies 6906:Johns Hopkins University Press 6513:"Stand by for Mars! Review of 6332:Johns Hopkins University Press 6038:. London: Palgrave MacMillan. 4810:Winter, Nicolas (2019-06-11). 4755: 4730: 4705: 4659: 4592: 3949:Comic books and graphic novels 3933:Houston, Houston, Do You Read? 3651:for Best Adult Novel in 2012. 2792:Women writers involved in the 2788:First-wave feminism (suffrage) 2410:Women's suffrage organizations 110:You may also add the template 1: 10176:Gender in speculative fiction 10141:The Daughter of Doctor Moreau 10125:Dreams Bigger Than Heartbreak 9962:The Hundred Thousand Kingdoms 9839:Brightness Falls from the Air 9775:Brightness Falls from the Air 5771:"The desperate and the human" 5657:Cohen, Lizabeth (June 2004). 4036:have been a major influence. 3456:Falling in Love With Hominids 2547: 10289:The Geek Feminist Revolution 10186:Women in speculative fiction 10118:Victories Greater Than Death 9863:Chroniques du pays des mΓ¨res 9713:Star Songs of an Old Primate 9601:The Word for World is Forest 9288: 9268: 9248: 9215: 9188: 9168: 9148: 9128: 9108: 9088: 9068: 9048: 9028: 9008: 8988: 8968: 8948: 8928: 8908: 8888: 8868: 8848: 8828: 8808: 8788: 8768: 8748: 8721: 8701: 8681: 8661: 8641: 8621: 8601: 8581: 8561: 8541: 8521: 8501: 8481: 8461: 8441: 8421: 8401: 8381: 8361: 8341: 8321: 8301: 8281: 8261: 8241: 8221: 8201: 8174: 8154: 8134: 8101: 8081: 8061: 8041: 8021: 8002: 7983: 7963: 7944: 7926: 7908: 7889: 7858: 7827: 7807: 7787: 7767: 7747: 7701: 7669: 7650: 7624: 6898:Wright, Bradford W. (2003). 5951:"Award Winners and Nominees" 5913:"Cynthia Kadohata Biography" 5664:Journal of Consumer Research 5236:. Cornell University Press. 4998:The Literary Woman's Almanac 4768:. University of Iowa Press. 4547:Women in speculative fiction 4537:List of feminist comic books 4211:Feminist speculative fiction 4127:and professor of literature 4024:Feminism in science fiction 3233:" to travel vast distances. 3211:(Russ, 1983). Also of note, 2798:first-wave feminist movement 2776:Marie-Anne de Roumier-Robert 2395:Suffragists and suffragettes 2325:American feminist literature 7: 11501:Space stations and habitats 10372:The Witch and the Chameleon 9815:The Gate to Women's Country 9759:Native Tongue (Elgin novel) 9641:The Girl Who Was Plugged In 9474:Moving the Mountain (novel) 9400:Das Maschinenalter entsteht 6676:10.1207/s15328023top1703_17 6473:Jowett, Lorna (Fall 2005). 6135:Cavalcanti, Ildney (2016). 6102:Contemporary Justice Review 4992:morgannholly (2022-03-21). 4525: 4163:The Witch and the Chameleon 3992:significant cultural impact 3795:The Girl Who Was Plugged In 3601:, and short-listed for the 3439:, Japanese-American writer 2920:(1909), transgender writer 2842:, it follows the life of a 2774:In France, feminist writer 1635:Views on transgender topics 1625:Views on sexual orientation 82:will aid in categorization. 16:Subgenre of science fiction 10: 12054: 9537:The Haunting of Hill House 7195:Elizabeth Burgoyne Corbett 6857:(2nd ed.). New York: 6816:Cleveland State University 5949:World Fantasy Convention. 5058:Hadjetian, Sylvia (2008). 4953:Frankenstein: Mary Shelley 4483: 4255:Cleveland State University 4061:Terminator 2: Judgment Day 3978:Elizabeth Holloway Marston 3049:The Fate of the Poseidonia 3025:The Fate of the Poseidonia 2820:Elizabeth Burgoyne Corbett 2762:Her book is a critique of 2690: 57:Machine translation, like 11990: 11947:Museum of Science Fiction 11904: 11892:Christian science fiction 11884: 11856:Self-replicating machines 11817: 11731: 11700: 11604: 11519: 11476: 11467: 11403: 11382: 11346: 11301: 11294: 11245: 11002: 10981: 10974: 10868: 10815: 10808: 10754: 10575: 10568: 10503: 10441: 10415: 10351: 10323: 10241:The Language of the Night 10212: 10163: 9897: 9831:Her Smoke Rose Up Forever 9697:Up the Walls of the World 9665:Woman on the Edge of Time 9577:The Left Hand of Darkness 9441: 9368: 9349: 9330: 9311: 9304: 7331: 7083: 7046: 7022: 6998: 6991: 6570:", in Reid, Robin (ed.), 6190:Romaine, Suzanne (1999). 6114:10.1080/10282580500082507 5527:Dryden, Caroline (2014). 4812:"L'imaginaire au fΓ©minin" 4762:Barr, Marleen S. (1992). 4518:challenge gender such as 4465: 4460: 4445: 4431: 4414: 4342: 4330: 4276: 4266: 4247: 4239: 4234: 4223: 4215: 4205: 4152:in understanding gender. 4117:science fiction community 4110: 3925:The Left Hand of Darkness 3826:The Left Hand of Darkness 3664:, and the elimination of 3516:in 1988. She won another 3413:The Mountains of Mourning 3342:since 1974. She won the 3205:The Language of the Night 3182:Woman on the Edge of Time 3172:The Left Hand of Darkness 2988:(1932) and much later by 2878:) where women are equal. 2739:writer of science fiction 2426:Women's rights by country 1332:Female genital mutilation 328:Gaylactic Spectrum Awards 38:the corresponding article 12033:Feminist science fiction 10407:Our Opinions Are Correct 10393:Ōoku: The Inner Chambers 10171:Feminist science fiction 10066:All the Birds in the Sky 9946:Le GoΓ»t de l'immortalitΓ© 7238:Charlotte Perkins Gilman 6985:Feminist science fiction 6933:Feminist Science Fiction 6645:: CS1 maint: location ( 6401:The original creator of 6224:10.3828/extr.2005.46.1.8 5769:Styrsky, Stefen (2005). 5489:Smartweek (2018-05-11). 5133:: CS1 maint: location ( 4978:by Brian Aldiss (1995), 4936:by Brian Aldiss (1995), 4586: 4186:Women in Science Fiction 4182:Jessica Amanda Salmonson 4085:Buffy the Vampire Slayer 3707:Charlotte Perkins Gilman 3603:James Tiptree, Jr. Award 3545:(1996), "Black Wine" by 3464:James Tiptree, Jr. Award 3251:" (1968), which won the 3004:Gertrude Barrows Bennett 2941:Among the francophones, 2926:Charlotte Perkins Gilman 2490:Feminist science fiction 2431:Feminists by nationality 2405:Women's studies journals 2400:Women's rights activists 1123:Movements and ideologies 199:Feminist science fiction 11825:Artificial intelligence 11723:Simulated consciousness 10233:Aurora: Beyond Equality 9751:Memoirs of a Spacewoman 9649:The Holdfast Chronicles 9625:The Women Men Don't See 9553:Memoirs of a Spacewoman 7251:Rokeya Sakhawat Hussain 6768:Reading Science Fiction 6633:Wiscon 20 Souvenir Book 6407:William Moulton Marston 6371:Ebihara, Akiko (2002). 5893:. Laconic Writer (blog) 5891:robertfreemanwexler.com 5402:Wolf, Virginia (1982). 5384:(in French). 2022-04-01 5314:African American Review 4520:intentional communities 4505:. There is a conscious 4076:, comic book character 3974:William Moulton Marston 3881:well-being, such as in 3761:Representation of women 2967:Una donna con tre anime 2897:Rokeya Sakhawat Hussain 2713:the English Restoration 1819:International relations 685:Intersectional variants 121:For more guidance, see 12038:Science fiction genres 11977:Technology and society 10845:Science Fiction Museum 10442:Events and conventions 10423:Sense of Gender Awards 10001:Six Months, Three Days 9879:The Fifth Sacred Thing 9466:Beatrice the Sixteenth 7437:Elisabeth Mann-Borgese 7111:Jane Wells Webb Loudon 6992:Writers by time period 6663:Teaching of Psychology 5558:. Grace Judson Press. 