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Fandango

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1662: 32: 394:. The choreography is quite simple: on its more frequent setting two male dancers face each other, dancing and tap-dancing one at a time, showing which has the most lightness and repertoire of feet changes in the tap-dancing. The dancers can be boy and girl, boy and boy (most frequent) or, rarely, two girls. While one of the dancers dances, the other just "goes along". Afterwards, they "both drag their feet for a while" until the other one takes his turn. They stay there, disputing, seeing which one of them makes the feet transitions more eye-catching. 105: 89: 442: 414: 759: 312:, who was influenced by Iberian folk music, had several passages reminiscent of fandango, such as in his keyboard sonata K. 492 (1756) which has been called "Fandango portugués". The piece "Fandango del Sigr. Escarlate" has been attributed to him, but some scholars dispute this claim and its similarity to fandangos. 242:
were about to prohibit it, one of the judges remarked that it was not fair to condemn anyone unheard. Two celebrated dancers were accordingly introduced to perform the fandango before the Consistory. This they did with such effect, that, according to the old chronicler, "every one joined in, and the
127:, traditionally accompanied by guitars, castanets, tambourine or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five 610: 165:
The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Spanish priest. The fandango's first sighting in a theatrical work was in
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There is a curious piece of history said to be connected with this dance. Soon after its first introduction, in the 17th century, it was condemned by the ecclesiastical authorities in Spain as a "godless dance". Just as the
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time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm.
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pattern of the fandango, its distinctive progression (i–iv–V) lyrics with octosyllabic verses and the use of castanets and guitars are well-documented from the 18th century. The
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P. Minguet e Irol: Breve tratado de los pasos de danzar a la española que hoy se estilan en seguidillas, fandangos y otros tañidos (Madrid, 1760, 2/1764)
1203: 345:(big fandangos) are normally danced by couples, which start out slowly with gradually increasing tempo. Many varieties are derived from this one. The 1213: 932: 830:
E. Osorio Bolio de Saldívar: ‘El códice Saldívar: una nueva fuente de música para guitarra’, España en la música de occidente: Salamanca 1985, 87–91
349:(little fandangos) are livelier, more festive derivations of fandangos. Some regions of Spain have developed their own style of fandangos, such as 1035: 251:
The form of fandango has been used by many European composers, and often included in stage and instrumental works. Notable examples include
664: 1164: 1141: 879: 206: 2120: 518:, a fandango is a party where people get together to dance, to play and to sing in a community setting. As local musicians perform the 210: 839:
J. Etzion: ‘The Spanish Fandango from Eighteenth-Century “Lasciviousness” to Nineteenth-Century Exoticism’, AnM, xlviii (1993), 229–50
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M. de Larramendi: Corografía o descripción general de la muy noble y muy real Provincia de Guipúzcoa (Barcelona, 1882)
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R. Puyana: ‘Influencias ibéricas y aspectos por investigar en la obra para clave de Domenico Scarlatti’, ibid., 39–49
555: 489: 255:'s "Les trois mains" (in "Nouvelles suites de pièces de clavecin", ca. 1729–30); Fandango forms #19 in the part 2 of 75: 53: 471: 46: 2504: 842:
J.-M. Sellen: ‘Langage du fandango: de la poétique musicale au sens poétique du cante jondo’, AnM, 1 (1995), 245–70
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hall of the consistorium was turned into a dancing saloon". No more was heard of the condemnation of the fandango.
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Widely varying claims have been made about the origin of fandango: its relation to the jabera, the
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J. Blas Vega: ‘Fandango’, Diccionario enciclopédico ilustrado del flamenco (Madrid, 1988), 284–5
297:'s third movement of his "Suite Alentejana No. 1" is inspired on the fandango of the regions of 1324: 788:
F. M. López: : Variaciones al Minuet afandangado (late 18th century) E-Mn M.1742), ff. 1–6
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of Portugal. Camille Saint-Saëns' "Danse Macabre" also follows the rhythm of the fandango.
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M. R. Alvarez Martínez: ‘Dos obras inéditas de Domenico Scarlatti’, RdMc, viii (1985), 51–6
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Diccionario de la lengva castellana (Madrid, 1726–37/R1963 as Diccionario de autoridades)
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verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated.
