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The Hustler

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685:(HUAC). A screenwriter during the 1930s and '40s, he had been involved with the Communist Party in the 1930s and refused to name names at his first HUAC appearance. Ultimately he changed his mind and identified friends and colleagues as party members. Similarly, Felson sells his soul and betrays the one person who really knows and loves him in a Faustian pact to gain character. Rossen also takes aim at capitalism, often showing money as a malign and corrupting influence. Eddie, Bert and Findley are all shown to be perverted by their pursuit of money. Of the pool hall inhabitants, only Minnesota Fats, who never handles money himself, focusing only on the game he is playing, is uncorrupted and undamaged by the end. He is beaten, but knows when to quit. Rossen often points out and exposes class divisions; for example, when Minnesota Fats asks Preacher, a junkie willing to run errands, to get him some "White Tavern whiskey, a glass and some ice", Eddie counters by ordering cheap bourbon, without any of the niceties: "J.T.S. Brown, no ice, no glass." 801: 101: 1485: 1403: 442:, not pool. When Eddie loses badly, Bert refuses to keep staking him. Sarah pleads with Eddie to leave with her, saying that the world he is living in and its inhabitants are "perverted, twisted, and crippled"; he refuses. Seeing Eddie's anger, Bert agrees to let the match continue at $ 1,000 a game. Eddie comes back to win $ 12,000. He collects his $ 3,000 share and decides to walk back to the hotel where he discovers that Sarah has committed suicide, because of Bert's sadism. 568: 1499: 38: 770:). While he found that the script "strains hard to give an air of menace and criminality to the pool hall" and also declares it "full of pseudo-meaning", Kauffmann lauds Rossen's "sure, economical" direction, especially in regard to Gleason who, he says, does not so much act as " for a number of pictures which are well arranged by Rossen. It is the best use of a manikin by a director since 701:, Mordden rejects the comparison based on Rossen's ultra-realistic style, also noting that the film lacks noir's "Treacherous Woman or its relish in discovering crime among the bourgeoisie, hungry bank clerks and lusty wives". Mordden does note that while Fast Eddie "has a slight fifties ring", the character "makes a decisive break with the extraordinarily 586:, but attempts to adapt it for the screen were unsuccessful. Director Rossen's daughter Carol Rossen speculates that previous adaptations focused too much on the pool aspects of the story and not enough on the human interaction. Rossen, who had hustled pool himself as a youth and who had made an abortive attempt to write a pool-themed play called 419:
after a spectator, the professional gambler Bert Gordon, labels Eddie a "loser". After 25 hours and an entire bottle of bourbon, Eddie is ahead over $ 18,000, but loses it all along with all but $ 200 of his original stake. Fats declares the game over. At their hotel later, Eddie leaves a sleeping Charlie without saying goodbye.
1460:. Mosconi claimed in an interview at the time of the film's release that the character of Minnesota Fats was based on Wanderone, who at the time was known as "New York Fatty". Wanderone immediately adopted the Minnesota Fats nickname and parlayed his association with the film into book and television deals and other ventures. Author 766:, concurred in part with this assessment. Kauffmann strongly praised the principal cast, calling Newman "first-rate" and writing that Scott's was "his most credible performance to date". Laurie, he writes, gives her part "movingly anguished touches" (although he also mildly criticizes her for over-reliance on 411:"Fast Eddie" Felson is accompanied by his partner, Charlie, at a pool room in a small town. Pretending to be salesmen on their way to a convention, Eddie and Charlie convince onlookers that Eddie is a drunk blowhard, and induce them to bet on Eddie to lose a trick shot. He wins and takes their money. 630:
over six weeks, entirely in New York City. Much of the action was filmed at two now-defunct pool halls, McGirr's and Ames Billiard Academy. Other shooting locations included a townhouse on East 82nd Street, which served as the Louisville home of Murray Hamilton's character Findley, and the Manhattan
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Eddie returns to challenge Fats again, putting up his entire $ 3,000 stake on a single game. He wins game after game, beating Fats so badly that Fats is forced to quit. Bert demands half of Eddie's winnings and threatens to have him beaten unless he pays. Eddie says he will come back to kill Bert if
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Eddie goes back to hustling to get the money he needs to play Fats. After hustling a local player at a pool room near the waterfront, Eddie is attacked after winning and his thumbs are broken. After Sarah helps Eddie convalesce, and when he’s ready to play, he agrees to Bert's terms, deciding that a
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as one of a handful of films from the early 1960s that re-defined the relationship of films to their audiences. This new relationship, he writes, is "one of challenge rather than flattery, of doubt rather than certainty". No film of the 1950s, Mordden asserts, "took such a brutal, clear look at the
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but above Findley while still below Bert in a three shot. When Sarah enters the room, she is below Eddie in two-shot while in a three-shot Eddie is still below Bert. When Eddie is kneeling over Sarah's body, Bert again appears above him but Eddie attacks Bert, ending up on top of him. Eddie finally
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Early shooting put more focus on the pool playing, but during filming Rossen made the decision to place more emphasis on the love story between Newman and Laurie's characters. Despite the change in emphasis, Rossen still used the various pool games to show the strengthening of Eddie's character and
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for $ 200 a game. After initially falling behind, Eddie surges back to being $ 1,000 ahead and suggests raising the bet to $ 1,000 a game. Eddie gets ahead $ 11,000 and Charlie tries to convince him to quit, but Eddie insists the game will end only when Fats says it is over. Fats agrees to continue
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and used them as extras. Scenes that were included in the shooting script but did not make it into the final film include a scene at Ames pool hall establishing that Eddie is on his way to town (originally slated to be the first scene of the film) and a longer scene of Preacher talking to Bert at
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Eddie stashes his belongings in a locker at a bus terminal, where he meets Sarah Packard, an alcoholic. They begin a relationship and he moves in with her. Charlie finds Eddie at Sarah's apartment and tries to persuade him to go back out on the road. Eddie refuses and Charlie realizes he plans to
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is, fundamentally, a story of what it means to be a human being, couched within the context of winning and losing. Describing the film, Robert Rossen said: "My protagonist, Fast Eddie, wants to become a great pool player, but the film is really about the obstacles he encounters in attempting to
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Eddie joins a poker game where Bert is playing. Afterward, Bert tells Eddie that he has talent as a pool player but no character. He figures that Eddie will need at least $ 3,000 to challenge Fats again. Bert calls him a "born loser" but nevertheless offers to stake him in return for 75% of his
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calls the film a "dark stunner", offering "a grim world whose only bright spot is the top of the pool table, yet characters maintain a shabby nobility and grace". The four leads are again lavishly praised for their performances and the film is summed up as "not to be missed".
