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already seen as morally wrong by select religious groups prior to the popularity of dance halls but with the additions of possibilities for prostitution, as well as access to alcohol, within dance halls reformers and religious leaders were increasingly against the existence of these halls. In order to discourage young adults from frequenting dance halls, media of the early twentieth century used subjective and inflammatory language to sway readers toward ideas that dance halls would morally corrupt young women while reformers petitioned to their local governments for regulation surrounding dance halls.
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extremely stressful home and work environments while not costing too much, or anything in some cases. These city dance halls were especially popular with newly independent immigrant women from more rural areas as country-side dances were often more closely monitored and tended to host styles of dancing that were considered more socially acceptable for performance in public spaces. The styles performed in city dance halls had dancing partners physically close, performing movements that would allow for limbs and body parts to graze each other in ways not seen in other partnered dance forms of the time.
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211:'s dance hall and would be angered when approached by settlement hall staff or residents instructing them to dance differently. According to one report, "a resident would say to a new couple dancing irregularly, "You can't dance that way in this hall." The couple in self-defense would answer, "I can dance that way in every other hall in the city."
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Although interests in dance halls were growing, halls attracted negative attention from moral reformers and the media for the types of dancing done at these establishments, the sexual independence these environments allowed women, and the difficulty of regulating dance halls. Simple dance moves were
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With increased financial freedom, as compared to prior decades, young immigrant and working-class women were able to access dance halls, generally placed within urban areas, that did not require chaperones. Dance halls allowed young working-class women the opportunity to step outside of their
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to develop rules and regulations for public dance halls. According to middle- and upper-class white vice investigators and social reformers, many young people, who they believed to be lacking in proper moral character, attempted the "irregular dancing in vogue in the commercial halls" in the
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Commercial dance halls in the United States began to appear toward the end of the nineteenth century and grew in popularity at the beginning of the twentieth century. These halls were generally frequented by working-class and/or immigrant teenagers that admired dance halls for their lack of
632:
Whitson, Krista. Alter, Kevin, ed. "Dance Halls of
Central Texas: Pre-World War II Wooden Structures". Austin, 2005. First in-depth survey of the dance halls populating central Texas. Documents 72 of these structures within a 150-mile radius of Austin through photographs and
305:
In Sweden and
Finland, open air dance pavilions have been used mostly in summer, but especially in Finland some have also been built to be used throughout the year. Formerly, the dance pavilions were often built at sites with beautiful landscape, for example by the lakes.
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chaperoning and convenience as cheap commercial leisure. The rapidly changing economy of the early twentieth century shifted the views many young adults had about the separation between work and leisure, increasing dance hall popularity from the 1900s into the 1920s.
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in New York City) was the first truly integrated building in the United States — for both the dancers and the musicians. "We didn't care about the color of your skin. All we wanted to know was: Can you dance?"
483:"'I was a Sociological Stranger': Ethnographic Fieldwork and Undercover Performance in the Publication of The Taxi-Dance Hall , 1925-1932: The Publication of The Taxi-Dance Hall, 1925-1932"
726:', Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918–1960 (Oxford, 2015; online edn, Oxford Academic, 17 Sept. 2015), accessed 16 Apr. 2024.
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was a term applied to purpose-built dance halls in
Britain and Commonwealth countries, which became popular after the First World War.
208:
522:"Swearing Allegiance: Street Language, US War Propaganda, and the Declining Status of Women in Northeastern Nightlife, 1900–1920"
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From the earliest years of the twentieth century until the early 1960s, the dance hall was the popular forerunner of the
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has a history of more than a hundred years, as according to some sources, dances have been held on pavilion since 1907.
257:, especially with working-class women. The purpose-built dance hall, or "palais de danse" emerged, the first being the
405:
107:
had at least one dance hall, and almost always featured live musicians playing a range of music from strict tempo
758:
Yli-Jokipii, Pentti. "Changes in local communities: The cultural geography of
Finnish open-air dance pavilions".