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J. Ribera y Tarragó: La música de la jota aragonesa: ensayo histórico (Madrid, 1928)
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The "fandango do Ribatejo" refers specifically to the form of fandango practiced in
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B. Pottier: ‘A propos de fandango’, Les langues néo-latines, xlii (1947), 22–5
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is used as a synonym for "a quarrel", "a big fuss", or "a brilliant exploit".
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Musical form and a music genre typical of Spain and parts of Latin America
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Libro de diferentes cifras de guitara escojidas de los mejores autores
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M. N. Hamilton: Music in Eighteenth-Century Spain (Urbana, IL, 1937)
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This article incorporates text from this source, which is in the
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As a result of the extravagant features of the dance, the word
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J. Crivillé i Bargalló: El folklore musical (Madrid, 1983)
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E. Ocón y Rivas: Cantos españoles (Málaga, 1874, 2/1906)
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The Spanish form of fandango is given by Dohrn in the
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This article is about the dance. For other uses, see
655:(in Spanish). p. 6 (also footnotes 14 and 15). 815:
P. Nettl: The Story of Dance Music (New York, 1947)
190:, not only in Spain, but also elsewhere in Europe. 791:M. L. E. Moreau de Saint-Méry: Danse (Paris, 1798) 401:, Portugal. The dance is usually performed by two 3270: 548:Revisiting music theory: a guide to the practice 134:The meter of fandango is similar to that of the 794:B. Foz: Vida de Pedro Saputo (Zaragoza, 1844/R) 776: 283:'s Fandango for harpsichord; and the finale of 643: 123:originating in Portugal and Spain, usually in 2114: 1291: 873: 797:E. Calderón: Escenas andaluzas (Madrid, 1847) 727: 233:Condemnation and liberation by Spanish Church 3258:Hispanic-influenced music in the Philippines 639: 637: 470:. Unsourced material may be challenged and 390:Fandango is one of the main folk dances in 382:have preserved a more relaxed performance. 2121: 2107: 1298: 1284: 880: 866: 697: 644:Castro Buendía, Guillermo (January 2013). 526:" atop a large wooden platform known as a 770:Grove's Dictionary of Music and Musicians 575:Grove's Dictionary of Music and Musicians 490:Learn how and when to remove this message 76:Learn how and when to remove this message 2330: 634: 412: 103: 87: 39:This article includes a list of general 509: 3271: 540: 3007: 2102: 1279: 887: 861: 767: 688: 572: 408: 2618: 1784:Benidorm International Song Festival 705:"Son Jarocho, The Sound Of Veracruz" 670:from the original on 7 December 2013 568: 566: 564: 468:adding citations to reliable sources 435: 25: 1799:Festival Internacional de Santander 821:A. Gobin: Le flamenco (Paris, 1975) 385: 265:(1761); in the third-act finale of 13: 1305: 246: 45:it lacks sufficient corresponding 14: 3325: 846: 561: 1660: 757: 735:"WHAT IS THE SON JAROCHO ?" 577:. New York: McMIllan. p. 5. 