623:, Newman was freed up to take the role, which he accepted after reading just half of the script. No one associated with the production officially notified Darin or his representatives that he had been replaced; they found out from a member of the public at a charity horse race. 643:
in place of the actors. All of Gleason's shots were his own; they were filmed in wide-angle to emphasize having the actor and the shot in the same frames. Rossen, in pursuit of the style he termed "neo-neo-realistic", hired actual street thugs, enrolled them in the
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was a major critical and popular success, gaining a reputation as a modern classic. Its exploration of winning, losing, and character garnered a number of major awards; it is also credited with helping to spark a resurgence in the popularity of pool. In 1997, the
739:, the film has an approval rating of 94% based on 49 reviews, with an average rating of 8.5/10. The website's critical consensus reads: "Paul Newman and Jackie Gleason give iconic performances in this dark, morally complex tale of redemption." 1421:, cites the film as "one of those films where scenes have such psychic weight that they grow in our memories". He further cites Eddie as one of "only a handful of movie characters so real that the audience refers to them as touchstones". 732:. Initially reluctant to publicize the film, 20th Century-Fox responded by stepping up its promotional activities. Box office was healthy, with estimated eventual U.S. - Canada rentals of $ 3,000,000, according to Variety magazine. 1464:
denied for the rest of his life that Wanderone had played any role in the creation of the character. Other players would claim, with greater or lesser degrees of credibility, to have served as models for Fast Eddie, including
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he survives, shaming Bert into giving up his claim by invoking Sarah's memory. Instead, Bert orders Eddie never to walk into a big-time pool hall again. Eddie and Fats compliment each other as players, and Eddie walks out.
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fulfill himself as a human being. He attains self-awareness only after a terrible personal tragedy which he has caused â€” and then he wins his pool game." Roger Ebert concurs with this assessment, citing
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challenge Fats again. Eddie learns that Charlie had money he could have used to rebound and beat Fats. Eddie dismisses Charlie as a scared old man and tells him to "lay down and die by yourself".
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ego-affirmation of the one-on-one contest, at the inhumanity of the winner or the castrated vulnerability of the loser". Although some have suggested the resemblance of this film to classic
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the evolution of his relationship to Bert and Sarah, through the positioning of the characters in the frame. For example, when Eddie is playing Findley, Eddie is positioned below Bert in a
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praised the performances of the entire main cast but felt that the "sordid aspects" of the story prevented the film from achieving the "goal of being pure entertainment".
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is credited with sparking a resurgence in the popularity of pool in the United States, which had been on the decline for decades. The film also brought recognition to
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bus terminal. The film crew built a dining area that was so realistic that confused passengers sat there and waited to place their orders.
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as "one of the few American movies in which the hero wins by surrendering, by accepting reality instead of his dreams".
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Weiler, A. H. (October 8, 1961). "Provocative Duo: 'The Hustler' and 'The Mark' Again Show Films Can Hit Social Ills".
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assigned the film a weighted average score of 90 out of 100, based on 18 critics, indicating "universal acclaim".
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Eddie and Charlie arrive in New York City, where Eddie challenges the legendary player Minnesota Fats to play
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America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry
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This article is about the 1961 film by Robert Rossen. For the novel this film is adapted from, see
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Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series)
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had its world premiere in Washington, D.C., on September 25, 1961. Prior to the premiere,
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The film was also somewhat autobiographical for Rossen, relating to his dealings with the
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Hustler Days: Minnesota Fats, Wimpy Lassiter, Jersey Red, and America's Great Age of Pool
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for Eddie and Fats's games. Mosconi's hands also appear in many of the closeup shots.
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The film was well received by critics, although with the occasional reservation.
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as being "culturally, historically, or aesthetically significant". The
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25 years late, Newman won the Best Actor Oscar for playing Fast Eddie.
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Paul Newman reprised his role as "Fast Eddie" Felson in the 1986 film
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hosted a midnight screening of the film for the casts of the season's
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Films whose cinematographer won the Best Cinematography Academy Award
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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
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Kauffmann, Stanley (October 9, 1961). "The Talent of Paul Newman".
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Kilgallen, Dorothy (April 21, 1961). "Edith Piaf Worries Friends".
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Films whose art director won the Best Art Direction Academy Award
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served as technical advisor on the film and shot a number of the
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in 2006 as the 96th best motion picture screenplay of all time.
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appears above Bert in two-shot when Eddie returns to beat Fats.
