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I have no doubt that
Bouchardon will make of this fountain a fine piece of architecture; but what kind of fountain has only two faucets where the water porters will come to fill their buckets? This isn't the way fountains are built in Rome to beautify the city. We need to lift ourselves out of
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or reddish chalk, were originally used to make a series of smaller ceramic sculptures of
Parisian characters, such as street vendors (see gallery). Later they were made into a series of etchings by the historian and engraver
262:, then a full-scale model in 1746. He was commissioned to make a marble version, which he created between 1747 and 1750. The work established his reputation, and also his fortune; he was paid a remarkable 21,000
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884:, directed by Béatrice de Andia, Délégué Général à l'Action artistique de la Ville de Paris, 1998. collection of texts on the history of Paris fountains.) Translation by D.R Siefkin.
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of 1765. However, it also drew considerable criticism, the colossal sculptural work on a narrow street provided only a tiny trickle of water. The project was criticized by
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in the Basin of
Neptune. In his style, he resisted the flamboyant Rocaille style of his contemporaries, and tended toward more classical models. Bouchardon sculpted
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taste that is gross and shabby. Fountains should be built in public places, and viewed from all the gates. There isn't a single public place in the vast
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Bouchardon was particularly skilled at drawing, and produced two series of drawings of working people in the streets of Paris. His drawings, made with
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in
Florence. His sculpture was widely admired. It was featured, along with a fine engraving of the fountain, in the article on classical sculpture by
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in a natural posture, which was completely in contrast with the classical ideals. He first presented the model in terra cotta at the 1739
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in Rome. His copy arrived in France in 1732, and was greatly admired, and aided the transition of French sculpture toward
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in 1722, and as a consequence lived and worked in Rome from 1722 to 1732. He resisted the more ornate tendencies of the
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and passed through an elaborate process of critiques before approval, which involved the King himself. Drawings and
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in Paris. He was also a draftsman and painter, and made celebrated series of engravings of working-class
Parisians.
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Bouchardon's brother, Jacques-Philippe
Bouchardon, was also a sculptor, who became first sculptor to the king of
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Bust of Pope
Clement XII, plaster and terra-cotta (after 1730) California Palace of the Legion of Honor
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for these jetons are now held at various museums and collections around the world including the
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or metal tokens, which were distributed by the King. The subjects and themes were chosen by the
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Diana at the Bath after
Returning from the Hunt (1730–60), Metropolitan Museum of Art
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Letter from
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These became a very valuable source of information for later social historians.
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Bouchardon was commissioned to make one last major work, an equestrian statue of
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On his return to France, he was employed in the royal art workshops at the
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835:"Cupid Cutting His Bow from the Club of Hercules - Louvre Museum - Paris"
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189:. He learned sculpture first in the studio of his father, and then with
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in
American public collections, on the French Sculpture Census website
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Detail of the Fontaine des Quatre-Saisons, Paris (completed 1745) (
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A firewood seller in Paris (1748), Metropolitan Museum of Art
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Central portion of the Fontaine des Quatre-Saisons (1745)
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Oyster seller in Paris (1738), Metropolitan Museum of Art
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after a drawing by Bouchardon for a sculptural design, (
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in 1739, as the fountain was still under construction:
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Studies made of the Lower Class or the Cries of Paris.
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Paris et ses fontaines de la Renaissance à nos jours
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L'Art Baroque – Architecture – Sculpture – Peinture
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252:Cupid Fashioning a Bow out of the Club of Hercules
269:His last completed major sculptural work was the
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515:The finished equestrian statue of Louis XV for
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603:Study for the Equestrian Statue of Louis XV
539:Académie des Inscriptions et Belles-Lettres
199:Académie royale de peinture et de sculpture
312:; that makes my blood boil. Paris is like
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930:La Sculpture de l'Antiquité au XXe Siècle
853:La Sculpture de l'Antiquité au XXe Siècle
769:Learn how and when to remove this message
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373:in Rome made by Bouchardon,
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273:on the Rue de Grenelle in
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446:Palais Rohan, Strasbourg
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187:Jean-Baptiste Bouchardon
171:Fountain of Four Seasons
882:Paris et son Patrimoine
820:Encyclopædia Britannica
753:more precise citations.
620:Print of the continent
395:National Gallery of Art
181:Bouchardon was born in
48:François-Hubert Drouais
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880:, from the Collection
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573:Drawings and etchings
521:Jean-Baptiste Pigalle
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183:Chaumont-en-Bassigny
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657:Design for a royal
551:Musée de la Monnaie
424:Genius of Abundance
149:best known for his
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547:Institut de France
211:Pope Benedict XIII
159:Louis XV of France
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191:Guillaume Coustou
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642:, c. 1735,
605:, c. 1750,
428:Bode Museum
97:Nationality
63:29 May 1698
976:Categories
734:references
715:References
553:, and the
839:louvre.fr
759:June 2019
344:Sculpture
177:Biography
111:Sculpture
579:sanguine
426:, 1731;
393:, 1744,
324:for the
322:Louis XV
297:Voltaire
203:Rocaille
161:for the
147:sculptor
50:in 1758.
747:improve
622:America
281:in the
248:Proteus
197:of the
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567:Sweden
561:Family
549:, the
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375:Louvre
264:livres
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391:Cupid
275:Paris
260:Salon
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89:Paris
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