440: 321: 30: 1717:Galicia, Cantabria and Asturias 142:. It was originally notated in 3279:Dance forms in classical music 682: 625: 603: 581: 370:. Northern areas such as the 1: 1260:List of Portuguese musicians 777:General and cited references 533: 7: 1239:Trás-os-Montes e Alto-Douro 689:Dohrn, Carl August (1839). 646:"A vueltas con el fandango" 10: 3330: 1265:List of Portuguese singers 768:Grove, Sir George (1908). 615:Cambridge University Press 573:Grove, Sir George (1908). 317:Neue Zeitschrift f. 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Portuguesa 1137:MTV Portugal 769: 756: 743:. 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Rameau 250: 236: 192: 171: 164: 149: 133: 129:octosyllabic 125:triple meter 119:is a lively 116: 115: 72: 63: 44: 3246:Latin music 3170:Contradanza 3062:Tecnocumbia 3037:New Chilean 3022:Bullerengue 2878:Cha-cha-cha 2811:jalisciense 2801:Mexican Son 2685:Alternative 2648:Nuevo tango 2547:Duranguense 2495:Nueva trova 2340:Alternative 2294:Latin urban 2152:Carnavalito 1712:Extremadura 1518:Cante jondo 1443:Tono humano 1413:Rock urbano 1408:Rock català 1224:Estremadura 520:Son Jarocho 426:Californios 229:aragonesa. 58:introducing 3273:Categories 3230:Villancico 3112:Latin jazz 3085:Afro-Latin 3042:Panamanian 2972:Son cubano 2765:Venezuelan 2725:Latin rock 2720:Ecuadorian 2380:Chamarrita 2373:Litoraleña 2360:Panamanian 2350:Moombahton 2256:Isa (from 1977:Cabreiresa 1924:Txalaparta 1899:Psalterium 1889:Kirikoketa 1603:Siguiriyas 1578:Martinetes 1573:Malagueñas 1452:Xiringüelu 1448:Villancico 1418:Seguidilla 1393:Nova Cançó 913:Desgarrada 745:11 January 719:11 January 674:1 February 259:'s ballet 240:Consistory 197:, and the 176:tonadillas 140:seguidilla 41:references 3251:subgenres 3190:Pasacalle 3165:Christian 3155:Aguinaldo 3027:Colombian 3017:Argentine 2994:Vallenato 2965:romántica 2948:Guaguancó 2828:Zamacueca 2781:Chacarera 2760:Uruguayan 2740:Nueva ola 2715:Dominican 2705:Colombian 2690:Argentine 2658:Bandoneon 2480:Colombian 2467:Latin pop 2457:Zamacueca 2435:Toro Mata 2355:Neoperreo 2332:Reggaeton 2279:Tajaraste 2274:Pasodoble 2269:Malagueña 2073:Chirigota 2028:Classical 1997:Sanabresa 1987:Odrecillo 1834:Castanets 1829:Bandurria 1707:Catalonia 1677:Andalusia 1638:Verdiales 1583:Peteneras 1438:Tonadilla 1428:Tajaraste 1423:Sevillana 1403:Pasodoble 1398:Pasacalle 1335:Chirigota 1165:Bodyspace 1142:Promusica 1066:NOS Alive 1023:Festivals 908:Classical 661:1886-9505 550:, p. 28. 534:Citations 524:zapateado 451:does not 366:Verdiales 269:'s opera 225:; to the 217:; to the 207:granadina 203:malagueña 180:zarzuelas 108:Fandango 94:Castilian 3107:Candombe 3047:Peruvian 2938:Pachanga 2933:Méringue 2928:Merengue 2918:Guaracha 2903:Cuarteto 2893:Charanga 2883:Champeta 2855:Tropical 2838:Marinera 2806:huasteco 2745:Peruvian 2643:Neotango 2590:Candombe 2567:Ranchera 2557:Mariachi 2520:Conjunto 2505:Regional 2442:Marinera 2385:Guarania 2345:Bachatón 2284:Zarzuela 2225:Cantiñas 2220:Bulerías 2210:Flamenco 2205:Fandango 2167:Morenada 2157:Diablada 2083:Rondalla 2078:Comparsa 2068:Charanga 2033:Flamenco 1982:Galician 1967:Asturian 1949:Zambomba 1884:Guitarro 1854:Dulzaina 1844:Chácaras 1732:Valencia 1623:Tarantas 1568:Guajiras 1563:Granaína 1558:Garrotín 1533:Cantiñas 1508:Bulerías 1493:Alegrías 1478:Flamenco 1456:Zarzuela 1383:Muiñeira 1360:Fandango 