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AFI's 100 Years...100 Movies (10th Anniversary Edition) Ballot
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Three Screenplays: All the Kings Men, The Hustler, and Lilith
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was acknowledged as the sixth best film in the sports genre.
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Kilgallen, Dorothy (May 29, 1961). "Voice of Broadway".
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AFI's 100 Years...100 Movies (10th Anniversary Edition)
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Best Screenplay – Based on Material from Another Medium
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Outstanding Directorial Achievement in Motion Pictures
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Carroll and Rossen's screenplay was selected by the
607:. Rossen offered Darin the part after seeing him on 2550:. New York, Anchor Doubleday Books. LCCN 70-175418. 2293:AFI's 100 Years...100 Heroes and Villains Nominees 3498:The Lord of the Rings: The Fellowship of the Ring 3999: 728:shows, which generated a great deal of positive 2568:Starr, Michael and Michael Seth Starr (2004). 2405:"AFI Crowns Top 10 Films in 10 Classic Genres" 2201:. New York Film Critics Circle. Archived from 1376:Academy Award for Best Actor in a Leading Role 3747: 3518:The Lord of the Rings: The Return of the King 2913: 2899: 2694: 1528:, video games partially inspired by the film. 649:Johnny's Bar which establishes Preacher is a 59:. Unsourced categories may be challenged and 2325: 2304:AFI's 100 Years...100 Movie Quotes Nominees 1736:, at Martini, Filmed on Location in N.Y.". 4113:United States National Film Registry films 3761: 3754: 3740: 2906: 2892: 2701: 2687: 2355: 2353: 2351: 2227:. Writers Guild of America. Archived from 1413:has cemented its reputation as a classic. 99: 3658:Three Billboards Outside Ebbing, Missouri 2518:French, Karl and French, Phillip (2000). 2058: 1835: 1796: 1625:"Complete National Film Registry Listing" 1584: 1582: 1323:AFI's 100 Years...100 Heroes and Villains 1149:Mar del Plata International Film Festival 79:Learn how and when to remove this message 2262:"AFI's 100 Years...100 Thrills Nominees" 1858: 1856: 1757: 1755: 1753: 1751: 1749: 1747: 1718: 1716: 1684: 1682: 1401: 799: 613:. When Taylor was forced to drop out of 566: 324:. It tells the story of small-time pool 23:. For other films titled similarly, see 4108:Films with screenplays by Robert Rossen 2348: 2020: 1695: 1339:"Eddie, you're a born loser."—Nominated 4000: 2496:. New York, The Museum of Modern Art. 2073: 2052: 1913: 1911: 1909: 1899: 1897: 1670: 1579: 1576:The Numbers. Retrieved April 14, 2012. 1061:Best Supporting Actor – Motion Picture 1048:Best Actor in a Motion Picture – Drama 683:House Un-American Activities Committee 378:for preservation in the United States 3735: 2887: 2682: 2557:. Lanham, Maryland, Scarecrow Press. 2250:AFI's 100 Years...100 Movies Nominees 1853: 1761: 1744: 1713: 1679: 1374:, for which he won his one and only 1137:Top Cinematography – Black and White 949:Best Cinematography – Black-and-White 756:also felt the film was far too long. 434:Bert, Eddie, and Sarah travel to the 2534:Medium Cool: The Movies of the 1960s 2067: 1605:. Library of Congress. December 1997 1273:Paul Newman – The Tribute Collection 930:Best Art Direction – Black-and-White 57:adding citations to reliable sources 31: 1906: 1894: 1885: 1599:"New to the National Film Registry" 1219:New York Film Critics Circle Awards 804:Alternate theatrical release poster 16:1961 gambling film by Robert Rossen 13: 3188:Butch Cassidy and the Sundance Kid 1871:French, Karl and French, Phillip, 1409:In the decades since its release, 1334:AFI's 100 Years...100 Movie Quotes 320:is a 1961 drama film, directed by 14: 4124: 2584: 1927:Naylor, David (director) (2001). 