810:. These were fashionable, elegant young ladies, unlike the corseted actresses from the burlesques. Gaiety Girls were polite, well-behaved young women and became a popular attraction and a symbol of ideal womanhood. Some became popular leading actresses. The young ladies appearing in George Edwardes's shows became so popular that wealthy gentlemen, termed "Stage Door Johnnies", would wait outside the stage door hoping to escort them to dinner. In some cases, a marriage into society and even the nobility resulted. Edwardes arranged with Romano's restaurant, on the Strand, for his girls to dine there at half-price. It was good exposure for the girls and made Romano's the centre of London's night-life.
446:
615:
343:
727:
814:
325:
by
Bassett and Keeling. This large theatre, with over 2,000 seats, was built at a time when many new theatres were being built in London. Unlike at many other music halls, the proprietors decided to ban smoking and drinking within the hall, and these activities were accommodated in the adjacent
657:
were using on
Broadway, integrating music and dance into the story line of the comedy. Edwardes sold that production, but it went on to become the longest-running hit that the musical stage had ever seen. Edwardes then returned the theatre to burlesque for a half dozen more years. However, in the
329:
A novel gas lighting system was incorporated in the hall, using prisms and mirrors to create a soft light. Exhausting the heat of the gas jets drew fresh air into the building. The house was approached through an ambitious arcade, from the Strand. This was never successful and, with the theatre,
1116:
for £200,000. It was the intention to rebuild the theatre and make it, once again, a centre of musical comedy. Although restoration did commence, it was found that the structural problems were worse than expected and the work discontinued. The building was once again sold, resulting in it being
1092:
By 1938 the Gaiety
Theatre was in need of refurbishment. However, the theatre no longer conformed to the then current licensing regulations, and so extensive modernisation was required. This was not considered to be financially viable and in 1939 the Gaiety Theatre closed. The interior fittings
658:
1860s and 1870s, burlesques were one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognise. Edwardes expanded the format, adding an original score composed chiefly by
983:
854:
budding stars left him to marry peers or men of title while other Gaiety Girls settled for a banker or a stockbroker. The Guv'nor finding this was playing ducks and drakes with his theatrical plans had a 'nuptial clause' inserted in every contract....
442:). During such four-hour-long bills-of-fare, regular patrons might skip an item on the programme to eat in one of the theatre's plush restaurants, play billiards in the on-site Billiard Room or drink in one of its several bars.
285:(1894), which was followed by many "girl"-themed musicals. The building was demolished in 1903, and the theatre was rebuilt at the corner of Aldwych and The Strand. More hit musicals followed. When Edwardes died in 1915,
1621:
354:
as the Gaiety
Theatre (announcing its dramatic policy in its name), on a nearby prominent site at the centre of the Aldwych, facing the eastern end of the Strand. It was designed by the theatre architect
775:, but taking its lighter, breezier style a step further. These shows featured fashionable characters, tuneful music, romantic lyrics, witty banter and pretty dancing. The success of the first of these,
1599:
723:
joined the Gaiety for many of Lutz's burlesques. After these, however, the age of burlesque was coming to an end, and with the retirement of Nellie Farren and Fred Leslie, it was essentially over.
1661:
1216:
36:
367:. A restaurant operated in the building, and patrons could eat before seeing the show and then go directly to their seats without having to worry about the weather outside.
1461:
246:, became a long-running hit. In the 1880s and 90s, the theatre had further success with a number of burlesques with original scores by the theatre's music director,
863:
The building was demolished in 1903 as part of the road widening of the East Strand and the new
Aldwych-Kingsway road development, and Edwardes quickly built the
832:
At the old Gaiety in the Strand the chorus was becoming a matrimonial agency for girls with ambitions to marry into the peerage and began in the nineties when
430:
was an actor, stage manager and writer for the theatre. A typical evening at the Gaiety might include a three-act comic play, a dramatic interlude, a musical
1055:
1686:
1596:
1498:
1128:
status, was being incorporated into all the new development. However, work on the hotel was halted in 2008 when the developers went bankrupt.
