773:"RIVELLA remain'd immovable in a Point which she thought her Duty, and accordingly surrender'd her self, and was examin'd in the Secretary's Office: They usâd several Arguments to make her discover who were the Persons concernâd with her in writing her Books; or at least from whom she had receivâd Information of some special Facts, which they thought were above her own Intelligence: Her Defence was with much Humility and Sorrow, for having offended, at the same Time denying that any Persons were concernâd with her, or that she had a farther Design than writing for her own Amusement and Diversion in the Country; without intending particular Reflections or Characters: When this was not believâd, and the contrary urgâd very home to her by several Circumstances and Likenesses; she said then it must be Inspiration, because knowing her own Innocence she could account for it no other Way: The Secretary replyâd upon her, that Inspiration usâd to be upon a good Account, and her Writings were stark naught; she told him, with an Air full of Penitence, that might be true, but it was as true, that there were evil Angels as well as good; so that nevertheless what she had wrote might still be by Inspiration.",
154:
22:
260:, a book evolving between two male protagonists: the young chevalier D'Aumont has left France to have sex with the author and finds a rejected lover and friend who does not only offer his assistance in arranging the contact but also tells the story of her life, both as related in public gossip and as only her friends know it. In this work, Manley has been seen as repositioning herself politically as a more moderate figure, in preparation for the power shifts to come; and it may be significant that it was a Whig,
1155:
198:, who, she said, had begun his career at court in the bed of the royal mistress, Barbara Villiers. Manley resolutely denied all correspondencies between her characters and real people, and the charges were eventually dropped: part of the difficulty of those offended was proving that she had actually told their stories, without exposing themselves to further ridicule. Manley's semi-autobiographical
355:
She lived on the fame of her notorious personality as early as 1714. Her precarious marriage past, numerous quarrels, her obesity and her politics were topics that she sold in constant revisions of the fame she had acquired. That was apparently no problem before the 1740s, as Manley was translated
406:
The revision of her fame and status as an author began in the early decades of the 18th century and led to manifest defamations in the 19th and early 20th centuries: she became seen as a scandalous female author who, some critics audaciously asserted, did not deserve to be ever read again. Later
244:; but with the accession of George I and the ensuing Tory collapse, her position disintegrated, as a begging letter to Harley reveals: "I have nothing but a starveling scene before me, Lord Marlborough and all his accomplices justly enraged against me. Nothing saved from the wreck".
193:
Such was the scandal the work produced that Manley was arrested, and immediately questioned by the authorities in preparation of a libel case against her. She had discredited half the arena of ruling Whig politicians, as well as moderate Tories like
407:
critics, however, looked back on the conclusions of
Richetti and others as short-sighted and perhaps even outright misogynistic and more reflective of their era than of general historic scholarship on the author as an important political satirist.
293:
her female characters often participated in violent acts of revenge against the men who betrayed them. While betrayal by men was common in her earlier works, scenes of violent revenge enacted upon them by women was new to her later works.
434:(London, 1986) put the (auto-)biographical information into the first more coherent picture. More recent critics such as Rachel Carnell and Ruth Herman have professionalised her biography and provided standardised scholarly editions.
256:, but Curll, Gildon's prospective publisher warned Manley of the work in progress. She contacted Gildon and arranged for an agreement: she would write the work in question herself within a certain time span. The result were her
121:. She remained there only six months, at which time she was expelled by the duchess for allegedly flirting with her son. There is some indication that she may have been by then reconciled with her husband, for a time.
62:
Some outdated sources list her first name as Mary, but recent scholarship has demonstrated that to be an error: Mary was the name of one of her sisters, and she always referred to herself as
Delarivier or Delia.
441:(1705). That was first doubted in Köster's edition of her works, which still included the title. The claim was openly rejected by Olaf Simons (2001) who reread the wider context of early 18th century
306:
which lasted five days. Her body was interred in the middle aisle of the Church of St Benet at Paul's-Wharf, where on a marble gravestone is the following inscription to her memory:
190:
as a telling one: "...the greatest genius of his age with the least of it in his aspect. The affairs of a nation in his head, with a pair of cards or a box of dice in his hand".
