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years. After leaving boarding school, Allen stayed intermittently with her mother, and they bonded through their love of film by attending the local movie theater frequently. When not with her mother, Allen attended
College Preparatory School and befriended a teacher named Ruthie Jones, who encouraged her liberal politics and acted as a maternal figure. Allen studied architecture, weaving, and pottery at
267:). Wise encouraged Dede Allen to be brave and experiment with her editing -- "he was the first person who said, 'No matter how many directions I give you, if it doesn't play, don't show it to me.' He was excited as hell if I came up with something. He had a great influence on me because he was a tremendous editor in his own time so he knew."
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In 1948, Allen married
Stephen Fleischman, who was working as a screenwriter in Hollywood. With Fleischman she moved to Europe and worked as a translator for two years. They moved to New York together in 1950 and Allen worked as a script clerk, even organizing a union, and was hired as an editor for
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At age three, Allen and her sister
Manette were placed in boarding school by their mother, who had left her marriage and moved to Europe. The next year, Allen’s father died in an automobile accident while her mother remained in Europe, leaving Allen and her sister in boarding school for another six
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In 1943, in the summer after her sophomore year of college, Allen’s grandfather secured her a job with Elliot Nugent Sr. at
Columbia Pictures, which had just started hiring women because of the shortage of available male employees during World War II. She worked in the position for ten months, and
1563:, Allen edited or co-edited 11 films, all but one for Arthur Penn, George Roy Hill or Sidney Lumet, that helped redefine the way that Hollywood cut – using jump cuts, overlapping sound, and abrupt changes of pace to capture the inner qualities of characters and highlight narrative tension.
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commercials and industrial films at a company called Film
Graphics. She began working with Carl Lerner, a screenwriter and editor who she had worked with her first summer at Columbia. Lerner recommended her to Robert Wise, where Allen edited her first important feature film,
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then was hired into the sound effects department at
Columbia. While working at Columbia, Allen took classes at The Actor’s Lab in California in acting, directing, and stage managing, which helped her master the importance of proper timing in a scene.
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Dede Allen was the first editor, male or female, to receive a solo title card on a film—a fitting distinction for someone who made a persuasive case for film editing not merely as a technical discipline, but an art worth considering in its own
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Biography of Allen and remarks about her by many of her editing colleagues. These were compiled on the occasion of her receipt of the Motion
Picture Editors' Guild "Fellowship and Service Award" in 2008.
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for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry
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in 1948. She and
Fleishman had two children, Tom (1951) and daughter, Ramey (1953). Allen was a women’s rights activist and an advocate for unions.
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and screen direction (being tied to the constraints of place and time) became the low priority, while using cutting to express the micro-cultural
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This obituary incorrectly states that she was born in
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Dede Allen, who has died aged 86, was the most important film editor in the most explosive era of
American film. Between
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A solo title card means that her name appears alone on the screen while the credits are shown; the film in question was
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of the characters and moving the plot along in an artistic, almost three-dimensional manner became her modus operandi.
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in Claremont, California, where she remained passionate about film. She left Scripps to start a job as a messenger at
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s Eileen Kowalski notes that, "Indeed, many of the editorial greats have been women: Dede Allen,
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In 1992, Allen accepted the position of Vice-President in Charge of Creative Development at the
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1999 – honored at Hollywood Film Festival, Outstanding Achievement in Music Editing
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2000 – honored by Las Vegas Film Critics Association, Career Achievement Award
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This article is about the film editor. For the character "Dee Dee Allen", see
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Women in world history : a biographical encyclopedia. Vol. 1 Aak - Azz
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On a 2012 listing of the 75 best edited films of all time, compiled by the
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based on a survey of its members, three films edited by Allen appear:
257:, who had also been a film editor himself (most notably having edited
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282:, Allen pioneered the use of audio overlaps and utilized emotional
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378:, California from a stroke. Her husband died on June 5, 2011.
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2005 – Scripps College Distinguished Alumna of the Year
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307:, for which she was nominated for her third Academy Award.
