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facet of Greek religion was "to honor and placate the gods because they are powerful". The
Athenians judicially punished philosophers and sophists. Euripides himself may have left Athens in "self-imposed exile". But in his play his Cyclops is punished for impiety by having his eye burned out. In Euripides' plays, "Characters might refuse to worship certain gods, blaspheme them, or even at times question the morality of the gods, but there is little evidence of what we would call atheism, a complete lack of belief in any god, in Greek thought".
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Shaw, the chorus of satyrs in a satyr play were "always trying to get a laugh with their animalistic, playfully rowdy, and, above all, sexual behavior." Satyrs were widely seen as mischief-makers who routinely played tricks on people and interfered with their personal property. They had insatiable sexual appetites and often sought to seduce or ravish both nymphs and mortal women alike (though not always successfully). A single elderly satyr named
Silenus was believed to have been the tutor of Dionysus on
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201:
Odysseus tries to persuade the
Cyclops not to eat them. The Cyclops is not persuaded. All but the chorus exit into the cave. The chorus sings until Odysseus enters from the cave and tells the chorus that the Cyclops has eaten some of his men and that he has been giving the Cyclops wine and that he intends to blind the Cyclops and save everyone, including the satyrs. The chorus is keen to help.
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with noise and blindness. The chorus mock him and direct him away from
Odysseus and the others while they escape from the cave. Odysseus addresses the Cyclops before exiting toward his ship. The Cyclops says that he is going to smash the ship then exits into the cave, which is "pierced through" (áŒÎŒÏÎčÏÏáżÏÎżÏ). The chorus say that they will go with Odysseus and be slaves to Dionysus.
431:
is the "comic inversion of societal norms". They were overall "creatures that were funny and joyful, pleasing and delightful, feminine and masculine, but also cowardly and disgusting, pitiful and lamentable, terrifying and horrific". Satyrs were revered as semi-divine beings and companions of the god
371:
In the play the
Cyclops suggests that people are the source of morality and not the gods. He says that he sacrifices only to his belly, the greatest of divinities. Such impiety was of substantial interest to Athenians in the fifth century. Euripides often dealt with "the consequences of impiety". One
216:
Odysseus enters from the cave and tells them to be quiet and come and help burn the eye out. The chorus excuse themselves. Odysseus suggests that they can at least offer encouragement. They agree to provide this and do provide this while
Odysseus exits into the cave. The Cyclops enters from the cave
204:
The
Cyclops exits from the cave singing and drunk and wanting more wine from Odysseus. The Cyclops wants to go and share with his brothers but is persuaded to stay. Silenus and the Cyclops drink wine until the Cyclops decides to take the now very appealing Silenus to bed, and the pair exit into the
200:
The
Cyclops enters and wants to know what is going on. Silenus explains that Odysseus and his men have beaten him and are taking the Cyclops' things and have threatened the Cyclops with violence. The Cyclops decides to eat them. Odysseus says that Silenus is lying, but the Cyclops believes Silenus.
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Odysseus enters with his men and asks where they can find water and if anyone will sell them food. Silenus questions
Odysseus and Odysseus questions Silenus. On learning that he will probably be eaten if found, Odysseus is keen to leave. Silenus is keen to swap the Cyclops' food for Odysseus' wine.
422:
Polyphemus has captured and enslaved
Silenus and a group of satyrs. The satyrs play an important role in driving the plot without any of them actually being the lead role, which, in the satyr play generally, was always reserved for a god or tragic hero (in this case Odysseus). According to Carl A.
462:
has been both lauded and scorned, with hostile commentators criticising its simplicity of plot and characterisation. There is little agreement. According to critics the play is derived entirely from the Homeric episode or mostly from the Homeric episode, is an interrogator of Homeric and tragic
312:
rather well'". Euripides' Cyclops knows about the Trojan War and gives Odysseus his opinion of it. By playing with metapoetic images throughout the play Euripides fostered "a collective consciousness" in his democratic audience and facilitated their recognition that cooperation was necessary
368:. Polyphemus "likes to talk, he likes to eat, to talk about eating, or to try to eat those who talk to him". The Cyclops and the satyrs continually refer to the Cyclops' belly and the satisfaction thereof. Interaction between Odysseus and the Cyclops is based on food and exchange.