1213:
72:
920:
Perhaps to balance the "girl" musicals for which the Gaiety was famous, Edwardes also presented a series of "boy"-themed musicals, such as
1093:
were stripped from the building, and sold at auction. Some of these interior fittings can now be found in the first floor
Theatre Bar of
1010:
was music director at the Gaiety for several years beginning in 1915. Under Evett's management, the theatre prospered with another hit,
1656:
1641:
841:
1161:
859:
were competing with the other girls to get into the Gaiety chorus while upper-class youths were joining the ranks of the chorus boys.
1184:
970:(1916). Many of these popular musicals toured after their runs at the Gaiety, both in the British provinces and internationally.
1671:
1636:
1453:
806:(1898). These musicals were imitated at other theatres. A particular attraction of the Gaiety shows was the beautiful, dancing
1681:
837:
673:
960:
1666:
833:
719:
acted as the theatre's ballet-master and choreographed the Gaiety burlesques and other pieces from 1868 to 1891. Comedian
1651:
1646:
1544:
1408:
1330:
1568:
990:
Edwardes died in 1915, leaving his estate indebted and the theatre (as well as
Edwardes' other theatres, including
691:
418:
soon became the theatre's star "principal boy" in all the burlesques and played in other comedies. She and comic
17:
1495:
588:
279:
and were extraordinarily popular, inspiring imitations at other London theatres. A success in this genre was
1003:
398:
and light comedy under the management of John
Hollingshead from 1868 to 1886, including several operettas by
759:
as resident composer and music director at the Gaiety and soon put Caryll together with the writing team of
649:, as did most of the British musical works of the era that were neither burlesque, pantomime nor low farce,
1042:
and had a run of nine months before transferring to the
Shubert Theatre, New York. In 1924, Evett produced
65:
1436:
1286:
529:. Among other burlesques written by Byron for the theatre from 1876 to 1879, he travestied Boucicault's
456:
1251:
376:
218:
1030:
711:
423:
390:
272:
271:
In the 1890s, the theatre introduced new style of musical theatre in London now referred to as the
264:
226:, followed by many other burlesques of operas and literary works. Many of the productions starred
537:. In the late 1870s, the theatre became the first to install electric lighting on its frontstage.
479:
saw before his death. Irving also played in the popular and frequently played comical interlude,
1691:
1094:
881:
619:
1085:, also with Lupino, which ran for 302 performances. The last show at the theatre was the farce
784:
For the next two decades, the "girl" musicals packed the Gaiety
Theatre, including titles like
550:
488:
445:
360:
186:
951:
602:. Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations,
592:
was another 1883 burlesque. Hollingshead's last production at the theatre was the burlesque
205:
performances. From 1868 to the 1890s, it had a major influence on the development of modern
1158:
1121:
1064:
905:
667:
594:
498:
232:
614:
16:
This article is about the Gaiety Theatre in London. For other uses of Gaiety Theatre, see
8:
1574:
1550:
1527:
1177:
1120:
From 2006, a new luxury hotel was being built on the site, the Silken Hotel, designed by
821:
385:
318:
301:(1918). By 1939 and in need of refurbishment, the theatre closed and stood empty during
289:, took over the management of the theatre and had a number of further successes, notably
194:
57:
1518:
1558:
1384:
1075:, had a successful run at the theatre. In the 1930s, the theatre played works such as
1012:
875:
403:
297:
247:
1563:
1274:
1263:
844:
married Rosie Boote, who had charmed London the previous year when she sang Maisie in
781:(1893), which played at other theatres, confirmed Edwardes on the path he was taking.
