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painters, Wadsworth juxtaposed modern manufactured objects such as marine navigational equipment with symbols of culture, contrasting the organic – such as sea shells – with the manufactured and using dramatic perspective effects to contrast the small with the vast. His use of tempora created a kind
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nine days after giving birth. His father was understandably devastated by the loss and found it difficult to relate to the baby. Fred was running the thriving family business – Broomford Mill – that specialised in spinning lustrous wool for weaving braids for uniforms. Edward had a lonely childhood,
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A series of landscape pictures depicting strikingly calm coastal towns and ports in
Britain and France using tempera was seen as Wadsworth adopting a more 'naturalistic' mode but it is perhaps fairer to say they marked a return to more representational picture making – a position adopted by other
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between 1906 and 1907. Edward didn't complete his engineering degree but he did learn German and most significantly he studied art in his spare time at the Knirr School. Here he learned woodcut printing and drawing. Munich was a cultural hotbed and Edward was introduced to a lively artistic and
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whilst stressing the discipline of drawing as 'an explanation of form, analysing its construction, preparation and direction ' in their teaching. Although the cohort at the Slade was socially diverse, Wadsworth's closest friends - C.R.W. Nevinson and Adrian
Allinson were from similarly wealthy
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when trying to identify types of vessels and to pinpoint their direction and speed of travel. Wadsworth produced a number of drawings and woodcuts of camouflaged ships at this time and for towards the end of the war he was commissioned by the
Canadian War Memorials Fund (CWMF) to produce
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and after training he was promoted to sergeant. The family moved back to
Maresfield in 1945 and Wadsworth painted a series of abstract images that incorporated flower imagery. Although very different to his Vorticist abstracts of 1914, his last paintings, such as
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mood - although he never exhibited with the
British surrealists. In the early thirties and in the early forties his work was mainly abstract. He made a significant contribution to the development of modern art in Britain in the inter-war years.
281:. In 1911 he had met Fanny Mary Eveleigh – a professional violinist and ten years older than Wadsworth – and they married in April 1912, prior to Wadsworth completing his time at the Slade. They set up home in Gloucester Walk off of
607:. After substantial modernisation of the house and gardens, Edward and Fanny Wadsworth hosted regular weekend gatherings, picnics and garden parties throughout the next decade. Guests included avant-garde artists such as Paul Nash,
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Fred
Wadsworth had in mind that Edward would one day take over the business and it was probably because Broomford Mill had important clientele in Germany that Edward was sent to study engineering and the German language in
520:– a medium associated with the work of early Renaissance artists. Tempera would be Wadsworth's choice of medium throughout the rest of his life. Wadsworth had two children – Barbara and Anne. Tragically, Anne died of
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Thirty three days after the
Vorticist Manifesto was published, war was declared on Germany. Vorticism managed to continue into 1915, with a Vorticist exhibition in June at the Doré Gallery and a second edition of
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By the end of the 1920s
Wadsworth was successfully exhibiting in Paris and London. His work was reproduced in European avant-garde arts magazines and he could be seen as 'a leading British modernist artist'.
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The 1891 census on
Ancestry.co.uk shows Fred and his son living at Highfield House, Westgate, Cleckheaton. There was a live-in nurse, a cook and a housemaid. Barbara Wadsworth, in her biography
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in 1913, he was one of a number of
British painters in the nascent avant-garde that became increasingly disenchanted with the Italian's arrogance and jeered Marinetti's public performance of
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Wadsworth was now the beneficiary of a £250 a year income – probably via a trust fund set up by his aunt Annie – making him financially independent of his father. He attended
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Wadsworth exhibited some futurist-derived paintings at the Futurist Exhibitions at the Doré Gallery. Although a member of the committee that organised a dinner in honour of
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that was also linked to a publication. In January 1921 Wadsworth's father died, leaving him almost a quarter of a million pounds. Wadsworth and Fanny holidayed in
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to London in a major exhibition 'Manet and the Post-Impressionists' at the Grafton Galleries towards the end of 1910. Barbara Wadsworth in her biography,
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and he and his wife, daughter and her two sons had to leave Dairy House as it was in an area cleared of civilians by the army. The Wadsworths moved to
285:. Wadsworth was starting to exhibit and had a work included in Fry's 'Second Post Impressionist Exhibition' in January 1913. This exhibition brought '
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describes him as slowly developing in style and choice of media whilst at the Slade, yet only really making a real aesthetic leap when he met up with
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In January 1916 the Military Service Act was passed. This imposed conscription on all single men aged between 18 and 41. Wadsworth signed up for the
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in Edinburgh in 1903. At the time Fettes had a reputation as the 'toughest school in the British Isles' and Edward 'loathed most of his time there'.