357:
From the dance hall to
Facebook : teen girls, mass media, and moral panic in the United States, 1905-2010
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which has no roof or walls. The open-air nature of the dance pavilion was both a feature and a drawback. The
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was a dance hall with a specific arrangement, wherein the patrons hire hall employees to dance with them.
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Going to the Palais: A Social And
Cultural History of Dancing and Dance Halls in Britain, 1918-1960
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Dance hall days : intimacy and leisure among working-class immigrants in the United States
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482:
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Proceedings of the
National Conference of Social Work at the ... Annual Session Held in ...
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818:(1923; reprint University of Chicago Press 2008), Famous study of Chicago in the 1920s.
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Dance halls, also termed palais de danse, became popular in
Australia too, such as the
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has a high concentration of community dance halls, the largest number of them built by
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713:
Dean, Stephen, "Historic Dance Halls of East
Central Texas". Arcadia Publishing. 2014.
74:
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The Taxi-Dance Hall: A Sociological Study in
Commercialized Recreation and City Life
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were briefly played out in dance halls, until they were superseded by nightclubs.
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48:, but usually refers to a specific type of twentieth-century venue, with
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52:(nightclubs) becoming more popular towards the end of the century. The
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Folkins, Gail. "Texas Dance Halls: History, Culture, and Community",
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This article incorporates text from this source, which is in the
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In 1917, with the approval of the vice investigation panel the
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This article is about a place for dancing. For other uses, see
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Dance Halls and Last Calls: A History of Texas Country Music
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Tanssilavakirja: tanssista, lavoista ja lavojen tansseista
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National Conference of Social Work (U S.) Session (1919).
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The Birth of the Palais: Dancing and Dance Halls, 1918–39
360:. Amherst and Boston: University of Massachusetts Press.
166:, Ohio, built 1882, known as "The largest Dance Floor on
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174:2. Helsinki: Geographical Society of Finland, 1996.
704:, Bellville: Austin County Historical Commission, 1993.
573:(Public domain ed.). The Conference. p. 507
436:""I'd Rather Be Dancing": Wisconsin Women Moving On"
301:
Sivakan lava dance pavilion in Sivakkavaara, Finland
59:Other structural forms of dance halls include the
309:The Sivakan lava dance pavilion in Sivakkavaara,
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63:which has a roof but no walls, and the open-air
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253:in 1918, dancing became enormously popular in
142:Customers and staff at Hovey's Dance Hall in
847:Encyclopedia of Oklahoma History and Culture
773:"Sivakan lavalla vaalitaan tanssiperinteitä"
663:. Archived from the original on 2003-03-28.
353:
103:. The majority of towns and cities in the
700:Austin County Historical Commission, ed.
802:(#51), p. 4, June 26, 2014. (in Finnish)
735:Hakulinen, Kerkko; Yli-Jokipii, Pentti.
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689:Early Czech dance halls in Texas
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214:Starting in the early 1930s,
739:. Helsinki: AtlasArt, 2007.
702:Dance Halls of Austin County
481:Fritz, Angela (March 2018).
354:Thiel-Stern, Shayla (2014).
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40:in its general meaning is a
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520:Keire, Mara L. (May 2016).
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279:Wattle Path Palais de Danse
80:Hammersmith Palais de Danse
32:Dance hall (disambiguation)
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623:, Volume 6, Issue 1, 2006.
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781:(in Finnish). 3 June 2011
673:: CS1 maint: unfit URL (
150:next to the tree at right
434:Jensen, Joan M. (2001).
394:McBee, Randy D. (2000).
661:www.geronimotrevino.com
642:Treviño, Geronimo III.
499:10.1111/1468-0424.12340
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259:Hammersmith Palais
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18:Dance Hall
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216:The Savoy
168:Lake Erie
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101:nightclub
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839:Archived
669:cite web
633:drawings
577:27 April
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327:Ballroom
321:See also
283:St Kilda
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311:Kaavi
239:Czech
231:Texas
117:swing
787:2021
741:ISBN
675:link
607:Jazz
579:2022
542:ISSN
456:ISSN
412:OCLC
402:ISBN
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362:ISBN
237:and
121:jazz
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