5099:O'Brien, Jodi (2009). 5017:Brueske, Jana (2012). 4277:Standard abbreviations 4073:Xena, Warrior Princess 4018:Women in Refrigerators 3994:. By the early 1960s, 3666:patriarchal oppression 3607:Questionable Practices 3350:in 2005 for her novel 3308:Lands of the True Game 3044: 2917:Beatrice the Sixteenth 2751:(1818) dealt with the 2703: 2675: 2571: 2545: 2345:Conservative feminisms 1600:Bicycling and feminism 1576:Women in the workforce 1544:Violence against women 1519:Sexual objectification 1479:Opposition to feminism 741:Vegetarian ecofeminism 333:Lambda Literary Awards 11576:Organ transplantation 10835:Libraries and museums 10756:Cyberpunk derivatives 10710:Utopian and dystopian 10433:Lambda Literary Award 10367:Forerunner (magazine) 10281:We Have Always Fought 10273:To Write Like a Woman 9847:Beauty (Tepper novel) 9305:Notable works by date 9264:Benjanun Sriduangkaew 8964:Catherynne M. Valente 7597:Sally Miller Gearhart 6575:, Volume 1: Overviews 6511:Miniscule, Caroline. 5230:Harth, Erica (2018). 5111:10.4135/9781412964517 3912:Marion Zimmer Bradley 3885:'s young adult novel 3587:Sense of Gender Award 3376:terraforming of Venus 3059:in the pulp magazine 3034: 2868:structural inequality 2735:science fiction genre 2698: 2664: 2622:'s vampire stories). 2555: 2534: 2375:Feminist rhetoricians 2365:Feminist philosophers 1917:Revisionist mythology 1620:Views on prostitution 1605:Criticism of marriage 1295:Children's literature 123:Knowledge:Translation 94:copyright attribution 11927:Fictional technology 11922:Fictional astronauts 11779:Frankenstein complex 10249:More Women of Wonder 10074:The Stars Are Legion 9986:The Alchemy of Stone 9922:Parable of the Sower 9871:The Matter of Seggri 9729:The Vampire Tapestry 9705:The Eye of the Heron 9506:Angel Island (novel) 9423:Unveiling a Parallel 8597:Justine Larbalestier 7905:Lois McMaster Bujold 7763:Chelsea Quinn Yarbro 7545:AngΓ©lica Gorodischer 7476:FranΓ§oise d'Eaubonne 7223:Mary E. Bradley Lane 6859:St. Martin's Griffin 6822:on September 7, 2016 6412:The American Scholar 6192:Communicating Gender 5340:Communicating Gender 4891:Mothers of the Novel 4774:10.2307/j.ctt20h6vjv 4542:Single-gender worlds 3894:Gather the Daughters 3860:The Matter of Seggri 3725:Parable of the Sower 3644:The Uncertain Places 3595:Philip K. Dick Award 3552:Redwood and Wildfire 3532:Philip K. Dick Award 3400:Lois McMaster Bujold 3306:, which explore the 3207:(Le Guin, 1979) and 3163:second-wave feminism 3157:Second-wave feminism 3150:second-wave feminist 3053:Claire Winger Harris 2853:Unveiling a Parallel 2355:Feminist art critics 2330:Feminist comic books 2287:Lists and categories 1966:By continent/country 1797:Pathways perspective 1680:Gender mainstreaming 1615:Views on pornography 1524:Substantive equality 1504:Reproductive justice 1454:Matriarchal religion 1307:Diversity (politics) 1248:Political lesbianism 558:Other women's rights 282:Single-gender worlds 145:Sex and sexuality in 11967:Speculative fiction 11561:Genetic engineering 10181:Single-gender world 10164:Genres and concepts 9914:Tales from Earthsea 9791:Golden Days (novel) 9767:The Handmaid's Tale 9561:When I Was Miss Dow 8764:Kelly Sue DeConnick 8697:Charlie Jane Anders 8277:Nicoletta Vallorani 7411:Alice Eleanor Jones 7279:Miriam Allen DeFord 7126:Annie Denton Cridge 6787:. 20 September 2016 6489:(4). Archived from 5957:on December 1, 2010 5861:"Emshwiller, Carol" 5698:American Experience 5554:Binns, Amy (2019). 4580:Speculative fiction 4532:Feminist literature 4235:Publication details 4202: 4040:Film and television 3873:The Handmaid's Tale 3809:The Handmaid's Tale 3680:Representations of 3599:World Fantasy Award 3536:World Fantasy Award 3527:Points of Departure 3430:sexual reproduction 3344:World Fantasy Award 3312:World Fantasy Award 3295:The Handmaid's Tale 3146:speculative fiction 3138:Alice Eleanor Jones 3111:electric appliances 3041:Clare Winger Harris 3000:Clare Winger Harris 2883:The Sultana's Dream 2453:Feminism portal 2360:Feminist economists 2350:Ecofeminist authors 2155:Trinidad and Tobago 2095:Republic of Ireland 1787:Composition studies 1554:Women's empowerment 1509:Sex workers' rights 1434:Feminist capitalism 1414:Internalized sexism 1347:Feminism in culture 460:History of feminism 147:speculative fiction 139:Part of a series on 11794:Message from space 11759:Ancient astronauts 11647:Parallel universes 11622:Extrasolar planets 11529:Biological warfare 10651:Parallel universes 10533:Scientific romance 10265:A Cyborg Manifesto 9994:The Method (novel) 9689:Egalia's Daughters 9529:Life, Incorporated 9498:That Only a Mother 8884:Kiini Ibura Salaam 7717:Suzy McKee Charnas 7154:Bertha von Suttner 7037:Margaret Cavendish 7013:Christine de Pizan 6303:10.1353/chq.0.0272 6256:10.1353/chq.0.0179 6060:Vakoch, Douglas A. 6007:Duchamp, L. Timmel 5775:Lambda Book Report 5633:"The Middle Class" 5420:10.1353/chq.0.0272 5184:has generic name ( 4667:Vakoch, Douglas A. 4600:Vakoch, Douglas A. 4196: 4115:By the 1970s, the 4070:in the 1980s; and 3999:writers including 3856:gender stereotypes 3822:literary historian 3741:A Rainha do Ignoto 3573:Suzy McKee Charnas 3547:Candas Jane Dorsey 3543:Mary Doria Russell 3392:The Shore of Women 3201:feminist criticism 3134:That Only a Mother 3045: 2995:The Blind Assassin 2947:Vega la magicienne 2945:published in 1909 2794:utopian literature 2717:Margaret Cavendish 2707:Early modern times 2704: 2676: 2650:, Scottish author 2572: 1765:Literary criticism 1630:Views on sexuality 1317:Effects on society 1285:Complementarianism 1265:Women's liberation 1020:Religious variants 994:trans-exclusionary 712:Radical lesbianism 266:Recurring elements 102:interlanguage link 12020: 12019: 11912:Alternate history 11900: 11899: 11861:Simulated reality 11591:Sex and sexuality 11544:Extraterrestrials 11463: 11462: 11290: 11289: 11286: 11285: 11027:Campbell Memorial 10804: 10803: 10673:Planetary romance 10463: 10462: 10217:critiques by year 10159: 10158: 10007:Ancillary Justice 9783:A Door into Ocean 9569:Aye, and Gomorrah 9545:A Wrinkle in Time 9339:The Blazing World 9300: 9299: 8297:Maureen F. McHugh 7979:L. Timmel Duchamp 7886:JoΓ«lle Wintrebert 7873:Octavia E. Butler 7855:Elizabeth A. Lynn 7571:Ursula K. Le Guin 7450:Madeleine L'Engle 7398:James Tiptree Jr. 7061:Marie-Anne Robert 6999:14th–15th century 6459:, the creator of 6436:. London: Verso. 