138:. The satire mocked three female playwrights, including Manley, Catharine Trotter, and Mary Pix. Manley retired from the stage for ten years before returning with her 1707 play,
1054:
109:
After their father's death in 1687, the young women became wards of their cousin, John Manley (1654â1713), a Tory MP. John Manley had married a
Cornish heiress and, later,
124:
From 1694 to 1696, Manley travelled extensively in
England, principally in the southwest, and began her dramatic career. At this time she wrote her first play, a comedy,
501:
The Secret
History of Queen Zarah and the Zarahians. Containing the true reasons of the necessity of the revolution that lately happenâd in the Kingdom of Albigion
234:
Meanwhile, with the Tory electoral victory of 1710, Manley came to collaborate with Swift in a number of pro-Tory pamphlets, and also took over the editorship of
1169:
519:
1230:
481:
241:
207:
The result was a tacit agreement as to the fictional status of her works, under cover of which she continued to publish another volume of the
1225:
1220:
1215:
1103:
960:
106:, who died when Delarivier was young. It seems that she and her sister, Cornelia, moved with their father to his various army postings.
114:
1032:
Patricia Köster, "Delariviere Manley and the DNB. A Cautionary Tale about
Following Black Sheep with a Challenge to Cataloguers",
252:
Manley, however, was a resilient figure. In 1714, she had been threatened with being the object of a biographical text planned by
388:
also found itself entangled in controversy by Anne
Bracegirldle's retirement from the stage and the high cost of the production.
195:
187:
140:
1079:
1210:
1205:
508:
Secret
Memoirs and Manners of Several Persons of Quality of Both Sexes, from the new Atlantis, an island in the Mediterranean
113:, married Delarivier. They had a son in 1691, also named John. In January 1694 Manley left her husband and went to live with
356:
into French and German in the early 18th century, and received new
English editions during the first half of the century.
645:
560:. In her writings she played with classical names and spelling. She was an uninhibited and effective political writer.
473:
A Stage-Coach
Journey to Exeter. Describing the Humours on the Road, with the Characters and Adventures of the Company
373:
Manley was recognised for her dramatic contributions to the stage from the late 1690s to the late 1710s. Her tragedy,
178:
in 1709, a work that spotted present British politics on the fabulous Mediterranean Island. Contemporary critics like
853:
1075:
Rosalind Ballaster, "Introduction" to: Manley, Delariviere, New Atalantis, ed. R. Ballaster (London, 1992), p.v-xxi.
47:â 24 July 1724) was an English author, playwright, and political pamphleteer. Manley is sometimes referred to, with
687:
410:
Manley's present reappreciation began with Patricia Köster's edition of her works. The more accessible edition of
995:
570:
215:. The latter found a different fictional setting to allow the wider European picture. Later editions sold the
102:, the third of six children of Sir Roger Manley, a royalist army officer and historian, and a woman from the
1190:
556:
182:
might consider that her caricatures missed the mark much more often than they hit it; but a historian like
56:
527:
95:
in the first posthumous edition of the quasi-fictional and not entirely-reliable autobiography in 1725.
590:
585:
453:
277:(London: J. Barber/ J. Morphew, 1720), was a revised version of selected novellas first published in
278:
236:
870:
An impartial history of the life, character, amours, travels, and transactions of Mr John Barber
426:, Catherine Gallagher and Ros Ballaster provided the perspective of Manley as a proto-feminist.
240:
from him. Her satirical attacks on the Whigs resulted in a payment from the new Prime Minister
955:
Downie, J. Alan, "What if Delarivier Manley Did Not Write The Secret History of Queen Zarah?",
662:
Secret Memoirs and Manners of Several Persons of Quality, of Both Sexes. From the New Atalantis
1098:
J. Alan Downie, "What if Delarivier Manley Did Not Write The Secret History of Queen Zarah?",
1195:
1084:
Catharine Gallagher, "Political Crimes and Fictional Alibis. The Case of Delarivier Manley",
997:, "How a Pie Fight Satirizes Whig-Tory Conflict in Delarivier Manley's 'The New Atalantis'",
200:
126:
118:
79:
912:
Wu, Jingyue, â âNobilitas sola est atq; unica Virtusâ: Spying and the Politics of Virtue in
843:
1200:
778:
674:
392:
362:
8:
1164:
448:
J. Alan Downie (2004) went a step further and cast light on the presumable author of the
103:
973:
512:
415:
134:(1696), which became the subject of ridicule and inspired the anonymous satirical play
1147:
849:
641:
507:
73:
422:, brought Manley wider recognition among students of early 18th-century literature.
