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1435:, University of California, Los Angeles (UCLA) Film Archives, Los Angeles California. Retrieved December 5, 2019. In UCLA's records the "direction" of this short is credited to "Frank L. Powell". Although 1877 Ontario birth records document and confirm Powell's full birth name as Francis William Powell, some references giving his assigned credits vary his middle initial, including Frank W. Powell, Frank E. Powell, and Frank L. Powell. Other films credited to him in the UCLA Film Archives are credited simply to "Frank Powell".
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years when he became interested in the production of great historical spectacular film dramas. In this work his knowledge of the classical drama and of massive stage classics stood him in good stead. He had become a master of types, costumes, architecture and picturesque backgrounds. In
England, he produced such lavish spectacles as "Jane Shore," "Robin Hood" and "King Henry VIII." On his return to New York he produced "The Ghost," "The Corsican" and "The Stain", the latter an American political drama.
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395:, which was billed as a "sociological photo-drama" that portrayed the appalling conditions in some New York orphanages. However, after being screened to a private audience, who objected to what they viewed as gross exaggerations in the film, Powell's company decided to make changes to the original print. At the time, the governor of New York,
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a twelve-room house and spacious grounds that are noted for their natural beauty and they will no doubt be utilized by Mr. Powell in many of the feature films he has in course of production. Mr. Powell is remodeling and furnishing the house and under his artistic direction should make his place one of the most noted in
Bayside.
254:, he bought a steam locomotive and then destroyed it in a dramatically staged derailment. The stunt did not go as planned. It was reported that the "wild" unmanned engine jumped the tracks and "narrowly missed hitting the platform on which Mr. Powell and his camera were stationed." Fortunately, no one was seriously injured.
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Frank Powell, director of photoplays for Fox Film
Corporation and known throughout the world as the producer of "A Fool There Was," and other noted film successes, has purchased for an unknown amount, the famous Teller Estate on Bradish Avenue, Bayside Park, Bayside, Long Island. The estate includes
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does confirm Powell's close and early connection to
Cleveland. In an April 26 news item titled "Frank Powell Resting", the widely read publication announces that the 38-year-old director was traveling to Cleveland, "his boyhood home", for a vacation. What is known about Powell's 12-year stage career
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The date, exact location, and cause of Powell's death remain uncertain due to the lack of conclusive documentation. The presence of various Frank
Powells in historical records in different states, conflicting information in federal indexes, and the ongoing need to find a corroborating obituary in a
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as a producer of historical and romantic dramas. Ill health required him to curtail his work for a while, but he used the opportunity to travel around Europe and increase his knowledge of acting types and of costumes and landscapes in various countries. On his return to the United States, Powell in
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Powell's career after 1922 becomes more difficult to trace from available references. His ongoing membership in the Motion
Picture Directors Association suggests that he had relocated to Los Angeles, California and was residing there by that year. Although the MPDA continued to be headquartered in
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Mr. Powell's stage career started as a stage director for the
Frohman production "The Education of Mr. Pipp." He went to England with this play , and while there attracted the attention of Ellen Terry, who engaged him to produce some of her most famous successes. He remained with Ellen Terry three
1054:, Cumberland, Nova Scotia. Digital copy of original page in Canadian marriage registry, Nova Scotia Archive; online access and copy of record in FamilySearch, Salt Lake City, Utah. Cited entry in registry confirms names of Powell's parents and year and location of his birth.
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in New York. He and
Eleanor had one son, Frank Baden Powell, who was born in Iowa on June 26, 1910. The couple divorced in 1914, the year before Powell's marriage to Emma H. Miller, another actress who professionally used the name Jane Miller. He and Miller married in
1110:"Frank Baden Powell" (June 26, 1910-July 7, 1974), son of Eleanor G. Hicks and Frank Powell, death location: Mount Pleasant, Iowa. Armed Forces Grave Registrations, Iowa, c. 1835-1998. Record transcription from digital archives, Salt Lake City, Utah, FamilySearch.