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679:. Wadsworth felt that the outcome of the Cunard Line commission was too compromised through the requirements for recognisable nautical subjects.
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exhibition. However, the pen and ink drawings of industrial landscapes that Wadsworth exhibited there were developed by him into a one-man show
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450:. This monumental painting (10 feet x 12 feet) was exhibited in London, New York, Toronto and Montreal in 1919 alongside CWMF commissions from
544:, in the immediate post-war years and referred to as a 'return to order'. Wadsworth's first exhibition of tempera paintings was held at the
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which includes the complete paintings and drawings of Wadsworth. This book was initiated by his grandsons Derek von Bethmann-Hollweg and
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In the second half of the 1920s Wadsworth concentrated on marine themed still life compositions. Perhaps following ideas articulated by
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725:. For the first time Wadsworth's finances were under pressure and this may have contributed to his decision to start exhibiting at the
289:' pictures by Picasso and Braque to London and Wadsworth was included in ' The English Group' that included Bloomsbury artists such as
365:. Wadsworth's vorticist work is now known from his bold, experimental woodcuts as all his oil paintings from 1914-1918 are now lost.
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request he returned to England in 1917 and was demobilised to enable him to become involved in Wilkinson's scheme to transfer
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340:. Wadsworth exhibited woodcuts at the Twenty-One Gallery, London in spring 1914 and in that year he also exhibited with the
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intellectual way of life. When he returned home he had decided that he wanted to be an artist –- his father was appalled.
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Tate Gallery, 1974, pages 80-85, here Cork itemises those paintings that are only known through photographic reproduction
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summer show. In April 1943 he was elected an Associate of the Royal Academy (ARA). Wadsworth had joined the Buxton
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in 1989 that draws upon the family archive and in the same year Bradford Art Galleries held a major retrospective
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348:. He was closely associated with Wyndham Lewis and 'joined' his Rebel Art Group and was a signatory of the
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was ‘an expression of a truly contemporary spirit’ and Wadsworth exhibited with them at the Mayor Gallery,
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841:(1989), gives her father's date of birth as 19 October 1889. This date is also used by Jonathan Black in
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Gallery staged a memorial exhibition in 1951. Wadsworth's daughter, Barbara Wadsworth, wrote a biography
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group in Paris. Wadsworth outlined his approach to 'abstract art' in an insightful article published in
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As the Second World War started Wadsworth was disappointed not to be appointed as a war artist by the
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Wadsworth was a founder member of two radical pro-abstract movements in the early 1930s. Paul Nash's
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to commemorate the centenary of the outbreak of World War I in August 2014 and includes work by
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2010:
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241:– 'one of the greatest student classes in the history of English art schools'. and his tutors
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although his aunt, Annie, was very caring towards him. He became a boarder at Godby's School,
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The dazzle ships project of the First World War continues to inspire. The graphic designer
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The Wadsworth work was added to the exhibition for the last month of the exhibition only
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accompanied by a publication edited by Jeremy Lewison. In 2005 Jonathan Black published
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A leaking appendix had been misdiagnosed in 1940 and in June 1949 Wadsworth died from
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Edward Wadsworth. Form, feeling and calculation: the complete paintings and drawings
127:(19 October 1889 – 21 June 1949) was a British artist initially associated with the
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London, England, Church of England Marriages and Banns 1754-1938, ancestry.co.uk
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quoted by Ruth Artmonsky 'Slade Alumni 1900-1914', Artmonsky Arts (2001), p. 3
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gives the date as 29 October 1889. It is this date that Richard Cork uses in
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in 1948, did represent a return to, or development of, pure abstract forms.
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Edward Wadsworth and Wyndham Lewis at the Rebel Art Centre, March 1914, with
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The mid-1930s saw two commissions that placed Wadsworth at the forefront of
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of realism that seemed ultramodern whilst also harking back to the past.