443:
that will bring down a form of fiery destruction upon their enemy". When the satyrs identify the Cyclops as a "son of Earth" and present their firebrand as igniting the Cyclops' skull rather than his eye they mimic a traditional Orphic incantation and Zeus's punishment of the
448:, the "sons of Earth" and primordial enemies of the Orphic Dionysus. The central focus of Orphism is the suffering and death of the god Dionysus at the hands of the Titans, which forms the basis of Orphism's central myth. In the play the satyrs are
391:, portrayed as barbarous and desolate and hostile. This was not an accurate representation of Sicily. But the point is that the place is "completely non-Bacchic" and "non-Dionysiac". This is mentioned by every character in the play.
159:, although its intended and actual performance contexts are unknown. The date of its composition is unknown, but it was probably written late in Euripides' career. It is the only complete satyr play extant.
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Euripides employed "metapoetically loaded terms" like second and double and new to highlight interactions with his sources, familiar and foundational texts in Athenian education. The characters in
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The Homeric Polyphemus is brutish and alien to Odysseus and his crew. Euripides' Polyphemus is sophisticated and intellectually analogous to sophists of the fifth century. The influence of the
427:. After Dionysus grew to maturity, Silenus became one of his most devout followers and was perpetually drunk. The identity of satyrs is plastic and somewhat elusive, but a salient aspect in
3180:
193:. The chorus enter with singing and sheep. Silenus tells them to stop singing and send the sheep into the cave because he can see a Greek ship by the coast and men coming to the cave.
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The satyr play as a medium was generally understood as a "tragedy at play". It relied extensively on the multifarious connotations which surrounded the concepts of "playfulness (
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Faraone, Christopher A. "Mystery Cults and Incantations: Evidence for Orphic Charms in Euripides' Cyclops 646-48?" Rheinisches Museum FĂŒr Philologie 151, no. 2 (2008): p.142
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Faraone, Christopher A. "Mystery Cults and Incantations: Evidence for Orphic Charms in Euripides' Cyclops 646-48?" Rheinisches Museum FĂŒr Philologie 151, no. 2 (2008): p.140
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Gluttonous ingestion is a theme and "he imagery of grotesque ingestion surfaces almost immediately in the play". Euripides' Cyclops has been described as "a figure of proto-
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both Odysseus and the Cyclops employ deft and appropriative rhetorical manipulation, "aggressive sophistry that reduces men to meat, and fine talk to deceptive barter".
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thrusts a stake into the eye of "a gross caricature of a Spartan", expressing "a shift of political alliances ostensibly achieved by Alcibiades". Like Sophocles'
1396:
Antonopoulos, Andreas P. (2021). "Introduction: What is Satyr Drama?". In Antonopoulos, Andreas P.; Christopoulos, Menelaos M.; Harrison, George W.M. (eds.).
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O'Sullivan, P. (2016) âCyclopsâ, in A Companion to Euripides. Hoboken, NJ, USA: John Wiley & Sons, Inc, pp. 313â333. doi: 10.1002/9781119257530.ch22.
1467:"Mystery Cults and Incantations: Evidence for Orphic Charms in Euripides' Cyclops 646-48?" Rheinisches Museum FĂŒr Philologie 151, no. 2 (2008): p.127
346:, which was undertaken for greed against an intractable and difficult enemy when Athens could barely provide money or men and which did not go well.
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Tarnopolsky, Christina. "The Event of Genre: Reading Plato's Republic through the Lens of Satyr-Play." Theory & Event 17, no. 1 (2014): N_A.
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made an appeal on behalf of Alcibiades that he be allowed to return from exile. Euripides also encouraged his audience to consider the
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Olson, S. Douglas. "Dionysus and the Pirates in Euripides' 'Cyclops'." Hermes 116, no. 4 (1988): 502-04. Accessed September 7, 2020.
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Worman, Nancy. "Odysseus, ingestive rhetoric, and Euripides' Cyclops." Helios, vol. 29, no. 2, 2002, p. 101+. Gale Academic OneFile,
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Worman, Nancy. "Odysseus, ingestive rhetoric, and Euripides' Cyclops." Helios, vol. 29, no. 2, 2002, p. 101+. Gale Academic OneFile,
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Worman, Nancy. "Odysseus, ingestive rhetoric, and Euripides' Cyclops." Helios, vol. 29, no. 2, 2002, p. 101+. Gale Academic OneFile,
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Vickers, Michael. Sophocles and Alcibiades : Athenian Politics in Ancient Greek Literature. Stocksfield : Acumen, 2008. pp.84-85
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Dionysus. They were thought to possess their own kind of wisdom that was useful to humans if they could be convinced to share it.