1540:
1304:
991:
955:
922:
899:
846:
751:
697:
563:
507:
399:
356:
351:
258:
213:
147:
1676:
1457:
966:
685:
291:
252:
170:
104:
1603:
1502:
1412:
1334:
1220:
1188:
1165:
1125:
942:
893:
851:
796:
768:
764:
716:
654:
637:
628:
599:
516:
493:
476:
451:
242:
237:
206:
1039:
1586:
1068:
1060:
971:
887:
802:
755:(1892), with stylish costumes and urbane, witty banter. Edwardes also engaged
679:
178:
189:. In 1868, it became known as the Gaiety Theatre and was, at first, known for
1630:
1077:
1072:
933:
850:. After Connie Gilchrist and Rosie Boote had started the fashion a score of
786:
777:
573:
512:
427:
415:
381:
281:
227:
223:
87:
74:
1137:
1102:
1082:
1007:
995:
928:
807:
730:
720:
555:
545:
472:
439:
431:
408:
302:
286:
276:
1405:
1324:
1113:
756:
742:
706:
662:, and the shows were extended to a full-length two- or three-act format.
646:
603:
578:
502:
484:
464:
419:
394:. The theatre was a venue primarily for burlesque, variety, continental
869:
856:
771:. Edwardes and this team created a series of musical shows similar to
659:
525:
342:
322:
190:
1383:
Biographical file for John D'Auban, list of productions and theatres,
1348:
1106:
1105:, the building suffered further damage as a result of bombing during
1098:
760:
435:
306:
198:
974:
conducted during the Edwardian period, leaving the theatre in 1913.
745:, who next wrote a less baudy, more lightly comic piece, similar to
726:
1622:
Gaiety Girls exhibition overview, National Portrait Gallery, London
395:
202:
1615:
1124:. At the rear, one of the walls of the old restaurant, which has
230:. Hollingshead's last production at the theatre was the burlesque
1552:
The Gaiety Stage Door: Thirty Years' Reminiscences of the Theatre
813:
568:
402:
and musical burlesques arranged by the theatre's music director,
331:
174:
53:
35:
749:, with a minimum of plot, focusing on songs with clever lyrics,
817:
Part of the programme for the old Gaiety's farewell performance
364:
1264:
Includes a profile of the theatre and other Victorian theatres
1034:, a work of which he was co-author. The same year, the revue
999:
544:, the first major English language adaptation of a drama by
501:, played at the theatre in 1871, with Farren as Mercury and
1662:
Former buildings and structures in the City of Westminster
1159:
Arthur Lloyd Music Hall site (early history of the Gaiety)
1117:
demolished in 1956 and replaced by an office development.
982:
824:, an expert on burlesque theatre who penned the 1972 book
1112:
In 1946 the shell of the Gaiety Theatre was purchased by
958:
produced a number of successes at the theatre, including
1597:
Article about marriage between Gaiety Girls and noblemen
1237:
Stewart, Maurice. 'The spark that lit the bonfire', in
1024:(1921). In 1922, Evett produced Gaiety adaptations of
374:
and several companion pieces, including the successful
305:. The building suffered extensive bomb damage during
1559:
Images & extensive information about the theatre
370:
The Gaiety Theatre opened on 21 December 1868, with
275:. These shows employed female dancers known as the
1569:
Historical images of the site of the Gaiety Theatre
1564:
Profile of the theatre and other Victorian theatres
1496:
Arthur Lloyd Music Hall site (Images of the Gaiety)
1277:, Ibsen.net, 12 May 2004, accessed 8 February 2013
1529:Good Old Gaiety: An Historiette & Remembrance
1406:Information about the stagedoor Johnnie marriages
598:(1885–86), produced together with his successor,
309:and stood empty until it was demolished in 1956.
236:(1885–86), produced together with his successor,
1628:
1200:"Architecture: A city in flux brought to book",
350:In 1868, the theatre was sumptuously rebuilt by
548:. It was adapted by W. H. Vernon from Ibsen's
422:starred at the theatre for over 20 years, with
216:until 1886, the theatre had early success with
653:incorporated some of the elements that US duo
1573:
519:plays produced here in the early 1870s were
475:. This was the last play that theatre buff
330:was demolished to allow the building of the
181:. The theatre was first established as the
1687:Buildings and structures demolished in 1956
1320:
1318:
1316:
1053:Musicals continued at the Gaiety. In 1929,
873:(1903) opened the new theatre, followed by
540:On 15 December 1880, the theatre presented
1454:"Victoria Public House - Official Listing"
867:at the corner of Aldwych and the Strand.