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143:. After the war his maritime landscapes and still-life compositions using
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Heal's Mansard Gallery, London March-April 1920. Group X i.e. ten artists
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the following year and painted watercolour studies and experimented with
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Camoupedia: A Compendium of Research on Art, Architecture and Camouflage
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Lewis unsuccessfully tried to revive his 'rebel artists' in 1920 with a
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Wadsworth, Edward (1933). "The Abstract Painter's Own Explanation" in
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alongside art critics, actors, musicians, opera singers and dancers.
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published to coincide with the show – Wadsworth contributed to both.
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and was struck by the image. After suggesting the idea and title to
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on 10 June 1916 and as a temporary sub-lieutenant he was based at
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designs on to Allied ships, based mainly at Liverpool. Known as
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The Vorticists at the Restaurant de la Tour Eiffel, Spring 1915
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at Bexhill-on-Sea and two huge paintings for the Cunard Line's
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to Fred and Hannah (née Smith) Wadsworth. His mother died of
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Richard Ingleby 'Utterly Tired of Chaos' in C.R.W.Nevinson,
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where he contributed illustrations and supplied a review of
1995:
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felt they possessed 'an austere and unsentimental beauty'
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A Genius of Industrial England; Edward Wadsworth 1889–1949
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Edward Wadsworth 'The Abstract Painter's Own Explanation'
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A Genius of Industrial England. Edward Wadsworth 1889-1949
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In the early 1920s the whole collection was given to the
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Art at the Service of War: Canada, Art, and the Great War
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In 1927 the family moved to 'Dairy House' in Maresfield,
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and to some extent exemplified in the work of the German
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who brought the work of European modern artists such as
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Wadsworth in 1916. Photograph by Alvin Langdon Coburn
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Wadsworth's lecturer in art history at the Slade was
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22 June 1949, cited by Jonathan Black (2005) page 42
1035:"Conscription: the First World War –- UK Parliament"
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Essay on Wadsworth, Richard Cork, Oxford Art Online
1236:Unit One at the Mayor Gallery opened in April 1934
213:School of Art before earning a scholarship to the
135:he was part of a team involved in the transfer of
1366:, 6 October 1933. Reprinted in Glazenbook, Mark.
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160:Edward Wadsworth was born on 19 October 1889 in
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999:Breaking The Rules, Bury, British Library, p112
249:exhibited in an 'impressionist' style with the
1058:Edward Wadsworth: Form Feeling and Calculation
866:(1989) Salisbury: Michael Russell, pages 4-11.
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1415:Profile on Royal Academy of Arts Collections
37:Wadsworth in 1937 (self-portrait in tempera)
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941:Merrell Holberton: London 1999, page 11
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2134:Alumni of the Slade School of Fine Art
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1395:Works by Wadsworth at the Tate Gallery
1339:Memorial Exhibition Catalogue (1951).
1047:UK Navy Lists 1888-1970 ancestry.co.uk
990:(1997) Merrell Holberton: London, p.89
293:, Wyndham Lewis, and Stanley Spencer
2174:Technical University of Munich alumni
1999:
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845:(2005). However, John Rothenstein in
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1313:The Graphic Work of Edward Wadsworth
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793:Dazzle-ships in Drydock at Liverpool
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448:Dazzle-Ships in Drydock at Liverpool
387:Dazzle-ships in Drydock at Liverpool
1276:Jonathan Black (2005) pages 115-116
1104:An introduction to the book was by
864:Edward Wadsworth. A Painter's Life.
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1355:Edward Wadsworth. A Painter's Life
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1267:Jonathan Black (2005) pages 96-104
919:Barbara Wadsworth (1989) page p.23
770:A Painter's Life, Edward Wadsworth
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275:A Painter's Life. Edward Wadsworth
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2164:People educated at Fettes College
2124:20th-century English male artists
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1011:, Lewis et al., Bodley Head, 1914
910:Barbara Wadsworth (1989), page 22
801:Orchestral Manoeuvres in the Dark
177:at the age of 10 and was sent to
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901:Barbara Wadsworth (1989) page 13
217:, London and spent some time at
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504:and walked the south coast via
363:Concerning The Spiritual In Art
1346:Lewison, Jeremy (ed.) (1990).