6045:978-1-137-43032-8 5592:978-0-8195-6675-1 5338:Suzanne Romaine, 5243:978-1-5017-2174-8 5120:978-1-4129-0916-7 5071:978-3-638-93194-6 5030:978-3-656-31618-3 4783:978-0-87745-377-2 4748:978-0-300-04854-4 4723:978-0-367-71641-7 4481: 4480: 4150:social constructs 4034:Ursula K. Le Guin 3929:James Tiptree Jr. 3917:The Ruins of Isis 3698:Michael Oakeshott 3611:L. Timmel Duchamp 3509:The Falling Woman 3402:has won both the 3390:(1986–2001), and 3378:, which includes 3247:'s short story, " 3236:A Wrinkle in Time 3218:A Wrinkle in Time 3213:Madeleine L'Engle 3167:Ursula K. Le Guin 3126:Galactic Suburbia 3067:Post World War II 2985:Cold Comfort Farm 2722:The Blazing World 2584:gender inequality 2542:Elyce Rae Helford 2502:gender inequality 2492:is a subgenre of 2487: 2486: 2438: 2437: 1957: 1956: 1947:womanist theology 1890:Political ecology 1721:Γ‰criture fΓ©minine 1648: 1647: 1539:Triple oppression 1529:Toxic masculinity 1514:Sexual harassment 1374:Feminist stripper 1352:Feminist movement 913: 912: 844:Africana womanism 675: 674: 412: 411: 318:Gaylactic Network 239:In horror fiction 161:Sex and sexuality 134: 133: 50: 46: 12045: 12009: 11999: 11998: 11837:Astroengineering 11769:Evil corporation 11496:Matrioshka brain 11474: 11473: 11413:List of TV shows 11299: 11298: 10979: 10978: 10813: 10812: 10683:Sword and planet 10573: 10572: 10490: 10483: 10476: 10467: 10466: 10205: 10082: 10046:The Obelisk Gate 10030:The Fifth Season 9633:The Dispossessed 9522: 9309: 9308: 9292: 9290: 9282: 9281: 9272: 9270: 9262: 9261: 9252: 9250: 9242: 9241: 9229: 9228: 9219: 9217: 9212: 9202: 9201: 9192: 9190: 9182: 9181: 9172: 9170: 9162: 9161: 9152: 9150: 9142: 9141: 9132: 9130: 9122: 9121: 9112: 9110: 9102: 9101: 9092: 9090: 9082: 9081: 9072: 9070: 9062: 9061: 9052: 9050: 9042: 9041: 9032: 9030: 9022: 9021: 9012: 9010: 9002: 9001: 8992: 8990: 8982: 8981: 8972: 8970: 8962: 8961: 8952: 8950: 8942: 8941: 8932: 8930: 8922: 8921: 8912: 8910: 8902: 8901: 8892: 8890: 8882: 8881: 8872: 8870: 8862: 8861: 8852: 8850: 8844:Sheree R. Thomas 8842: 8841: 8832: 8830: 8822: 8821: 8812: 8810: 8802: 8801: 8792: 8790: 8782: 8781: 8772: 8770: 8762: 8761: 8752: 8750: 8745: 8737:Barbara Kirchner 8735: 8734: 8725: 8723: 8715: 8714: 8705: 8703: 8695: 8694: 8685: 8683: 8675: 8674: 8665: 8663: 8655: 8654: 8645: 8643: 8635: 8634: 8625: 8623: 8615: 8614: 8605: 8603: 8595: 8594: 8585: 8583: 8575: 8574: 8565: 8563: 8555: 8554: 8545: 8543: 8537:Catherine Dufour 8535: 8534: 8525: 8523: 8515: 8514: 8505: 8503: 8495: 8494: 8485: 8483: 8475: 8474: 8465: 8463: 8455: 8454: 8445: 8443: 8435: 8434: 8425: 8423: 8417:Gabriela Bustelo 8415: 8414: 8405: 8403: 8395: 8394: 8385: 8383: 8375: 8374: 8365: 8363: 8355: 8354: 8345: 8343: 8335: 8334: 8325: 8323: 8315: 8314: 8305: 8303: 8295: 8294: 8285: 8283: 8275: 8274: 8265: 8263: 8255: 8254: 8245: 8243: 8235: 8234: 8225: 8223: 8215: 8214: 8205: 8203: 8198: 8188: 8187: 8178: 8176: 8168: 8167: 8158: 8156: 8148: 8147: 8138: 8136: 8130:Joan Slonczewski 8128: 8127: 8115: 8114: 8105: 8103: 8095: 8094: 8085: 8083: 8075: 8074: 8065: 8063: 8055: 8054: 8045: 8043: 8035: 8034: 8025: 8023: 8015: 8014: 8006: 8004: 7999:Charlotte Kerner 7997: 7996: 7987: 7985: 7977: 7976: 7967: 7965: 7959:Karen Joy Fowler 7957: 7956: 7948: 7946: 7939: 7938: 7930: 7928: 7923:Dubravka UgreΕ‘iΔ‡ 7921: 7920: 7912: 7910: 7903: 7902: 7893: 7891: 7884: 7883: 7871: 7870: 7862: 7860: 7853: 7852: 7840: 7839: 7831: 7829: 7821: 7820: 7811: 7809: 7803:Samuel R. Delany 7801: 7800: 7791: 7789: 7781: 7780: 7771: 7769: 7761: 7760: 7751: 7749: 7743:Gerd Brantenberg 7741: 7740: 7728: 7727: 7715: 7714: 7705: 7703: 7695: 7694: 7682: 7681: 7673: 7671: 7664: 7663: 7654: 7652: 7644: 7643: 7637: 7636: 7628: 7626: 7621: 7620: 7608: 7607: 7595: 7594: 7582: 7581: 7569: 7568: 7556: 7555: 7543: 7542: 7526: 7525: 7513: 7512: 7500: 7499: 7489:Carol Emshwiller 7487: 7486: 7474: 7473: 7463:Marlen Haushofer 7461: 7460: 7448: 7447: 7435: 7434: 7422: 7421: 7409: 7408: 7396: 7395: 7383: 7382: 7370: 7369: 7357: 7356: 7344: 7343: 7322:L. Taylor Hansen 7320: 7319: 7305: 7304: 7292: 7291: 7277: 7276: 7264: 7263: 7249: 7248: 7236: 7235: 7221: 7220: 7208: 7207: 7193: 7192: 7180: 7179: 7165: 7164: 7152: 7151: 7137: 7136: 7124: 7123: 7109: 7108: 7096: 7095: 7072: 7071: 7059: 7058: 7035: 7034: 7011: 7010: 6996: 6995: 6978: 6971: 6964: 6955: 6954: 6919: 6891: 6872: 6832: 6831: 6829: 6827: 6818:. Archived from 6803: 6797: 6796: 6794: 6792: 6777: 6771: 6765: 6759: 6753: 6747: 6744: 6738: 6732: 6726: 6725: 6723: 6722: 6713:. Archived from 6703: 6697: 6694: 6688: 6687: 6657: 6651: 6650: 6644: 6636: 6628: 6622: 6621: 6619: 6618: 6595: 6589: 6588: 6560: 6554: 6553: 6535: 6529: 6528: 6526: 6524: 6508: 6502: 6501: 6499: 6498: 6470: 6464: 6454: 6448: 6447: 6435: 6422: 6416: 6399: 6393: 6392: 6387:. Archived from 6368: 6362: 6359: 6353: 6349: 6321: 6315: 6314: 6281: 6268: 6267: 6234: 6228: 6227: 6205: 6196: 6195: 6187: 6181: 6180: 6132: 6126: 6125: 6097: 6084: 6083: 6056: 6050: 6049: 6031: 6025: 6024: 5999: 5993: 5992: 5990: 5988: 5973: 5967: 5966: 5964: 5962: 5953:. Archived from 5946: 5940: 5939: 5927: 5921: 5920: 5909: 5903: 5902: 5900: 5898: 5882: 5876: 5875: 5873: 5871: 5857: 5848: 5847: 5836: 5830: 5829: 5827: 5825: 5811: 5805: 5804: 5802: 5800: 5793:www.locusmag.com 5785: 5779: 5778: 5766: 5760: 5757: 5751: 5745: 5739: 5738: 5736: 5734: 5729:on July 31, 2016 5725:. Archived from 5715: 5709: 5708: 5706: 5704: 5690: 5684: 5680: 5654: 5648: 5647: 5645: 5643: 5628: 5622: 5621: 5619: 5617: 5603: 5597: 5596: 5576: 5570: 5569: 5551: 5545: 5544: 5524: 5518: 5512: 5506: 5505: 5503: 5502: 5486: 5480: 5479: 5477: 5476: 5460: 5454: 5453: 5451: 5450: 5438: 5432: 5431: 5399: 5393: 5392: 5390: 5389: 5374: 5368: 5367: 5365: 5363: 5349: 5343: 5336: 5330: 5329: 5309: 5300: 5293: 5287: 5286: 5284: 5283: 5276:CRLV / Astrolabe 5268: 5262: 5261: 5259: 5258: 5227: 5221: 5220: 5218: 5217: 5203: 5197: 5196: 5189: 5183: 5179: 5177: 5169: 5167: 5166: 5151:Cyborg manifesto 5145: 5139: 5138: 5132: 5124: 5096: 5090: 5089: 5087: 5086: 5055: 5049: 5048: 5046: 5045: 5014: 5008: 5007: 5005: 5004: 4989: 4983: 4969:has argued that 4964: 4958: 4957: 4947: 4941: 4924:has argued that 4919: 4910: 4909: 4878: 4869: 4868: 4850: 4827: 4826: 4824: 4823: 4807: 4796: 4795: 4759: 4753: 4752: 4734: 4728: 4727: 4709: 4703: 4700: 4691: 4690: 4663: 4657: 4653: 4635: 4624: 4623: 4596: 4578: 4577: 4566: 4565: 4564: 4557: 4469:Journal homepage 4451: 4436: 4426: 4419: 4410: 4326: 4324: 4323: 4203: 4200: 4195: 4166:(1974–1976) and 4055:The Bionic Woman 3931:'s short story " 3655:Recurrent themes 3649:Mythopoeic Award 3623:Alanya to Alanya 3619:Alanya to Alanya 3496:Karen Joy Fowler 3488:Karen Joy Fowler 3441:Cynthia Kadohata 3410:for her novella 3384:Venus of Shadows 3348:Life Achievement 3320:Carol Emshwiller 3316:Life Achievement 3277:James H. Schmitz 3245:Samuel R. Delany 3239:was awarded the 3223:The Time Quintet 3107:washing machines 2973:Between the wars 2840:antebellum South 2809:women-only world 2753:asexual creation 2727:feminist critics 2561:Bengali feminist 2543: 2479: 2472: 2465: 2451: 2450: 2449: 2390:Feminist parties 2385:Muslim feminists 2380:Jewish feminists 2291: 2290: 2272:History of women 1895:Political theory 1663: 1662: 1593: 1592: 1566: 1559:Women-only space 1444:Likeability trap 1409:Invisible labour 1327:Female education 1141:Anti-pornography 996: 995: 991: 707:Lesbian of color 690: 689: 567:Women's suffrage 543:Muslim countries 538:Women's suffrage 