34:
23:Former West End theatre in London, England
1364:
1325:Arthur Lloyd Music Hall site (on Gaiety)
1178:Arthur Lloyd Music Hall site (on Gaiety)
1154:
1152:
977:
1313:
981:
836:, a star of the Old Gaiety, married the
812:
725:
613:
444:
341:
1233:
1231:
1229:
1214:Digital Guide to Gilbert & Sullivan
434:, which might also include a ballet or
426:for much of that period. Her husband,
1629:
1346:"Theatrical Humour in the Seventies",
1149:
109:2,000 seats on four levels (1864)
1523:(1898) London: A. Constable & co.
1464:from the original on 6 September 2022
741:, Edwardes had hired a young writer,
337:
1585:Polianovskaia, Jana: "The Gaiety at
1482:"London land mark to be torn down",
1226:
1171:
13:
1423:"Retirement of Gaiety Conductor",
1377:
1370:"Mr. D'Auban's 'Startrap' Jumps".
1244:
1038:opened starring the French beauty
497:, the first collaboration between
185:in 1864 on the former site of the
14:
1703:
1657:1939 disestablishments in England
1642:1956 disestablishments in England
1609:
609:
562:was performed in 1880 (following
151:1903 Ernest Runtz and George Ford
1352:, 20 February 1914, p. 9, col. D
665:These "new burlesques" included
321:and built in 1864 as the Strand
1489:
1476:
1446:
1430:
1417:
1399:
1390:
1355:
1340:
1298:
1081:(1934) by composer and pianist
505:in the title role. Offenbach's
449:A contemporary illustration of
18:Gaiety Theatre (disambiguation)
1672:Music venues completed in 1864
1637:1864 establishments in England
1579:Gaiety: Theatre of Enchantment
1532:(1903) London:Gaity Theatre Co
1361:Hollingshead (1903), pp. 40–64
1280:
1268:
1257:
1254:, Hong Kong Baptist University
1207:
1194:
606:, taste and musical glasses."
589:Galatea, or Pygmalion Reversed
487:and Nellie Farren, who played
317:The theatre was financed by a
1:
1682:Demolished theatres in London
1511:
312:
1593:Annual (2003) pp. 30–34
1275:"English first performances"
346:Interior of the Gaiety, 1869
7:
1667:Charles J. Phipps buildings
1555:(1923) London:Jonathan Cape
1131:
709:and J. L. Shine (1891) and
692:Ruy Blas and the Blasé Roué
457:The Illustrated London News
40:The Gaiety Theatre, c. 1905
10:
1708:
1652:Theatres completed in 1864
1396:Hollingshead (1903), p. 74
1004:D'Oyly Carte Opera Company
635:Edwardes's first show was
564:an 1878 charity production
535:Little Don Caesar de Bazan
177:at the eastern end of the
15:
1647:Former theatres in London
1505:accessed 26 December 2008
1427:, 23 February 1913, p. 10
1239:Gilbert and Sullivan News
1046:, the revised version of
511:played in 1872, starring
483:, with Gaiety favourites
481:The Trial of Mr. Pickwick
412:for the theatre in 1869.