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Vickers, Michael. Sophocles and Alcibiades : Athenian Politics in Ancient Greek Literature. Stocksfield : Acumen, 2008. p.84
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Vickers, Michael. Sophocles and Alcibiades : Athenian Politics in Ancient Greek Literature. Stocksfield : Acumen, 2008. p.85
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is manifest throughout Euripides' plays "not only in his rhetorical style but also in his skeptical, downâtoâearth approach". In
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Storey, Ian C., and Allan, Arlene. A Guide to Ancient Greek Drama. Somerset: John Wiley & Sons, Incorporated, 2014. p. 170.
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Storey, Ian C., and Allan, Arlene. A Guide to Ancient Greek Drama. Somerset: John Wiley & Sons, Incorporated, 2014. p. 171.
701:. David Kovacs (ed. & tr.). Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 53.
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is apparently the only thing which Euripides wrote with a particular Homeric foundation. Euripides' play combines the myth of
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cave. The chorus affirm that they are ready to help Odysseus, but urge him to go in and help Silenus. Odysseus calls on
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Arnott, Peter D. "The Overworked Playwright A Study in Euripides' Cyclops." Greece and Rome 8, no. 2 (1961): 164-69.
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are based on the blinding of the Cyclops. It was almost certainly known by Euripides' audience that a particular
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Raeburn, D. (2016), Greek Tragedies As Plays for Performance, John Wiley & Sons, Incorporated, Newark. p.138
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1536:. Euripides. Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 54.
1511:. Euripides. Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 57.
1197:. Euripides. Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 21.
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McClure, LK (ed.) 2017, A Companion to Euripides, John Wiley & Sons, Incorporated, Somerset. pp. 521-22
1096:. Euripides. Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 56.
941:. Euripides. Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 55.
624:. Euripides. Cambridge, MA; London, England: Loeb Classical Library, Harvard University Press. p. 53.
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Silenus exits into the cave while the chorus talk to Odysseus. Silenus reenters with much food.
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Late Classical terracotta figure depicting Polyphemos reclining while drinking a bowl of wine.
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portrayals, or "a rival version of a Homeric episode with new contemporary implications."
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https://link.gale.com/apps/doc/A95966820/AONE?u=tou&sid=AONE&xid=5ad4a560
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https://link.gale.com/apps/doc/A95966820/AONE?u=tou&sid=AONE&xid=5ad4a560
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https://link.gale.com/apps/doc/A95966820/AONE?u=tou&sid=AONE&xid=5ad4a560
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263:. Into this scenario Euripides thrust Silenus and the satyrs, comic characters.
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Euripides is not the only ancient dramatist who wrote a Cyclops satyr play.
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Sophocles and Alcibiades: Athenian Politics in Ancient Greek Literature
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Patrick O'Sullivan and Christopher Collard, 2013 (full text
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are not ignorant of Euripides' sources. "Silenus 'knows his
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Satyric Play: The Evolution of Greek Comedy and Satyr Drama
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throughout Athens if they were to overcome their enemies.
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or How to Write a Satyr Play". In Ormand, Kirk (ed.).
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and on the island of Sicily, known to be "a center of
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the Spartan lawgiver. On one level of Euripides' play
1448:
1446:
652:. Cambridge: Cambridge University Press. p. 41.
364:
excess" and linked to ideas contained in the work of
1488:
1071:. Oxford, UK: Oxford University Press. p. 263.
991:. Oxford, UK: Oxford University Press. p. 258.
966:. Oxford, UK: Oxford University Press. p. 247.
913:. Oxford, UK: Oxford University Press. p. 249.
888:. Oxford, UK: Oxford University Press. p. 248.
863:. Oxford, UK: Oxford University Press. p. 183.
854:
852:
735:. Oxford, UK: Oxford University Press. p. 246.