455:Feminist history 448: 447: 437: 414: 413: 404: 397: 390: 287:Lesbian vampires 244:Lesbian vampires 136: 135: 113: 107: 81: 80:|topic= 78:, and specifying 63:Google Translate 48: 44: 27: 26: 19: 12053: 12052: 12048: 12047: 12046: 12044: 12043: 12042: 12023: 12022: 12021: 12016: 12015: 11986: 11962:Sense of wonder 11896: 11880: 11813: 11809:Xenoarchaeology 11784:Galactic empire 11739:Africanfuturism 11727: 11696: 11600: 11515: 11459: 11399: 11378: 11342: 11282: 11241: 11004: 10998: 10970: 10864: 10800: 10750: 10727:Techno-thriller 10695:Climate fiction 10663:Science fantasy 10617:Anime and manga 10564: 10523:Anthropological 10499: 10497:Science fiction 10494: 10464: 10459: 10437: 10428:Otherwise Award 10411: 10359: 10357: 10355: 10353: 10347: 10319: 10225:Women of Wonder 10216: 10214: 10208: 10199: 10155: 10076: 9970:Who Fears Death 9893: 9609:When It Changed 9516: 9458:Sultana's Dream 9437: 9364: 9345: 9326: 9296: 9287: 9276: 9267: 9256: 9247: 9236: 9231:Floriane Soulas 9223: 9214: 9206: 9204:Nadia Chonville 9196: 9187: 9176: 9167: 9156: 9147: 9136: 9127: 9116: 9107: 9096: 9087: 9076: 9067: 9056: 9047: 9036: 9027: 9016: 9007: 8996: 8987: 8976: 8967: 8956: 8947: 8936: 8927: 8916: 8907: 8896: 8887: 8876: 8867: 8856: 8847: 8836: 8827: 8816: 8807: 8796: 8787: 8776: 8767: 8756: 8747: 8739: 8729: 8720: 8709: 8700: 8689: 8680: 8669: 8660: 8649: 8640: 8629: 8620: 8609: 8600: 8589: 8580: 8577:Virginia Bergin 8569: 8560: 8549: 8540: 8529: 8520: 8509: 8500: 8497:Heidrun JΓ€nchen 8489: 8480: 8469: 8460: 8449: 8440: 8429: 8420: 8409: 8400: 8397:Nicola Griffith 8389: 8380: 8369: 8360: 8349: 8340: 8329: 8320: 8309: 8300: 8289: 8280: 8269: 8260: 8249: 8240: 8237:Ninni Holmqvist 8229: 8220: 8209: 8200: 8192: 8190:Luce Basseterre 8182: 8173: 8162: 8153: 8142: 8133: 8122: 8109: 8100: 8089: 8080: 8069: 8060: 8057:Marleen S. Barr 8049: 8040: 8037:StΓ©phanie Nicot 8029: 8020: 8009: 8001: 7991: 7982: 7971: 7962: 7951: 7943: 7933: 7925: 7915: 7907: 7897: 7888: 7878: 7865: 7857: 7847: 7834: 7826: 7815: 7806: 7795: 7786: 7783:Eleanor Arnason 7775: 7766: 7755: 7746: 7735: 7722: 7709: 7700: 7697:Margaret Atwood 7689: 7676: 7668: 7658: 7649: 7638: 7631: 7623: 7615: 7602: 7589: 7584:Sheri S. Tepper 7576: 7563: 7550: 7537: 7520: 7507: 7494: 7481: 7468: 7455: 7442: 7429: 7424:Shirley Jackson 7416: 7403: 7390: 7377: 7372:Leslie F. 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(2007). 6000: 5996: 5986: 5984: 5975: 5974: 5970: 5960: 5958: 5947: 5943: 5928: 5924: 5911: 5910: 5906: 5896: 5894: 5883: 5879: 5869: 5867: 5859: 5858: 5851: 5838: 5837: 5833: 5823: 5821: 5819:www.wfc2015.org 5813: 5812: 5808: 5798: 5796: 5787: 5786: 5782: 5767: 5763: 5759:Helford, p.290. 5758: 5754: 5746: 5742: 5732: 5730: 5717: 5716: 5712: 5702: 5700: 5692: 5691: 5687: 5655: 5651: 5641: 5639: 5629: 5625: 5615: 5613: 5605: 5604: 5600: 5593: 5577: 5573: 5566: 5552: 5548: 5541: 5525: 5521: 5513: 5509: 5500: 5498: 5487: 5483: 5474: 5472: 5469:Harper's BAZAAR 5461: 5457: 5448: 5446: 5439: 5435: 5400: 5396: 5387: 5385: 5376: 5375: 5371: 5361: 5359: 5351: 5350: 5346: 5337: 5333: 5310: 5303: 5295:Jean Pfaelzer, 5294: 5290: 5281: 5279: 5270: 5269: 5265: 5256: 5254: 5244: 5228: 5224: 5215: 5213: 5205: 5204: 5200: 5190: 5181: 5180: 5171: 5170: 5164: 5162: 5146: 5142: 5126: 5125: 5121: 5097: 5093: 5084: 5082: 5072: 5064:. GRIN Verlag. 5056: 5052: 5043: 5041: 5031: 5023:. GRIN Verlag. 5015: 5011: 5002: 5000: 4990: 4986: 4965: 4961: 4948: 4944: 4920: 4913: 4906: 4879: 4872: 4865: 4851: 4830: 4821: 4819: 4808: 4799: 4784: 4760: 4756: 4749: 4735: 4731: 4724: 4710: 4706: 4702:Helford, p.291. 4701: 4694: 4687: 4664: 4660: 4650: 4636: 4627: 4620: 4597: 4593: 4589: 4584: 4572: 4562: 4560: 4552: 4528: 4495:science fiction 4488: 4446: 4432: 4427: 4422: 4415: 4386: 4345: 4344: 4300: 4279: 4278: 4262: 4198: 4194: 4158: 4113: 4067:Alien tetralogy 4042: 3983:All Star Comics 3951: 3888:Only Ever Yours 3868:Margaret Atwood 3835: 3833:Gender identity 3804:Margaret Atwood 3783:Rhoda Broughton 3763: 3733:single-gendered 3678: 3662:gender equality 3657: 3569:Nicola Griffith 3557:Andrea Hairston 3530:(1990) won the 3468:science fiction 3418:Vorkosigan Saga 3380:Venus of Dreams 3300:Sheri S. Tepper 3290:Margaret Atwood 3286: 3272:The Demon Breed 3159: 3142:Shirley Jackson 3069: 3061:Amazing Stories 3037:Amazing Stories 3029: 2990:Margaret Atwood 2975: 2957:Rhoda Broughton 2894:Muslim feminist 2813:parthenogenesis 2790: 2764:Darwinist ideas 2709: 2693: 2682:SF authors and 2624:Marleen S. Barr 2576:science fiction 2569:Muslim feminist 2565:Sultana's Dream 2550: 2544: 2541: 2494:science fiction 2483: 2447: 2445: 2440: 2439: 2341: 2288: 2280: 2279: 2278: 2187:Northern Cyprus 1967: 1959: 1958: 1953: 1775:Science fiction 1726: 1705:Women's studies 1670:Feminist method 1660: 1650: 1649: 1644: 1590: 1582: 1581: 1580: 1564: 1474:Oedipus complex 1464:Men in feminism 1429:Language reform 1404:Ideal womanhood 1384:Gender equality 1379:Formal equality 1342:Feminationalism 1279: 1271: 1270: 1269: 1226:Post-structural 1125: 1115: 1114: 1113: 1022: 1012: 1011: 1010: 993: 990:Gender-critical 989: 988: 939:Femonationalism 923: 915: 914: 909: 888:Native American 828: 783:Critical theory 745: 687: 677: 676: 671: 626:Second Republic 554: 524: 491: 465:Women's history 445: 408: 379: 378: 361: 353: 352: 338:Otherwise Award 313: 302: 301: 267: 259: 258: 219: 209: 208: 194:Women in comics 189: 181: 180: 156: 146: 130: 129: 128: 111: 105: 79: 51: 28: 24: 17: 12: 11: 5: 12051: 12041: 12040: 12035: 12018: 12017: 12014: 12013: 12003: 11992: 11991: 11988: 11987: 11985: 11984: 11979: 11974: 11969: 11964: 11959: 11954: 11952:Rubber science 11949: 11944: 11939: 11934: 11932:Future history 11929: 11924: 11919: 11914: 11908: 11906: 11902: 11901: 11898: 11897: 11895: 11894: 11888: 11886: 11882: 11881: 11879: 11878: 11873: 11868: 11863: 11858: 11853: 11844: 11839: 11834: 11833: 11832: 11821: 11819: 11815: 11814: 11812: 11811: 11806: 11801: 11796: 11791: 11786: 11781: 11776: 11771: 11766: 11761: 11756: 11754:Alien language 11751: 11749:Alien invasion 11746: 11741: 11735: 11733: 11729: 11728: 11726: 11725: 11720: 11715: 11713:Mind uploading 11710: 11704: 11702: 11698: 11697: 11695: 11694: 11689: 11684: 11674: 11669: 11664: 11659: 11654: 11649: 11644: 11639: 11634: 11629: 11624: 11619: 11614: 11608: 11606: 11602: 11601: 11599: 11598: 11593: 11588: 11583: 11578: 11573: 11571:Nanotechnology 11568: 11563: 11558: 11553: 11552: 11551: 11541: 11536: 11531: 11525: 11523: 11517: 11516: 11514: 11513: 11508: 11506:Stellar engine 11503: 11498: 11493: 11488: 11482: 11480: 11471: 11465: 11464: 11461: 11460: 11458: 11457: 11452: 11451: 11450: 11445: 11435: 11430: 11425: 11420: 11415: 11409: 11407: 11401: 11400: 11398: 11397: 11392: 11386: 11384: 11380: 11379: 11377: 11376: 11371: 11366: 11361: 11356: 11350: 11348: 11344: 11343: 11341: 11340: 11339: 11338: 11333: 11323: 11318: 11313: 11307: 11305: 11296: 11292: 11291: 11288: 11287: 11284: 11283: 11281: 11280: 