240:. Edwardes's first show,
155:
142:
134:
126:
121:
113:
103:
64:
49:
45:
33:
1501:16 November 2007 at the
1143:
1101:. Standing empty during
986:The theatre in the 1920s
932:(1901, which introduced
842:4th Marquess of Headfort
712:Cinder Ellen up too Late
566:of the same story), and
359:, who also designed the
273:Edwardian musical comedy
265:Cinder Ellen up too Late
212:Under the management of
1437:"Pins and Needles Here"
1219:31 October 2007 at the
1187:13 October 2006 at the
1164:13 October 2006 at the
882:The Girls of Gottenberg
438:(in the tradition of a
1616:Gaiety Theatre website
1374:, 17 April 1922, p. 17
1333:4 January 2008 at the
987:
978:Later years and demise
840:and then in 1901, the
818:
734:
632:
551:The Pillars of Society
460:
347:
173:in London, located on
138:1939 (demolished 1956)
1526:Hollingshead, John.
1517:Hollingshead, John.
1337:accessed 1 March 2007
1241:(London) Spring 2003.
1223:accessed 1 March 2007
1191:accessed 1 March 2007
1168:accessed 1 March 2007
1122:Foster & Partners
998:, formerly a leading
985:
952:George Grossmith, Jr.
816:
729:
624:(A Sheriff's Officer)
617:
576:wrote a burlesque of
448:
406:. Gilbert also wrote
345:
1602:3 March 2016 at the
1016:(1918), followed by
906:The Girl on the Film
668:Little Jack Sheppard
595:Little Jack Sheppard
499:Gilbert and Sullivan
469:Uncle Dick's Darling
233:Little Jack Sheppard
88:51.51194°N 0.11861°W
994:), in the hands of
961:Tonight's the Night
622:as William Lurcher
531:Don Caesar de Bazan
319:joint stock company
159:Bassett and Keeling
84: /
30:
1484:The New York Times
1441:The New York Times
1411:9 May 2008 at the
1385:The Theatre Museum
1305:Information about
1294:The New York Times
1250:Lee, Amy Wai Sum.
1204:, 11 December 2002
988:
876:The Spring Chicken
865:New Gaiety Theatre
838:7th Earl of Orkney
819:
735:
633:
586:for the theatre.
572:in 1881. In 1883,
461:
404:Wilhelm Meyer Lutz
348:
338:Hollingshead years
248:Wilhelm Meyer Lutz
183:Strand Musick Hall
93:51.51194; -0.11861
28:
1575:MacQueen-Pope, W.
1539:(Cassell, 1975)
1520:Gaiety Chronicles
1443:, 15 January 1922
967:Theodore & Co
956:Edward Laurillard
923:The Messenger Boy
900:The Sunshine Girl
847:The Messenger Boy
698:Carmen up to Data
655:Harrigan and Hart
560:The Forty Thieves
521:Night and Morning
508:Les deux aveugles
459:of 6 January 1872
400:Jacques Offenbach
352:John Hollingshead
292:Theodore & Co
259:Carmen up to Data
214:John Hollingshead
195:musical burlesque
163:
162:
1699:
1582:
1537:The Gaiety Years
1506:
1493:
1487:
1480:
1474:
1473:
1471:
1469:
1458:Historic England
1450:
1444:
1434:
1428:
1421:
1415:
1403:
1397:
1394:
1388:
1381:
1375:
1368:
1362:
1359:
1353:
1344:
1338:
1322:
1311:
1302:
1296:
1284:
1278:
1272:
1266:
1261:
1255:
1252:"Henry J. Byron"
1248:
1242:
1235:
1224:
1211:
1205:
1198:
1192:
1182:11 December 1868
1175:
1169:
1156:
1097:public house in
1036:Pins and Needles
950:(1908). Later,
938:Two Naughty Boys
834:Connie Gilchrist
826:The Gaiety Years
686:Faust up to Date
674:Monte Cristo Jr.
