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151:" gallery in Act II. This skull is the object of numerous fights in the second and third acts, often with one character snatching it from another. The opera is non-realistic in its presentation, with only one through-character, the Art Banker. Indeed, when Goya does appear, it is not the result of cloning, but a purely fantastical device. Four other performers play different roles in each section who are thematically connected. In addition, two
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233:, a shallow opportunist who believes eugenic theories are reflected in art. His greed leads him to want to make the first laboratory cloned human. A product of genetic engineering himself, he expresses his arrogance in the
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in gene control. She is opposed to cloning and State ownership of genetic readouts. She does not believe that recreating a person recreates that person's talent. (Craniometery
Assistant 2, Art Critic 2,
251:, he doesn't agree with anyone, and they don't like him. He is humorous and self-deprecating, fatalistic, and thinks little of the uniqueness in humankind. (Craniometrist 2, Art Critic 4, Genetic
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The play moves through three times and places (act 3 and 4 are the same location weeks apart, and all but the baritone remain the same character). The libretto calls for "a
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179:), loves Goya, but is corrupted by money. She foolishly wants to patent Goya's talent gene. Despite this, she is the most charismatic and sympathetic figure of the
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are called for in non-speaking roles. The Art Banker also speaks narration into a
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on 3 August 2000. The revision with the cast heard on the album premiered at the
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has been withdrawn. The
Santiago version included more material from
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The
Composer's Cut Series Vol. II: Nyman/Greenaway Revisited
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The
Composer's Cut Series Vol. I: The Draughtsman's Contract
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left the band during the recording of this album, and his
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The Music of
Michael Nyman: Text, Context and Intertext
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Libretto by
Victoria Hardie. Essays by Michael Nyman,
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Art direction and cover illustrations: Thierry Cohen,
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The Very Best of
Michael Nyman: Film Music 1980–2001
41:. It is an expansion of their one-act opera called
369:This is the first opera Nyman has scored with his
1857:Twentieth-Century Blues: The Songs of Noel Coward
1058:Special thanks to Max for the x-ray of his skull.
263:, craniometry interns, porters, lab technicians.
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1762:Six Celan Songs • The Ballad of Kastriot Rexhepi
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908:, London, June 2001, March 2002 and May 2002
1468:The Cook The Thief His Wife & Her Lover
670:, who previously recorded with the band on
1706:Sangam: Michael Nyman Meets Indian Masters
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1685:String Quartets 2, 3 & 4/If & Why
1398:'The Masterwork' Award Winning Fish-Knife
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590:String Quartets 2, 3 & 4/If & Why
47:from 1987, dealing with such subjects as
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343:The Microbiologist (Soprano 1) "wears a
332:The Genetic Academic (Baritone) "wears
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1447:The Man Who Mistook His Wife for a Hat
658:. It is Michael Nyman's 44th album.
73:The Man Who Mistook His Wife for a Hat
2162:Cultural depictions of Francisco Goya
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924:at Sony Studios, London, August 2002
313:are used throughout the production.
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1797:8 Lust Songs: I Sonetti Lussuriosi
115:The expanded opera deals with the
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143:, which he hid from the likes of
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1538:Michael Nyman for Yohji Yamamoto
1517:The Essential Michael Nyman Band
851:, bass trombone, tuba, euphonium
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1850:Taking a Line for a Second Walk
1699:24 Heures de la vie d'une femme
1566:Noises, Sounds & Sweet Airs
608:24 Heures de la vie d'une femme
463:Album cover of 2002 recording,
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873:Produced by Michael Nyman and
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1769:Acts of Beauty • Exit no Exit
1075:in the booklet of the album,
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139:through use of his long-lost
94:Santiago de Compostela, Spain
1426:The Kiss and Other Movements
1024:, Olivier Laruaz-Gaillard -
917:, London, June and July 2002
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676:(1989). Nyman's own label,
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1440:And Do They Do/Zoo Caprices
