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311:. The collection is made up of analog, digitized, and born-digital materials which are situated beside a sound restoration and digitization studio, a digital image restoration studio, and a grading and scanning suite. The collection includes 210,000 cans of acetate film, 57,000 film titles, 2.5 petabytes of digital data, 82,000 posters, 700,000 photographs, 27,000 books, 2,000 journals, 1,500 pre-cinema and film apparatuses, 4,500
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historical equipment drawn from the Museum's collection of approximately 1,500 cinematic apparatuses, as well as an immersive presentation of about one hundred film clips from the Museum's archive, including Dutch and international films dating from the silent era and beyond. The second gallery space is dedicated to experimental cinema or
1539:
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in
Stuttgart. The building features two gallery exhibition spaces, one 300-seat cinema, two 127-seat cinemas, and a fourth intimate cinema of about 67 seats. One of the gallery spaces is devoted to a permanent exhibition on the technical and aesthetic histories of cinema. The exhibit includes
876:
935:
362:; the Netherlands Film Fund; and the Netherlands Institute for Animation Film (NIAf). The collection also includes many seminal silent film works, Hollywood classics, international arthouse productions, and independent filmmakers of international renown.
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394:. These nitrate films date between 1896 and the mid-1950s and include a unique collection of 68mm film. Two of these bunkers were built during the Second World War to protect Dutch art museum holdings from theft and destruction;
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334:(FIAF) in 1947, the Filmmuseum started to actively collect and preserve Dutch film productions. Since then, a number of significant collections have been acquired, ranging from Dutch distributors (
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1179:
Much of the river's north bank has been transformed in recent years, and the Eye Film
Institute Netherlands stands out, a museum that Queen Beatrix opened officially on April 4.
241:, the archive was renamed the Netherlands Filmmuseum under the leadership of its first director, film collector Jan de Vaal. The Filmmuseum was located in Kriterion and
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610:(AUP), Eye began publishing academic books on restoration, preservation, archival and exhibition practices through their "Framing Film" series.
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291:" Past exhibitions in this space have focused on auteurs and cinematographers, as well as video artists and visual artists like
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1374:"68mm Mutoscope and Biograph from the Eye Filmmuseum collection – ACE – Association des Cinémathèques Européennes"
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The Eye
Filmmuseum building is designed by Delugan Meissl Associated Architects, whose other projects include the
249:. In 2009, Nederlands Filmmuseum merged with Holland Film, the Netherlands Institute for Film Education and the
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257:. The Filmmuseum was renamed the Eye Film Institute Netherlands and was officially opened on April 4, 2012, by
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Images of
Dutchness. Early cinema, Popular Visual Culture and the Emergence of a National Cliché, 1800-1914
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283:, a commitment which dates back to the Filmmuseum's founding and the weekly screenings it organized at the
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818:
Giovanna
Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakçi, Sarah Street and Joshua Yumibe
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The Film Museum
Practice and Film Historiography. The Case of the Nederlands Filmmuseum (1946–2000)
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The collection originally consisted of films from the
Uitkijk archive, compiled by members of the
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was among a few of the paintings which were stored in the
Castricum bunker for part of the war.
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Eye stores 30,000 cans of flammable nitrate film in bunkers near the coast of North
Holland in
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until 1975, when de Vaal succeeded in acquiring a discrete space for the
Filmmuseum in the
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Nieuw Weekblad voor de Cinematografie 1, 6 oktober 1922. Dutch weekly of cinematography.
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Film archive, National museum, Art museum, History museum in Amsterdam, the Netherlands
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Multiple Language Versions Made in BABELsberg: Ufa's International Strategy, 1929-1939
194:
that preserves and presents both Dutch and foreign films screened in the Netherlands.
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Eye is performing a major film digitization and preservation project together with
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Vondelparkpaviljoen, the location of the Netherlands Filmmuseum from 1975 to 2012.
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Images of Occupation in Dutch Film. Memory, Myth, and the Cultural Legacy of War
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The Greatest Films Never Seen. The Film Archive and the Copyright Smokescreen
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1606:"Les chevaux de Dieu favorite of young people's jury MovieZone at IFFR 2013"
1581:"My Life On Planet B Wins MovieSquad Award At The Netherlands Film Festival"
1521:"To the Viewer: On Nicholas Ray's We Can't Go Home Again – Senses of Cinema"
222:. Its predecessor was the Dutch Historical Film Archive, founded in 1946 by
582:
The institute's youth platform is named MovieZone (previously MovieSquad).
548:
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Collection building of Eye Film Institute Netherlands, Asterweg, Amsterdam.
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and plans were announced for a new home on the north bank of Amsterdam's
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Exposing the Film Apparatus. The Film Archive as a Research Laboratory
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Julia Noordegraaf, Vinzenz Hediger, Cosetta Saba, Barbara Le Maitre
1394:"The Film Museum and its nitrate bunker | Beelden voor de Toekomst"
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Recent silent film Eye restorations include the formerly lost film
383:
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1495:"Eye at a glance by Eye Filmmuseum in Amsterdam, the Netherlands"
645:
Watch and Learn: Rhetorical Devices in Classroom Films after 1940
26:
688:
Tom Gunning, Joshua Yumibe, Giovanna Fossati and Jonathon Rosen
658:
Preserving and Exhibiting Media Art: Challenges and Perspectives
237:
and Paul Kijzer. Following the accession of the archives of the
1162:"Once Unfashionable, Noord District of Amsterdam Gains Cachet"
749:
The Conscience of Cinema. The Works of Joris Ivens 1912-1989
630:
From Grain to Pixel: The Archival Life of Film in Transition
315:
slides, 7,000 musical scores, and 250,000 press cuttings.