11275: 11270: 11265: 11260: 11255: 11249: 11247: 11243: 11242: 11240: 11239: 11234: 11229: 11224: 11219: 11214: 11209: 11204: 11199: 11194: 11189: 11184: 11179: 11174: 11169: 11164: 11159: 11154: 11149: 11144: 11139: 11134: 11129: 11124: 11119: 11114: 11109: 11104: 11099: 11094: 11089: 11084: 11079: 11074: 11069: 11064: 11059: 11054: 11049: 11044: 11039: 11034: 11029: 11024: 11019: 11014: 11008: 11006: 11003:Literary, art, 11000: 10999: 10997: 10996: 10991: 10985: 10983: 10976: 10972: 10971: 10969: 10968: 10963: 10958: 10953: 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Vogt 8994: 8984:Kameron Hurley 8974: 8954: 8944:Nnedi Okorafor 8934: 8914: 8894: 8874: 8854: 8834: 8814: 8804:Fumi Yoshinaga 8794: 8774: 8754: 8727: 8707: 8687: 8677:Annalee Newitz 8667: 8647: 8627: 8607: 8587: 8567: 8547: 8527: 8517:Tananarive Due 8507: 8487: 8467: 8447: 8427: 8407: 8387: 8377:Nalo Hopkinson 8367: 8347: 8327: 8307: 8287: 8267: 8247: 8227: 8217:Rieko Matsuura 8207: 8180: 8170:Laura J. Mixon 8160: 8140: 8120: 8117:Montse Watkins 8107: 8087: 8067: 8047: 8027: 8007: 7989: 7969: 7949: 7931: 7913: 7895: 7876: 7863: 7845: 7842:Rachel Pollack 7832: 7813: 7793: 7773: 7753: 7733: 7730:Jutta Heinrich 7720: 7707: 7687: 7674: 7656: 7629: 7613: 7600: 7587: 7574: 7561: 7548: 7535: 7518: 7505: 7492: 7479: 7466: 7453: 7440: 7427: 7414: 7401: 7388: 7375: 7362: 7359:Stella Gibbons 7349: 7335: 7333: 7329: 7328: 7326: 7325: 7311: 7310: 7297: 7283: 7282: 7269: 7255: 7254: 7241: 7227: 7226: 7213: 7199: 7198: 7185: 7171: 7170: 7167:Auguste Groner 7157: 7143: 7142: 7129: 7115: 7114: 7101: 7087: 7085: 7081: 7080: 7078: 7077: 7064: 7050: 7048: 7044: 7043: 7041: 7040: 7026: 7024: 7020: 7019: 7017: 7016: 7002: 7000: 6993: 6989: 6988: 6981: 6980: 6973: 6966: 6958: 6952: 6951: 6946: 6935: 6928: 6927:External links 6925: 6924: 6923: 6914: 6895: 6886: 6873: 6867: 6839: 6836: 6834: 6833: 6806:Staff writer. 6798: 6772: 6760: 6748: 6739: 6727: 6711:feministsf.org 6698: 6689: 6670:(3): 197–198. 6652: 6623: 6607:feministsf.org 6599:Quilter, Laura 6590: 6583: 6564:Gomoll, Jeanne 6555: 6548: 6530: 6503: 6465: 6449: 6442: 6428:, ed. (1990). 6417: 6415:speech (1943). 6394: 6391:on 2014-11-07. 6363: 6361:Wright, p.221. 6354: 6344: 6316: 6285:Wolf, Virginia 6269: 6229: 6197: 6182: 6147:(2): 210–229. 6127: 6108:(2): 147–162. 6085: 6078: 6062:, ed. (2021). 6051: 6044: 6026: 6019: 5994: 5968: 5941: 5922: 5904: 5877: 5849: 5831: 5806: 5780: 5761: 5752: 5740: 5710: 5685: 5677:10.1086/383439 5671:(1): 236–239. 5649: 5623: 5598: 5591: 5571: 5564: 5546: 5539: 5519: 5507: 5481: 5455: 5433: 5394: 5369: 5353:"Clyde, Irene" 5344: 5331: 5320:(4): 779–793. 5301: 5288: 5263: 5242: 5222: 5198: 5140: 5119: 5091: 5070: 5050: 5029: 5009: 4984: 4959: 4942: 4911: 4904: 4870: 4863: 4828: 4797: 4782: 4754: 4747: 4729: 4722: 4704: 4692: 4685: 4669:, ed. (2021). 4658: 4648: 4625: 4618: 4602:, ed. (2021). 4590: 4588: 4585: 4583: 4582: 4570: 4550: 4549: 4544: 4539: 4534: 4527: 4524: 4511:Batya Weinbaum 4487: 4482: 4479: 4478: 4477: 4476: 4474:Online archive 4471: 4463: 4462: 4458: 4457: 4452: 4443: 4442: 4437: 4429: 4428: 4420: 4412: 4411: 4340: 4339: 4334: 4328: 4327: 4274: 4273: 4270: 4264: 4263: 4253: 4251: 4245: 4244: 4241: 4237: 4236: 4232: 4231: 4230:Batya Weinbaum 4228: 4221: 4220: 4217: 4213: 4212: 4209: 4193: 4192:Critical works 4190: 4157: 4154: 4112: 4109: 4041: 4038: 3963:graphic novels 3950: 3947: 3938:The Female Man 3899:Jennie Melamed 3883:Louise O'Neill 3864:Ursula Le Guin 3834: 3831: 3820:, an American 3762: 3759: 3750:The Female Man 3739:’s 1899 novel 3737:EmΓ­lia Freitas 3720:Octavia Butler 3677: 3674: 3656: 3653: 3635:Lisa Goldstein 3631:Aqueduct Press 3522:Rachel in Love 3451:Nalo Hopkinson 3422:medical ethics 3388:Child of Venus 3358:Pamela Sargent 3285: 3282: 3192:The Female Man 3158: 3155: 3068: 3065: 3057:Hugo Gernsback 3028: 3022: 3018:Wonder Stories 2980:Stella Gibbons 2974: 2971: 2901:colonial India 2874:society (like 2848:Reconstruction 2830:Frances Harper 2789: 2786: 2708: 2705: 2692: 2689: 2641:lesbian utopia 2549: 2546: 2539: 2485: 2484: 2482: 2481: 2474: 2467: 2459: 2456: 2455: 2442: 2441: 2436: 2435: 2434: 2433: 2428: 2420: 2419: 2415: 2414: 2413: 2412: 2407: 2402: 2397: 2392: 2387: 2382: 2377: 2372: 2370:Feminist poets 2367: 2362: 2357: 2352: 2347: 2340: 2339: 2337:Feminist songs 2334: 2333: 2332: 2327: 2317: 2316: 2315: 2313:by nationality 2305: 2299: 2296: 2295: 2289: 2286: 2285: 2282: 2281: 2277: 2276: 2275: 2274: 2264: 2262:United Kingdom 2259: 2254: 2249: 2244: 2239: 2234: 2229: 2224: 2219: 2214: 2209: 2204: 2199: 2194: 2189: 2184: 2179: 2174: 2169: 2164: 2159: 2158: 2157: 2152: 2147: 2142: 2137: 2132: 2127: 2122: 2112: 2107: 2102: 2097: 2092: 2087: 2082: 2077: 2072: 2067: 2062: 2057: 2052: 2047: 2042: 2037: 2032: 2027: 2022: 2017: 2016: 2015: 2010: 2005: 2000: 1995: 1990: 1985: 1980: 1969: 1968: 1965: 1964: 1961: 1960: 1955: 1954: 1952: 1951: 1950: 1949: 1939: 1934: 1929: 1924: 1919: 1914: 1913: 1912: 1902: 1897: 1892: 1887: 1886: 1885: 1880: 1875: 1873:Existentialism 1870: 1869: 1868: 1866:Justice ethics 1858: 1853: 1848: 1838: 1833: 1828: 1827: 1826: 1824:Constructivism 1816: 1811: 1806: 1801: 1800: 1799: 1789: 1784: 1779: 1778: 1777: 1772: 1767: 1762: 1752: 1747: 1742: 1736: 1733: 1732: 1731:Areas of study 1728: 1727: 1725: 1724: 1717: 1712: 1707: 1702: 1697: 1692: 1687: 1682: 1677: 1675:Gender studies 1672: 1666: 1661: 1656: 1655: 1652: 1651: 1646: 1645: 1643: 1642: 1640:SCUM Manifesto 1637: 1632: 1627: 1622: 1617: 1612: 1607: 1602: 1596: 1591: 1588: 1587: 1584: 1583: 1579: 1578: 1573: 1571:Women's rights 1568: 1565:Women's health 1561: 1556: 1551: 1546: 1541: 1536: 1531: 1526: 1521: 1516: 1511: 1506: 1501: 1496: 1491: 1486: 1481: 1476: 1471: 1466: 1461: 1456: 1451: 1449:Male privilege 1446: 1441: 1436: 1431: 1426: 1418:International 1416: 1411: 1406: 1401: 1396: 1391: 1386: 1381: 1376: 1371: 1370: 1369: 1364: 1359: 1349: 1344: 1339: 1334: 1329: 1324: 1319: 1314: 1309: 1304: 1299: 1298: 1297: 1287: 1281: 1280: 1277: 1276: 1273: 1272: 1268: 1267: 1262: 1260:Technofeminism 1257: 1256: 1255: 1250: 1245: 1235: 1234: 1233: 1223: 1218: 1217: 1216: 1215: 1214: 1204: 1199: 1189: 1188: 1187: 1186: 1185: 1170: 1165: 1160: 1159: 1158: 1153: 1143: 1138: 1133: 1127: 1126: 1121: 1120: 1117: 1116: 1112: 1111: 1106: 1105: 1104: 1094: 1089: 1084: 1083: 1082: 1077: 1072: 1062: 1061: 1060: 1055: 1050: 1045: 1035: 1030: 1024: 1023: 1018: 1017: 1014: 1013: 1009: 1008: 1003: 998: 985: 984: 983: 978: 973: 963: 958: 957: 956: 946: 941: 936: 931: 925: 924: 922:Other variants 921: 920: 917: 916: 911: 910: 908: 907: 902: 897: 892: 891: 890: 880: 879: 878: 868: 867: 866: 861: 856: 846: 840: 837: 836: 830: 829: 827: 826: 821: 820: 819: 814: 804: 803: 802: 792: 791: 790: 785: 775: 770: 769: 768: 757: 754: 753: 747: 746: 744: 743: 738: 737: 736: 726: 721: 720: 719: 714: 709: 699: 693: 688: 683: 682: 679: 678: 673: 672: 670: 669: 668: 667: 657: 656: 655: 650: 648:Cayman Islands 643:United