1292:Robert Rossen and Sidney Carroll 1025:Directors Guild of America Awards 3958:The Strange Love of Martha Ivers 2708: 1497: 1483: 1438:In June 2008, AFI released its " 1204:National Film Preservation Board 1126:Top Male Supporting Performance 1115:Top Female Dramatic Performance 617:because of shooting overruns on 47:contains unreferenced categories 36: 4078:Films directed by Robert Rossen 3248:One Flew Over the Cuckoo's Nest 3238:Alice Doesn't Live Here Anymore 3135:Who's Afraid of Virginia Woolf? 2474: 2465: 2456: 2431: 2415:. June 17, 2008. Archived from 2397: 2385:Writers Guild of America West. 2378: 2319: 2308: 2297: 2286: 2254: 2243: 2217: 2191: 2165: 2139: 2113: 2084: 2040:. Penske Media. January 1, 1961 1993: 1962: 1958:. January 10, 1961. p. 58. 1944: 1935: 1920: 1865: 1844: 1829: 1820: 1805: 1790: 1725: 1704: 1663:Rossen, Carol. DVD commentary, 1283:Writers Guild of America Awards 1176:National Board of Review Awards 335:The film, which was based on a 4083:Films scored by Kenyon Hopkins 4073:Films based on American novels 4038:American black-and-white films 3708:All Quiet on the Western Front 2522:. New York, Billboard Books. 1688:Newman, Paul. DVD commentary, 1657: 1643: 1617: 1591: 1564: 1555: 1513:List of American films of 1961 1104:Top Male Dramatic Performance 1082:Most Promising Newcomer – Male 964:American Cinema Editors Awards 530:Alexander Rose as Score Keeper 1: 4058:Best Film BAFTA Award winners 4043:American films about gambling 2572:. Taylor Trade Publications. 2536:. New York, Alfred A. Knopf. 1929:The Hustler: The Inside Story 1544: 1328:Bert Gordon—Nominated Villain 1317:AFI's 100 Years...100 Thrills 562: 4023:1960s English-language films 3035:The Bridge on the River Kwai 2609:AFI Catalog of Feature Films 2326:Berardinelli, James (2002). 2147:"Awards Search: The Hustler" 1952:"1961 Rentals and Potential" 1311:AFI's 100 Years...100 Movies 795: 712: 582:several times, including by 257:September 25, 1961 7: 4093:Films shot in New York City 4053:American sports drama films 3428:Four Weddings and a Funeral 2935:The Best Years of Our Lives 1801:. New Castle, Pennsylvania. 1525:Minnesota Fats: Pool Legend 1476: 1288:Best Written American Drama 984:British Academy Film Awards 688:Film and theatre historian 533:Gordon B. Clarke as Cashier 10: 4129: 4088:Films set in New York City 2494:The Films of Robert Rossen 2387:"101 Greatest Screenplays" 1361: 610:The Mike Wallace Interview 527:Carl York as Young Hustler 18: 3976: 3861: 3770: 3156: 2921: 2915:BAFTA Award for Best Film 2856: 2845:The Man Who Fell to Earth 2826:The Man Who Fell to Earth 2807:The Man Who Fell to Earth 2787: 2736:The Man Who Fell to Earth 2716: 2661:essay by Daniel Eagan in 2121:"Film Nominations – 1961" 1397: 1357: 1217: 1207: 1179: 1174: 1147: 1095: 1090: 1072: 1059: 1041: 987: 982: 884: 834: 824: 665: 578:The Tevis novel had been 551:as Willie, who holds the 427:winnings; Eddie refuses. 305: 297: 289: 281: 271: 248: 238: 224: 214: 204: 193: 157: 149: 132: 120: 110: 105:Theatrical release poster 98: 93: 4028:1960s sports drama films 3338:The Purple Rose of Cairo 2553:Solomon, Aubrey (1989). 1814:Uniontown Morning Herald 1433:Writers Guild of America 969:Best Edited Feature Film 4048:American neo-noir films 2546:Rossen, Robert (1972). 2532:Mordden, Ethan (1990). 2507:. New York, Muf Books. 2443:American Film Institute 2413:American Film Institute 1653:. Academy Film Archive. 1303:American Film Institute 506:Clifford Pellow as Turk 449: 440:three-cushion billiards 406: 4033:20th Century Fox films 2667:, A&C Black, 2010 1406: 1209:National Film Registry 805: 575: 380:National Film Registry 3438:Sense and Sensibility 3145:A Man for All Seasons 2179:on September 18, 2012 2001:"The Hustler Reviews" 1631:. Library of Congress 1405: 1191:Best Supporting Actor 886:Best Supporting Actor 803: 735:On review aggregator 570: 337:book of the same name 4018:1960s American films 3902:The Roaring Twenties 3835:They Came to Cordura 3698:The Power of the Dog 3198:Sunday Bloody Sunday 2756:The Steps of the Sun 2503:Dyer, R. A. (2003). 2492:Casty, Alan (1969). 2231:on November 30, 2010 2127:on February 28, 2008 1970:"The Hustler (1961)" 1816:. September 8, 1961. 1651:"Preserved Projects" 1603:Information Bulletin 1535:" – 1961 episode of 1473:, and Eddie Pelkey. 