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International Dictionary of Film and Filmmakers, Edition 4
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1994 – honored with American Cinema Editors (ACE),
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Movies in American History: An Encyclopedia, Volume 1
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early in his career) or perhaps akin to that of the
196:. She was a member of the Board of Governors of the
145:(December 3, 1923 – April 17, 2010) was an American
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1635:"Fellowship and Service Award -- 2008 Recipient"
1305:Women and the cinema : a critical anthology
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1118:"Dede Allen, Pioneering Film Editor, Dies at 86"
820:Vivien Hillgrove Gilliam and William S. Scharf (
301:. In 2000 she returned to editing with the film
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1266:. In Pendergast, Tom; Pendergast, Sara (eds.).
1144:. McFarland & Company Inc. pp. 109–110
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1569:Commire, Anne; Klezmer, Deborah, eds. (1999).
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1164:"Pioneering film editor Dede Allen dead at 86"
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1577:. Waterford, Connecticut: Yorkin Publishing.
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250:She worked closely with and was mentored by
975:, nominated for Academy Award, Best Editing
953:, nominated for Academy Award, Best Editing
198:Academy of Motion Picture Arts and Sciences
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176:(1981). She collaborated with director
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1407:Kowalski, Eileen (November 14, 2001).
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2125:Chris King and Gregers Sall (2011)
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1520:"Distinguished Alumna of the Year"
1476:"Stephen E. Fleischman dies at 92"
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1116:Lee, Felicia R. (April 19, 2010).
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1091:Luther, Claudia (April 18, 2010).
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374:Allen died on April 17, 2010, in
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330:had more films on this listing.
16:American film editor (1923–2010)
1637:. Motion Picture Editors Guild.
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1496:. Women in Film. Archived from
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1352:DiMare, Philip C., ed. (2011).
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1236:Canby, Vincent (May 14, 1972).
1073:"Dede Allen Biography (1924?-)"
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1428:"An Interview with Dede Allen"
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1186:"An Interview with Dede Allen"
942:Academy Awards and nominations
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1392:(3). May 2012. Archived from
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1690:BAFTA Award for Best Editing
1426:Gentry, Ric (October 1992).
1184:Gentry, Ric (October 1992).
980:Other awards and nominations
312:Motion Picture Editors Guild
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2293:21st-century American women
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152:Allen edited films such as
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1360:. ABC-CLIO. p. 550.
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1633:Kunkes, Michael (2008).
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1041:Career Achievement Award
1029:1982 – recipient,
1017:Film Award, Best Editing
910:Have Dreams, Will Travel
42:Dorothea Carothers Allen
2268:American Cinema Editors
1238:"Dede is a Lady Editor"
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927:Fireflies in the Garden
75:Los Angeles, California
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1386:Editors Guild Magazine
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822:Interview in two parts
2273:American film editors
2003:Christopher Greenbury
1803:Wendy Greene Bricmont
1745:Richard Marden (1971)
408:Odds Against Tomorrow
244:Odds Against Tomorrow
2207:Mikkel E. G. Nielsen
569:, Ronald Roose, and
382:Selected filmography
2054:ValdĂs Ă“skarsdĂłttir
1751:Gerald B. Greenberg
1274:. St. James Press.
625:Gerald B. Greenberg
616:The Missouri Breaks
537:Slaughterhouse-Five
299:Warner Bros. Studio
2131:William Goldenberg
1923:Thelma Schoonmaker
1839:Thelma Schoonmaker
1606:FilmCraft: Editing
1559:(1967) and 1978's
1500:on August 30, 2011
1396:on March 17, 2015.
1138:Women Film Editors
1122:The New York Times
729:The Breakfast Club
503:Alice's Restaurant
362:Stephen Fleischman
342:Thelma Schoonmaker
288:Continuity editing
208:Allen was born in
135:Dorothea Carothers
104:Stephen Fleischman
21:The Prom (musical)
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1726:Hugh A. Robertson
1609:. Octopus Books.