755:Dougherty, Carol. "The Double Vision of Euripides'
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155:presented by Euripides in a dramatic festival in
151:. It is likely to have been the fourth part of a
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1250:O'Sullivan, Patrick. "Cyclops". McClure, Laura.
1226:O'Sullivan, Patrick. "Cyclops". McClure, Laura.
1124:
1122:
834:O'Sullivan, Patrick. "Cyclops". McClure, Laura.
414:were characterized as "a genre of 'hard-ons.'"
174:, around 100 AD, after 4th-century BC original
1889:
1593:
1119:
491:Edward P. Coleridge, 1891 â prose (full text
1903:
1395:
1344:. Henry Holt and Company. pp. 233â234.
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539:George Theodoridis, 2008 â prose (full text
439:the chorus "claim to know an incantation of
475:, 1819 (published 1824) â verse (full text
213:then exits into the cave. The chorus sing.
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1600:
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1534:Introduction, in "Cyclops", in Euripides I
1509:Introduction, in "Cyclops", in Euripides I
1195:Introduction, in "Cyclops", in Euripides I
1094:Introduction, in "Cyclops", in Euripides I
939:Introduction, in "Cyclops", in Euripides I
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622:Introduction, in "Cyclops", in Euripides I
27:
1265:
767:. Vol. 33, No. 3 (Fall 1999), pp. 313-338
696:
344:recent Athenian enterprise against Sicily
237:of the early fifth century did also. But
2988:On the Cave of the Nymphs in the Odyssey
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986:
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908:
883:
858:
730:
650:The Cambridge Companion to Greek Tragedy
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316:Both the Homeric episode and Euripides'
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2838:Odysseus on the Island of the Phaecians
2631:Big Fish: A Novel of Mythic Proportions
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1046:. New York, US: Routledge. p. 94.
1041:
145:, based closely on an episode from the
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1607:
1300:Slenders, Willeon (2015). "Sophocles'
522:David Kovacs, 1994 â prose (full text
3044:On First Looking into Chapman's Homer
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1532:David Kovacs (ed. & tr.) (2001).
1507:David Kovacs (ed. & tr.) (2001).
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1193:David Kovacs (ed. & tr.) (2001).
1092:David Kovacs (ed. & tr.) (2001).
937:David Kovacs (ed. & tr.) (2001).
620:David Kovacs (ed. & tr.) (2001).
16:Ancient Greek satyr play by Euripides
2846:Telemachus and the Nymphs of Calypso
1452:
1364:
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375:The location of the cyclopes in the
224:Odysseus offering wine to Polyphemus
1429:. Hauraki Publishing. p. 179.
1369:. Oxford: Oxford University Press.
1276:http://www.jstor.org/stable/4476660
13:
2556:Odysseus and the Isle of the Mists
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324:had stuck a stick into the eye of
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2894:Circe Offering the Cup to Ulysses
2862:Odysseus at the Court of Alcinous
1558:"Cyclops, adapted from Euripides"
379:is not specified, but Euripides'
3076:Wishbone and the Amazing Odyssey
2968:Historicity of the Homeric epics
1341:The World of Christopher Marlowe
553:Brian Vinero, 2013: rhymed verse
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3069:Odyssey: The Search for Ulysses
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1254:. John Wiley & Sons, 2017.
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838:. John Wiley & Sons, 2017.
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1:
2831:Jar with Odysseus and Elpenor
2748:Il ritorno d'Ulisse in patria
2655:The Lost Books of the Odyssey
1402:. De Gruyter. pp. 1â36.
599:
403:
243:Dionysus's capture by pirates
3098:Between Scylla and Charybdis
2689:The Odyssey: A Modern Sequel
2615:The Odyssey: A Modern Sequel
1961:Laertes (father of Odysseus)
406:560â550 BC, showing a satyr
7:
3233:Plays set in ancient Greece
3181:Parallels between Virgil's
2878:Ulysses Deriding Polyphemus
1067:Torrance, Isabelle (2013).
987:Torrance, Isabelle (2013).
962:Torrance, Isabelle (2013).
909:Torrance, Isabelle (2013).
884:Torrance, Isabelle (2013).
859:Torrance, Isabelle (2013).
731:Torrance, Isabelle (2013).
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228:
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3274:
3243:Plays based on the Odyssey
2591:Les Aventures de Télémaque
2489:O Brother, Where Art Thou?