1285:Jonathan Black (2005) page 146
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877:"Distinguished old Fettesians"
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847:Modern English Painters Vol. 2
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791:had seen Wadsworth's painting
482:The Cattewater, Plymouth Sound
1:
2129:20th-century English painters
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1357:. Michael Russell Publishing.
1214:Jonathan Black (2005) page 66
1205:Jonathan Black (2005) page 70
1173:such as the Belgian magazine
1164:Jonathan Black (2005) page 67
1129:Jonathan Black (2005) page 50
959:Ruth Artmonsky (2001) page 22
843:Form, Feeling and Calculation
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778:Form, Feeling and Calculation
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669:design – the tea room of the
654:. He also exhibited with the
556:'A leading British modernist'
412:Royal Naval Volunteer Reserve
2144:Burials at Brompton Cemetery
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1368:Unit One: Spirit of the 30's
597:Composition, Crank and Chain
7:
1927:
1850:Hieratic Head of Ezra Pound
1406:(public domain audiobooks)
1353:Wadsworth, Barbara (1989).
1350:. The Arkwright Arts Trust.
1108:. Published in London, 1920
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1311:Greenwood, Jeremy (2002).
1084:National Gallery of Canada
392:National Gallery of Canada
120:Edward Alexander Wadsworth
47:Edward Alexander Wadsworth
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758:Abstract with Rose, for F
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334:Filippo Tommaso Marinetti
139:designs to ships for the
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1685:Wilfred Clement Von Berg
1374:, London, May-June 1984.
1305:Philip Wilson Publishers
1299:Black, Jonathan (2005).
1022:Vorticism and its Allies
851:Vorticism and Its Allies
484:, tempora on board, 1923
338:The Battle Of Adrianople
283:Kensington Church Street
2169:People from Cleckheaton
1965:Edward McKnight Kauffer
1522:Abbott Handerson Thayer
1370:exhibition catalogue,
1318:"Edward Wadsworth", in
1223:Paul Nash in letter to
811:Dazzle ship (14–18 NOW)
642:alongside Nash, Moore,
471:Fortunes Well, Portland
352:Manifesto published in
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1605:Stanley William Hayter
1517:Solomon Joseph Solomon
809:(1983). More recently
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588:Spirit of the Thirties
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297:Futurism and Vorticism
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939:The Twentieth Century
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194:Art school and beyond
745:after an operation.
656:Abstraction-Création
322:Abstract Composition
251:New English Art Club
205:oil on canvas c.1911
156:Early life and study
147:were infused with a
883:on 22 November 2007
815:Imperial War Museum
671:De La Warr Pavilion
662:magazine in 1933.
546:Leicester Galleries
346:Whitechapel Gallery
247:Philip Wilson Steer
215:Slade School of Art
1950:Frederick Etchells
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1801:Dorothy Shakespear
1761:Frederick Etchells
1585:Bainbridge Copnall
1334:Camden Arts Centre
1183:Giorgio de Chirico
862:Barbara Wadsworth
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617:Laszlo Moholy-Nagy
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1315:. Wood Lea Press.
1140:"Return to order"
1060:(2005) pp. 29-33.
782:Alexander Hollweg
577:Neue Sachlichkeit
512:. He returned to
494:The Black Country
473:watercolour, 1921
462:A return to order
435:dazzle camouflage
418:on the island of
311:Cuthbert Hamilton
137:dazzle camouflage
131:movement. In the
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2093:Edward Wadsworth
2068:Frances Hodgkins
2063:Tristram Hillier
2058:Barbara Hepworth
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1512:Kimon Nicolaïdes
1487:John Graham Kerr
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839:A Painter's Life
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644:Barbara Hepworth
170:puerperal sepsis
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1940:Jessica Dismorr
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16:English painter
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2015:
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1379:External links
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621:Roland Penrose
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179:Fettes College
166:West Yorkshire
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65:West Yorkshire
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279:Wyndham Lewis
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254:backgrounds.