1522:. Scripps College
1494:"Past Recipients"
1281:978-1-55862-449-8
1172:. April 18, 2010.
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1010:Dog Day Afternoon
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2160:
2156:
2152:
2148:
2144:
2140:
2136:
2132:
2128:
2123:
2119:
2115:
2111:
2107:
2103:
2099:
2095:
2094:Chris Dickens
2091:
2087:
2083:
2079:
2075:
2071:
2070:Clare Douglas
2067:
2063:
2059:
2055:
2051:
2047:
2043:
2039:
2035:
2031:
2027:
2026:
2024:
2020:
2012:
2011:Pietro Scalia
2008:
2004:
2000:
1996:
1992:
1988:
1984:
1980:
1976:
1972:
1968:
1964:
1960:
1956:
1952:
1948:
1944:
1943:Pietro Scalia
1940:
1936:
1932:
1928:
1924:
1920:
1916:
1912:
1908:
1904:
1900:
1896:
1892:
1888:
1884:
1880:
1876:
1872:
1868:
1864:
1860:
1856:
1852:
1848:
1844:
1840:
1836:
1832:
1828:
1824:
1820:
1816:
1812:
1808:
1804:
1800:
1796:
1792:
1788:
1784:
1780:
1776:
1772:
1768:
1764:
1760:
1759:Ralph Kemplen
1756:
1752:
1748:
1743:
1739:
1735:
1731:
1727:
1723:
1719:
1715:
1710:
1706:
1705:Tom Priestley
1702:
1701:
1699:
1695:
1691:
1684:
1679:
1677:
1672:
1670:
1665:
1664:
1661:
1655:
1651:
1648:
1647:
1636:
1631:
1628:
1623:
1618:
1616:9781908150684
1612:
1608:
1607:
1602:
1601:Chang, Justin
1598:
1594:
1590:
1586:
1584:9780787640804
1580:
1576:
1572:
1567:
1564:
1562:
1558:
1552:
1548:
1543:
1542:
1521:
1515:
1499:
1495:
1489:
1481:
1477:
1471:
1456:
1452:
1448:
1444:
1440:
1436:
1429:
1422:
1414:
1410:
1409:"Tina Hirsch"
1403:
1395:
1391:
1387:
1383:
1377:
1369:
1367:9781598842968
1363:
1359:
1355:
1348:
1340:
1334:
1326:
1322:
1318:
1312:
1307:
1306:
1298:
1283:
1277:
1272:
1271:
1265:
1258:
1243:
1239:
1232:
1230:
1214:
1210:
1206:
1202:
1198:
1194:
1187:
1180:
1171:
1170:
1169:The Oklahoman
1165:
1159:
1140:
1139:
1131:
1123:
1119:
1112:
1110:
1108:
1098:
1094:
1087:
1085:
1083:
1074:
1068:
1066:
1061:
1050:
1047:
1044:
1042:
1038:
1035:
1034:Crystal Award
1032:
1031:Women in Film
1028:
1025:
1024:
1020:1982 –
1019:
1016:
1012:
1011:
1007:1975 –
1006:
1003:
1002:
998:1968 –
997:
994:
990:
989:
985:1962 –
984:
983:
974:
973:
969:2001 –
968:
965:
961:
960:
956:1982 –
955:
952:
951:
947:1976 –
946:
945:
934:
931:
929:
928:
924:
921:
920:
916:
913:
911:
908:
905:
904:
900:
898:
895:
893:
892:
891:The Final Cut
888:
885:
884:
881:
879:
876:
874:
873:
869:
866:
865:
862:
860:
859:Curtis Hanson
857:
855:
854:
850:
847:
846:
843:
841:
838:
836:
835:
831:
828:
827:
823:
819:
817:
814:
812:
811:
807:
804:
803:
799:
797:
794:
792:
791:
787:
784:
783:
780:
777:
775:
772:
770:
769:
765:
762:
761:
757:
755:
752:
750:
749:
745:
742:
741:
738:
736:
733:
731:
730:
726:
723:
722:
719:
717:
716:James Bridges
714:
712:
711:
710:Mike's Murder
707:
706:
703:
700:
698:
697:
693:
689:
686:
683:
681:
680:Warren Beatty
678:
676:
675:
671:
668:
667:
664:
661:
659:
658:
654:
651:
650:
647:
644:
642:
641:
637:
634:
633:
630:
629:Steven Rotter
626:
623:
620:
618:
617:
613:
610:
609:
606:
603:
600:
598:
597:
593:
592:
589:
586:
584:
583:
579:
575:
572:
571:Angelo Corrao
568:
567:Richard Marks
565:
563:
560:
558:
557:
553:
550:
549:
546:
544:
541:
539:
538:
534:
531:
530:
527:
524:
522:
521:
517:
514:
513:
510:
507:
505:
504:
500:
497:
496:
493:
491:
488:
486:
485:
481:
478:
477:
474:
472:
469:
467:
466:
462:
459:
458:
455:
453:
450:
448:
447:
443:
440:
439:
436:
434:
433:Robert Rossen
431:
429:
428:
424:
421:
420:
417:
415:
412:
410:
409:
405:
402:
401:
397:
394:
391:
388:
387:
379:
377:
372:
368:
363:
356:Personal life
353:
351:
347:
343:
339:
335:
331:
329:
325:
321:
317:
313:
308:
306:
305:
300:
295:
293:
292:body language
289:
285:
281:
277:
273:
268:
266:
265:
260:
256:
253:
252:film director
248:
246:
245:
238:
229:
227:
223:
217:
215:
214:Union Carbide
211:
201:
199:
195:
191:
187:
183:
179:
175:
174:
170:(1975), and
169:
168:
163:
162:
157:
156:
150:
148:
144:
140:
136:
128:
125:2, including
124:
120:
101:
97:
93:
89:
85:
81:
76:
66:
62:
57:
40:
36:
29:
26:
22:
2167:John Gilbert
2106:Bob Murawski
2030:Mary Sweeney
2022:2001–present
1991:David Gamble
1983:Peter Honess
1975:Walter Murch
1951:Michael Kahn
1939:Joe Hutshing
1907:Michael Kahn
1879:Nena Danevic
1859:Bud S. Smith
1823:Peter Zinner
1791:Sheldon Kahn
1787:Richard Chew
1778:
1771:Walter Murch
1767:Richard Chew
1626:
1620:
1605:
1574:
1571:"Dede Allen"
1560:
1556:
1554:
1550:
1526:February 13,
1524:. Retrieved
1514:
1502:. Retrieved
1498:the original
1488:
1479:
1470:
1458:. Retrieved
1438:
1434:
1421:
1412:
1402:
1394:the original
1389:
1385:
1376:
1357:
1354:"Dede Allen"
1347:
1304:
1297:
1285:. Retrieved
1269:
1264:"Dede Allen"
1257:
1245:. Retrieved
1241:
1216:. Retrieved
1196:
1192:
1179:
1167:
1158:
1146:. Retrieved
1137:
1130:
1121:
1096:
1021:
1008:
999:
986:
970:
957:
948:
925:
909:
889:
870:
851:
832:
808:
788:
766:
746:
727:
708:
694:
672:
662:Sidney Lumet
655:
638:
614:
594:
587:Sidney Lumet
580:
562:Sidney Lumet
554:
535:
518:
501:
482:
463:
444:
425:
406:
373:
359:
338:Verna Fields
333:
332:
323:
319:
315:
309:
302:
296:
269:
264:Citizen Kane
262:
259:Orson Welles
249:
242:
239:
235:
218:
207:
182:Sidney Lumet
171:
165:
159:
153:
151:
142:
138:
134:
133:
69:(2010-04-17)
25:
2263:2010 deaths
2258:1923 births
2227:Paul Rogers
2187:Hank Corwin
2114:Kirk Baxter
2102:Chris Innis
2046:Sarah Flack
1999:Tariq Anwar
1967:John Ottman
1959:John Wright
1718:Sam O'Steen
988:The Hustler
972:Wonder Boys
964:Craig McKay
914:Brad Isaacs
853:Wonder Boys
800:Jim Miller
790:Let It Ride
