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After she has sent it, Loris explains that the killing was not a political assassination but the punishment of a moral outrage: Vladimir was having an affair with Loris's wife. He caught them together and shot
Vladimir; the wife escaped but died of pneumonia within days. Fedora now sees that Loris has saved her from marrying a villain. She realised that she loves Loris and he loves her.
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Loris has fled to Paris, where Fédora seeks him out. Not knowing that she was engaged to the dead man he admits to killing
Vladimir, but calls it "the execution of a sentence". He refuses to explain further. Fédora sends a letter to St Petersburg incriminating Loris's brother in Vladimir's murder.
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Fedora's letter has meanwhile arrived in St. Petersburg, leading to the arrest and death in prison of Loris's brother. His mother has died of a broken heart. Fédora confesses to Loris that it was she who incriminated his brother. He renounces her; she takes poison and dies in his arms.
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Princess Fédora
Romazoff is secretly engaged to marry Count Vladimir Yariskin, the son of the St Petersburg police chief. Vladimir is found mortally wounded, presumably in an anarchist attack, and Fédora vows vengeance on the known perpetrator, Count Loris Ipanoff.
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are less than subsidiary. They are filled faultlessly by MM. Colombey, Tchileff; Vois, the Attaché; Boisselot, Michel; Mdlles. De Cléry and Depoix".
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called
Bernhardt's performance as Princess Fédora Romazoff "magnificent throughout … the most brilliant of her remarkable career".
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devoted its whole front page to it in addition to further coverage inside. The Paris correspondent of
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in Paris on 11 December 1882, and ran for 135 performances. The first production starred
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played Loris
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as the final production in a series of French plays given at the
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Anonyponymous: the forgotten people behind everyday words
423:, Oxford University Press. Retrieved 22 September 2021
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440:Fedora; a lyric drama in three acts by V. Sardou
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321:Les Annales du théâtre et de la musique, 1882
634:This article on a play from the 1880s is a
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16:For the opera adapted from this play, see
63:The premiere was headline news in Paris.
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352:. New York: Bloomsbury USA. p. 65.
101:The play was turned into an opera,
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44:is a play by the French author
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695:19th-century play stubs
425:(subscription required)
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389:"The Drama in Paris",
339:, 23 August 1891, p. 2
333:"Le succès au théâtre"
83:commented, "The other
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282:El precio de una vida
237:The Woman from Moscow
50:Théâtre du Vaudeville
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48:. It opened at the
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402:"Theatre",
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679:Categories
304:References
261:Marie Bell
246:Pola Negri
201:Lili Berky
523:Thermidor
373:Le Figaro
337:Le Figaro
231:Lee Parry
111:in 1898.
66:Le Figaro
558:Libretti
539:Gismonda
515:La Tosca
499:La Haine
417:"Fedora"
369:"Fédora"
323:, p. 245
132:Source:
115:Synopsis
574:Patrie!
391:The Era
134:The Era
81:The Era
72:The Era
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577:(1886)
569:(1872)
550:(1907)
542:(1894)
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507:Fédora
502:(1874)
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222:Fedora
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170:Fedora
104:Fedora
92:Fédora
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41:Fédora
34:Fédora
483:Plays
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141:Films
107:, by
85:rôles
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354:ISBN
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.