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2053:Wells Coates
2048:Edward Burra
1984:
1945:Frank Dobson
1883:
1864:
1858:The Mud Bath
1856:
1848:
1840:
1832:
1805:
1670:Steven Sykes
1665:Basil Spence
1660:Alan Sorrell
1655:Edward Seago
1590:Hugh B. Cott
1557:World War II
1536:
1387: at the
1367:
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1354:
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1341:Tate Gallery
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885:. Retrieved
881:the original
871:
863:
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833:
806:Dazzle Ships
804:
792:
786:
777:
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691:
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652:Edward Burra
633:
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487:
481:
470:
447:
439:dazzle ships
428:
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385:
362:
354:
342:London Group
331:
326:Tate Gallery
321:
291:Duncan Grant
274:
256:
231:CRW Nevinson
223:Mark Gertler
208:
202:
183:
159:
149:surrealistic
119:
118:
76:21 June 1949
18:
2154:Camoufleurs
2119:1949 deaths
2114:1889 births
2078:Henry Moore
2073:Colin Lucas
1877:Works about
1845:(1914–1915)
1837:(1914–1915)
1650:Peter Scott
1635:Peter Proud
1580:John Codner
1575:Hugh Casson
1565:Tony Ayrton
1459:World War I
1451:Camoufleurs
887:24 February
819:Peter Blake
743:peritonitis
629:Henry Moore
605:East Sussex
530:avant-garde
360:Kandinsky's
243:Henry Tonks
203:Rotherhithe
162:Cleckheaton
61:Cleckheaton
2179:Vorticists
2108:Categories
2043:John Bigge
1866:Rock Drill
1786:Ezra Pound
1734:Vorticists
1645:Brian Robb
1640:Fred Pusey
1625:Colin Moss
1610:Ivan Konev
1507:André Mare
1497:Franz Marc
1363:The Studio
1322:, (2009).
1303:. London:
1256:The Studio
1195:Pierre Roy
825:References
731:Home Guard
723:Requiescat
719:Derbyshire
692:Requiescat
683:Later life
660:The Studio
625:Lee Miller
613:Pierre Roy
548:in 1923 –
141:Royal Navy
80:1949-06-22
54:1889-10-19
2083:Paul Nash
1842:The Crowd
1727:Vorticism
1492:Paul Klee
1245:June 1931
1227:June 1933
1225:The Times
1191:Max Ernst
1179:Paul Klee
1153:The Times
736:Triangles
703:Triangles
609:Max Ernst
565:North Sea
550:The Times
522:nephritis
452:Paul Nash
350:Vorticist
313:(seated).
259:Roger Fry
129:Vorticism
112:modernism
94:, England
88:Bayswater
67:, England
2027:Unit One
1404:LibriVox
1332:(1990).
1175:Varietes
667:art deco
636:Unit One
514:Portland
502:Cornwall
429:Through
390:, 1919,
271:Van Gogh
219:Le Havre
211:Bradford
108:Movement
103:Painting
2159:Group X
1929:Group X
534:Picasso
518:tempera
490:Group X
443:U-boats
324:, 1915
267:Gauguin
263:Cezanne
145:tempera
78: (
52: (
1869:(1913)
1861:(1914)
1853:(1914)
1826:Output
1389:Art UK
853:(1974)
749:Legacy
715:Buxton
705:, 1948
694:, 1940
640:London
599:, 1932
567:, 1928
542:Derain
538:Braque
510:Dorset
498:Newlyn
424:Greece
420:Lemnos
416:Mudros
396:Ottawa
287:cubist
187:Munich
175:Ilkley
92:London
1834:Blast
1009:BLAST
573:Léger
506:Devon
405:BLAST
355:BLAST
1391:site
1193:and
889:2008
766:Tate
764:The
760:1945
650:and
627:and
540:and
508:and
309:and
269:and
245:and
237:and
73:Died
43:Born
1402:at
799:of
717:in
646:,
426:.
124:ARA
2110::
1189:,
1185:,
1181:,
821:.
623:,
619:,
615:,
611:,
536:,
500:,
458:.
422:,
394:,
265:,
233:,
229:,
225:,
164:,
90:,
63:,
2019:e
2012:t
2005:v
1921:e
1914:t
1907:v
1719:e
1712:t
1705:v
1443:e
1436:t
1429:v
1343:.
1336:.
1307:.
1142:.
1086:.
1073:.
1037:.
891:.
398:.
328:.
82:)
56:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
