856:
846:
24:
92:
720:, and the National Association for the Advancement of Art and its Application to Industry of 1888, at which he gave his inspired lecture on "Texture as a Quality of Art and a Condition for Architecture" that set out the rationale behind his most significant buildings. His involvement with the Clergy and Artists' Association of 1896, set up to improve the links between patron and producer, led directly to commissions for example for the
709:, but Prior remained only a minor player for some time, until he was elected to the governing committee in 1889. However the contact with other members of the Society certainly encouraged Prior to rationalise and develop his theories. He was also able to call on the skills of a wide range of craft practitioners from the Guild for the design and construction of furniture for many of his buildings. Prior became Master in 1906.
241:
507:, administering the work from November 1877 to August 1879. He was responsible for the contract drawings and possibly for the design of the roof reinforcement and some of the detailing and furniture, such as the font. Prior was eager to gain practical experience of construction, and the craftsmen at Ilkley made a deep impression on him:
660:
At the
October 1883 meeting it was decided that it would be preferable to found a new organisation that would bring together "craftsmen in Architecture, Painting, Sculpture and the kindred Arts." The proposals stemmed from the members' alarm at the lack of relationship between architects and artists
797:
wished to establish itself as the sole arbiter of the profession culminating in the publication of a collection of essays
Architecture: A Profession or an Art in 1892, to which Prior contributed a chapter criticising the common use of "hirelings" to do the architect's work. In the same year Prior,
1463:
And he could be something of a grizzly old bear at times, for he was pertinacious and his opinion once formed was hardly to be changed. To hear an argument – and we have heard several – between Prior and
Leonard Stokes was an education. Yet it was a kindly bear withal, that would emerge, honours
774:
It was made by blowing glass into a rectilinear box and then cutting off the sides. This yielded flat panes of uneven thickness, often streaked with colour. Whereas the prevailing style of glass relied on meticulous draughtsmanship and line control to create rich backgrounds of flat surface
492:(1852–1942), who was also soon to set up in practice on his own behalf. The St George's Art Society grew out of the discussions held amongst Shaw's circle at Newton's Hart Street offices. In the late 1870s and early 1880s Shaw's prestige rose with "spectacular perspectives" exhibited at
833:. The establishment of examinations were approved in 1908. Waldstein favoured Prior as his successor. Prior was elected Slade Professor on 20 February 1912 with the role of developing the new School of Architecture. In 1915 the tenure of the Professorship was extended to life.
775:
decoration such as gothic mouldings or foliage, the new glass could be used to create backgrounds with a more abstract pattern, as in the St
Pancras roll of honour, or combined with lead alone to create bold and dramatic effects such as the wings of the four archangels at
511:
He went (to Ilkley) and then found that the idea of wonderful construction was all an imposture: there was no science of construction, but there was an experience of construction to be gained by the man who worked with his hands and not the man who made the
673:
Painters, Sculptors, and
Architects are in danger of settling permanently into three distinct professions, oblivious of one another's aims. A Society is wanted to restore their former union with one another with a programme of cohesion such as the
805:
established a School of
Handicraft and Design to extend its training scheme. It had been criticised for being too geared to the RIBA's examination system. Prior was one of the architect-visitors who drew up projects and gave the "crits".
259:, but Prior experimented with materials, massing and volume from the start of his independent practice. He developed a style that was intensely individual and a practical philosophy of construction that was perhaps nearer to
1883:
589:, resulting in the development of a long term friendship and exchange of ideas between the two men, to the extent that Voysey is recorded as having painted the roofs of Prior's seminal Model for a Dorsetshire Cottage.
476:, Northumberland. His pupils were articled for three years, learning to measure buildings and to draw plans and elevations for contracts. At the time the practice was still small, with just three rooms shared with
836:
Prior established the syllabus for the School, oversaw the establishment of the
Department and instigated a research programme. The latter included experimental studies into the performance of limes and cements.
788:
Prior first became involved in architectural education during the debate over the professionalisation of architectural practice in the 1890s. The protest against examination and registration was launched by the
615:. He started a commission for a house outside Cambridge but got into a dispute with the client over the materials for the boundary hedge. Hughes took over the job as his own. Prior's scheme for the ciborium at
1447:
Prior remained as Slade
Professor until his death from cancer on 19 August 1932. He spent his final year writing letters about architectural education. He was buried in an unmarked grave at St Mary's Church,
214:
of the second generation of the movement, writing extensively on architecture, art, craftsmanship and the building process and subsequently influencing the training of many architects.