1355:Ensalada 1234:Ribatejo 1199:Alentejo 1117:Antena 3 1091:Sudoeste 1041:Kalorama 971:Timeline 709:NPR.org( 665:Archived 504:fandango 480:May 2019 403:Campinos 399:Ribatejo 392:Portugal 303:Ribatejo 299:Alentejo 262:Don Juan 211:murciana 199:petenera 172:entremés 117:Fandango 66:May 2012 3239:Related 3195:Pasillo 3175:Criolla 3129:Milonga 3072:Cachaca 3067:Villera 3032:Mexican 2977:montuno 2913:Guajira 2888:Changüí 2873:Calypso 2863:Bachata 2816:jarocho 2755:Spanish 2735:Mexican 2700:Chilean 2695:Chicano 2633:Milonga 2605:Milonga 2542:Grupera 2525:Norteño 2515:Corrido 2507:Mexican 2485:Mexican 2447:Tondero 2420:Festejo 2395:Chamamé 2317:R&B 2302:Hip hop 2215:Alboreá 2147:Bambuco 2043:Morisca 2023:Baroque 2007:Xeremia 1992:de saco 1972:de boto 1934:Vihuela 1919:Trikiti 1909:Tambori 1864:Flabiol 1859:Fiscorn 1628:Tientos 1548:Farruca 1503:Bambera 1498:Alboreá 1350:Endecha 1229:Madeira 1204:Algarve 1132:Mega FM 966:Samples 958:History 943:Popular 928:Hip hop 472:removed 457:sources 420:(1873; 219:canario 215:rondeña 184:ballets 161:Origins 54:improve 3205:Pregón 3185:Décima 3134:Tambor 3124:Mapalé 3009:Cumbia 2908:Danzón 2868:Bolero 2823:Tonada 2796:Joropo 2574:Trival 2562:Jarabe 2535:Tejano 2530:Nortec 2475:Ballad 2312:Reggae 2162:Huayno 2139:Andean 2038:Latina 2016:Guitar 1944:Xirula 1929:Txistu 1914:Timple 1894:Palmas 1874:Gralla 1824:Alboka 1722:Murcia 1682:Aragon 1643:Zambra 1468:Romani 1433:Tiento 1373:Jácara 1325:Bolero 1314:Styles 1248:People 1214:Beiras 1209:Azores 1061:Neopop 996:Charts 980:Awards 896:Styles 766:: 741:. 2000 659:  554:  528:Tarima 374:, the 358:Málaga 351:Huelva 267:Mozart 223:gitano 188:operas 136:bolero 110:rhythm 43:, but 3200:Plena 3180:Danza 3097:Bomba 3052:Porro 2989:Trova 2984:Timba 2955:Salsa 2943:Rumba 2923:Mambo 2898:Conga 2843:Zamba 2833:Cueca 2730:Metal 2710:Cuban 2620:Tango 2610:Murga 2595:Cueca 2552:Banda 2425:Landó 2307:House 2252:Folia 2245:Soleá 2240:Saeta 2200:Copla 2177:Tinku 2063:Cobla 1959:Gaita 1904:Rabel 1633:Tonás 1618:Tango 1608:Soleá 1598:Saeta 1593:Rumba 1513:Cante 1483:palos 1365:Folia 1345:Cuplé 1340:Copla 1122:Blitz 1110:Media 938:Pimba 668:(PDF) 649:(PDF) 363:, or 257:Gluck 195:soleá 3215:Seis 2960:dura 2791:Gato 2677:Rock 2638:Vals 2452:Vals 2322:Trap 2264:Jota 2172:Saya 2088:Tuna 1939:Viol 1588:Polo 1378:Jota 1031:Boom 948:Rock 933:Jazz 923:Folk 918:Fado 747:2015 721:2015 676:2019 657:ISSN 552:ISBN 455:any 453:cite 378:and 356:and 301:and 227:jota 221:and 213:and 186:and 138:and 3057:Rap 1369:Isa 1161:RUM 1157:RUC 1152:RFM 1127:M80 711:ATC 514:In 466:by 287:'s 170:'s 3275:: 737:. 707:. 663:. 651:. 636:^ 613:. 591:. 563:^ 530:. 405:. 293:. 209:, 205:, 182:, 178:, 3000:) 2996:( 2260:) 2122:e 2115:t 2108:v 1485:) 1481:( 1299:e 1292:t 1285:v 881:e 874:t 867:v 749:. 723:. 713:) 678:. 558:. 493:) 487:( 482:) 478:( 474:. 460:. 432:. 368:) 334:4 150:8 112:. 79:) 73:( 68:) 64:( 50:. 23:.

Index

Fandango (disambiguation)
references
inline citations
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introducing
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Castilian
Pierre Chasselat

rhythm
partner dance
triple meter
octosyllabic
bolero
seguidilla
Francisco de Leefadeal
tonadillas
zarzuelas
ballets
operas
soleá
petenera
malagueña
granadina
murciana
rondeña
canario
gitano
jota

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