1399:Reconstructing Satyr Drama
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2031:Other monarchs and royals
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1423:Kerényi, Kåroly (2016) .
1042:Vickers, Michael (2014).
699:"Cyclops", in Euripides I
594:Theatre of ancient Greece
541:at Bacchicstage Wordpress
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95:
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38:
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21:
2963:Geography of the Odyssey
2854:The Sorrow of Telemachus
1307:A Companion to Sophocles
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1228:A Companion to Euripides
1165:. Accessed 5 Sept. 2020.
1152:. Accessed 4 Sept. 2020.
1132:. Accessed 8 Sept. 2020.
836:A Companion to Euripides
564:Ancient Greek literature
259:' time with the cyclops
3146:The Apotheosis of Homer
2910:Odysseus and Polyphemus
2870:The Apotheosis of Homer
1465:Faraone, Christopher A.
1069:Metapoetry in Euripides
989:Metapoetry in Euripides
964:Metapoetry in Euripides
911:Metapoetry in Euripides
886:Metapoetry in Euripides
861:Metapoetry in Euripides
733:Metapoetry in Euripides
589:Music of ancient Greece
162:
3223:Mythological Sicilians
2918:Ulysses and the Sirens
2902:Ulysses and the Sirens
2886:The Sirens and Ulysses
2807:Tales of Brave Ulysses
1426:The Gods of The Greeks
1365:Shaw, Carl A. (2014).
1310:. Wiley. p. 159.
569:Ancient Greek religion
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273:
225:
175:
81:Companions of Odysseus
3258:Mount Etna in fiction
1338:Riggs, David (2014).
763:on the Satyr Stage".
397:
387:, possibly following
296:), and childishness (
269:
223:
172:Actor as Papposilenus
170:
157:5th Century BC Athens
3051:On Translating Homer
2780:Odysseus, Verbrecher
1723:The Phoenician Women
1646:Children of Heracles
517:Roger Lancelyn Green
473:Percy Bysshe Shelley
450:devotees of Dionysus
245:with the episode in
3238:Plays set in Sicily
3129:Suitors of Penelope
2995:Rediscovering Homer
2936:Homeric scholarship
2457:The Return of Ringo
1778:Alcmaeon in Psophis
1771:Alcmaeon in Corinth
1702:Iphigenia in Tauris
584:Dionysian Mysteries
271:Theatre of Dionysus
178:The play is set in
3213:Plays by Euripides
3141:Old Man of the Sea
3025:Dactylic hexameter
3009:Hermoniakos' Iliad
2599:The World's Desire
2564:Star Trek: Odyssey
2465:Nostos: The Return
2222:Old Man of the Sea
2067:Deucalion of Crete
1744:Iphigenia in Aulis
759:: An Ethnographic
697:Euripides (2001).
676:|access-date=
511:William Arrowsmith
416:
274:
226:
176:
3200:
3199:
3020:Epithets in Homer
3015:Hysteron proteron
2764:Glam Slam Ulysses
2428:
2427:
1871:
1870:
1763:fragmentary plays
1409:978-3-11-072521-6
1376:978-0-19-995094-2
765:Comparative Drama
646:Easterling, P. E.