302:
Manley died at Barber's Printing House, on Lambeth Hill, after a violent fit of the
170:
Manley became well-known, even notorious, as a novelist with the publication of her
71:
Much of what is known about Manley is rooted in her insertion of "Delia's story" in
21:
595:
419:
987:
Carole Sargent, "Military Scandal and National Debt in Manley's 'New Atalantis'",
886:
marked the end of further interest in her personality. The seventh edition of her
283:
Palace of Pleasure well furnished with pleasaunt Histories and excellent Novelles
183:
153:
1061:
Janet Todd, "Life after Sex: The Fictional Autobiography of Delarivier Manley",
339:
Together with a greater Natural Stock of Wit, made her Conversation agreeable to
171:
1143:
1039:
551:
520:
Memoirs of Europe towards the Close of the Eighth Century. Written by Eginardus
427:
396:
357:
261:
253:
179:
977:
1184:
1159:
535:
266:
146:
52:
914:
The Golden Spy; or, A Political Journal of the British Nights Entertainments
528:
The Adventures of Rivella, or the History of the Author of The New Atalantis
1049:
575:
91:
in 1714. Curll added further details on the publication history behind the
88:
25:
Present in all that's said about her: Manley's half-fictional autobiography
391:
Manley was also an avid supporter and defender of the first fully-fledged
701:
341:
All who knew Her, and her Writings to be universally Read with Pleasure.
1174:
423:
48:
1129:
Gwendolyn Needham, "Mrs Manley. An Eighteenth-Century Wife of Bath",
1020:
The Business of a Woman: The Political Writings of Delarivier Manley
1158: This article incorporates text from a publication now in the
890:
published by J. Watson in 1736 became the last in the 18th century.
580:
1154:
1108:
Paul Bunyan Anderson, "Mistress DelariviĂšre Manley's Biography",
360:
satirised the eternal fame that she was about to acquire in his
1122:
Gwendolyn Needham, "Mary de la RiviĂšre Manley, Tory Defender",
1055:
Mothers of the Novel: 100 Good Women Writers Before Jane Austen
931:
Popular Fiction before Richardson. Narrative Patterns 1700â1739
303:
110:
99:
377:, was criticised for its resemblance to 1670s heroic tragedy.
1095:(Amsterdam/ Atlanta: Rodopi, 2001), p. 173â179, 218â246.
1115:
Paul Bunyan Anderson, "Delariviere Manley's Prose Fiction",
1004:
Aaron Santesso, "'The New Atalantis' and Varronian Satire,"
511:(1709), a satire in which great liberties were taken with
204:
repeated the claim that her work was entirely fictional.
83:
that she published as the biography of the author of the
1093:
Marteaus Europa oder Der Roman, bevor er Literatur wurde
1044:
A Woman of No Character. An Autobiography of Mrs. Manley
944:
Marteaus Europa oder Der Roman, bevor er Literatur wurde
638:
A Woman of No Character. An Autobiography of Mrs. Manley
432:
A Woman of No Character. An Autobiography of Mrs. Manley
223:, which also came to incorporate the earlier skit, the
946:(Amsterdam/ Atlanta: Rodopi, 2001), p.173â79, 218â246.
901:
Miscellaneous poems and translations. By several hands
1170:
A Short Biographical Dictionary of English Literature
1080:'Delarivier Manley (c. 1663â1724)' at www.chawton.org
66:
437:
Manley has been erroneously claimed to have written
920:
40.2 (2017), p.237-253 doi: 10.1111/1754-0208.12412
1070:British Women Writers: A Critical Reference Guide
1182:
482:The Lost Lover; or The Jealous Husband: A Comedy
325:Was acquainted with several Parts of Knowledge,
264:, who was later to produce her lucrative drama
664:vol. 2 (London: J. Morphew, , 1709), p.181 ff.
327:And with the most polite Writers, both in the
242:Robert Harley, 1st Earl of Oxford and Mortimer
115:Barbara Villiers, the 1st Duchess of Cleveland
1063:Women's Studies: An Interdisciplinary Journal
989:SEL: Studies in English Literature 1500â1900,
1173:. London: J. M. Dent & Sons – via
723:The Cambridge Guide to Literature in English
542:Delarivier Manley revising William Painter:
219:, however, as volumes three and four of the
830:A Political Biography of Delarivier Manley,
536:Lucius, The First Christian King of Britain
231:also sparked several imitations by others.
1013:A Political Biography of Delarivier Manley
899:Alexander Pope, "The Rape of the Lock" in
845:A Political Biography of Delarivier Manley
817:A Political Biography of Delarivier Manley
791:A Political Biography of Delarivier Manley
323:Who, suitable to her birth and education,
1231:British women dramatists and playwrights
1068:Janet Todd (ed.), "Manley, Delarivier."
