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65:, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives for
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A separate category consists of the so-called digital facsimiles, which are meant to be stored, viewed, and sometimes edited or annotated on a computer. These are often available online in repositories that consist of manuscripts from a particular location or collection. Such digital facsimiles are
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are not only on display to the public as facsimiles, but available in high quality to scholars. However, unlike normal book reproductions, facsimiles remain truer to the original colors—which is especially important for illuminated manuscripts—and preserve defects.
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Facsimiles are best suited to printed or hand-written documents, and not to items such as three-dimensional objects or oil paintings with unique surface texture. Reproductions of those latter objects are often referred to as
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considered separate objects from the manuscripts or books that they represent. They are an important research aid, especially for historians.
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80:" is a shortened form of "facsimile", though most faxes are not reproductions of the quality expected in a true facsimile.
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In the past, techniques and devices such as the philograph (tracing an original through a transparent plane),
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were used to create facsimiles. More recently, facsimiles have been made by the use of some form of
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Copy or reproduction of an old book, manuscript, map, art print, or other item of historical value
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technique. For documents, a facsimile most often refers to document reproduction by a
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282:"Facsimile narratives: Researching the past in the age of digital reproduction"
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73:. Many are sold commercially, often accompanied by a volume of commentary.
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99:(1598). Innovations during the 18th century, especially in the realms of
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Advances in the art of facsimile are closely related to advances in
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Paul Lewis, "Preservation takes rare manuscripts from the public",
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107:, facilitated an explosion in the number of facsimiles of
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320:"Facsimile Editions - Our Books in Public Institutions"
49:, "to make alike") is a copy or reproduction of an old
257:"e-codices. Virtual Manuscript Library of Switzerland"
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Richard
Godfrey, "Reproduction reproductive prints",
363:Bronwyn Stocks, "The Facsimile and the Manuscript"
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221:C. Koeman, "An Increase in Facsimile Reprints",
84:Facsimiles in the age of mechanical reproduction
365:, - an exhibition in the Leigh Scott Gallery,
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369:(on-line catalogue with additional images).
111:drawings that could be studied from afar.
32:United States Declaration of Independence
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179:Les Très Riches Heures du duc de Berry
286:Digital Scholarship in the Humanities
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380:The Oxford Companion to Western Art
236:The Oxford Companion to Western Art
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390:, Oxford University Press, 2005. .
246:, Oxford University Press, 2005. .
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161:can be used to make a facsimile.
280:Fafinski, Mateusz (2021-04-01).
149:machine. In the digital age, an
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124:The Murders in the Rue Morgue
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234:Craig Hartley, "Aquatint",
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169:Facsimiles and conservation
122:'s original manuscript for
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324:www.facsimile-editions.com
21:Facsimile (disambiguation)
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412:Illuminated manuscripts
384:Oxford University Press
382:, ed. Hugh Brigstocke.
367:University of Melbourne
240:Oxford University Press
238:, ed. Hugh Brigstocke.
175:illuminated manuscripts
261:www.e-codices.unifr.ch
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30:1823 facsimile of the
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34:made by William Stone
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19:For other uses, see
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223:Imago Mundi
200:Record type
101:lithography
90:printmaking
401:Categories
334:2019-05-23
266:2024-04-12
206:References
173:Important
139:lithograph
135:hectograph
109:old master
76:The term "
55:manuscript
47:fac simile
417:Museology
306:2055-7671
147:photocopy
131:photostat
63:art print
40:facsimile
386:, 2001;
242:, 2001;
194:See also
188:replicas
157:, and a
105:aquatint
422:Copying
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42:(from
177:like
137:, or
44:Latin
302:ISSN
153:, a
103:and
69:and
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294:doi
97:map
78:fax
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