95:. Light served as the first dean of the school from 1939-1942. The “Dramatic Workshop” started its operations in January 1940 with some 20 students. In September 1940 the Workshop began to launch semi-professional theatre productions within the “Studio Theatre” (i.e. the Tishman Auditorium) at 66 West 12th Street. In 1944 the Dramatic Workshop began to hold annual
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Encouraged through a successful
Piscator Symposium at the New School for Social Research in 1987, since that year, "the New School has regularly offered 'Dramatic Workshop Two,' often taught by Judith Malina, Piscator's student and co-founder of the Living Theatre". The workshop series was later
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led to a massive student increase at the
Dramatic Workshop, "momentarily making it one of the largest dramatic schools in the country." Since the Studio Theatre had to be closed in 1944, Piscator successively started to transfer the student productions to the “President Theatre” at 247 West 48th
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took over the school's management. In later years, Ley-Piscator sold the school to the film and theatre agent Saul C. Colin who sustained the “Senior
Dramatic Workshop” until his early death in 1967.
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Street and the “Rooftop
Theatre” at 111 East Houston Street in 1946. In June 1949 the Workshop was separated from The New School.
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Ilka Saal (2007). Broadway and the
Depoliticization of Epic Theatre: The Case of Erwin Piscator. In: J. Chris Westgate (ed.).
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Klaus
Wannemacher (2018). Moving Theatre Back to the Spotlight: Erwin Piscator’s Later Stage Work. In: David Barnett (ed.).
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Peter M. Rutkoff: Politics on Stage. Piscator and the
Dramatic Workshop. In: Peter M. Rutkoff, William B. Scott:
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406:(1986). Politics on Stage. Piscator and the Dramatic Workshop. In: Peter M. Rutkoff, William B. Scott.
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Conscience of Society: Erwin Piscator’s “Interim Achievement”. In:
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September 16, 1949 - The
Burning Bush (GĂ©za Herczeg, Heinz Herald; Rooftop Theatre, New York)
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to found a drama and acting school at The New School in conjunction with
American director
573:. Edited by Anna K. Kuhn and Barbara D. Wright. Oxford/Providence, USA: Berg, 1994, p. 102
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438:(1978). Erwin Piscator: New York and the Dramatic Workshop 1939–1951, pp. 3–16.
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in New York City, signed an agreement with German expatriate stage director
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began a long association with the school in 1940. Among the faculty were
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Erwin Piscator. Briefe aus Deutschland. 1951–1966. An Maria Ley-Piscator
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The Great European Stage Directors. Vol. 2. Meyerhold, Piscator, Brecht
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Letter of Erwin Piscator to Maria Ley-Piscator, October 26, 1960, in:
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With Erwin Piscator's return to West-Germany in October 1951 his wife
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was the name of a drama and acting school associated with the
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Playing for Stakes: German-Language Drama in Social Context
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New School: a History of the New School for Social Research
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The hooded eagle: modern German drama on the New York stage
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New School: a History of the New School for Social Research
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Defunct private universities and colleges in New York City
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Course catalogs of the Dramatic Workshop of the New School
501:. Syracuse, NY: Syracuse University Press 1968, p. 146.
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all of whom taught different acting approaches such as
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Piscator in the American Theatre. New York, 1939–1951
547:. Ed. by Henry Marx. Köln: Prometh 1983, pp. 56–57.
400:. Peter Lang, New York, San Francisco, Berne etc.
125:Among the students of the Dramatic Workshop were
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417:, pp. 45–71. Cambridge Scholars, Newcastle.
620:Educational institutions disestablished in 1967
376:The Piscator Experiment. The Political Theatre.
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368:. University of Wisconsin Press, Ann Arbor.
205:. The Dramatic Workshop's faculty included
625:1967 disestablishments in New York (state)
415:Brecht. Broadway and United States Theatre
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410:, pp. 172–195. Macmillan, New York.
385:. Routledge Chapman & Hall, London.
27:. The German expatriate stage director
398:Erwin Piscator and the American Theatre
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472:The School of Drama at The New School
615:1940 establishments in New York City
534:. New York: Macmillan 1986, p. 190.
294:and Erwin Piscator; Studio Theatre)
110:After the end of World War II, the
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304:September 4, 1944 –
297:November 28, 1942 –
147:Norma (Toni) Sherman
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250:George Bernard Shaw
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331:All the King's Men
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312:, New York)
288:Leo Tolstoy
277:, New York)
199:Jack Creley
191:Rod Steiger
171:Tony Curtis
105:Lake Placid
93:James Light
49:Tony Curtis
584:Categories
485:References
359:Literature
245:Saint Joan
131:Bea Arthur
112:G. I. Bill
318:The Flies
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229:theatre.
159:Gene Saks
71:theatre.
101:Sayville
75:History
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