1961:
682:
After various consultations invitations were sent out to 24 artists including members of The
Fifteen, founded by the designer and writer Lewis Day and the illustrator and designer
521:
Prior only stayed a few more months with Shaw on his return from Ilkley. In 1880 he began his own practice at 17, Southampton Road, near Shaw and others of his former employees;
536:
in Dorset, where his father had lived and his mother's relatives, the
Templers, were prominent inhabitants, and in Cambridge where he had been at university. The opening of the
770:
In 1889 he developed Prior's glass, also known as Prior's Early English glass, a slab glass which is similar to the "luminosity and varied colouring of early medieval glass."
596:. In 1908 he bought an 18th-century house in Mount Lane with an adjacent warehouse which he converted to provide a studio. He continued the London practice at 1 Hare Court,
307:
division, died at the age of 43 as a result of a fall from a horse. Edward was aged 10 at the time. His mother, Hebe Catherine Prior, moved the family from their house in
375:
to read the Classical Tripos. He augmented the Sayer Scholarship by also gaining a college scholarship. He matriculated in 1870, graduating B.A. in 1874, M.A. in 1877.
221:
and other organisations that lay at the heart of the movement's attempts to bring art, craftsmanship and architecture closer together. His scholarly work, particularly
2006:
1464:
divided, from a wordy warfare with a joyous twinkle in its eye; and for any small personal attention or service, it could be immensely grateful and appreciative.
809:
He became increasingly interested in education, giving lectures at various conferences, to the RIBA and schools of design. Moves were instigated to establish a
315:, where Edward's eldest brother John Templer was at school and where local resident families paid reduced fees for day boys. Here, next door to the house of
657:. Prior was on the committee. Monthly meetings were held and papers read, Prior speaking on "Terracotta" and "Tombs". Trips were arranged to see buildings.
810:
234:
2011:
1902:
1452:. Few of his friends remained, Lethaby, Newton, and Horsley were all dead, and none of his former architectural colleagues attended his funeral.
1023:
485:
2021:
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exhibitions. As Chief Draftsman, Newton was probably the major influence on the drawing style, but Prior may have made a contribution.
2001:
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2016:
1928:
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372:
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in 1912, which provided an exhaustive account of figurative sculpture from the 7th –to the 16th Century for the first time.
641:. The St George's Art Society, 1883–1886, was founded by a group of architects who had seen service in the Shaw's offices,
303:
on 4 January 1852, his parents' fourth son, one of eleven children. His father John Venn Prior, who was a barrister in the
225:(1900), achieved international acclaim. He became one of the leading architectural educationalists of his generation. As
1867:
993:
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1986:
1912:
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67:
45:
38:
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1991:
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574:, Bucks, as a country residence in 1889, but on the birth of his second daughter it was leased to the architect
1490:
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604:. On his appointment as Slade Professor at Cambridge Prior also bought a house, Fairview in Shaftesbury Road,
1943:
627:
286:, he produced his masterpiece, a church that is now recognised as one of the best of the early 20th century.
525:
leased an office on the second floor. Prior occupied the building until 1885 and again in 1889–94 and 1901.
382:. Prior continued to gain from his instruction in architectural drawing at Cambridge. Other influences were
1310:
1008:
801:
As a result of the controversy members of the Guild became very interested in architectural education. The
379:
283:
1833:
1901, vol 21, part I, pp. 28–36, part II, pp. 86–90, 93–5, part III, pp. 176, 180–86 189–90
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and Prior, to discuss Art and Architecture. It initially met in Newton's chambers by St George's Church,
226:
758:
made Prior's scholastic reputation and contributed to his appointment as Slade Professor of Fine Art at
818:
637:
Prior played a crucial role in the establishment of the Guilds that were the intellectual focus of the
586:
855:
1315:
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in 1880 and his connections with Harrow in particular encouraged Prior to work in the Harrow area.
449:
363:.) Prior remained connected to Harrow School and was later to design two buildings for the school.