493:from MIT Classics
115:
114:
96:Original language
3265:
3175:Homer's Daughter
2974:Odysseus Unbound
2946:Homeric Question
2941:Homeric Laughter
2772:Home Sweet Homer
2756:The Golden Apple
2623:The Human Comedy
2586:(2nd century AD)
1924:
1923:
1898:
1891:
1884:
1875:
1874:
1695:The Trojan Women
1602:
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1588:
1579:
1578:
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832:
826:
823:
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753:
747:
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722:
719:
713:
712:
694:
688:
687:
681:
677:
673:
671:
663:
642:
636:
635:
617:
574:Classical Greece
524:on Tufts Perseus
484:
405:
129:
31:
19:
18:
3273:
3272:
3268:
3267:
3266:
3264:
3263:
3262:
3203:
3202:
3201:
3196:
3102:
3081:
3056:
3029:
2958:JĂžrgensen's law
2924:
2819:
2794:
2711:
2669:
2570:
2548:Mission Odyssey
2511:
2424:
2284:
2226:
2155:
2026:
1975:(chief servant)
1913:
1902:
1872:
1867:
1762:
1756:
1612:
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1079:
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1054:
1040:
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985:
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956:
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935:
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871:
857:
850:
833:
829:
824:
813:
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796:
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771:
754:
750:
743:
729:
725:
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709:
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665:
664:
660:
643:
639:
632:
618:
607:
602:
560:
548:on Academia.edu
477:at Google Books
469:
366:Mikhail Bakhtin
231:
165:
86:Place premiered
69:
65:
34:
17:
12:
11:
5:
3271:
3261:
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3255:
3250:
3245:
3240:
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3215:
3198:
3197:
3195:
3194:
3178:
3171:
3163:
3155:
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3143:
3138:
3131:
3126:
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3110:
3108:
3104:
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3101:
3100:
3095:
3089:
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3072:
3064:
3062:
3058:
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3047:
3039:
3037:
3031:
3030:
3028:
3027:
3022:
3017:
3012:
3005:
3002:Odysseus' Scar
2998:
2991:
2984:
2983:
2982:
2980:Homer's Ithaca
2977:
2965:
2960:
2955:
2954:
2953:
2943:
2938:
2932:
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2926:
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2800:
2796:
2795:
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2784:
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2760:
2752:
2744:
2736:
2728:
2724:Current Nobody
2719:
2717:
2713:
2712:
2710:
2709:
2705:Pagan Operetta
2701:
2693:
2685:
2677:
2675:
2671:
2670:
2668:
2667:
2659:
2651:
2647:The Penelopiad
2643:
2639:Trojan Odyssey
2635:
2627:
2619:
2611:
2603:
2595:
2587:
2578:
2576:
2572:
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2569:
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2560:
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2528:
2519:
2517:
2513:
2512:
2510:
2509:
2501:
2493:
2485:
2477:
2469:
2468:(1989 Italian)
2461:
2460:(1965 Italian)
2453:
2452:(1954 Italian)
2445:
2444:(1911 Italian)
2436:
2434:
2430:
2429:
2426:
2425:
2423:
2422:
2417:
2412:
2407:
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2397:
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2377:
2372:
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2209:
2204:
2194:
2189:
2184:
2179:
2174:
2169:
2163:
2161:
2157:
2156:
2154:
2153:
2148:
2143:
2138:
2129:
2124:
2117:
2112:
2103:
2098:
2093:
2088:
2083:
2074:
2069:
2064:
2058:
2053:
2049:, king of the
2044:
2034:
2032:
2028:
2027:
2025:
2024:
2018:
2012:
2006:
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1994:
1988:
1982:
1976:
1970:
1964:
1958:
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1933:
1931:
1921:
1915:
1914:
1901:
1900:
1893:
1886:
1878:
1869:
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1747:
1740:
1733:
1726:
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1698:
1691:
1684:
1677:
1674:The Suppliants
1670:
1663:
1656:
1649:
1642:
1635:
1628:
1620:
1618:
1614:
1613:
1605:
1604:
1597:
1590:
1582:
1574:
1573:
1549:
1542:
1524:
1517:
1499:
1487:
1478:
1469:
1457:
1442:
1435:
1415:
1408:
1383:
1375:
1357:
1350:
1323:
1316:
1292:
1280:
1264:
1240:
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1210:
1203:
1185:
1167:
1154:
1134:
1118:
1109:
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1084:
1077:
1059:
1052:
1034:
1025:
1016:
1004:
997:
979:
972:
954:
947:
926:
919:
901:
894:
876:
869:
848:
827:
811:
799:
790:
769:
748:
741:
723:
714:
707:
689:
658:
637:
630:
604:
603:
601:
598:
597:
596:
591:
586:
581:
576:
571:
566:
559:
556:
555:
554:
551:
544:
537:
536:, 2001 â verse
530:Heather McHugh
527:
520:
519:, 1957 â verse
514:
513:, 1956 - verse
508:
507:, 1923 â verse
505:J. T. Sheppard
502:
501:, 1912 â verse
496:
489:
468:
465:
280:), education (
230:
227:
164:
161:
113:
112:
107:
103:
102:
97:
93:
92:
87:
83:
82:
79:
75:
74:
60:
56:
55:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
3270:
3259:
3256:
3254:
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3224:
3221:
3219:
3216:
3214:
3211:
3210:
3208:
3193:
3192:
3188:
3184:
3179:
3177:
3176:
3172:
3169:
3168:
3167:Cold Mountain
3164:
3161:
3160:
3159:Cold Mountain
3156:
3154:
3153:
3149:
3147:
3144:
3142:
3139:
3137:
3136:
3132:
3130:
3127:
3125:
3122:
3120:
3117:
3115:
3112:
3111:
3109:
3105:
3099:
3096:
3094:
3093:In medias res
3091:
3090:
3088:
3084:
3078:
3077:
3073:
3071:
3070:
3066:
3065:
3063:
3059:
3053:
3052:
3048:
3045:
3041:
3040:
3038:
3036:
3032:
3026:
3023:
3021:
3018:
3016:
3013:
3011:
3010:
3006:
3003:
2999:
2997:
2996:
2992:
2990:
2989:
2985:
2981:
2978:
2976:
2975:
2971:
2970:
2969:
2966:
2964:
2961:
2959:
2956:
2952:
2949:
2948:
2947:
2944:
2942:
2939:
2937:
2934:
2933:
2931:
2927:
2920:
2919:
2915:
2912:
2911:
2907:
2904:
2903:
2899:
2896:
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2891:
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2887:
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2879:
2875:
2872:
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2867:
2864:
2863:
2859:
2856:
2855:
2851:
2848:
2847:
2843:
2840:
2839:
2835:
2833:(c. 440 B.C.)
2832:
2829:
2828:
2826:
2822:
2815:
2811:
2808:
2804:
2803:
2801:
2797:
2790:
2789:
2785:
2782:
2781:
2777:
2774:
2773:
2769:
2766:
2765:
2761:
2758:
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2753:
2750:
2749:
2745:
2742:
2741:
2737:
2734:
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2721:
2720:
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2707:
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2702:
2699:
2698:
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2676:
2672:
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2648:
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2641:
2640:
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2633:
2632:
2628:
2625:
2624:
2620:
2617:
2616:
2612:
2609:
2608:
2604:
2601:
2600:
2596:
2593:
2592:
2588:
2585:
2584:
2580:
2579:
2577:
2573:
2566:
2565:
2561:
2558:
2557:
2553:
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2549:
2545:
2542:
2541:
2537:
2534:
2533:
2529:
2526:
2525:
2521:
2520:
2518:
2514:
2507:
2506:
2502:
2499:
2498:
2494:
2491:
2490:
2486:
2484:(2000 French)
2483:
2482:
2478:
2475:
2474:
2473:Ulysses' Gaze
2470:
2467:
2466:
2462:
2459:
2458:
2454:
2451:
2450:
2446:
2443:
2442:
2438:
2437:
2435:
2431:
2421:
2418:
2416:
2413:
2411:
2408:
2406:
2403:
2401:
2398:
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2391:
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2386:
2383:
2381:
2378:
2376:
2373:
2371:
2368:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2336:
2333:
2331:
2328:
2324:
2321:
2320:
2319:
2316:
2314:
2311:
2309:
2306:
2304:
2301:
2299:
2296:
2295:
2293:
2291:
2287:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
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2243:
2241:
2238:
2237:
2235:
2233:
2229:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
2202:
2198:
2195:
2193:
2190:
2188:
2185:
2183:
2180:
2178:
2175:
2173:
2170:
2168:
2165:
2164:
2162:
2158:
2152:
2149:
2147:
2144:
2142:
2139:
2137:
2133:
2130:
2128:
2125:
2122:
2118:
2116:
2113:
2111:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2078:
2075:
2073:
2070:
2068:
2065:
2062:
2059:
2057:
2054:
2052:
2048:
2045:
2043:
2039:
2036:
2035:
2033:
2029:
2022:
2019:
2016:
2013:
2010:
2007:
2004:
2001:
1998:
1995:
1992:
1989:
1986:
1983:
1980:
1977:
1974:
1971:
1969:(grandfather)
1968:
1965:
1962:
1959:
1956:
1953:
1950:
1947:
1944:
1941:
1938:
1935:
1934:
1932:
1930:
1925:
1922:
1920:
1916:
1912:
1911:
1906:
1899:
1894:
1892:
1887:
1885:
1880:
1879:
1876:
1864:
1863:
1859:
1857:
1856:
1852:
1850:
1849:
1845:
1843:
1842:
1838:
1836:
1835:
1831:
1829:
1828:
1824:
1822:
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1553:
1545:
1543:9780674995604
1539:
1535:
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1520:
1518:9780674995604
1514:
1510:
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1494:
1492:
1482:
1473:
1466:
1461:
1455:, p. 18.