872:. London: E. Curll. 1741. p. 45-46.
152:
20:
1027:The Selected Works of Delarivier Manley
1015:(London: Pickering & Chatto, 2008).
982:Oxford Dictionary of National Biography
903:(London: Bernard Lintott, 1712), p.363.
841:
700:Hook, Lucyle, ed. (27 September 2011).
196:John Churchill, 1st Duke of Marlborough
127:The Lost Lover, or, The Jealous Husband
1183:
1163:
918:Journal for Eighteenth-Century Studies
717:
715:
713:
635:
546:(London: J. Barber/ J. Morphew, 1720).
366:in 1712âit would last "as long as the
1029:(London: Pickering and Chatto, 2005).
762:The Penguin Companion to Literature I
699:
186:would at least rate her portrait of
1072:. London: Routledge, 1989. 436â440.
710:
165:
13:
1226:English dramatists and playwrights
1221:18th-century English women writers
1216:17th-century English women writers
1144:Works by Mary de la Riviere Manley
978:âManley, Delarivier (c.1670â1724)â
67:Early life and theatrical writings
14:
1242:
1137:
544:The Power of Love in Seven Novels
439:The Secret History of Queen Zarah
275:The Power of Love in Seven Novels
247:
147:Lucius, The First King of Britain
59:", which is a later attribution.
1153:
1025:Rachel Carnell and Ruth Herman,
984:, Oxford University Press, 2004.
1133:, 14 (1950/51), p. 259-85.
1126:, 12 (1948/49), p. 255-89.
949:
936:
923:
906:
893:
876:
862:
835:
822:
809:
796:
783:
767:
754:
571:Abigail Masham, Baroness Masham
459:
741:
728:
693:
680:
667:
654:
629:
608:
117:, at one time the mistress of
1:
1131:Huntington Library Quarterley
1124:Huntington Library Quarterley
675:http://www.pierre-marteau.com
602:
466:Letters written by Mrs Manley
381:, her dramatic adaptation of
225:Secret History of Queen Zarah
41:
1211:18th-century English writers
1206:17th-century English writers
1119:, 13 (1934), p. 168-88.
1112:, 33 (1936), p. 261-78.
1088:, 23 (1990), p. 502-21.
471:posthumously republished as
350:
144:. Ten years later, Manley's
130:(1696), and the she-tragedy
98:Manley was probably born in
7:
1065:, 15 (1988), p. 43â55.
1036:, 3 (1977), p. 106-11.
999:Eighteenth-Century Studies,
929:See e.g. John J. Richetti,
802:Quoted in G. M. Trevelyan,
747:Quoted in G. M. Trevelyan,
686:See the web publication at
563:
157:German edition of Manley's
141:Almyna, or, The Arabian Vow
57:the fair triumvirate of wit
10:
1247:
1086:Eighteenth Century Studies
994:Carole Fungaroli Sargent,
967:
848:. Routledge. p. 229.
495:Almyna, or the Arabian Vow
775:The Adventures of Rivella
688:http://pierre-marteau.com
586:Lady Mary Wortley Montagu
882:The 1725 edition of her
842:Carnell, Rachel (2015).
636:Morgan, Fidelis (1986).
297:
1117:Philological Quarterley
1034:Eighteenth-Century Live
828:Carnell, Rachel (2015)
777:(London: 1714), p.113.
725:(Cambridge 1995) p. 598
591:Mademoiselle de Scudéry
309:"Here lieth the body of
1006:Philological Quarterly
779:www.pierre-marteau.com
162:
26:
764:(Penguin 1971) p. 347
640:. Faber & Faber.
273:Her last major work,
258:Adventures of Rivella
201:Adventures of Rivella
156:
80:Adventures of Rivella
24:
1165:Cousin, John William
1102:(2004) 5(3):247â264
1022:(London: AUP, 2003).
959:(2004) 5(3):247â264
933:. Oxford: OUP, 1969.
337:This Accomplishment,
285:(1566). In Manley's
211:and two more of the
1191:17th-century births
660:Delarivier Manley,
104:Spanish Netherlands
1001:44:4, Summer 2011.
991:53:3, Summer 2013.