Kingdom 640: 635: 634: 633: 628: 620: 615: 610: 605: 600: 595: 590: 585: 580: 574: 571: 570: 563: 562: 561: 560: 553: 552: 551: 550: 545: 534: 531: 530: 526: 525: 523: 522: 517: 512: 507: 501: 498: 497: 493: 492: 490: 489: 488: 487: 482: 477: 472: 462: 457: 451: 446: 443: 442: 439: 438: 430: 429: 423: 422: 410: 409: 407: 406: 399: 392: 384: 381: 380: 377: 376: 368: 362: 359: 358: 355: 354: 351: 350: 348:Broad Universe 345: 340: 335: 330: 325: 320: 314: 308: 307: 304: 303: 300: 299: 294: 292:Woman warriors 289: 284: 279: 277:Male pregnancy 274: 268: 265: 264: 261: 260: 257: 256: 251: 246: 241: 236: 231: 220: 215: 214: 211: 210: 207: 206: 201: 196: 190: 187: 186: 183: 182: 179: 178: 173: 168: 163: 157: 154: 153: 150: 149: 141: 140: 132: 131: 127: 126: 119: 108: 86: 83: 71:adding a topic 66: 55: 52: 33: 32: 31: 29: 22: 15: 9: 6: 4: 3: 2: 12050: 12039: 12036: 12034: 12031: 12030: 12028: 12012: 12008: 12004: 12002: 11994: 11993: 11989: 11983: 11980: 11978: 11975: 11973: 11970: 11968: 11965: 11963: 11960: 11958: 11955: 11953: 11950: 11948: 11945: 11943: 11942:Magic realism 11940: 11938: 11935: 11933: 11930: 11928: 11925: 11923: 11920: 11918: 11915: 11913: 11910: 11909: 11907: 11903: 11893: 11890: 11889: 11887: 11883: 11877: 11874: 11872: 11869: 11867: 11864: 11862: 11859: 11857: 11854: 11852: 11848: 11845: 11843: 11840: 11838: 11835: 11831: 11828: 11827: 11826: 11823: 11822: 11820: 11818:Technological 11816: 11810: 11807: 11805: 11802: 11800: 11799:Transhumanism 11797: 11795: 11792: 11790: 11787: 11785: 11782: 11780: 11777: 11775: 11774:First contact 11772: 11770: 11767: 11765: 11762: 11760: 11757: 11755: 11752: 11750: 11747: 11745: 11742: 11740: 11737: 11736: 11734: 11730: 11724: 11721: 11719: 11716: 11714: 11711: 11709: 11706: 11705: 11703: 11701:Psychological 11699: 11693: 11690: 11688: 11685: 11682: 11678: 11675: 11673: 11672:Teleportation 11670: 11668: 11665: 11663: 11660: 11658: 11655: 11653: 11652:Portable hole 11650: 11648: 11645: 11643: 11640: 11638: 11635: 11633: 11630: 11628: 11625: 11623: 11620: 11618: 11615: 11613: 11610: 11609: 11607: 11603: 11597: 11594: 11592: 11589: 11587: 11584: 11582: 11579: 11577: 11574: 11572: 11569: 11567: 11564: 11562: 11559: 11557: 11554: 11550: 11547: 11546: 11545: 11542: 11540: 11537: 11535: 11532: 11530: 11527: 11526: 11524: 11522: 11518: 11512: 11509: 11507: 11504: 11502: 11499: 11497: 11494: 11492: 11489: 11487: 11484: 11483: 11481: 11479: 11478:Architectural 11475: 11472: 11470: 11466: 11456: 11453: 11449: 11446: 11444: 11441: 11440: 11439: 11436: 11434: 11431: 11429: 11426: 11424: 11421: 11419: 11416: 11414: 11411: 11410: 11408: 11406: 11402: 11396: 11393: 11391: 11388: 11387: 11385: 11381: 11375: 11374:Short stories 11372: 11370: 11367: 11365: 11362: 11360: 11357: 11355: 11352: 11351: 11349: 11345: 11337: 11334: 11332: 11329: 11328: 11327: 11324: 11322: 11319: 11317: 11314: 11312: 11309: 11308: 11306: 11304: 11300: 11297: 11293: 11279: 11276: 11274: 11271: 11269: 11266: 11264: 11261: 11259: 11256: 11254: 11251: 11250: 11248: 11244: 11238: 11235: 11233: 11230: 11228: 11225: 11223: 11220: 11218: 11215: 11213: 11210: 11208: 11205: 11203: 11200: 11198: 11197:TΓ€htivaeltaja 11195: 11193: 11190: 11188: 11185: 11183: 11180: 11178: 11175: 11173: 11170: 11168: 11165: 11163: 11160: 11158: 11155: 11153: 11150: 11148: 11145: 11143: 11140: 11138: 11135: 11133: 11130: 11128: 11125: 11123: 11120: 11118: 11115: 11113: 11110: 11108: 11105: 11103: 11100: 11098: 11095: 11093: 11090: 11088: 11085: 11083: 11080: 11078: 11075: 11073: 11070: 11068: 11065: 11063: 11060: 11058: 11055: 11053: 11050: 11048: 11045: 11043: 11040: 11038: 11035: 11033: 11030: 11028: 11025: 11023: 11020: 11018: 11015: 11013: 11010: 11009: 11007: 11001: 10995: 10992: 10990: 10987: 10986: 10984: 10980: 10977: 10973: 10967: 10964: 10962: 10959: 10957: 10954: 10952: 10949: 10947: 10944: 10942: 10939: 10937: 10934: 10932: 10929: 10927: 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9710: 9707: 9706: 9702: 9699: 9698: 9694: 9691: 9690: 9686: 9683: 9682: 9678: 9675: 9674: 9670: 9667: 9666: 9662: 9659: 9658: 9654: 9651: 9650: 9646: 9643: 9642: 9638: 9635: 9634: 9630: 9627: 9626: 9622: 9619: 9618: 9614: 9611: 9610: 9606: 9603: 9602: 9598: 9595: 9594: 9590: 9587: 9586: 9582: 9579: 9578: 9574: 9571: 9570: 9566: 9563: 9562: 9558: 9555: 9554: 9550: 9547: 9546: 9542: 9539: 9538: 9534: 9531: 9530: 9526: 9523: 9520: 9515: 9514:Survival Ship 9511: 9508: 9507: 9503: 9500: 9499: 9495: 9492: 9491: 9487: 9484: 9483: 9479: 9476: 9475: 9471: 9468: 9467: 9463: 9460: 9459: 9455: 9452: 9451: 9447: 9446: 9444: 9440: 9433: 9432: 9428: 9425: 9424: 9420: 9417: 9416: 9412: 9409: 9408: 9404: 9401: 9398: 9395: 9394: 9390: 9387: 9386: 9382: 9379: 9378: 9374: 9373: 9371: 9367: 9360: 9359: 9355: 9354: 9352: 9348: 9341: 9340: 9336: 9335: 9333: 9329: 9322: 9321: 9317: 9316: 9314: 9310: 9307: 9303: 9285: 9284:Vandana Singh 9280: 9275: 9265: 9260: 9255: 9245: 9240: 9235: 9232: 9227: 9222: 9210: 9205: 9200: 9195: 9185: 9184:Akwaeke Emezi 9180: 9175: 9165: 9160: 9155: 9145: 9140: 9135: 9125: 9120: 9115: 9105: 9100: 9095: 9085: 9080: 9075: 9065: 9060: 9055: 9045: 9040: 9035: 9025: 9020: 9015: 9005: 9000: 8995: 8985: 8980: 8975: 8965: 8960: 8955: 8945: 8940: 8935: 8925: 8920: 8915: 8905: 8904:Sabrina Calvo 8900: 8895: 8885: 8880: 8875: 8865: 8860: 8855: 8845: 8840: 8835: 8825: 8824:N. K. Jemisin 8820: 8815: 8805: 8800: 8795: 8785: 8780: 8775: 8765: 8760: 8755: 8743: 8738: 8733: 8728: 8718: 8713: 8708: 8698: 8693: 8688: 8678: 8673: 8668: 8658: 8653: 8648: 8638: 8637:Yumiko Shirai 8633: 8628: 8618: 8613: 8608: 8598: 8593: 8588: 8578: 8573: 8568: 8558: 8553: 8548: 8538: 8533: 8528: 8518: 8513: 8508: 8498: 8493: 8488: 8478: 8473: 8468: 8458: 8453: 8448: 8438: 8433: 8428: 8418: 8413: 8408: 8398: 8393: 8388: 8378: 8373: 8368: 8358: 8357:Melissa Scott 8353: 8348: 8338: 8333: 8328: 8318: 8313: 8308: 8298: 8293: 8288: 8278: 8273: 8268: 8258: 8253: 8248: 8238: 8233: 8228: 8218: 8213: 8208: 8196: 8191: 8186: 8181: 8171: 8166: 8161: 8151: 8146: 8141: 8131: 8126: 8121: 8118: 8113: 8108: 8098: 8097:Ellen Kushner 8093: 8088: 8078: 8073: 8068: 8058: 8053: 8048: 8038: 8033: 8028: 8018: 8017:Leigh Kennedy 8013: 8008: 8000: 7995: 7990: 7980: 7975: 7970: 7960: 7955: 7950: 7942: 7937: 7932: 7924: 7919: 7914: 7906: 7901: 7896: 7887: 7882: 7877: 7874: 7869: 7864: 7856: 7851: 7846: 7843: 7838: 7833: 7824: 7823:Donna Haraway 7819: 7814: 7804: 7799: 7794: 7784: 7779: 7774: 7764: 7759: 7754: 7744: 7739: 7734: 7731: 7726: 7721: 7718: 7713: 7708: 7698: 7693: 7688: 7685: 7680: 7675: 7667: 7662: 7657: 7647: 7642: 7635: 7630: 7619: 7614: 7611: 7606: 7601: 7598: 7593: 7588: 7585: 7580: 7575: 7572: 7567: 7562: 7559: 7554: 7549: 7546: 7541: 7536: 7533: 7529: 7524: 7519: 7516: 7515:Judith Merril 7511: 7506: 7503: 7502:Virginia Kidd 7498: 7493: 7490: 7485: 7480: 7477: 7472: 7467: 7464: 7459: 7454: 7451: 7446: 7441: 7438: 7433: 7428: 7425: 7420: 7415: 7412: 7407: 7402: 7399: 7394: 7389: 7386: 7381: 