207:
190:
32:
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and private tutor. (Prior remained a committed naturalist throughout his life. His collections of
1268:
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Prior moved to Sussex in 1907 initially living in an early 18th-century house at 7 East Pallant,
575:
1042:
978:
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in 1907. The syndicate seeking the establishment of the school included Prior's old headmaster
702:" was accepted at the meeting of 11 March 1884. Prior also wrote the Guild's first prospectus.
570:
from 1885 to 1889. Here his daughters Laura and Christobel were born. Prior leased Bridgefoot,
548:
438:
419:
371:
In 1869 Prior won the Sayer Scholarship "for the promotion of classical learning and taste" to
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hardly now suggests, and which the Institute of British Architects has deliberately rejected.
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1981:
1976:
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and architecture became one of Prior's major concerns the period. In 1900 he published
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582:
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304:
267:
263:'s ideal of the "builder designer" than that of any other arts and crafts architect.
218:
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484:(1856–1922), who had joined Shaw in 1873 but who left to set up on his own in 1879,
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His early commissions were primarily located in areas where he had connections, in
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After the First World War Prior unsuccessfully tried to restart his practice with
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Prior was also active in various other organisations of the time, including the
1505:, 1895, in Masse, H.J.L.J., The Art Workers Guild 1884–1934, Oxford, 1935 p 11.
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During the late 1890s Prior's practice received few commissions. The study of
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698:. Various names for the group were proposed and Prior's suggestion of the "
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in 1864–1866 and to design the glass for others of his Cambridge buildings.
683:
612:
472:
at 30 Argyll Street. Shaw had made his name through country houses such as
430:
411:
156:
1821:
Vol XVII, 1979, pp. 19–24, Walkew, A., The Church of St Andrew Roker.
1028:
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469:
356:
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260:
256:
252:
1405:
1342:
895:
744:, which as rapidly recognised as a standard text. This was followed by
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In the post war years he only undertook the design of war memorials at
593:
499:
By 1877, however, Shaw's health was deteriorating. Prior was appointed
134:
206:(1852–1932) was a British architect, instrumental in establishing the
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1391:
1377:
1284:
1080:
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457:
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395:
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1577:, ed Service A., The Architectural Press Ltd, 1975, pp. 143–151
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919:
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533:
473:
211:
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725:
555:, Prior met Louisa Maunsell, the daughter of the vicar of nearby
547:
His work in Dorset was to lead to his marriage. Whilst designing
445:
399:
279:
480:. Shaw had a limited number of assistants and pupils, including
1201:
504:
414:
was probably strongly encouraged by Wyatt. Colvin, a friend of
407:
1627:
An Architect Speaks: The Writings and Buildings of E. S. Prior
339:, art, architecture and science was fostered, particularly by
904:
559:. They were married in Symondsbury Church on 11 August 1885,
320:
240:
1673:
2 May 1890, vol. 43, p. 277, Carr Manor, Meanwood Leeds
1418:
Mount Joy, Highcliffe (Demolished but photograph available)
705:
The Guild was highly influential on the architecture of the
1853:
1851:
1849:
1847:
571:
319:, she started a school for children whose parents were in
1077:
Laundry, Superintendent's House and Worker's Dining Hall
394:
of Fine Art. Wyatt's lecture programme for 1871 included
331:
In 1863 at the unusually young age of 11, Edward entered
251:
Initially his buildings show the influence of his mentor
1844:
1809:
8 December 1882, vol. 43, p. 700, High Grove Harrow
1636:, PhD thesis, Birkbeck College, London University, 1978
1670:
19 July 1889, vol. 42, p. 35, Manor Lodge Harrow
217:
He was a major contributor to the development of the
425:
At Cambridge, Prior was also exposed to the work of
716:of 1886, set up to combat the exclusiveness of the
1904:Arts and Crafts Architecture: 'Beauty's Awakening'
1487:An Account of Medieval Figure-Sculpture in England
1641:Small Country Houses Their Repair and Enlargement
1968:
1948:Building Conservation. Retrieved 1 October 2012.
1499:, Prior, E.S., Geo Bell & Sons, London, 1900
793:, whose members believed, quite correctly, that
282:are amongst the most original of the period. In
2007:Alumni of Gonville and Caius College, Cambridge
750:An Account of English Medieval Figure-Sculpture
460:and won the British Amateur High Jump in 1872.
