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93:, Greater London, the son of Henry Randall Hollingshead. He was educated at Homerton. He first worked as a bookkeeper for a soft goods company in London in the early 1850s while publishing political essays on finance and social reform. He soon entered into a partnership as a clothing merchant. During this time, Hollingshead and his friend
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that proved unsuccessful. In 1854, he decided to close his clothing business and begin working as a writer full-time. By 1855, Hollingshead was married with two children. He died in London on 9 October 1904 at the age of 77.
257:
274:. Hollingshead is also credited with inventing the practice of holding general matinées. Hollingshead was one of the first London theatre managers to eliminate fees for programmes and coat check.
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144:. One of his best-known essays was an 1857 piece called "The City of Unlimited Paper", which became famous during the monetary panic of 1857. In the 1860s he was on the staff of
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Nevertheless, burlesque and risque operettas were the normal fare at the Gaiety. Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations,
241:
and was the stage manager there from 1865 to 1868, in addition to producing musical pieces and ballets there. He made it famous for its sumptuous staging, alluring
134:
during the London famine. He also wrote essays, short stories and dramatic criticism. Beginning in 1864, and for several years thereafter, he contributed to
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220:, tracing the history, geography and architecture of the London neighbourhood from earliest times through the date of publication. His memoir entitled
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216:(1883). Beginning in the 1890s, he wrote a number of memoirs and more books about the theatres that he had managed. In 1892, he also published
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In the late 1870s, the theatre became the first to install electric lighting on its auditorium. Hollingshead's productions there included
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323:, and light comedy, under Hollingshead's management, from 1868 to 1886. The theatre opened on 21 December 1868, with the successful
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and several others. At the Gaiety, in 1878, Hollingshead was the first theatre manager to light his auditorium with electric lights.
620:
choreographed the Gaiety burlesques from 1868. In addition to these burlesques, the theatre produced comedies such as
Congreve's
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to compose original scores for them. He also produced operettas, plays and other works. These productions made stars of
36:, journalist and writer during the latter half of the 19th century. After a journalism career, Hollingshead managed the
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365:. She continued as "Principal Boy" at the Gaiety for the next 25 years, first under Hollingshead and then under
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346:
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and the notorious front-of-house
Promenade bar, where the young ladies of the ballet hinted at more than
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140:, mostly writing on political topics related to social reform. He advocated the principles of Mill and
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In the 1880s, Hollingshead returned to writing, producing books mostly about the theatre, including
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was performed in 1880 (Hollingshead had produced a highly successful charity production called
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311:. The auditorium was rebuilt and, under Hollingshead, it became a venue primarily for musical
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8:
651:, taste and musical glasses." In 1886, George Edwards took over the lease to the Gaiety.
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61:. Among other theatrical works that he produced, he mounted a long series of popular
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During his tenure at the
Alhambra, Hollingshead introduced London audiences to the
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In the 1860s, Hollingshead turned to theatre management. He helped establish the
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189:(1862). Other publications included a collection of humorous stories entitled
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saw before his death. Other pieces at
Hollingshead's Gaiety in 1870 included
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Hollingshead wrote a number of books from the 1850s into the 1860s, including
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385:, composed or arranged the music for many of its most successful burlesques.
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In 1868, Hollingshead took over the Gaiety
Theatre, which had been a large
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760:"New Play at the Odeon; Said Not to Be a Good One, But to Be Interesting"
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Hollingshead started his journalism career in 1854 under the tutelage of
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Biographical file for John D'Auban, list of productions and theatres,
224:, published in 1895, explores his life and career through that date.
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81:
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plays produced by
Hollingshead's company in the early 1870s were
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159:
On the canal: a narrative of a voyage from London to
Birmingham
90:
51:
together in 1871 to produce their first joint work, a musical
32:(9 September 1827 – 9 October 1904) was an English theatrical
1023:
Includes a profile of the Gaiety and other
Victorian theatres
678:
Cartoon portraits and biographical sketches of men of the day
1164:, London: Simpkin, Marshall, Hamilton, Kent & Co. (1893)
452:, played at the theatre in 1871, with Farren as Mercury and
16:
English theatre producer, journalist and writer (1827–1904)
44:. Hollingshead also wrote several books during his life.
928:, The Gilbert and Sullivan Society, London, Spring 2003.