1498:"Nova Scotia Marriages, 1864-1918", Frank Powell to Eleanor G. Hicks, June 5, 1907; Amherst, Cumberland, Nova Scotia. Digital copy of original page in Canadian marriage registry, archives of The Church of Jesus Christ of Latter-day Saints, Salt Lake City, Utah.
1122:"Ontario Births, 1869-1912", digital copy of original handwritten birth registration of Francis William Powell, 034345, May 8, 1877, City of Hamilton, Wentworth County. Archives of Ontario, Toronto, Canada; FamilySearch, Salt Lake City, Utah.
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began...Powell...presented the unknown Miss De Coppet. He evolved for her the name Theda Bara under which she was to attain world fame, "Theda" being an obvious contraction of
Theodosia, while "Bara" was derived from a relative's name of
500:. Since no further news items or reviews in 1923 refer to Frank Powell and his connection to the Western, he may not have been able to complete the project or perhaps Goldstone replaced him with Elliot for some other reason.
535:. They remained together for eight years, although they separated temporarily on several occasions before finally divorcing in June 1923. Among the reasons cited by Miller for divorcing Powell were their disputes over his
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Powell continued to direct films even as he expanded his work as a producer and continued the development of his production facilities in Texas under the name Sunset
Pictures Corporation. In 1919 he directed there
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one Miss Theodosia Goodman, of some stage experience under the name De Coppet, applied for a part. Powell was impressed. The next day he took her with the company to work in exteriors at the Petit Trianon,
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1068:"Wins Increase In Alimony: Actress Convinces Court Frank Powell Can Pay Her More Money", news item regarding 1914 divorce of Eleanor (Hicks) Powell from Frank Powell and reference to their son,
461:. In her assessment of that film, Kelly compliments its tone and pacing, describing Powell's direction as "a dignified and restrained treatment of the experiences of a lady detective".
399:, had commissioned a report on the conditions in private child-caring institutions, so the film may have appeared to be an opportunity to exploit and cash in on those public concerns.
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178:, although that publication provides no other information about his schooling or reveals whether his interest in theatre began in that city. However, a 1916 notice in the trade paper
250:, and after being with that company for less than a year, he worked briefly again for Biograph before rejoining Pathé as a director of special features. For the 1914 Pathé film
318:, Long Island. Powell pondered deeply. He put her into the background away from the camera. He did not want her recognized and classified as a mere extra. When the casting of
154:. Her performance in that production, under Powell's direction, quickly earned Bara widespread fame as the film industry's most popular evil seductress or on-screen "
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and other current film references and repositories credit George Elliot with directing Goldstone's 1923 Western, which is cited by a slightly different title,
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New York City, Powell's membership for 1922-1923 is listed as being at the organization's growing West Coast "Lodge" in Hollywood. A film listing in the
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In New York in 1909, Powell expanded his career into the rapidly expanding motion picture industry, working initially as an actor and scriptwriter at
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279:. Often credited with "discovering" Bara, he had cast Bara six months earlier in a very minor role in her onscreen debut for the Pathé drama
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and some other 1916 trade papers and journals often use the latter form, without the question mark, while advertisements for the film in
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starring his wife at the time, Jane Miller. He also continued his work as a "scenarist" or screenwriter, writing a number of scripts for
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provides details about the course of Powell's initial stagework with Terry, background that he shared with the newspaper in an interview:
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property would be used by the director not only as his residence but also as a venue for filming some of his future screen projects:
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on October 14, 1915, a few months after Powell cast her in three films he directed that year, first in a starring role in
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In late 1916, Powell established his own production company and later set up filming and post-production facilities in
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1471:. New York, N.Y.: Wid's Films and Film Folks, Inc., 1923, p. 398. Internet Archive. Retrieved December 6, 2019.
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newspaper or trade publication leave many questions regarding Powell's final years and death unanswered.
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in September 1923, a film that the American Film Institute credits George Elliot as its director.
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Powell (seated front, white hat) with Theda Bara (long hair, left of Powell) in Florida to film
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More current references, such as the catalog of the American Film Institute, refer to it as
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and performed in at least two major Broadway productions. In 1904 he performed in the play
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reports that Powell had bought a "large estate" there and speculates that the impressive
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playing and lifestyle stresses caused by his deteriorating financial circumstances.