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2132:Operas by Michael Nyman
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1433:A Zed & Two Noughts
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1657:The Commissar Vanishes
1545:The Piano Concerto/MGV
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738:The Michael Nyman Band
642:MusicWeb International
286:hanging off them, and
2152:2002 classical albums
2039:A Cock and Bull Story
1969:Brimstone and Treacle
1935:La Princesse de Milan
1671:The End of the Affair
1461:La Traversée de Paris
1009:Chester Music Limited
910:Snake Ranch, May 2002
879:Engineer: Austin Ince
833:, trumpet, flugelhorn
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298:, in the manner of a
785:Tony Hinnigan, cello
623:Professional ratings
90:Auditorio de Galicia
2011:Act Without Words I
1811:Acoustic Accordions
1524:Time Will Pronounce
1489:String Quartets 1–3
1454:Drowning by Numbers
1258:Alexander Bălănescu
898:, Paul Richardson,
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809:, soprano, alto sax
744:Alexander Balanescu
660:Alexander Balanescu
646:(mostly favorable)
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290:jutting out of the
1283:Madeleine Mitchell
1187:Catherine Thompson
1164:Michael Nyman Band
1104:Ashgate Publishing
906:Abbey Road Studios
756:Catherine Thompson
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499:Abbey Road Studios
275:landscape of bare
2142:Minimalist operas
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1906:Additional operas
1836:The Sensual World
1720:Man and Boy: Dada
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1030:Almut Lenz-Konrad
957:Special thanks:
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709:as the Art Banker
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63:", inspired by a
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2032:À propos de Nice
1928:Vital Statistics
1587:After Extra Time
1496:Prospero's Books
1475:Out of the Ruins
1363:David Cunningham
1323:Michael Thompson
1303:Beverley Davison
1181:Gabrielle Lester
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967:Michael Hastings
959:Vivienne Guiness
947:Miranda Westcott
774:Catherine Musker
750:Gabrielle Lester
668:Gabrielle Lester
666:seat awarded to
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44:Vital Statistics
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2079:Molly Nyman
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1947:film scores
1896:Man on Wire
1783:Love Counts
1776:Nyman Brass
1692:Facing Goya
1391:Decay Music
1368:Molly Nyman
1348:Marie Angel
1204:Simon Haram
1198:David Roach
1192:Kate Musker
995:Karen Price
983:Julio Marti
922:Bob Whitney
888:Roland Heap
875:Austin Ince
813:Simon Haram
807:David Roach
780:Bruce White
733:as Baritone
719:Marie Angel
713:Winnie Böwe
689:Love Counts
599:Facing Goya
570:Austin Ince
505:Snake Ranch
452:Facing Goya
433:(doubled),
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423:French horn
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389:, two each
309:of art and
307:Projections
296:gravestones
208:Soprano 2 (
49:physiognomy
18:Facing Goya
2126:Categories
2081:(daughter)
1945:Unreleased
1882:Pure Moods
1790:Mozart 252
1713:The Actors
1650:Wonderland
1601:Enemy Zero
1573:Carrington
1552:À la folie
1343:Ute Lemper
1273:Ann Morfee
1263:John Harle
1217:Nigel Barr
1063:References
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971:Jude Kelly
932:Dirk Lange
843:Nigel Barr
831:Nigel Gomm
579:chronology
526:minimalism
503:May 2002 (
419:flugelhorn
407:alto flute
395:alto saxes
199:Eugenicist
191:coloratura
169:Art Banker
157:dictaphone
145:Paul Broca
1962:The Falls
1804:The Glare
1678:The Claim
1608:Concertos
1531:The Piano
1308:Barry Guy
1096:Aldershot
913:Mixed at
837:David Lee
696:Personnel
465:conducted
445:Recording
435:euphonium
355:miniskirt
273:Goyaesque
177:contralto
121:prejudice
2096:Category
2058:Memorial
1643:Ravenous
1594:The Ogre
1224:Dave Lee
770:, violin
764:, violin
758:, violin
727:as Tenor
678:MN Music
563:Producer
542:Language
494:Recorded
486:Released
476: by
317:Costumes
311:diagrams
300:charcoal
277:branches
253:Academic
249:Baritone
245:Company)
243:Bio-Tech
222:Research
79:The Ogre
68:painting
61:The Kiss
57:art song
53:eugenics
35:libretto
25:) is an
1615:Gattaca
1482:La Sept
1173:Current
1166:members
1034:Spanish
928:A&R
782:, viola
776:, viola
673:La Sept
612:(2003)
603:(2002)
594:(2002)
545:English
415:trumpet
411:piccolo
391:soprano
375:violins
352:leather
348:zip top
327:T-shirt
303:drawing
284:clothes
267:Setting
235:arietta
219:Genetic
187:Soprano
117:elitism
102:Germany
85:Gattaca
2157:Operas
2072:Family
1990:Mesmer
1383:albums
1251:Former
1071:, and
1026:German
1022:French
636:Rating
633:Source
532:Length
385:, two
381:, one
379:violas
377:, two
357:, and
338:helmet
336:and a
288:stones
281:bloody
225:Doctor
214:racism
181:satire
153:actors
82:, and
2004:Titch
1100:Hants
1044:Paris
551:Label
518:Opera
513:Genre
403:flute
383:cello
323:jeans
294:like
292:earth
279:with
241:of a
231:Tenor
210:lyric
173:widow
163:Roles
141:skull
133:clone
33:on a
27:opera
1559:Live
868:Crew
701:Cast
686:and
656:2002
431:tuba
417:and
393:and
371:band
305:."
261:Goya
171:, a
127:and
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23:2000
2063:MGV
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