7376: 7373: 7368: 7363: 7360: 7355: 7350: 7347: 7342: 7337: 7336: 7334: 7330: 7323: 7318: 7313: 7312: 7308: 7303: 7298: 7295: 7290: 7285: 7284: 7280: 7275: 7270: 7267: 7262: 7257: 7256: 7252: 7247: 7242: 7239: 7234: 7229: 7228: 7224: 7219: 7214: 7211: 7206: 7201: 7200: 7196: 7191: 7186: 7183: 7178: 7173: 7172: 7168: 7163: 7158: 7155: 7150: 7145: 7144: 7140: 7135: 7130: 7127: 7122: 7117: 7116: 7112: 7107: 7102: 7099: 7094: 7089: 7088: 7086: 7082: 7075: 7074:Mary Griffith 7070: 7065: 7062: 7057: 7052: 7051: 7049: 7045: 7038: 7033: 7028: 7027: 7025: 7021: 7014: 7009: 7004: 7003: 7001: 6997: 6994: 6990: 6986: 6979: 6974: 6972: 6967: 6965: 6960: 6959: 6956: 6950: 6947: 6945: 6944: 6939: 6936: 6934: 6931: 6930: 6922: 6917: 6915:9780801865145 6911: 6907: 6904:. Baltimore: 6903: 6902: 6896: 6894: 6889: 6887:9780313329531 6883: 6879: 6874: 6870: 6868:9780312134860 6864: 6860: 6856: 6855: 6850: 6846: 6842: 6841: 6826:September 23, 6821: 6817: 6813: 6809: 6802: 6786: 6782: 6776: 6769: 6764: 6757: 6752: 6743: 6736: 6731: 6717:on 2017-08-03 6716: 6712: 6708: 6702: 6693: 6685: 6681: 6677: 6673: 6669: 6665: 6664: 6656: 6648: 6642: 6634: 6627: 6613:on 2018-10-04 6612: 6608: 6604: 6600: 6594: 6586: 6584:9780313335914 6580: 6576: 6572: 6569: 6565: 6559: 6551: 6549:9780521016575 6545: 6541: 6534: 6518: 6516: 6507: 6493:on 2014-11-13 6492: 6488: 6484: 6480: 6478: 6469: 6462: 6458: 6453: 6445: 6443:9780860919933 6439: 6434: 6433: 6427: 6426:Kuhn, Annette 6421: 6414: 6413: 6408: 6404: 6398: 6390: 6386: 6382: 6378: 6376: 6367: 6358: 6352: 6347: 6345:9780801865145 6341: 6337: 6333: 6330:, Baltimore: 6329: 6328: 6320: 6312: 6308: 6304: 6300: 6296: 6292: 6291: 6286: 6280: 6278: 6276: 6274: 6265: 6261: 6257: 6253: 6249: 6245: 6244: 6239: 6238:Norton, Andre 6233: 6225: 6221: 6217: 6213: 6212: 6211:Extrapolation 6204: 6202: 6193: 6186: 6178: 6174: 6170: 6166: 6162: 6158: 6154: 6150: 6146: 6142: 6138: 6131: 6123: 6119: 6115: 6111: 6107: 6103: 6096: 6094: 6092: 6090: 6081: 6079:9780367716233 6075: 6071: 6067: 6066: 6061: 6055: 6047: 6041: 6037: 6030: 6022: 6020:9781933500201 6016: 6012: 6008: 6004: 5998: 5983:on 9 May 2012 5982: 5978: 5972: 5956: 5952: 5945: 5937: 5933: 5926: 5918: 5914: 5908: 5892: 5888: 5881: 5866: 5862: 5856: 5854: 5845: 5841: 5835: 5820: 5816: 5810: 5794: 5790: 5784: 5776: 5772: 5765: 5756: 5749: 5744: 5728: 5724: 5720: 5714: 5699: 5695: 5689: 5683: 5678: 5674: 5670: 5666: 5665: 5660: 5653: 5638: 5634: 5627: 5612: 5608: 5602: 5594: 5588: 5584: 5583: 5575: 5567: 5565:9780992756710 5561: 5557: 5550: 5542: 5540:9781317725121 5536: 5533:. Routledge. 5532: 5531: 5523: 5516: 5511: 5496: 5492: 5485: 5470: 5466: 5459: 5444: 5437: 5429: 5425: 5421: 5417: 5413: 5409: 5405: 5398: 5383: 5379: 5373: 5358: 5354: 5348: 5341: 5335: 5327: 5323: 5319: 5315: 5308: 5306: 5298: 5292: 5277: 5273: 5267: 5253: 5249: 5245: 5239: 5235: 5234: 5226: 5212: 5208: 5202: 5194: 5187: 5175: 5161: 5157: 5153: 5152: 5144: 5136: 5130: 5122: 5116: 5112: 5108: 5104: 5103: 5095: 5081: 5077: 5073: 5067: 5063: 5062: 5054: 5040: 5036: 5032: 5026: 5022: 5021: 5013: 4999: 4995: 4988: 4981: 4977: 4972: 4968: 4963: 4955: 4954: 4946: 4939: 4935: 4932: 4927: 4923: 4918: 4916: 4907: 4905:9780863580819 4901: 4897: 4893: 4892: 4887: 4886:Spender, Dale 4883: 4882:Spender, Dale 4877: 4875: 4866: 4864:9780814291535 4860: 4856: 4849: 4847: 4845: 4843: 4841: 4839: 4837: 4835: 4833: 4817: 4813: 4806: 4804: 4802: 4793: 4789: 4785: 4779: 4775: 4771: 4767: 4766: 4758: 4750: 4744: 4740: 4733: 4725: 4719: 4715: 4708: 4699: 4697: 4688: 4686:9780367716233 4682: 4678: 4674: 4673: 4668: 4662: 4656: 4651: 4649:9780313329531 4645: 4641: 4634: 4632: 4630: 4621: 4619:9780367716417 4615: 4611: 4607: 4606: 4601: 4595: 4591: 4581: 4576: 4571: 4569: 4559: 4558: 4555: 4548: 4545: 4543: 4540: 4538: 4535: 4533: 4530: 4529: 4523: 4521: 4516: 4512: 4508: 4507:multicultural 4504: 4500: 4496: 4492: 4486: 4475: 4472: 4470: 4467: 4466: 4464: 4459: 4456: 4453: 4449: 4444: 4441: 4438: 4435: 4430: 4425: 4421: 4418: 4413: 4409: 4405: 4401: 4397: 4393: 4389: 4384: 4380: 4376: 4372: 4368: 4364: 4360: 4356: 4352: 4348: 4341: 4338: 4335: 4333: 4329: 4319: 4315: 4311: 4307: 4303: 4298: 4294: 4290: 4286: 4282: 4275: 4271: 4269: 4265: 4260: 4259:United States 4256: 4252: 4250: 4246: 4242: 4238: 4233: 4229: 4226: 4222: 4218: 4214: 4210: 4208: 4204: 4201: 4189: 4187: 4183: 4179: 4175: 4171: 4170: 4165: 4164: 4153: 4151: 4146: 4144: 4140: 4139: 4138:A Women's APA 4134: 4130: 4126: 4122: 4118: 4108: 4106: 4105: 4100: 4099:action heroes 4095: 4093: 4092: 4087: 4086: 4081: 4080: 4075: 4074: 4069: 4068: 4063: 4062: 4057: 4056: 4051: 4047: 4037: 4035: 4031: 4027: 4022: 4020: 4019: 4014: 4010: 4009:Barbara Kesel 4006: 4002: 3997: 3996:Marvel Comics 3993: 3989: 3985: 3984: 3979: 3975: 3971: 3968: 3964: 3960: 3956: 3946: 3944: 3940: 3939: 3934: 3930: 3926: 3921: 3919: 3918: 3913: 3908: 3902: 3900: 3896: 3895: 3890: 3889: 3884: 3879: 3875: 3874: 3869: 3865: 3861: 3857: 3852: 3848: 3843: 3841: 3840:gender binary 3830: 3827: 3823: 3819: 3818:Robin Roberts 3815: 3811: 3810: 3805: 3801: 3800:James Tiptree 3797: 3796: 3790: 3788: 3784: 3780: 3775: 3774:Virginia Wolf 3771: 3767: 3758: 3754: 3752: 3751: 3746: 3742: 3738: 3734: 3729: 3727: 3726: 3721: 3716: 3714: 3713: 3708: 3702: 3699: 3695: 3694:Isaiah Berlin 3691: 3687: 3683: 3673: 3671: 3667: 3663: 3652: 3650: 3646: 3645: 3640: 3636: 3632: 3628: 3624: 3620: 3616: 3612: 3608: 3604: 3600: 3596: 3592: 3588: 3584: 3580: 3576: 3574: 3570: 3566: 3562: 3558: 3554: 3553: 3548: 3544: 3539: 3537: 3533: 3529: 3528: 3523: 3519: 3515: 3511: 3510: 3505: 3501: 3497: 3493: 3489: 3485: 3481: 3480:Alice Sheldon 3477: 3473: 3469: 3465: 3460: 3458: 3457: 3452: 3448: 3447: 3442: 3438: 3433: 3431: 3427: 3423: 3419: 3415: 3414: 3409: 3405: 3401: 3397: 3396:Pilgrim Award 3393: 3389: 3385: 3381: 3377: 3373: 3369: 3365: 3364: 3359: 3355: 3354: 3349: 3345: 3341: 3340: 3335: 3331: 3330: 3325: 3321: 3317: 3313: 3309: 3305: 3304:The True Game 3301: 3297: 3296: 3291: 3284:1980s onwards 3281: 3278: 3274: 3273: 3268: 3266: 3265: 3260: 3259: 3254: 3250: 3246: 3242: 3241:Newbery Medal 3238: 3237: 3232: 3228: 3224: 3220: 3219: 3214: 3210: 3206: 3202: 3198: 3194: 3193: 3188: 3184: 3183: 3178: 3174: 3173: 3168: 3164: 3154: 3151: 3147: 3143: 3139: 3135: 3132:, author of " 3131: 3130:Judith Merril 3127: 3122: 3120: 3116: 3112: 3108: 3103: 3101: 3100: 3095: 3094: 3089: 3088: 3083: 3082:The Avalonian 3078: 3074: 3064: 3062: 3058: 3054: 3051:, written by 3050: 3042: 3038: 3035:The cover of 3033: 3026: 3021: 3019: 3015: 3011: 3009: 3005: 3001: 2997: 2996: 2991: 2987: 2986: 2981: 2970: 2968: 2964: 2960: 2958: 2954: 2952: 2949:, depicting 2948: 2944: 2939: 2937: 2933: 2932: 2927: 2923: 2919: 2918: 2914: 2913:utopian novel 2909: 2906: 2902: 2898: 2895: 2892: 2888: 2885: 2884: 2879: 2877: 2873: 2869: 2865: 2861: 2860: 2855: 2854: 2849: 2845: 2841: 2837: 2836: 2831: 2827: 2826: 2821: 2816: 2814: 2810: 2806: 2804: 2799: 2795: 2785: 2783: 