1012:Best Foreign Actress 904:(refused nomination) 552: 384:Academy Film Archive 53:improve this article 3819:Alexander the Great 3568:Slumdog Millionaire 3468:Shakespeare in Love 3448:The English Patient 3075:Ballad of a Soldier 2570:Bobby Darin: A Life 2393:on August 13, 2006. 2205:on January 12, 2008 1043:Golden Globe Awards 831:Best Motion Picture 705:tough guys of the ' 646:Screen Actors Guild 495:Michael Constantine 372:Library of Congress 351:as Minnesota Fats, 200:(as Eugene Shuftan) 21:The Hustler (novel) 3985:The Undercover Man 3934:Blues in the Night 3894:Dust Be My Destiny 3795:All the King's Men 3538:Brokeback Mountain 3378:Dead Poets Society 3348:A Room with a View 3328:The Killing Fields 3159:1968–present 3095:Lawrence of Arabia 2835:The Queen's Gambit 2817:The Color of Money 2776:The Color of Money 2766:The Queen's Gambit 2621:TCM Movie Database 2077:The New York Times 1740:. October 5, 1961. 1738:The Galveston News 1574:, Box Office Info. 1407: 1371:The Color of Money 1364:The Color of Money 999:Best Foreign Actor 918:Robert Rossen and 806: 785:The New York Times 604:Two for the Seesaw 576: 396:The Color of Money 233:Rossen Enterprises 4063:CinemaScope films 3995: 3994: 3950:A Walk in the Sun 3878:They Won't Forget 3827:Island in the Sun 3729: 3728: 3588:The King's Speech 3005:The Wages of Fear 2985:The Sound Barrier 2881: 2880: 2838:(2020 miniseries) 2563:978-0-8108-4244-1 2328:"Review: Hustler" 2100:AllMovieGuide.com 1776:Chicago Sun-Times 1765:(June 23, 2002). 1538:The Twilight Zone 1491:Cue sports portal 1299: 1298: 905: 758:Stanley Kauffmann 574:as Minnesota Fats 313: 312: 89: 88: 81: 4120: 4068:Cue sports films 4013:1961 drama films 3942:Edge of Darkness 3756: 3749: 3742: 3733: 3732: 3722: 3712: 3702: 3692: 3682: 3672: 3662: 3652: 3642: 3632: 3622: 3618:12 Years a Slave 3612: 3602: 3592: 3582: 3572: 3562: 3552: 3542: 3532: 3522: 3512: 3502: 3492: 3482: 3472: 3462: 3452: 3442: 3432: 3422: 3418:Schindler's List 3412: 3402: 3392: 3382: 3372: 3368:The Last Emperor 3362: 3358:Jean de Florette 3352: 3342: 3332: 3322: 3312: 3302: 3298:Chariots of Fire 3292: 3288:The Elephant Man 3282: 3272: 3262: 3252: 3242: 3232: 3222: 3212: 3202: 3192: 3182: 3172: 3149: 3139: 3129: 3119: 3109: 3099: 3089: 3079: 3069: 3059: 3049: 3039: 3029: 3019: 3009: 2999: 2989: 2979: 2969: 2959: 2949: 2939: 2908: 2901: 2894: 2885: 2884: 2874: 2867: 2849: 2848:(2022 TV series) 2839: 2829: 2821: 2811: 2801: 2780: 2770: 2760: 2750: 2740: 2730: 2703: 2696: 2689: 2680: 2679: 2481: 2478: 2472: 2469: 2463: 2460: 2454: 2453: 2451: 2449: 2435: 2429: 2428: 2426: 2424: 2419:on June 19, 2008 2401: 2395: 2394: 2389:. 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Archived from 2266: 2258: 2252: 2247: 2241: 2240: 2238: 2236: 2221: 2215: 2214: 2212: 2210: 2195: 2189: 2188: 2186: 2184: 2169: 2163: 2162: 2160: 2158: 2143: 2137: 2136: 2134: 2132: 2117: 2111: 2110: 2108: 2106: 2088: 2082: 2081: 2071: 2065: 2064: 2061:The New Republic 2056: 2050: 2049: 2047: 2045: 2024: 2018: 2017: 2015: 2013: 1997: 1991: 1990: 1988: 1986: 1966: 1960: 1959: 1948: 1942: 1939: 1933: 1932: 1924: 1918: 1915: 1904: 1901: 1892: 1889: 1883: 1869: 1863: 1860: 1851: 1848: 1842: 1841: 1833: 1827: 1826:Rossen p. 189-92 1824: 1818: 1817: 1812:"Dream Street". 1809: 1803: 1802: 1794: 1788: 1787: 1785: 1783: 1759: 1742: 1741: 1729: 1723: 1722:Dyer pp. 117–119 1720: 1711: 1708: 1702: 1699: 1693: 1686: 1677: 1674: 1668: 1661: 1655: 1654: 1647: 1641: 1640: 1638: 1636: 1621: 1615: 1614: 1612: 1610: 1595: 1589: 1586: 1577: 1568: 1562: 1559: 1507: 1502: 1501: 1500: 1493: 1488: 1487: 1486: 1458:Rudolf Wanderone 1353:– #6 Sports Film 1268:Best Classic DVD 1263:Satellite Awards 1140:Eugen SchĂĽfftan 1073:George C. Scott 903: 808: 807: 763:The New Republic 599:Elizabeth Taylor 556: 549:cameo appearance 524:as poolroom hood 516:Vincent Gardenia 485:as Charlie Burns 473:as Sarah Packard 264: 262: 243:20th Century-Fox 103: 91: 90: 84: 77: 73: 70: 64: 40: 39: 32: 4128: 4127: 4123: 4122: 4121: 4119: 4118: 4117: 3998: 3997: 3996: 3991: 3972: 3910:A Child Is Born 3857: 3803:The Brave Bulls 3766: 