422:, was elected Slade Professor in January 1873.
1528:, The Architectural Review, Oct 1901, vol. 10.
1503:The Origins of the Guild; Lecture to the Guild
378:In the same year B. F. Westcott was appointed
1962:Profile on Royal Academy of Arts Collections
867:
632:
619:was dropped, a deep disappointment for him.
516:
468:In the autumn of 1874 Prior was articled to
1509:Church Building as it is and as it Might Be
323:, and Edward was one of its first pupils.
90:
1900:
68:Learn how and when to remove this message
2012:Academics of the University of Cambridge
1882:
854:
844:
581:In 1894 Prior moved to 10 Melina Place,
239:
31:This article includes a list of general
1697:1898, vol. 4, pp. 106–108, 154–158
1540:Edward Prior: Arts and Crafts Architect
1518:The Architectural Review, Prior, E.S.,
798:amongst others resigned from the RIBA.
366:
266:The buildings of his maturity, such as
1969:
1860:Edward Prior Arts and Crafts Architect
1742:21 December 1900, vol. 54, p. 452
1736:4 September 1885, vol. 24, p. 106
1676:5 September 1890, vol. 44, p. 141
1613:Edwardian Architecture and Its Origins
1575:Edwardian Architecture and Its Origins
1198:Club, Promenade and Baths at West Bay
463:
1782:12 October 1907, vol. 93, p. 386
1779:5 December 1896, vol. 71, p. 470
1776:25 October 1890, vol. 59, p. 328
1773:14 June 1884, vol. 46, pp. 866–7
373:Gonville and Caius College, Cambridge
1857:
1739:17 May 1895, vol. 43, pp. 348–9
1694:1897, vol. 2, pp. 246 & 253
1682:30 January 1891, vol. 45, p. 71
1679:3 October 1890, vol. 44, p. 205
1475:Architecture; a Profession or an Art
956:St Mary's Mission Hall, West Street
17:
1876:
1615:, The Architectural Press Ltd, 1977
1468:
811:School of Architecture at Cambridge
661:and their dissatisfaction with the
359:remain largely intact, held by the
299:Edward Schroeder Prior was born in
13:
1937:
1404:Greystones & Greystone Lodge,
1024:Church of St Michael the Archangel
994:Holy Trinity Church, Bothenhampton
825:, Slade Professor of Fine Art and
756:A History of Gothic Art in England
742:A History of Gothic Art in England
714:Arts and Crafts Exhibition Society
223:A History of Gothic Art in England
37:it lacks sufficient corresponding
14:
2033:
2022:Masters of the Art Worker's Guild
1955:
1894:
1806:21 July 1882, vol. 43, p. 81
1718:Feb 1906, vol. 19, pp. 70–82
1667:24 May 1889, vol. 42, p. 299
1648:The Small Country Houses of Today
746:The Cathedral Builders in England
649:, Reginald Barratt, Edwin Hardy,
2002:People educated at Harrow School
1794:4 June 1895, vol. 1, p. 259
1745:5 May 1899, vol. 51, p. 307
1721:Jan 1924, vol. 55, pp. 30–1
1554:The Arts Connected with Building
765:
669:. Prior wrote in November 1883,
326:
22:
2017:Associates of the Royal Academy
1724:1952, vol 112, pp. 302–308
1582:Prior's Barn and Gimson's Coxen
1532:
1526:The New Cathedral for Liverpool
1101:Billiard Room, Mount Park Road
831:Disney Professor of Archaeology
663:Institute of British Architects
235:School of Architectural Studies
1921:
1700:1898, vol. 5, pp. 132–134
1654:
1561:Edwardian Style and Technology
1442:
1167:
1090:Herschel Lodge, Herschel Road
731:
1:
1930:The Book Collector, Volume 29
1858:Cook, Martin Godfrey (2015).
1837:
1757:Vol XCIII, 23 November 1907,
1573:Grillet, C, Edward Prior, in
1481:Cathedral Builders in England
1459:perhaps best summed him up:
1211:Model of a Butterfly Cottage
1192:
628:Cambridge University R.U.F.C.