307:
In 2016, Eye opened its new Collection Center, designed by
1708:
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560:
179:
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Association of European Film Archives and Cinematheques
814:
The Colour Fantastic: Chromatic Worlds of Silent Cinema
697:
Filming for the Future: The Work of Louis van Gasteren
287:
in the 1950s under the emerging aegis of cinema as a "
49:
801:
The Films of Bill Morisson. Aesthetics of the Archive
374:
Martin van Leuven, Eye's Collection Manager for Film
762:
Women in Silent Cinema. History of Fame and Failure
853:Performing Moving Images. Access, Archive, Affects
592:International Documentary Film Festival Amsterdam
358:) to institutions and organizations, such as the
1717:
945:Flight tests with the helicopter Pescara 2R of
723:Humour and Irony in Dutch Post-War Fiction Film
378:standing before the nitrate bunker in Overveen.
1207:Schuetze, Christopher F. (12 September 2013).
1159:
1131:
1776:20th-century architecture in the Netherlands
25:
740:Giovanna Fossati and Annie van den Oever
332:International Federation of Film archives
190:is a film archive, museum, and cinema in
87:IJpromenade 1, Amsterdam, the Netherlands
897:. Silent film, 1913. Running time: 10:41
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1201:
1090:"Eye Film Instituut Vondelpark | ARCAM"
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1726:1952 establishments in the Netherlands
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1471:"Silent Era : Home Video Reviews"
1447:"Silent Era : Home Video Reviews"
31:Eye Film Institute Netherlands in 2012
1751:Film organisations in the Netherlands
1348:"eye_collection_policy_2014-2017.pdf"
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478:(1976) by Dutch-Surinamese director
472:Restorations of Dutch films include
1631:"Eye International Conference 2020"
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1192:"A New Home for Film in Amsterdam"
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597:Eye International Conference (May)
365:
14:
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1139:"Eye Film Institute in Amsterdam"
684:Fantasia of Color in Early Cinema
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210:Eye Filmmuseum is located in the
1756:Media museums in the Netherlands
1160:Teffer, Peter (April 12, 2012).
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338:, Centra, and UIP); filmmakers (
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1423:"Silent Era : Information"
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606:In 2009, in collaboration with
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330:(1927–1933). After joining the
1372:Mens, Maureen (14 June 2019).
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1225:"Eye Film Institute Amsterdam"
1218:
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432:The Seashell and the Clergyman
20:Eye Film Institute Netherlands
1:
1114:"Nederlands Filmmuseum (NFM)"
1076:
866:
1771:FIAF-affiliated institutions
1398:www.beeldenvoordetoekomst.nl
1300:. 2020-12-02. Archived from
1244:"frequently asked questions"
1071:List of museums in Amsterdam
264:
7:
1761:Museums established in 1952
1736:Archives in the Netherlands
1519:Ray, Susan (19 June 2014).
1054:
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521:Other restorations include
71:; 72 years ago
10:
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1209:A New Dutch Focus on Film.
1037:by Alexander Binder, 1920s
1021:by Alexander Binder, 1920s
608:Amsterdam University Press
488:(1930) by Henk Kleinmann,
949:. Silent film 1922. 1:25.
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166:Amsterdam Central Station
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360:Netherlands Film Academy
1746:Film archives in Europe
971:Les Vampires de la cĂ´te
671:Light Image Imagination
577:Linear Tape File System
352:Matthijs van Heijningen
544:We Can't Go Home Again
379:
323:
239:Filmtheater de Uitkijk
207:
115:52.384411°N 4.900594°E
1061:List of film archives
565:Thought Equity Motion
373:
321:
303:Eye Collection Center
232:Filmtheater Kriterion
205:
161:Public transit access
57:Location in Amsterdam
1766:Museums in Amsterdam
1230:Architectural Digest
947:RaĂşl Pateras Pescara
344:Johan van der Keuken
198:Location and history
1562:on 14 February 2023
1198:, November 10, 2009
1118:filmarchives online
887:The Adopted Brother
831:Claudy Op den Kamp
805:Bernd Herzogenrath
614:
247:Vondelpark Pavilion
230:, and directors of
120:52.384411; 4.900594
111: /
21:
1213:The New York Times
1196:The New York Times
1190:Joel Weickgenant,
1167:The New York Times
613:
516:Alex van Warmerdam
380:
350:); and producers (
348:Louis van Gasteren
324:
224:David van Staveren
208:
19:
1610:Filmfestivals.com
1587:. October 3, 2012
1540:IBM Press Release
1475:www.silentera.com
1451:www.silentera.com
1427:www.silentera.com
1294:"Vive le cinéma!"
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916:Charlie in Turkey
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727:Peter Verstraten
701:Patricia Pisters
675:Martha Blassnigg
575:Gen5 Tape in the
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635:Giovanna Fossati
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415:(1922) starring
412:Beyond the Rocks
285:Stedelijk Museum
243:Stedelijk Museum
228:Felix Halverstad
214:neighborhood of
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457:Carmine Gallone
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153:Collection size
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1681:"Framing Film"
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1656:"framing film"
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1612:. 2013-01-31
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1077:References
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537:(1931) by
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