946:
924:
Stewart, Maurice. "The spark that lit the bonfire", in
345:
for the theatre in 1869. Another early production was
128:. In 1861, he acted as the "special correspondent" for
285:
from time to time. He produced a revival of
Gilbert's
1173:, 2 vols., London: Sampson, Low, & Marston (1895)
277:
He left the
Alhambra to manage the newly redesigned
169:(a collection of his early political essays (1860)
1188:Good Old Gaiety: An Historiette & Remembrance
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281:. In addition, Hollingshead managed shows at the
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1162:Alhambra: Theatre of Varieties, Leicester Square
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529:The Bohemian G-yurl and the Unapproachable Pole
351:Columbus!, or the Original Pitch in a Merry Key
233:The Alhambra Theatre and theatrical innovations
227:
193:and two volumes of miscellaneous essays called
490:'s Christmas story of that title). Two other
697:
47:An innovative producer, Hollingshead brought
1054:Handsome Hernani, or The Fatal Penny-Whistle
538:Handsome Hernani, or The Fatal Penny-Whistle
418:. This was the last play that theatre buff
165:(1860, a collection of some of his essays),
1263:People associated with Gilbert and Sullivan
1233:Information about Hollingshead and Whistler
560:at the Gaiety in 1878), and a burlesque of
181:(1861, a collection of his reports for the
685:. London: Tinsley Brothers. pp. 36–37
1135:Arthur Lloyd Music Hall site (on Gaiety)
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730:
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1128:
1034:Information from Footlight Notes website
632:(1877, an adaptation by Hollingshead of
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20:
1183:, London: A. Constable & Co. (1898)
974:Digital Guide to Gilbert & Sullivan
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40:and was later the first manager of the
1268:English theatre managers and producers
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466:. This was followed by such works as
97:began publishing a penny paper called
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177:(1861, a volume of humorous papers),
1225:Hollingshead in the 1907 edition of
675:Anonymous (1873). "Professor Owen".
661:
1298:19th-century English businesspeople
1190:, London: Gaiety Theatre Co. (1903)
570:, in 1881. These were followed by
13:
1078:"Mr. D'Auban's 'Startrap' Jumps".
854:John Hollingshead (January 1999).
822:john hollingshead under bow bells.
747:
600:(a send-up of Boucicault's play),
448:, the first collaboration between
76:
14:
1309:
1203:
1052:Information and images regarding
837:Odd journeys in and out of London
381:. The theatre's music director,
319:, including several operettas by
173:(1860, a collection of travels),
1293:English male non-fiction writers
1245:
1209:
947:S. J. Adair Fitz-Gerald (2006).
893:john hollingshead plain english.
456:in the title role. Offenbach's
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842:john hollingshead odd journeys.
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369:. Other Gaiety stalwarts were
85:Hollingshead in an 1870 cartoon
807:
780:
718:
709:
616:(1886), and dozens of others.
574:(1882), a burlesque by Reece,
551:Ali Baba and The Forty Thieves
1:
1154:
913:john hollingshead footlights.
911:. Chapman and Hall, limited.
887:. Chatto and Windus. p.
218:The Story of Leicester Square
950:The Story of the Savoy Opera
228:Producer and theatre manager
7:
1244:(public domain audiobooks)
1069:(1898) G. Routledge, London
937:Hollingshead (1895), p. 224
801:Who's who biographies, 1901
644:), and a number of farces.
333:, a burlesque of the opera
291:there in 1881, paired with
10:
1314:
1238:Works by John Hollingshead
905:John Hollingshead (1883).
881:John Hollingshead (1880).
834:John Hollingshead (1860).
814:John Hollingshead (1860).
724:Hollingshead (1895), P. 93
715:Hollingshead (1895), P. 83
706:Hollingshead (1895), P. 73
598:Little Don Caesar de Bazan
508:Little Don Caesar de Bazan
506:was travestied in Byron's
436:The Princess of Trebizonde
1193:Spielmann, Marion Harry.
1067:Men and Women of the Time
926:Gilbert and Sullivan News
803:. 1901. pp. 578–579.
462:played in 1872, starring
432:The Cricket on the Hearth
89:Hollingshead was born in
25:John Hollingshead in 1895
1278:English male journalists
1199:, London: Cassell (1895)
953:. Kessinger Publishing.
820:. Groombridge and sons.
654:
197:. He also wrote plays.