3760: 3730: 3725: 3715: 3705: 3695: 3685: 3675: 3665: 3655: 3645: 3635: 3625: 3615: 3605: 3595: 3585: 3578:The Hurt Locker 3575: 3565: 3555: 3545: 3535: 3525: 3515: 3505: 3495: 3485: 3478:American Beauty 3475: 3465: 3455: 3445: 3435: 3425: 3415: 3405: 3398:The Commitments 3395: 3385: 3375: 3365: 3355: 3345: 3335: 3325: 3315: 3305: 3295: 3285: 3275: 3265: 3255: 3245: 3235: 3228:Lacombe, Lucien 3225: 3215: 3205: 3195: 3185: 3178:Midnight Cowboy 3175: 3165: 3158: 3152: 3142: 3132: 3122: 3112: 3102: 3092: 3082: 3072: 3062: 3052: 3045:Room at the Top 3042: 3032: 3022: 3012: 3002: 2995:Forbidden Games 2992: 2982: 2972: 2962: 2955:Bicycle Thieves 2952: 2942: 2932: 2926:1947–1967 2925: 2924:from Any Source 2923: 2917: 2912: 2882: 2877: 2870: 2863: 2852: 2842: 2832: 2824: 2814: 2804: 2794: 2783: 2773: 2763: 2753: 2743: 2733: 2723: 2712: 2707: 2675:, pages 572-573 2643:Rotten Tomatoes 2587: 2484: 2479: 2475: 2470: 2466: 2461: 2457: 2447: 2445: 2439:"Top 10 Sports" 2437: 2436: 2432: 2422: 2420: 2403: 2402: 2398: 2383: 2379: 2369: 2367: 2359: 2358: 2349: 2336: 2334: 2324: 2320: 2313: 2309: 2302: 2298: 2291: 2287: 2277: 2275: 2274:on July 6, 2011 2271: 2264: 2260: 2259: 2255: 2248: 2244: 2234: 2232: 2223: 2222: 2218: 2208: 2206: 2197: 2196: 2192: 2182: 2180: 2173:"Awards – 1961" 2171: 2170: 2166: 2156: 2154: 2153:on May 26, 2012 2145: 2144: 2140: 2130: 2128: 2119: 2118: 2114: 2104: 2102: 2090: 2089: 2085: 2072: 2068: 2057: 2053: 2043: 2041: 2026: 2025: 2021: 2011: 2009: 1999: 1998: 1994: 1984: 1982: 1975:Rotten Tomatoes 1968: 1967: 1963: 1950: 1949: 1945: 1940: 1936: 1926: 1925: 1921: 1916: 1907: 1902: 1895: 1890: 1886: 1870: 1866: 1861: 1854: 1849: 1845: 1834: 1830: 1825: 1821: 1811: 1810: 1806: 1799:New Castle News 1795: 1791: 1781: 1779: 1760: 1745: 1731: 1730: 1726: 1721: 1714: 1709: 1705: 1700: 1696: 1692:Special Edition 1687: 1680: 1675: 1671: 1667:Special Edition 1662: 1658: 1649: 1648: 1644: 1634: 1632: 1623: 1622: 1618: 1608: 1606: 1597: 1596: 1592: 1587: 1580: 1569: 1565: 1560: 1556: 1547: 1503: 1498: 1496: 1489: 1484: 1482: 1479: 1400: 1366: 1360: 1351:AFI's 10 Top 10 1195:Jackie Gleason 1129:Jackie Gleason 1065:Jackie Gleason 954:Eugen SchĂĽfftan 901:George C. Scott 798: 778:as Big Daddy." 737:Rotten Tomatoes 715: 692:has identified 668: 565: 558: 522:Charles Dierkop 501:Stefan Gierasch 489:Murray Hamilton 483:Myron McCormick 477:George C. Scott 458:as Eddie Felson 452: 409: 393:A 1986 sequel, 361:Myron McCormick 357:George C. Scott 347:as Fast Eddie, 274: 267: 260: 258: 251: 234: 229: 227: 198:Eugen SchĂĽfftan 189: 185:Myron McCormick 175:George C. Scott 141: 127: 106: 85: 74: 68: 65: 50: 41: 37: 28: 17: 12: 11: 5: 4126: 4116: 4115: 4110: 4105: 4100: 4095: 4090: 4085: 4080: 4075: 4070: 4065: 4060: 4055: 4050: 4045: 4040: 4035: 4030: 4025: 4020: 4015: 4010: 3993: 3992: 3990: 3989: 3980: 3978: 3974: 3973: 3971: 3970: 3962: 3954: 3946: 3938: 3930: 3926:Out of the Fog 3922: 3914: 3906: 3898: 3890: 3886:Racket Busters 3882: 3874: 3865: 3863: 3859: 3858: 3856: 3855: 3847: 3839: 3831: 3823: 3815: 3807: 3799: 3791: 3783: 3779:Johnny O'Clock 3774: 3772: 3768: 3767: 3759: 3758: 3751: 3744: 3736: 3727: 3726: 3724: 3723: 3713: 3703: 3693: 3683: 3673: 3663: 3653: 3643: 3633: 3623: 3613: 3603: 3593: 3583: 3573: 3563: 3553: 3543: 3533: 3523: 3513: 3503: 3493: 3483: 3473: 3463: 3458:The Full Monty 3453: 3443: 3433: 3423: 3413: 3403: 3393: 3383: 3373: 3363: 3353: 3343: 3333: 3323: 3318:Educating Rita 3313: 3303: 3293: 3283: 3273: 3263: 3253: 3243: 3233: 3223: 3213: 3203: 3193: 3183: 3173: 3162: 3160: 3154: 3153: 3151: 3150: 3140: 3130: 3120: 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1515: 1509: 1508: 1494: 1478: 1475: 1454:Willie Mosconi 1399: 1396: 1385:Cool Hand Luke 1362:Main article: 1359: 1356: 1355: 1354: 1348: 1342: 1341: 1340: 1331: 1330: 1329: 1320: 1314: 1297: 1296: 1293: 1290: 1285: 1279: 1278: 1275: 1270: 1265: 1259: 1258: 1255: 1252: 1246: 1245: 1242: 1239: 1233: 1232: 1229: 1228:Robert Rossen 1226: 1221: 1215: 1214: 1211: 1206: 1200: 1199: 1196: 1193: 1187: 1186: 1183: 1178: 1172: 1171: 1168: 1165: 1161: 1160: 1157: 