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1407:(New York City), July 13, 1919, p. 7. Internet Archive. Retrieved December 5, 2019.
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421:(1921). During the same period, Powell directed some of his last films: a 1921
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credits Powell in April 1923 as the director of the Phil Goldstone Production
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Productions, a Los Angeles company associated with lower-quality releases or "
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1294:, August 29, 1914, p. 322. Internet Archive. Retrieved December 15, 2019.
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1225:(IBDB), The Broadway League, New York, N.Y. Retrieved December 14, 2019.
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for Biograph, Powell in 1914 journeyed again to Europe, where he joined
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and demonstrated an adeptness at directing comedies. After directing 63
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A Million and One Nights: A History of the Motion Picture Through 1925
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A Million and One Nights: A History of the Motion Picture Through 1925
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before returning to North America. In its October 15, 1915 issue, the
136:(May 8, 1877 – April 10, 1964) was a Canadian-born American stage and
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In addition to working again with Bara on the 1915 Fox five-reeler
1134:; credit listings as actor, director, screenwriter, and producer.
197:, and the next year he both acted in and served as a director for
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265:'s production company. He was then hired near the end of 1914 by
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also places him in Los Angeles in 1923. In its April issue, the
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credits Frank Powell as director for a six-reel Western titled
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References to this film's title vary, being cited as either
1088:, news item about Powell's marriage to actress Jane Miller,
1337:(AFI), Los Angeles, California. Retrieved December 5, 2019.
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continued to impress some reviewers, such as Mary Kelly of
1465:"Motion Pictures Directors Association: Los Angeles Lodge"
1264:), October 20, 1915, p. 4. ProQuest Historical Newspapers.
1098:, San Francisco, California. Retrieved November 29, 2019.
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describes Powell's initial casting and promotion of Bara:
1520:, San Francisco, California. Retrieved December 4, 2019.
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and casting her in a starring role in the 1915 release
1280:, April 27, 1912, p. 305. Retrieved December 17, 2019.
1386:, volume 37, 1917, Survey Associates Inc., New York.
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Powell was married at least twice. In June 1907 in
1154:. New York: Simon and Schuster, Inc., 1926, p. 702.
451:as a detective. Powell's work on longer films like
337:in 16 films, as well as other early stars such as
1173:Motion Picture Studio Directory and Trade Journal
542:Powell and Miller during their marriage lived in
172:Motion Picture Studio Directory and Trade Journal
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233:. There he also co-directed his first film with
1566:"Frank Powell, Screen Director, Is Divorced",
1417:"Short Reel Releases/Astray from the Steerage"
377:Advertisement for Frank Powell Productions in
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1533:. New York: Dover Publications, pp. 145, 193.
1308:Vol.29 No.1 (July 1914) Modern Publishing Co.
391:. One of the films he produced that year was
1627:, catalog, AFI. Retrieved December 15, 2019.
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1247:, The Broadway Publishing Company.
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590:In the Watches of the Night'
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1274:"Frank Powell Joins Powers"
1201:"A Talented Pathe Director"
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1586:"Powell Buys Large Estate"
1531:When the Movies were Young
1433:"Astray from the Steerage"
1223:Internet Broadway Database
246:April 1912 was engaged by
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1516:, June 15, 1907, p. 471.
1469:Film Year Book, 1922-1923
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832:The Dazzling Miss Davison
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911:Astray from the Steerage
891:You Never Know Your Luck
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548:The Moving Picture World
458:The Moving Picture World
380:The Moving Picture World
369:Frank Powell Productions
309:While Powell was making
285:. In his 1926 reference
46:The Moving Picture World
1689:American film producers
1335:American Film Institute
1136:American Film Institute
519:Jersey City, New Jersey
494:American Film Institute
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1576:Historical Newspapers.