489:The Royal Mischief
416:Rosalind Ballaster
383:The Arabian Nights
375:The Royal Mischief
163:
132:The Royal Mischief
27:
1148:Project Gutenberg
815:Rachell Carnell,
806:(Fontana ) p. 332
789:Rachell Carnell,
751:(Fontana ) p. 194
734:G. M. Trevelyan,
539:(1717), a tragedy
497:(1707), a tragedy
491:(1696), a tragedy
412:The New Atalantis
313:Delarivier Manley
287:The Power of Love
213:Memoirs of Europe
74:The New Atalantis
1238:
1178:
1157:
1110:Modern Philology
1011:Rachel Carnell,
962:
953:
947:
940:
934:
927:
921:
910:
904:
897:
891:
880:
874:
873:
866:
860:
859:
839:
833:
826:
820:
813:
807:
800:
794:
787:
781:
771:
765:
760:D. Daiches ed.,
758:
752:
745:
739:
738:(Fontana ) p. 63
732:
726:
719:
708:
707:
697:
691:
684:
678:
671:
665:
658:
652:
651:
633:
627:
614:Sometimes spelt
612:
596:Menippean satire
550:She also edited
370:shall be read."
363:Rape of the Lock
317:Daughter of Sir
166:Political satire
46:
43:
1246:
1245:
1241:
1240:
1239:
1237:
1236:
1235:
1181:
1180:
1140:
1078:Ros Ballaster,
1046:(London, 1986).
970:
965:
954:
950:
941:
937:
928:
924:
911:
907:
898:
894:
881:
877:
868:
867:
863:
856:
840:
836:
827:
823:
819:(2015) p. 17-18
814:
810:
801:
797:
788:
784:
772:
768:
759:
755:
746:
742:
733:
729:
720:
711:
703:The Female Wits
698:
694:
685:
681:
672:
668:
659:
655:
648:
634:
630:
613:
609:
605:
600:
566:
462:
420:Penguin Classic
353:
342:
340:
338:
336:
326:
324:
322:
316:
310:
300:
279:William Painter
250:
184:G. M. Trevelyan
168:
136:The Female Wits
77:(1709) and the
69:
44:
19:
12:
11:
5:
1244:
1234:
1233:
1228:
1223:
1218:
1213:
1208:
1203:
1198:
1193:
1151:
1150:
1139:
1138:External links
1136:
1135:
1134:
1127:
1120:
1113:
1106:
1096:
1089:
1082:
1076:
1073:
1066:
1059:
1047:
1040:Fidelis Morgan
1037:
1030:
1023:
1016:
1009:
1008:, Spring 2000.
1002:
992:
985:
969:
966:
964:
963:
948:
942:Simons, Olaf,
935:
922:
905:
892:
875:
861:
854:
834:
821:
808:
795:
782:
766:
753:
740:
727:
721:I. Ousby ed.,
709:
692:
679:
673:Accessible at
666:
653:
647:978-0571146659
646:
628:
606:
604:
601:
599:
598:
593:
588:
583:
578:
573:
567:
565:
562:
552:Jonathan Swift
548:
547:
540:
532:
524:
516:
504:
498:
492:
486:
478:
477:
476:
461:
458:
428:Fidelis Morgan
418:turned into a
401:The Golden Spy
397:Charles Gildon
386:Entertainments
358:Alexander Pope
352:
349:
299:
296:
262:Richard Steele
254:Charles Gildon
249:
248:Later writings
246:
167:
164:
150:, was staged.
68:
65:
18:English writer
17:
9:
6:
4:
3:
2:
1243:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1188:
1186:
1179:
1176:
1172:
1171:
1166:
1161:
1160:public domain
1156:
1149:
1145:
1142:
1141:
1132:
1128:
1125:
1121:
1118:
1114:
1111:
1107:
1104:
1101:
1097:
1094:
1091:Olaf Simons,
1090:
1087:
1083:
1081:
1077:
1074:
1071:
1067:
1064:
1060:
1057:
1056:
1051:
1048:
1045:
1041:
1038:
1035:
1031:
1028:
1024:
1021:
1018:Ruth Herman,
1017:
1014:
1010:
1007:
1003:
1000:
996:
993:
990:
986:
983:
979:
975:
974:Ros Ballaster
972:
971:
961:
958:
952:
945:
939:
932:
926:
919:
915:
909:
902:
896:
889:
885:
879:
871:
865:
857:
855:9781317315421
851:
847:
846:
838:
831:
825:
818:
812:
805:
799:
793:(2015) p. 218
792:
786:
780:
776:
770:
763:
757:
750:
744:
737:
731:
724:
718:
716:
714:
705:
704:
696:
689:
683:
676:
670:
663:
657:
649:
643:
639:
632:
625:
624:de la RiviĂšre
621:
617:
611:
607:
597:
594:
592:
589:
587:
584:
582:
579:
577:
574:
572:
569:
568:
561:
559:
558:
553:
545:
541:
538:
537:
533:
530:
529:
525:
522:
521:
517:
514:
510:
509:
505:
502:
499:
496:
493:
490:
487:
484:
483:
479:
474:
470:
469:
467:
464:
463:
457:
455:
454:Joseph Browne
451:
446:
444:
440:
435:
433:
429:
425:
421:
417:
413:
408:
404:
402:
398:
394:
389:
387:
384:
380:
376:
371:
369:
365:
364:
359:
348:
347:11th, 1724."