1156:Robert Rossen 1154: 1151: 1145: 1144: 1141: 1138: 1134: 1133: 1130: 1127: 1123: 1122: 1119: 1116: 1112: 1111: 1108: 1105: 1101: 1100: 1097: 1094: 1088: 1087: 1084: 1078: 1077: 1074: 1070: 1069: 1066: 1063: 1057: 1056: 1053: 1050: 1045: 1039: 1038: 1035: 1034:Robert Rossen 1032: 1027: 1021: 1020: 1017: 1014: 1008: 1007: 1004: 1001: 995: 994: 991: 986: 980: 979: 976: 971: 966: 960: 959: 956: 951: 945: 944: 941: 932: 926: 925: 922: 920:Sidney Carroll 916: 910: 909: 906: 897: 896: 893: 891:Jackie Gleason 888: 882: 881: 878: 873: 867: 866: 863: 858: 852: 851: 848: 842: 841: 838: 833: 828: 826:Academy Awards 822: 821: 818: 815: 812: 797: 794: 760:, writing for 722:Richard Burton 714: 711: 667: 664: 637:Willie Mosconi 626:Rossen filmed 572:Jackie Gleason 564: 561: 545:Willie Mosconi 543:Pool champion 541: 540: 537:Carolyn Coates 534: 531: 528: 525: 519: 513: 507: 504: 498: 492: 486: 480: 479:as Bert Gordon 474: 468: 466:Minnesota Fats 462:Jackie Gleason 459: 451: 448: 436:Kentucky Derby 408: 405: 349:Jackie Gleason 330:Minnesota Fats 311: 310: 307: 303: 302: 299: 295: 294: 291: 287: 286: 283: 279: 278: 275: 272: 269: 268: 266: 265: 254: 252: 249: 246: 245: 240: 239:Distributed by 236: 235: 232: 230: 225: 222: 221: 219:Kenyon Hopkins 216: 212: 211: 206: 202: 201: 195: 194:Cinematography 191: 190: 188: 187: 182: 180:Jackie Gleason 177: 172: 167: 161: 159: 155: 154: 151: 147: 146: 134: 130: 129: 125:Sidney Carroll 122: 118: 117: 112: 108: 107: 104: 96: 95: 87: 86: 44: 42: 35: 15: 9: 6: 4: 3: 2: 4125: 4114: 4111: 4109: 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3086: 3081: 3077: 3076: 3071: 3067: 3066: 3065:The Apartment 3061: 3057: 3056: 3051: 3047: 3046: 3041: 3037: 3036: 3031: 3027: 3026: 3021: 3017: 3016: 3011: 3007: 3006: 3001: 2997: 2996: 2991: 2987: 2986: 2981: 2977: 2976: 2971: 2967: 2966: 2965:All About Eve 2961: 2957: 2956: 2951: 2947: 2946: 2941: 2937: 2936: 2931: 2930: 2928: 2920: 2916: 2909: 2904: 2902: 2897: 2895: 2890: 2889: 2886: 2873: 2869: 2866: 2862: 2861: 2859: 2855: 2847: 2846: 2841: 2837: 2836: 2831: 2827: 2823: 2819: 2818: 2813: 2809: 2808: 2803: 2799: 2798: 2793: 2792: 2790: 2786: 2778: 2777: 2772: 2768: 2767: 2762: 2758: 2757: 2752: 2748: 2747: 2742: 2738: 2737: 2732: 2728: 2727: 2722: 2721: 2719: 2715: 2711: 2704: 2699: 2697: 2692: 2690: 2685: 2684: 2681: 2674: 2670: 2666: 2665: 2660: 2657: 2655: 2651: 2650: 2646: 2644: 2640: 2639: 2635: 2633: 2629: 2628: 2624: 2622: 2618: 2617: 2613: 2610: 2607: 2605: 2604: 2600: 2598: 2594: 2593: 2589: 2588: 2579: 2578:1-58979-121-5 2575: 2571: 2567: 2564: 2560: 2556: 2552: 2549: 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1118:Piper Laurie 1117: 1114: 1113: 1109: 1106: 1103: 1102: 1098: 1093: 1092:Laurel Awards 1089: 1085: 1083: 1080: 1079: 1075: 1071: 1067: 1064: 1062: 1058: 1054: 1051: 1049: 1046: 1044: 1040: 1036: 1033: 1031: 1028: 1026: 1023: 1022: 1018: 1016:Piper Laurie 1015: 1013: 1010: 1009: 1005: 1002: 1000: 997: 996: 992: 990: 985: 981: 977: 975: 972: 970: 967: 965: 962: 961: 957: 955: 952: 950: 947: 946: 942: 940: 939:Gene Callahan 936: 933: 931: 928: 927: 923: 921: 917: 915: 912: 911: 907: 902: 899: 898: 894: 892: 889: 887: 883: 879: 877: 874: 872: 869: 868: 864: 862: 859: 857: 854: 853: 849: 847: 846:Best Director 844: 843: 839: 837: 836:Robert Rossen 832: 829: 827: 823: 819: 816: 813: 810: 809: 802: 793: 791: 787: 786: 781: 777: 774:photographed 773: 769: 768:Method acting 765: 764: 759: 755: 751: 750: 744: 742: 738: 733: 731: 730:word of mouth 727: 723: 719: 710: 708: 704: 700: 695: 691: 690:Ethan Mordden 686: 684: 679: 677: 672: 663: 660: 654: 652: 647: 642: 638: 634: 629: 624: 622: 621: 616: 612: 611: 606: 605: 600: 596: 593:According to 591: 589: 588:Corner Pocket 585: 584:Frank Sinatra 581: 573: 569: 560: 557: 550: 546: 538: 535: 532: 529: 526: 523: 520: 517: 514: 511: 508: 505: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 467: 463: 460: 457: 454: 453: 447: 443: 441: 437: 432: 428: 424: 420: 417: 416:straight pool 412: 404: 402: 401:Academy Award 398: 397: 391: 389: 385: 381: 377: 373: 368: 364: 362: 359:as Bert, and 358: 