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1185:"Frank Powell Resting"
1171:, biographical entry,
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656:(1913), as Edmund Grey
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897:The Unbroken Promise
770:The Devil's Daughter
573:Selected filmography
528:The Devil's Daughter
514:Lyceum Stock Company
510:Amherst, Nova Scotia
405:The Unbroken Promise
330:The Devil's Daughter
302:The Devil's Daughter
267:Fox Film Corporation
1546:"Powell a Benedict"
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1256:"Majestic Today",
1243:Robert Grau (1914)
1091:Motion Picture News
1086:"Powell a Benedict"
884:Heart of the Sunset
795:The Chain Invisible
688:The Lucky Toothache
117:(m. 1915-div. 1923)
113:(m. 1907-div. 1914)
1319:Film: An Anthology
1070:The New York Times
1014:A Soul's Awakening
653:The Rose of Surrey
418:A Soul's Awakening
397:Charles S. Whitman
389:San Antonio, Texas
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125:Frank Baden Powell
1605:Exhibitors Herald
1486:Exhibitors Herald
840:The Final Payment
801:The Fourth Estate
777:Princess Romanoff
622:In Old California
609:A Corner in Wheat
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339:Florence Lawrence
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103:c. 1897-1920s
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1641:Frank Powell
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498:The Ranchers
497:
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465:Later career
456:
453:On Her Honor
452:
445:On Her Honor
444:
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355:Donald Crisp
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243:Pathé Frères
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133:
132:
85:(1964-04-10)
44:
32:Frank Powell
25:
1724:1964 deaths
1719:1877 births
1421:Wid's Daily
1404:Wid's Daily
1333:, catalog,
1006:In Full Cry
998:Enchantment
976:The Forfeit
904:The Forfeit
727:Officer 666
721:The Corsair
681:Never Again
552:Long Island
447:, starring
383:, July 1916
239:short films
207:Ellen Terry
191:Tit for Tat
138:silent film
69:May 8, 1877
1663:Categories
1603:While the
1451:, review,
1401:, review,
1384:The Survey
1291:Motography
1206:Motography
946:Motherhood
876:Motherhood
848:The Mirror
695:Jane Shore
347:Kate Bruce
323:Barranger.
277:"The Vamp"
259:freelancer
201:'s comedy
146:Theda Bara
92:Occupation
65:1877-05-08
816:The Witch
741:The Taint
734:The Stain
715:Anna Rose
533:The Witch
430:Paramount
311:The Stain
282:The Stain
252:The Taint
1574:ProQuest
1368:Charity?
1348:Charity?
1074:ProQuest
1022:See also
934:Producer
927:Ranchers
862:The Debt
789:Charity?
661:Director
616:His Duty
440:Steerage
423:two-reel
393:Charity?
142:producer
122:Children
1652:at the
1609:Rancher
1372:Charity
1357:Variety
1352:Charity
1189:Variety
1052:Amherst
940:Charity
923:Rancher
668:The Kid
640:The Man
544:Bayside
492:". The
490:B films
482:Rancher
413:British
409:Western
193:at the
181:Variety
108:Spouses
1017:(1922)
1009:(1921)
1001:(1920)
993:(1917)
978:(1919)
972:(1917)
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960:(1917)
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948:(1917)
942:(1916)
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751:(1915)
743:(1914)
737:(1914)
729:(1914)
723:(1914)
717:(1914)
711:(1914)
703:(1912)
697:(1911)
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612:(1909)
604:(1909)
598:(1909)
592:(1909)
586:(1909)
361:, and
304:(1915)
49:, 1916
578:Actor
564:Death
537:poker
426:short
1645:IMDb
531:and
432:and
428:for
407:, a
225:Film
156:vamp
80:Died
55:Born
1643:at
1350:or
925:or
158:".
1665::
1588:,
1559:^
1548:,
1538:^
1510:,
1483:,
1467:,
1440:^
1419:,
1391:^
1354:.
1276:,
1230:^
1221:,
1203:,
1187:,
1159:^
1143:^
1115:^
1103:^
1059:^
1043:^
436:,
365:.
357:,
353:,
349:,
345:,
341:,
1374:.
1260:(
1030:.
67:)
63:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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