645:called itself a
471:starred a young
391:Robert le Diable
377:Robert the Devil
253:Faust up to Date
219:Robert the Devil
171:West End theatre
117:The Silken Hotel
99:
98:
96:
95:
94:
89:
85:
82:
81:
80:
77:
38:
31:
27:
1707:
1706:
1702:
1701:
1700:
1698:
1697:
1696:
1627:
1626:
1612:
1604:Wayback Machine
1514:
1509:
1503:Wayback Machine
1494:
1490:
1481:
1477:
1467:
1465:
1452:
1451:
1447:
1435:
1431:
1422:
1418:
1413:Wayback Machine
1404:
1400:
1395:
1391:
1387:, London (2009)
1382:
1378:
1369:
1365:
1360:
1356:
1345:
1341:
1335:Wayback Machine
1323:
1314:
1303:
1299:
1285:
1281:
1273:
1269:
1262:
1258:
1249:
1245:
1236:
1227:
1221:Wayback Machine
1212:
1208:
1199:
1195:
1189:Wayback Machine
1176:
1172:
1166:Wayback Machine
1157:
1150:
1146:
1134:
1126:listed building
980:
943:The New Aladdin
797:The Circus Girl
769:Lionel Monckton
765:Harry Greenbank
620:Arthur Williams
612:
600:George Edwardes
517:Dion Boucicault
477:Charles Dickens
340:
315:
238:George Edwardes
150:
92:
90:
86:
83:
78:
75:
73:
71:
70:
56:
41:
24:
21:
12:
11:
5:
1705:
1695:
1694:
1692:Strand, London
1689:
1684:
1679:
1674:
1669:
1664:
1659:
1654:
1649:
1644:
1639:
1625:
1624:
1619:
1611:
1610:External links
1608:
1607:
1606:
1594:
1587:St. Petersburg
1583:
1581:. W. H. Allen.
1571:
1566:
1561:
1556:
1549:Jupp, James.
1547:
1533:
1524:
1513:
1510:
1508:
1507:
1488:
1486:, 13 July 1950
1475:
1445:
1429:
1416:
1398:
1389:
1376:
1363:
1354:
1339:
1312:
1297:
1279:
1267:
1256:
1243:
1225:
1206:
1193:
1170:
1147:
1145:
1142:
1141:
1140:
1133:
1130:
1069:Cyril Ritchard
1061:Stanley Lupino
1031:The Last Waltz
1022:Faust on Toast
992:Daly's Theatre
979:
976:
972:Leopold Wenzel
915:After the Girl
888:Our Miss Gibbs
861:
860:
803:A Runaway Girl
680:Miss Esmeralda
611:
610:Edwardes years
608:
558:'s version of
361:Gaiety Theatre
339:
336:
314:
311:
207:musical comedy
187:Lyceum Theatre
167:Gaiety Theatre
161:
160:
157:
153:
152:
144:
140:
139:
136:
132:
131:
128:
124:
123:
119:
118:
115:
111:
110:
107:
101:
100:
68:
62:
61:
51:
47:
46:
43:
42:
39:
29:Gaiety Theatre
22:
9:
6:
4:
3:
2:
1704:
1693:
1690:
1688:
1685:
1683:
1680:
1678:
1675:
1673:
1670:
1668:
1665:
1663:
1660:
1658:
1655:
1653:
1650:
1648:
1645:
1643:
1640:
1638:
1635:
1634:
1632:
1623:
1620:
1617:
1614:
1613:
1605:
1601:
1598:
1595:
1592:
1588:
1584:
1580:
1576:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1554:
1553:
1548:
1546:
1545:0-304-29372-5
1542:
1538:
1535:Hyman, Alan.