118:magazine and then under
65:at the Gaiety, engaging
1039:12 October 2009 at the
994:"Information about the
979:31 October 2007 at the
315:, variety, continental
1143:4 January 2008 at the
1082:, 17 April 1922, p. 17
860:. Adegi Graphics LLC.
532:(1877), Byron's farce
523:
403:
267:
205:
86:
42:Gaiety Theatre, London
26:
1186:Hollingshead, John.
1176:Hollingshead, John.
1167:Hollingshead, John.
1160:Hollingshead, John.
1147:accessed 1 March 2007
983:accessed 1 March 2007
857:Ragged London in 1861
516:
391:
339:. Gilbert also wrote
255:
203:
106:Journalist and author
84:
24:
1196:The History of Punch
797:"Hollingshead, John"
607:Little Jack Sheppard
480:Antony and Cleopatra
450:Gilbert and Sullivan
412:Uncle Dick's Darling
400:Gilbert and Sullivan
258:So he plays his part
204:Hollingshead in 1898
167:Rubbing the Gilt Off
63:Victorian burlesques
49:Gilbert and Sullivan
1106:"Information about
534:Little Doctor Faust
504:Don Caesar de Bazan
1214:Works by or about
1093:The Theatre Museum
765:The New York Times
524:
484:The Battle of Life
442:operetta (1870).
404:
303:The Gaiety Theatre
293:Rutland Barrington
268:
206:
187:Underground London
87:
27:
1216:John Hollingshead
1180:Gaiety Chronicles
1065:Plarr, Victor G.
786:Spielmann, p. 368
681:. Illustrated by
572:Little Robin Hood
557:The Forty Thieves
517:Sheet music from
496:Night and Morning
459:Les deux aveugles
440:Jacques Offenbach
408:Henry James Byron
321:Jacques Offenbach
125:Cornhill Magazine
30:John Hollingshead
1305:
1249:
1248:
1213:
1148:
1132:
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1125:
1123:
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1112:. Archived from
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1063:
1057:
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1025:
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1004:on 11 March 2007
1000:. Archived from
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768:. 3 October 1892
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707:
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695:
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692:
690:
672:
613:Monte Cristo Jr.
520:Monte Cristo Jr.
502:. Boucicault's
472:Anthony Trollope
414:starred a young
392:Illustration of
363:Robert the Devil
357:starred in both
336:Robert le Diable
326:Robert the Devil
239:Alhambra Theatre
131:The Morning Post
38:Alhambra Theatre
1313:
1312:
1308:
1307:
1306:
1304:
1303:
1302:
1273:English writers
1253:
1252:
1246:
1206:
1157:
1152:
1151:
1145:Wayback Machine
1133:
1129:
1119:
1117:
1108:The Grasshopper
1104:
1103:
1099:
1095:, London (2009)
1090:
1086:
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1041:Wayback Machine
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981:Wayback Machine
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840:. Groombridge.
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828:
817:Under Bow bells
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714:
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698:
688:
686:
683:Frederick Waddy
673:
662:
657:
630:The Grasshopper
536:(1878) Byron's
492:Dion Boucicault
488:Charles Dickens
438:, based on the
428:Dion Boucicault
420:Charles Dickens
367:George Edwardes
347:Alfred Thompson
305:
295:'s short play,
266:
263:Frederick Waddy
260:
243:corps de ballet
235:
230:
163:Under Bow Bells
120:W. M. Thackeray
116:Household Words
112:Charles Dickens
108:
79:
77:Life and career
17:
12:
11:
5:
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1222:
1205:
1204:External links
1202:
1201:
1200:
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1184:
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1165:
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1153:
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1149:
1127:
1116:on 7 July 2004
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826:
806:
788:
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746:
742:New York Times
726:
717:
708:
696:
659:
658:
656:
653:
638:Ludovic Halévy
430:'s version of
304:
301:
279:Gaiety Theatre
256:
234:
231:
229:
226:
191:Rough Diamonds
152:Norman Macleod
142:Jeremy Bentham