210:. He was one of the foremost
159:, Prior's Early English glass
1884:"Edward Schröder (PRR870ES)"
1703:1899, vol. 6, pp. 42–44
1599:The Arts and Crafts Movement
783:
380:Regius Professor of Divinity
289:
7:
1888:A Cambridge Alumni Database
1520:The Decoration of St Paul's
1477:, Jackson, T.G. and Shaw, N
1457:Architect and Building News
227:Slade Professor of Fine Art
10:
2038:
1890:. University of Cambridge.
1715:1901, vol. 10, p. 145
1522:, 1899, vol. 6, p. 43
1120:1891–1892 & 1895–1896
926:1881–1882 & 1889–1891
817:, who was by then Dean of
503:for St Margaret's Church,
410:. Prior's interest in the
1712:1901, vol. 9, p. 256
1709:1900, vol. 10, p. 79
1706:1900, vol. 7, p. 202
1568:Edwardian Butterfly House
1311:St Andrew's Church, Roker
1123:Pembroke College Mission
1112:Harrow School Music Room
868:Early buildings 1880–1894
803:Architectural Association
633:The Arts and Craft Guilds
517:Practice and private life
294:
284:St Andrew's Church, Roker
186:
163:
152:
142:
123:
101:
89:
82:
1987:Arts and Crafts movement
1622:, Macdonald Orbis, 1986.
1390:Windacres, Warren Road,
1326:St Mary & All Saints
1264:Cambridge Medical School
850:Cambridge Medical School
840:
707:Arts and Crafts Movement
639:Arts and Crafts Movement
600:until the middle of the
208:arts and crafts movement
191:Arts and Crafts Movement
1580:Hoare, G, and Pyne, G.
1497:A History of Gothic Art
1339:Combelands, Pulborough
1269:University of Cambridge
777:St Andrew's, Chippenham
448:at Cambridge. He was a
390:, the first and second
335:. Here his interest in
247:(also known as Voewood)
52:more precise citations.
1997:British art historians
1992:Architects from London
1563:, Lund Humphries, 1995
1538:Cook, Martin Godfrey,
1466:
1052:Woolaston Road houses
1043:Grange Road, Cambridge
979:Quay Terrace, West Bay
864:
852:
781:
680:
566:The Priors lived in 6
514:
420:Dante Gabriel Rossetti
248:
199:Edward Schroeder Prior
84:Edward Schroeder Prior
1552:Davidson, T.R. (ed),
1461:
1250:All Saints' Vicarage
1136:Kelsale Village Club
929:St Mary and St Peter
858:
848:
772:
671:
509:
478:William Eden Nesfield
243:
1933:. 1980. p. 213.
1688:Architectural Review
1634:E.S. Prior 1852–1932
1513:Architectural Review
1455:His obituary in the
760:Cambridge University
686:and others, such as
563:being the best man.
538:Metropolitan Railway
367:Cambridge University
231:Cambridge University
147:Cambridge University
1618:Sparke, P. et al.,
1606:Richard Norman Shaw
1483:, Prior, E.S., 1905
1430:Church of St Osmund
1331:Whalley, Lancashire
1295:Home Place, Kelling
464:Norman Shaw's pupil
384:Matthew Digby Wyatt
361:Museum of St Albans
245:Home Place, Kelling
233:he established the
178:Home Place, Kelling
1901:Holder. J (2021).
1815:Northern Architect
1646:Weaver, Lawrence,
1639:Weaver, Lawrence,
1620:Design Source Book
1588:Muthesius, Hermann
1489:, Prior, E.S. and
1279:Winchester College
1236:St Mary's Church,
865:
853:
626:in Dorset and for
523:Reginald Blomfield
444:Prior was a noted
416:Edward Burne-Jones
249:
1862:. Crowood Press.
1730:British Architect
1625:Valinsky, David,
1592:Das Englishe Haus
1570:, 1975 pp 220–225
1440:
1439:
1351:The Small House,
1165:
1164:
1009:Henry Martyn Hall
823:Charles Waldstein
791:Art Workers Guild
700:Art Workers Guild
617:Norwich Cathedral
568:Bloomsbury Square
490:William West Neve
439:All Saints Church
219:Art Workers Guild
196:
195:
173:The Barn, Exmouth
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1788:Builders Journal
1545:Davidson, T.R.,
1469:Prior's writings
1238:Burton Bradstock
1194:
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1171:
1127:Walworth, London
984:West Bay, Dorset
872:
871:
827:William Ridgeway
647:Mervyn Macartney
561:Mervyn Macartney
488:(1846–1914) and
435:Morris & Co.