354: 350: 346: 342: 338: 333: 331: 327: 323: 322:Robert Rossen 319: 318: 309:$ 7.6 million 308: 304: 301:$ 2.1 million 300: 296: 292: 288: 285:United States 284: 280: 276: 270: 256: 255: 253: 247: 244: 241: 237: 231: 223: 220: 217: 213: 210: 207: 203: 199: 196: 192: 186: 183: 181: 178: 176: 173: 171: 168: 166: 163: 162: 160: 156: 153:Robert Rossen 152: 148: 145: 140: 139: 135: 131: 128:Robert Rossen 126: 123: 121:Screenplay by 119: 116: 115:Robert Rossen 113: 109: 102: 97: 92: 83: 80: 72: 62: 58: 54: 48: 45:This article 43: 34: 33: 30: 26: 25:Hustler#Films 22: 3983: 3964: 3956: 3948: 3940: 3932: 3924: 3918:The Sea Wolf 3916: 3908: 3900: 3892: 3884: 3876: 3870:Marked Woman 3868: 3849: 3842: 3841: 3833: 3825: 3817: 3809: 3801: 3793: 3785: 3777: 3716: 3706: 3696: 3686: 3676: 3666: 3656: 3646: 3638:The Revenant 3636: 3626: 3616: 3606: 3596: 3586: 3576: 3566: 3556: 3546: 3536: 3526: 3516: 3506: 3496: 3486: 3476: 3466: 3456: 3446: 3436: 3426: 3416: 3406: 3396: 3386: 3376: 3366: 3356: 3346: 3336: 3326: 3316: 3306: 3296: 3286: 3276: 3266: 3256: 3246: 3236: 3226: 3216: 3206: 3196: 3186: 3176: 3168:The Graduate 3166: 3143: 3133: 3125:My Fair Lady 3123: 3113: 3103: 3093: 3084: 3083: 3073: 3063: 3053: 3043: 3033: 3023: 3013: 3003: 2993: 2983: 2973: 2963: 2953: 2943: 2933: 2843: 2833: 2825: 2815: 2805: 2796: 2795: 2774: 2764: 2754: 2744: 2734: 2724: 2710:Walter Tevis 2663: 2658: 2654:Filmsite.org 2648: 2637: 2626: 2615: 2602: 2591: 2569: 2554: 2547: 2533: 2519: 2504: 2493: 2487:Bibliography 2486: 2485: 2476: 2467: 2458: 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1545:References 1419:Dede Allen 1347:—Nominated 1319:—Nominated 1313:—Nominated 1277:Nominated 1257:Nominated 1244:Nominated 1237:Best Actor 1185:2nd Place 1159:Nominated 1153:Best Film 1121:Nominated 1099:Nominated 1096:Top Drama 1086:Nominated 1076:Nominated 1068:Nominated 1055:Nominated 1037:Nominated 1019:Nominated 978:Nominated 974:Dede Allen 924:Nominated 908:Nominated 895:Nominated 880:Nominated 865:Nominated 856:Best Actor 850:Nominated 840:Nominated 741:Metacritic 563:Production 491:as Findley 386:preserved 355:as Sarah, 306:Box office 261:1961-09-25 226:Production 209:Dede Allen 3762:Films by 3688:Nomadland 3558:Atonement 3548:The Queen 3488:Gladiator 3278:Manhattan 3157:Best Film 3105:Tom Jones 2922:Best Film 2500:68-54921. 2370:April 17, 2337:April 24, 2235:March 31, 2209:March 31, 2183:March 31, 2157:March 31, 2131:March 31, 2105:March 31, 2096:— Awards" 2044:April 24, 1213:Inducted 989:Best Film 814:Category 796:Accolades 776:Burl Ives 713:Reception 699:film noir 633:Greyhound 620:Cleopatra 390:in 2003. 374:selected 205:Edited by 3025:Gervaise 2975:La Ronde 2632:AllMovie 2448:June 18, 2423:June 18, 1477:See also 1424:TV Guide 726:Broadway 659:two shot 580:optioned 343:, stars 290:Language 215:Music by 158:Starring 133:Based on 3628:Boyhood 3208:Cabaret 3055:Ben-Hur 2619:at the 2606:at the 2037:Variety 1956:Variety 1931:(film). 1771:(1961)" 1629:LoC.gov 1609:May 20, 820:Result 754:Variety 749:Variety 703:feeling 326:hustler 293:English 282:Country 259: ( 228:company 61:removed 3988:(1949) 3969:(1947) 3961:(1946) 3953:(1945) 3945:(1943) 3937:(1941) 3929:(1941) 3921:(1941) 3913:(1939) 3905:(1939) 3897:(1939) 3889:(1938) 3881:(1937) 3873:(1937) 3854:(1964) 3851:Lilith 3846:(1961) 3838:(1959) 3830:(1957) 3822:(1956) 3814:(1954) 3806:(1951) 3798:(1949) 3790:(1947) 3782:(1947) 3721:(2023) 3711:(2022) 3701:(2021) 3691:(2020) 3681:(2019) 3671:(2018) 3661:(2017) 3651:(2016) 3641:(2015) 3631:(2014) 3621:(2013) 3611:(2012) 3601:(2011) 3591:(2010) 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Index

The Hustler (novel)
Hustler#Films
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Robert Rossen
Sidney Carroll
The Hustler
Walter Tevis
Paul Newman
Piper Laurie
George C. Scott
Jackie Gleason
Myron McCormick
Eugen SchĂĽfftan
Dede Allen
Kenyon Hopkins
20th Century-Fox
Robert Rossen
hustler
Minnesota Fats
book of the same name
Walter Tevis
Paul Newman
Jackie Gleason
Piper Laurie
George C. Scott
Myron McCormick

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