1534:
1531:
1530:
1525:
1522:
1521:
1516:
1515:
1504:
1500:
1497:
1492:
1485:
1479:
1463:
1459:
1455:
1449:
1442:
1438:
1433:
1426:
1420:
1414:
1410:
1407:
1402:
1393:
1386:
1380:
1373:
1367:
1358:
1351:
1350:
1343:
1336:
1332:
1329:
1328:
1321:
1319:
1317:
1310:
1308:
1301:
1295:
1291:
1290:
1283:
1276:
1271:
1265:
1260:
1253:
1247:
1240:
1234:
1232:
1230:
1222:
1218:
1215:
1210:
1203:
1197:
1190:
1186:
1183:
1181:
1174:
1167:
1163:
1160:
1155:
1153:
1148:
1139:
1136:
1135:
1129:
1127:
1123:
1118:
1115:
1110:
1108:
1104:
1100:
1096:
1090:
1088:
1084:
1080:
1079:
1078:Sporting Love
1074:
1073:Madge Elliott
1070:
1066:
1062:
1058:
1057:
1051:
1049:
1045:
1041:
1037:
1033:
1032:
1027:
1023:
1019:
1018:The Kiss Call
1015:
1014:
1009:
1005:
1001:
997:
993:
984:
975:
973:
969:
968:
963:
962:
957:
953:
949:
945:
944:
939:
935:
934:Gertie Millar
931:
930:
925:
924:
918:
916:
912:
908:
907:
902:
901:
896:
895:
890:
889:
884:
883:
878:
877:
872:
871:
866:
858:
853:
852:the Guv'nor's
849:
848:
843:
839:
835:
831:
830:
829:
827:
823:
815:
811:
809:
805:
804:
799:
798:
793:
789:
788:
787:The Shop Girl
782:
780:
779:
778:A Gaiety Girl
774:
770:
766:
762:
758:
754:
753:
748:
744:
740:
732:
728:
724:
722:
718:
714:
713:
708:
704:
700:
699:
694:
693:
688:
687:
682:
681:
676:
675:
670:
669:
663:
661:
656:
652:
648:
644:
640:
639:
631:
630:
625:
621:
616:
607:
605:
601:
597:
596:
591:
590:
585:
581:
580:
575:
574:F. C. Burnand
571:
570:
565:
561:
557:
553:
552:
547:
543:
538:
536:
532:
528:
527:
522:
518:
514:
513:Fred Sullivan
510:
509:
504:
500:
496:
495:
490:
486:
482:
478:
474:
470:
466:
458:
454:
453:
447:
443:
441:
437:
433:
429:
428:Robert Soutar
425:
421:
417:
416:Nellie Farren
413:
411:
410:
405:
401:
397:
393:
392:
388:of the opera
387:
383:
382:W. S. Gilbert
379:
378:
373:
368:
366:
362:
358:
353:
344:
335:
333:
327:
324:
320:
310:
308:
304:
300:
299:
294:
293:
288:
284:
283:
282:The Shop Girl
278:
274:
269:
267:
266:
261:
260:
255:
254:
249:
245:
244:
239:
235:
234:
229:
228:Nellie Farren
225:
224:W. S. Gilbert
221:
220:
215:
210:
208:
204:
200:
196:
193:and then for
192:
188:
184:
180:
176:
172:
168:
158:
154:
149:
145:
141:
137:
133:
129:
125:
120:
116:
112:
108:
106:
102:
97:
69:
67:
63:
59:
55:
52:
48:
44:
37:
32:
26:
19:
1618:(unofficial)
1590:
1578:
1551:
1536:
1528:
1519:
1491:
1483:
1478:
1466:. Retrieved
1448:
1440:
1432:
1425:The Observer
1424:
1419:
1401:
1392:
1379:
1371:
1366:
1357:
1347:
1342:
1326:
1306:
1300:
1293:
1288:
1282:
1270:
1259:
1246:
1238:
1209:
1201:
1196:
1179:
1173:
1138:Gaiety Girls
1119:
1111:
1103:World War II
1095:The Victoria
1091:
1087:Running Riot
1086:
1083:Billy Mayerl
1076:
1065:Arthur Rigby
1054:
1052:
1047:
1043:
1040:Agnès Souret
1035:
1029:
1025:
1021:
1020:(1919), and
1017:
1011:
1008:Manuel Klein
996:Robert Evett
989:
965:
959:
947:
941:
937:
929:The Toreador
927:
921:
919:
914:
913:(1914), and
910:
904:
898:
892:
886:
880:
874:
868:
864:
862:
845:
825:
820:
808:Gaiety Girls
801:
800:(1896), and
795:
791:
785:
783:
776:
772:
750:
746:
738:
736:
731:Gaiety Girls
721:E. J. Lonnen
717:John D'Auban
710:
702:
696:
690:
684:
678:
672:
666:
664:
650:
642:
641:. Although
636:
634:
627:
623:
593:
587:
583:
577:
567:
559:
556:Robert Reece
549:
546:Henrik Ibsen
541:
539:
534:
530:
524:
520:
506:
492:
480:
473:Henry Irving
468:
462:
450:
440:Harlequinade
432:extravaganza
424:Edward Terry
414:
409:An Old Score
407:
389:
375:
372:On the Cards
371:
369:
357:C. J. Phipps
349:
328:
316:
303:World War II
296:
290:
287:Robert Evett
280:
277:Gaiety Girls
270:
263:
257:
251:
250:, including
241:
231:
217:
211:
182:
166:
164:
148:C. J. Phipps
122:Construction
25:
1468:6 September
1114:Lupino Lane
1089:, in 1939.