735:John Hughes
701:Paul Newman
685:Craig McKay
621:Arthur Penn
601:Arthur Penn
596:Night Moves
525:Arthur Penn
508:Arthur Penn
490:Paul Newman
471:Arthur Penn
427:The Hustler
414:Robert Wise
398:Co-editors
376:Los Angeles
365: [
304:Wonder Boys
255:Robert Wise
186:Robert Wise
178:Arthur Penn
155:The Hustler
147:film editor
86:Film editor
2252:Categories
2118:Angus Wall
1779:Dede Allen
1650:Dede Allen
1316:0525474595
1287:January 5,
1056:References
932:Dennis Lee
779:Jim Miller
452:Elia Kazan
276:René Clair
204:Early life
190:Elia Kazan
83:Occupation
48:1923-12-03
32:Dede Allen
2215:Tom Cross
2151:Tom Cross
2143:Mike Hill
1887:Jim Clark
1867:Jim Clark
1831:Alan Heim
1697:1966–2000
1593:247326732
1460:March 17,
1333:cite book
1247:March 17,
1218:March 17,
1148:March 17,
897:Omar Naim
796:Joe Pytka
640:Slap Shot
395:Director
284:jump cuts
94:1948–2008
1603:(2012).
1504:July 18,
748:Off Beat
334:Variety'
247:(1959).
164:(1967),
158:(1961),
122:Children
1629:(1967).
1561:The Wiz
1480:Variety
1455:1213023
1413:Variety
1325:3315936
1213:1213023
872:John Q.
657:The Wiz
556:Serpico
326:. Only
272:dadaist
116:
108:
2237:(2023)
2229:(2022)
2221:(2021)
2209:(2020)
2201:(2019)
2189:(2018)
2181:(2017)
2169:(2016)
2161:(2015)
2153:(2014)
2145:(2013)
2133:(2012)
2120:(2010)
2108:(2009)
2096:(2008)
2088:(2007)
2080:(2006)
2064:(2005)
2056:(2004)
2048:(2003)
2040:(2002)
2032:(2001)
2013:(2000)
2005:(1999)
1993:(1998)
1985:(1997)
1977:(1996)
1969:(1995)
1961:(1994)
1953:(1993)
1945:(1992)
1933:(1991)
1925:(1990)
1917:(1989)
1909:(1988)
1897:(1987)
1889:(1986)
1881:(1985)
1869:(1984)
1861:(1983)
1849:(1982)
1841:(1981)
1833:(1980)
1825:(1979)
1817:(1978)
1809:(1977)
1797:(1976)
1781:(1975)
1773:(1974)
1761:(1973)
1753:(1972)
1740:(1970)
1728:(1969)
1720:(1968)
1707:(1966)
1622:right.
1613:
1591:
1581:
1453:
1364:
1323:
1313:
1278:
1211:
392:Title
322:, and
232:Career
192:, and
99:Spouse
77:, U.S.
58:, U.S.
1451:JSTOR
1431:(PDF)
1209:JSTOR
1189:(PDF)
1142:(PDF)
1015:BAFTA
389:Year
369:]
143:Allen
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106:
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2197:and
2177:and
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2001:and
1941:and
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1877:and
1857:and
1805:and
1793:and
1769:and
1736:and
1654:IMDb
1611:ISBN
1589:OCLC
1579:ISBN
1528:2021
1506:2013
1462:2021
1362:ISBN
1339:link
1321:OCLC
1311:ISBN
1289:2008
1276:ISBN
1249:2021
1220:2021
1150:2021
1023:Reds
1013:won
959:Reds
922:2008
906:2007
886:2004
867:2002
848:2000
829:1991
805:1990
785:1989
763:1988
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674:Reds
669:1981
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