2782: 2777: 2772: 2770: 2765: 2760: 2758: 2754: 2750: 2749: 2744: 2740: 2736: 2732: 2728: 2724: 2723: 2718: 2714: 2701: 2697: 2688: 2685: 2681: 2673: 2672: 2667: 2663: 2659: 2657: 2653: 2649: 2644: 2642: 2638: 2634: 2628: 2625: 2621: 2617: 2613: 2609: 2605: 2601: 2597: 2593: 2589: 2585: 2581: 2577: 2570: 2566: 2562: 2558: 2554: 2538: 2533: 2531: 2527: 2523: 2519: 2515: 2511: 2507: 2503: 2499: 2495: 2491: 2480: 2475: 2473: 2468: 2466: 2461: 2460: 2458: 2457: 2454: 2444: 2443: 2432: 2429: 2427: 2424: 2423: 2422: 2421: 2417: 2416: 2411: 2408: 2406: 2403: 2401: 2398: 2396: 2393: 2391: 2388: 2386: 2383: 2381: 2378: 2376: 2373: 2371: 2368: 2366: 2363: 2361: 2358: 2356: 2353: 2351: 2348: 2346: 2343: 2342: 2338: 2335: 2331: 2328: 2326: 2323: 2322: 2321: 2318: 2314: 2311: 2310: 2309: 2306: 2304: 2301: 2300: 2298: 2297: 2293: 2292: 2284: 2283: 2273: 2270: 2269: 2268: 2267:United States 2265: 2263: 2260: 2258: 2255: 2253: 2250: 2248: 2245: 2243: 2240: 2238: 2235: 2233: 2230: 2228: 2225: 2223: 2220: 2218: 2215: 2213: 2210: 2208: 2205: 2203: 2200: 2198: 2195: 2193: 2190: 2188: 2185: 2183: 2180: 2178: 2175: 2173: 2170: 2168: 2165: 2163: 2160: 2156: 2153: 2151: 2148: 2146: 2143: 2141: 2138: 2136: 2133: 2131: 2128: 2126: 2123: 2121: 2118: 2117: 2116: 2115:Latin America 2113: 2111: 2108: 2106: 2103: 2101: 2098: 2096: 2093: 2091: 2088: 2086: 2083: 2081: 2078: 2076: 2073: 2071: 2068: 2066: 2063: 2061: 2058: 2056: 2053: 2051: 2048: 2046: 2043: 2041: 2038: 2036: 2033: 2031: 2028: 2026: 2023: 2021: 2018: 2014: 2011: 2009: 2006: 2004: 2001: 1999: 1996: 1994: 1991: 1989: 1986: 1984: 1981: 1979: 1976: 1975: 1974: 1971: 1970: 1963: 1962: 1948: 1945: 1944: 1943: 1940: 1938: 1937:Technoscience 1935: 1933: 1930: 1928: 1925: 1923: 1920: 1918: 1915: 1911: 1908: 1907: 1906: 1903: 1901: 1898: 1896: 1893: 1891: 1888: 1884: 1881: 1879: 1876: 1874: 1871: 1867: 1864: 1863: 1862: 1859: 1857: 1854: 1852: 1849: 1847: 1844: 1843: 1842: 1839: 1837: 1834: 1832: 1829: 1825: 1822: 1821: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1798: 1795: 1794: 1793: 1790: 1788: 1785: 1783: 1780: 1776: 1773: 1771: 1768: 1766: 1763: 1761: 1760:Art criticism 1758: 1757: 1756: 1753: 1751: 1748: 1746: 1743: 1741: 1738: 1737: 1735: 1734: 1730: 1729: 1723: 1722: 1718: 1716: 1713: 1711: 1710:Men's studies 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1667: 1665: 1664: 1659: 1654: 1653: 1641: 1638: 1636: 1633: 1631: 1628: 1626: 1623: 1621: 1618: 1616: 1613: 1611: 1610:Views on BDSM 1608: 1606: 1603: 1601: 1598: 1597: 1595: 1594: 1586: 1585: 1577: 1574: 1572: 1569: 1567: 1562: 1560: 1557: 1555: 1552: 1550: 1547: 1545: 1542: 1540: 1537: 1535: 1534:Transmisogyny 1532: 1530: 1527: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1502: 1500: 1497: 1495: 1494:Purplewashing 1492: 1490: 1489:Protofeminism 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1430: 1427: 1425: 1421: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1400: 1399:Honor killing 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1372: 1368: 1365: 1363: 1360: 1358: 1355: 1354: 1353: 1350: 1348: 1345: 1343: 1340: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1310: 1308: 1305: 1303: 1300: 1296: 1293: 1292: 1291: 1288: 1286: 1283: 1282: 1275: 1274: 1266: 1263: 1261: 1258: 1254: 1251: 1249: 1246: 1244: 1241: 1240: 1239: 1236: 1232: 1229: 1228: 1227: 1224: 1222: 1219: 1213: 1210: 1209: 1208: 1205: 1203: 1200: 1198: 1195: 1194: 1193: 1190: 1184: 1181: 1180: 1179: 1176: 1175: 1174: 1173:Individualist 1171: 1169: 1166: 1164: 1161: 1157: 1154: 1152: 1149: 1148: 1147: 1146:Cyberfeminism 1144: 1142: 1139: 1137: 1134: 1132: 1129: 1128: 1124: 1119: 1118: 1110: 1107: 1103: 1100: 1099: 1098: 1095: 1093: 1090: 1088: 1085: 1081: 1078: 1076: 1073: 1071: 1068: 1067: 1066: 1063: 1059: 1056: 1054: 1051: 1049: 1046: 1044: 1041: 1040: 1039: 1036: 1034: 1031: 1029: 1026: 1025: 1021: 1016: 1015: 1007: 1004: 1002: 999: 997: 986: 982: 979: 977: 974: 972: 969: 968: 967: 964: 962: 959: 955: 952: 951: 950: 947: 945: 942: 940: 937: 935: 932: 930: 929:Anti-abortion 927: 926: 919: 918: 906: 903: 901: 898: 896: 893: 889: 886: 885: 884: 881: 877: 874: 873: 872: 869: 865: 862: 860: 857: 855: 852: 851: 850: 847: 845: 842: 841: 839: 838: 835: 834:Multicultural 832: 831: 825: 822: 818: 817:Transnational 815: 813: 810: 809: 808: 805: 801: 798: 797: 796: 793: 789: 786: 784: 781: 780: 779: 776: 774: 771: 767: 764: 763: 762: 759: 758: 756: 755: 752: 749: 748: 742: 739: 735: 734:Postgenderism 732: 731: 730: 729:Transfeminism 727: 725: 722: 718: 715: 713: 710: 708: 705: 704: 703: 700: 698: 695: 694: 692: 691: 686: 681: 680: 666: 663: 662: 661: 660:United States 658: 654: 651: 649: 646: 645: 644: 641: 639: 636: 632: 629: 627: 624: 623: 621: 619: 616: 614: 613:Liechtenstein 611: 609: 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 575: 573: 572: 568: 565: 564: 559: 556: 555: 549: 546: 544: 541: 540: 539: 536: 535: 533: 532: 528: 527: 521: 518: 516: 513: 511: 508: 506: 503: 502: 500: 499: 495: 494: 486: 483: 481: 478: 476: 473: 471: 468: 467: 466: 463: 461: 458: 456: 453: 452: 450: 449: 441: 440: 436: 432: 431: 428: 425: 424: 420: 416: 415: 405: 400: 398: 393: 391: 386: 385: 383: 382: 375: 374: 371:Sexuality in 369: 367: 364: 363: 357: 356: 349: 346: 344: 341: 339: 336: 334: 331: 329: 326: 324: 321: 319: 316: 315: 312: 306: 305: 298: 295: 293: 290: 288: 285: 283: 280: 278: 275: 273: 270: 269: 263: 262: 255: 252: 250: 247: 245: 242: 240: 237: 235: 232: 229: 225: 222: 221: 218: 213: 212: 205: 204:Slash fiction 202: 200: 197: 195: 192: 191: 185: 184: 177: 174: 172: 169: 167: 164: 162: 159: 158: 152: 151: 148: 143: 142: 138: 137: 124: 120: 117: 109: 103: 99: 95: 91: 87: 84: 77: 76:main category 73: 72: 67: 64: 60: 56: 54: 53: 47: 41: 39: 34:You can help 30: 21: 20: 11972:Supernatural 11744:Afrofuturism 11657:Space travel 11566:Invisibility 11534:Energy being 11511:Terraforming 11491:Dyson sphere 11486:Colonization 11418:Australasian 11311:Film history 11092:Grand Master 10596: 10398: 10391: 10387:Bitch Planet 10311: 10303: 10295: 10287: 10279: 10271: 10263: 10255: 10247: 10239: 10231: 10223: 10215:anthologies, 10170: 10147: 10139: 10131: 10123: 10109: 10095: 10087: 10072: 10064: 10058: 10052: 10044: 10036: 10028: 10020: 10014:Scale-Bright 10012: 9992: 9984: 9976: 9968: 9960: 9952: 9944: 9936: 9928: 9920: 9912: 9904: 9898:21st century 9885: 9877: 9869: 9861: 9853: 9845: 9837: 9829: 9821: 9813: 9805: 9797: 9789: 9781: 9773: 9765: 9757: 9749: 9735: 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Sex and sexuality in
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Sex and sexuality
Gender
Women
Reproduction
Women in comics
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In comics
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In horror fiction
Lesbian vampires
Yaoi
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Sex in space
Male pregnancy
Single-gender worlds
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