1067:, starring
964:(1915) and
767:, Ross and
757:Ivan Caryll
743:Adrian Ross
739:Joan of Arc
707:Adrian Ross
703:Joan of Arc
647:comic opera
604:Shakespeare
579:The Tempest
554:. Lutz and
503:J. L. Toole
485:J. L. Toole
465:H. J. Byron
420:Fred Leslie
323:Musick Hall
295:(1916) and
262:(1890) and
114:Current use
91: /
66:Coordinates
58:Westminster
1631:Categories
1591:The Gaiety
1512:References
1287:Review of
870:The Orchid
857:Debutantes
822:Alan Hyman
660:Meyer Lutz
542:Quicksands
526:Led Astray
489:Sam Weller
363:(1871) in
313:Beginnings
191:music hall
79:00°07′07″W
76:51°30′43″N
1372:The Times
1349:The Times
1202:The Times
1180:The Times
1107:air raids
1099:Bayswater
1056:Love Lies
1026:Catherine
828:, wrote:
761:Owen Hall
463:In 1870,
436:pantomime
386:burlesque
326:saloons.
307:air raids
199:pantomime
156:Architect
1600:Archived
1577:(1949).
1499:Archived
1462:Archived
1409:Archived
1331:Archived
1327:Cuttings
1217:Archived
1185:Archived
1162:Archived
1132:See also
1044:Our Nell
1013:Going Up
946:(1906),
940:(1906),
926:(1900),
917:(1914).
909:(1913),
903:(1912),
897:(1911),
891:(1909),
885:(1907),
879:(1905),
794:(1896),
790:(1894),
715:(1891).
701:(1890),
695:(1888),
689:(1888),
683:(1887),
677:(1886),
671:(1885),
396:operetta
298:Going Up
268:(1891).
256:(1888),
203:operetta
105:Capacity
60:, London
1677:Aldwych
1048:Our Peg
1002:of the
792:My Girl
773:Dorothy
752:In Town
747:Dorothy
651:Dorothy
643:Dorothy
638:Dorothy
629:Dorothy
582:called
569:Aladdin
515:. Two
494:Thespis
452:Thespis
332:Aldwych
243:Dorothy
175:Aldwych
143:Rebuilt
54:Aldwych
50:Address
1543:
1309:, 1883
948:Havana
733:, 1896
618:1894:
365:Dublin
179:Strand
169:was a
135:Closed
127:Opened
1589:" in
1307:Ariel
1289:Ariel
1144:Notes
1059:, by
1000:tenor
911:Adele
894:Peggy
626:, in
584:Ariel
455:from
380:, by
222:, by
146:1868
1541:ISBN
1470:2020
1071:and
1063:and
1028:and
954:and
737:For
523:and
384:, a
201:and
165:The
130:1864
1006:.
936:),
705:by
533:as
491:.
467:'s
1633::
1460:.
1456:.
1439:,
1315:^
1292:,
1228:^
1151:^
1109:.
1050:.
763:,
334:.
209:.
197:,
1472:.
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