392:Slade Professors
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1550:
1543:
1534:
1531:
1530:
1529:
1523:
1516:
1515:, Vol. IV 1898
1506:
1500:
1494:
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1398:
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1234:
1230:
1229:
1227:Exmouth, Devon
1224:
1219:
1215:
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1199:
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944:
943:The Red House
941:
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927:
923:
922:
917:
912:
908:
907:
898:
893:
889:
888:
883:
878:
869:
866:
859:The Moorings,
842:
839:
815:Dr H.M. Butler
785:
782:
767:
764:
733:
730:
634:
631:
583:St John's Wood
518:
515:
501:Clerk of Works
465:
462:
427:William Morris
368:
365:
349:B. F. Westcott
328:
325:
317:Matthew Arnold
296:
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291:
288:
194:
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161:
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154:
153:Known for
150:
149:
144:
140:
139:
133:
131:(aged 80)
127:19 August 1932
125:
121:
120:
114:
112:4 January 1852
103:
99:
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30:
28:
21:
9:
6:
4:
3:
2:
2034:
2023:
2020:
2018:
2015:
2013:
2010:
2008:
2005:
2003:
2000:
1998:
1995:
1993:
1990:
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1963:
1960:
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1947:
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1932:
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1924:
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1914:9781785007965
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1800:Building News
1798:
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1759:Randall Wells
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1661:The Architect
1659:
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1649:
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1642:
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1624:
1621:
1617:
1614:
1611:Service, A.,
1610:
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1603:
1600:
1596:
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1583:
1579:
1576:
1572:
1569:
1566:Franklin, J,
1565:
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1559:Fellows, R.,
1558:
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1365:Dysart House
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1301:Holt, Norfolk
1298:
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1103:
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1097:
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1075:Harrow School
1073:
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766:Stained glass
763:
761:
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747:
743:
739:
729:
727:
723:
719:
718:Royal Academy
715:
710:
708:
703:
701:
697:
693:
692:Ernest George
689:
688:J. D. Sedding
685:
679:
677:
676:Royal Academy
670:
668:
667:Royal Academy
664:
658:
656:
652:
648:
644:
643:Ernest Newton
640:
630:
629:
625:
624:Maiden Newton
620:
618:
614:
609:
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603:
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584:
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569:
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531:
526:
524:
513:
508:
506:
502:
497:
495:
494:Royal Academy
491:
487:
486:Richard Creed
483:
482:Ernest Newton
479:
475:
471:
461:
459:
455:
451:
447:
442:
440:
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432:
428:
423:
421:
417:
413:
409:
405:
404:stained glass
401:
397:
393:
389:
388:Sidney Colvin
385:
381:
376:
374:
364:
362:
358:
354:
350:
346:
342:
338:
334:
333:Harrow School
327:Harrow School
324:
322:
318:
314:
310:
306:
302:
287:
285:
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168:
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155:
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148:
145:
141:
136:
126:
122:
117:
104:
100:
96:Prior in 1910
93:
88:
81:
72:
69:
61:
58:November 2009
51:
47:
41:
40:
34:
29:
20:
19:
16:
1944:
1939:
1929:
1923:
1903:
1896:
1887:
1878:
1859:
1826:
1814:
1799:
1787:
1766:
1750:
1729:
1687:
1660:
1647:
1640:
1633:
1626:
1619:
1612:
1605:
1598:
1591:
1581:
1574:
1567:
1560:
1553:
1547:Modern Homes
1546:
1539:
1533:Bibliography
1525:
1519:
1508:
1502:
1496:
1486:
1480:
1474:
1462:
1456:
1454:
1446:
1185:
1180:
1175:
967:Manor Lodge
885:
880:
875:
835:
808:
800:
787:
773:
769:
755:
754:
749:
745:
741:
735:
711:
704:
684:Walter Crane
681:
672:
659:
636:
621:
613:H. C. Hughes
610:
591:
580:
576:G. F. Bodley
565:
549:Pier Terrace
546:
527:
520:
510:
498:
467:
443:
437:to decorate
431:G. F. Bodley
424:
412:applied arts
377:
370:
345:H. M. Butler
341:F. W. Farrar
330:
309:Croom's Hill
298:
265:
250:
222:
216:
198:
197:
165:Notable work
157:Architecture
129:(1932-08-19)
64:
55:
36:
15:
1982:1932 deaths
1977:1857 births
1751:The Builder
1655:Periodicals
1608:, pp165–171
1604:Saint, A.,
1597:Naylor, G,
1443:Final years
1168:Later works
1158:Prior Hall
1147:Downe Hall
1029:Framlingham
732:Scholarship
557:Symondsbury
532:and around
470:Norman Shaw
400:woodcutting
357:Lepidoptera
353:housemaster
257:Philip Webb
253:Norman Shaw
50:introducing
1971:Categories
1838:References
1827:The Studio
1426:1913–1916
1415:1911–1914
1406:Highcliffe
1401:1911–1914
1376:The Oaks,
1368:Cambridge
1322:1907–1909
1316:Sunderland
1307:1905–1907
1291:1903–1905
1275:1901–1904
1247:1897–1900
1233:1895–1897
1218:1896–1897
1155:1899–1901
1115:Middlesex
1093:Cambridge
1071:1887–1889
1055:Cambridge
1049:1886–1887
1031:, Suffolk
1020:1885–1889
1005:1885–1887
990:1884–1889
975:1884–1885
964:1883–1884
953:1883–1884
940:1883–1884
935:, Suffolk
911:1880–1881
896:Carr Manor
863:, Bridport
738:Gothic art
655:Bloomsbury
594:Chichester
276:Home Place
135:Chichester
108:1852-01-04
33:references
1435:Parkstone
1392:Guildford
1378:Goudhurst
1285:Hampshire
1161:Walworth
1150:Bridport
1081:Middlesex
1014:Cambridge
947:Middlesex
784:Education
762:in 1905.
748:in 1905,
722:lych gate
606:Cambridge
458:high jump
454:long jump
433:employed
396:engraving
301:Greenwich
290:Biography
212:theorists
137:, England
118:, England
116:Greenwich
1767:Building
1450:Apuldram
1222:The Barn
1186:Location
1181:Building
1139:Suffolk
1039:Elmside
999:Bridport
920:Eastcote
901:Meanwood
886:Location
881:Building
861:West Bay
728:Church.
665:and the
553:West Bay
534:Bridport
512:drawing.
474:Cragside
305:Chancery
268:The Barn
187:Movement
1584:, 1978.
1421:Dorset
1410:Dorset
1396:Surrey
1357:Sussex
1242:Dorset
1104:Harrow
1066:Harrow
970:Harrow
959:Harrow
933:Kelsale
726:Methley
446:athlete
280:Kelling
272:Exmouth
46:improve
1911:
1866:
1761:, p563
1650:, 1919
1643:, 1914
1629:, 2014
1601:, 1971
1556:, 1909
1549:, 1909
1542:, 2015
1511:, The
1493:, 1912
1353:Lavant
1343:Sussex
1202:Dorset
598:Temple
587:Voysey
542:Harrow
530:Harrow
505:Ilkley
408:mosaic
351:, his
313:Harrow
295:Family
274:, and
261:Ruskin
35:, but
1387:1911
1382:Kent
1373:1910
1362:1909
1299:near
1260:1899
1208:1895
1195:1894
1144:1893
1133:1891
1109:1890
1098:1889
1087:1888
1060:1887
1036:1885
905:Leeds
892:1880
841:Works
321:India
1909:ISBN
1864:ISBN
1176:Date
876:Date
829:the
795:RIBA
694:and
572:Iver
456:and
450:blue
418:and
406:and
386:and
347:and
255:and
124:Died
102:Born
724:at
551:at
540:to
452:in
229:at
1973::
1907:.
1886:.
1846:^
1590:,
1193:c.
903:,
821:,
690:,
645:,
608:.
578:.
402:,
398:,
343:,
278:,
270:,
237:.
203:RA
1917:.
1872:.
779:.
110:)
106:(
71:)
65:(
60:)
56:(
42:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