137:Punch magazine
107:
104:
78:
75:
15:
9:
6:
4:
3:
2:
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960:1-4286-1306-4
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927:
921:
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910:
909:
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894:
890:
886:
885:
884:Plain English
877:
869:
867:1-4021-8921-4
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652:
650:
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643:
639:
635:
634:Henri Meilhac
631:
627:
624:, Vanbrugh's
623:
622:Love for Love
619:
615:
614:
609:
608:
603:
599:
595:
591:
590:
585:
584:F. C. Burnand
581:
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501:
497:
493:
489:
485:
481:
477:
476:Charles Reade
473:
469:
468:Shilly-Shally
465:
464:Fred Sullivan
461:
460:
455:
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447:
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437:
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429:
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368:
364:
360:
356:
355:Nellie Farren
352:
348:
344:
343:
338:
337:
332:
331:W. S. Gilbert
328:
327:
322:
318:
314:
310:
300:
298:
294:
290:
289:
288:Princess Toto
284:
283:Opera Comique
280:
275:
273:
264:
259:
254:
250:
248:
247:terpsichorean
244:
240:
225:
223:
219:
215:
211:
210:Plain English
202:
198:
196:
192:
188:
184:
180:
179:Ragged London
176:
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127:
126:
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96:
92:
83:
74:
72:
71:Nellie Farren
68:
64:
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59:
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50:
45:
43:
39:
35:
31:
23:
19:
1226:
1195:
1187:
1179:
1169:
1161:
1136:
1130:
1118:. Retrieved
1114:the original
1107:
1100:
1087:
1079:
1074:
1066:
1061:
1053:
1047:
1029:
1018:
1006:. Retrieved
1002:the original
995:
988:
969:
949:
942:
933:
925:
920:
912:
907:
900:
892:
883:
876:
856:
849:
841:
836:
829:
821:
816:
809:
800:
791:
782:
770:. Retrieved
763:
740:
720:
711:
687:. Retrieved
677:
646:
641:
629:
625:
621:
618:John D'Auban
611:
605:
601:
597:
593:
587:
579:
575:
571:
568:Robert Reece
561:
555:
549:
541:
540:(1879); and
537:
533:
527:
525:
518:
507:
503:
499:
495:
486:, (based on
483:
482:(1873); and
479:
467:
457:
443:
435:
431:
423:
416:Henry Irving
411:
405:
398:, the first
393:
375:Kate Vaughan
371:Edward Terry
362:
358:
350:
342:An Old Score
340:
334:
324:
306:
297:Quid Pro Quo
296:
286:
276:
269:
261:as drawn by
236:
221:
217:
213:
212:(1880), and
209:
207:
194:
190:
186:
183:Morning Post
182:
178:
175:Ways of Life
174:
171:Odd Journeys
170:
166:
162:
158:
156:
145:
135:
129:
123:
115:
109:
98:
88:
56:
53:extravaganza
46:
29:
28:
18:
1288:1904 deaths
1283:1827 births
1170:My Lifetime
649:Shakespeare
589:The Tempest
586:, based on
542:Robbing Roy
454:J. L. Toole
379:Fred Leslie
222:My Lifetime
154:as editor.
1257:Categories
1220:Wikisource
1155:References
1120:23 October
1008:23 October
998:burlesque"
908:Footlights
596:, Byron's
582:(1883, by
576:Blue Beard
546:Meyer Lutz
500:Led Astray
470:(1872) by
383:Meyer Lutz
309:music hall
249:pleasure.
214:Footlights
147:Good Words
95:Moy Thomas
67:Meyer Lutz
34:impresario
1227:Who's Who
1080:The Times
689:6 January
642:La Cigale
544:(1879).
406:In 1870,
313:burlesque
1242:LibriVox
1141:Archived
1137:Cuttings
1037:Archived
996:Columbus
977:Archived
772:6 August
737:Obituary
610:(1885),
604:(1884),
594:Don Yuan
578:(1882),
359:Columbus
353:(1869).
317:operetta
161:(1858);
99:The Mail
739:in the
626:Relapse
602:Mazeppa
563:Aladdin
445:Thespis
434:); and
395:Thespis
272:Can-Can
185:), and
58:Thespis
55:called
957:
864:
265:(1872)
150:under
91:Hoxton
1178:here
655:Notes
580:Ariel
566:, by
329:, by
195:Today
1122:2007
1010:2007
955:ISBN
862:ISBN
774:2008
691:2011
636:and
498:and
474:and
402:work
377:and
361:and
1240:at
1218:at
889:117
640:'s
592:),
548:'s
424:Dot
410:'s
349:'s
122:at
114:at
1259::
891:.
799:.
762:.
749:^
729:^
699:^
663:^
628:,
510:.
478:;
373:,
299:.
1124:.
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1012:.
963:.
870:.
776:.
693:.
426:(
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