346:
334:
330:
320:
314:
307:
305:
295:
292:
288:
284:
280:
276:
271:
269:
268:
263:
259:
255:
245:
243:
239:
238:
232:
230:
226:
222:
218:
214:
210:
205:
203:
202:
197:
191:
189:
185:
181:
177:
176:New Atalantis
173:
160:
155:
151:
149:
148:
143:
142:
137:
133:
129:
128:
122:
120:
116:
112:
107:
105:
101:
96:
94:
90:
86:
82:
81:
76:
75:
64:
60:
58:
55:, as one of "
54:
53:Eliza Haywood
50:
39:
35:
31:
23:
16:
1196:1660s births
1168:
1152:
1130:
1123:
1116:
1109:
1099:
1092:
1085:
1069:
1062:
1053:
1050:Dale Spender
1043:
1033:
1026:
1019:
1012:
1005:
998:
988:
981:
956:
951:
943:
938:
930:
925:
917:
913:
908:
900:
895:
887:
883:
878:
869:
864:
844:
837:
829:
824:
816:
811:
803:
798:
790:
785:
774:
769:
761:
756:
748:
743:
735:
730:
722:
702:
695:
682:
669:
661:
656:
637:
631:
623:
619:
615:
610:
576:Bluestocking
555:
549:
543:
534:
526:
518:
506:
500:
494:
488:
480:
472:
465:
460:Bibliography
449:
447:
442:
438:
436:
431:
411:
409:
405:
400:
395:in English,
393:it-narrative
390:
385:
382:
378:
374:
372:
367:
361:
354:
344:
332:
328:
319:Roger Manley
318:
312:
308:
301:
290:
286:
282:
274:
272:
265:
257:
251:
237:The Examiner
235:
233:
228:
227:; while the
224:
220:
216:
212:
208:
206:
199:
192:
175:
172:roman Ă clef
169:
158:
145:
139:
135:
131:
125:
123:
108:
97:
92:
89:Edmund Curll
84:
78:
72:
70:
61:
37:
33:
29:
28:
15:
1201:1724 deaths
1100:The Library
957:The Library
620:DelariviĂšre
616:Delariviere
450:Queen Zarah
45: 1670
1185:Categories
1175:Wikisource
603:References
424:Janet Todd
119:Charles II
111:bigamously
49:Aphra Behn
30:Delarivier
916:(1709)â,
888:Atalantis
804:The Peace
736:The Peace
443:Atalantic
368:Atalantis
351:Reception
343:She died
321:, Knight,
270:in 1717.
229:Atalantis
221:Atalantis
209:Atalantis
188:Godolphin
159:Atalantis
85:Atalantis
40:(1663 or
1167:(1910).
749:Blenheim
581:Dystopia
564:See also
557:Examiner
515:notables
445:novels.
414:, which
403:(1709).
289:novellas
1162::
1058:(1986).
968:Sources
884:Rivella
468:(1696)
335:tongue.
333:English
217:Memoirs
93:Rivella
852:
644:
531:(1714)
523:(1710)
503:(1705)
485:(1696)
475:(1725)
379:Almyna
329:French
304:cholic
267:Lucius
161:, 1713
100:Jersey
38:Manley
832:p. 12
452:: Dr
311:Mrs.
298:Death
180:Swift
87:with
34:Delia
850:ISBN
642:ISBN
513:Whig
430:'s,
345:July
331:and
174:the
51:and
1146:at
622:or
554:'s
399:'s
281:'s
1187::
1052:,
1042:,
980:,
976:,
712:^
618:,
456:.
42:c.
36:"
1177:.
1105:.
858:.
706:.
690:.
677:.
650:.
626:.
315:,
291:,
32:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)