1454:
1449:
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1353:
1351:9781466862340
1347:
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1334:
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1330:
1328:
1319:
1317:9781119025535
1313:
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1260:9781119257509
1257:
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1236:9781119257509
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1204:9780674995604
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1113:
1105:
1103:9780674995604
1099:
1095:
1088:
1080:
1078:9780199657834
1074:
1070:
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2583:A True Story
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2476:(1995 Greek)
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2380:Laestrygones
2265:Demoptolemus
2101:Peisistratus
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1617:Extant plays
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402:, dating to
398:Detail of a
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3228:Satyr plays
3135:The Odyssey
3061:Video games
2951:Chorizontes
2814:The Odyssey
2551:(2002-2003)
2540:The Odyssey
2524:The Odyssey
2360:Halitherses
2151:Thrasymedes
2123:of Phaeacia
2063:of Phaeacia
1993:(swineherd)
1848:Philoctetes
1813:Cresphontes
1806:Bellerophon
1262:. page 315.
1238:. page 314.
454:Orphic cult
412:satyr plays
410:. Athenian
362:Rabelaisian
335:Philoctetes
3253:Polyphemus
3207:Categories
2697:The Cantos
2575:Literature
2532:Ulysses 31
2505:The Return
2481:Sans plomb
2355:Eurylochus
2323:Polyphemus
2270:Eurymachus
2250:Amphinomus
2245:Amphimedon
2096:Stratichus
2047:Antiphates
2005:(goatherd)
2003:Melanthius
1997:Philoetius
1987:(musician)
1943:Telemachus
1919:Characters
1660:Andromache
1653:Hippolytus
1567:2024-02-10
680:|url=
600:References
425:Mount Nysa
389:Epicharmus
383:is set in
330:Alcibiades
288:), slave (
284:), child (
261:Polyphemus
207:Hephaestus
191:Polyphemus
184:Mount Etna
139:satyr play
110:Satyr play
59:Characters
39:Written by
3114:Telemachy
2841:(c. 1635)
2824:Paintings
2775:(musical)
2767:(musical)
2759:(musical)
2441:L'Odissea
2405:Charybdis
2395:Polydamna
2385:Mesaulius
2375:Kikonians
2345:Eupeithes
2330:Demodocus
2280:Perimedes
2260:Ctesippus
2197:Leucothea
2141:Idomeneus
2132:Agamemnon
2119:Princess
2086:Echephron
2023:(pet dog)
1999:(cowherd)
1981:(advisor)
1973:Eurycleia
1967:Autolycus
1927:House of
1855:Theristai
1820:Hypsipyle
1799:Archelaus
1785:Andromeda
1610:Euripides
1608:Plays by
1453:Shaw 2014
1302:Ichneutae
1288:Shaw 2014
786:9.331-333
678:requires
668:cite book
153:tetralogy
143:Euripides
43:Euripides
3218:Odysseus
3152:Contempt
2816:" (song)
2809:" (song)
2788:Penelope
2684:" (1842)
2415:Tiresias
2365:Heracles
2350:Euryalus
2318:Cyclopes
2313:Antiphus
2308:Anticlus
2298:Achilles
2255:Antinous
2207:Poseidon
2127:Laodamas
2121:Nausicaa
2106:Menelaus
2042:Phaeacia
2038:Alcinous
2017:(herald)
2009:Melantho
1963:(father)
1957:(mother)
1955:Anticlea
1951:(sister)
1937:Penelope
1929:Odysseus
1862:Thyestes
1841:Phaethon
1834:Peliades
1792:Antigone
1761:Lost and
1688:Herakles
1632:Alcestis
648:(1997).
579:Dionysia
558:See also
351:Sophists
326:Lycurgus
322:Alcander
294:paidikos
257:Odysseus
235:Aristias
229:Analysis
134:) is an
67:Odysseus
3248:Silenus
3191:Odyssey
3162:(novel)
3107:Related
3086:Phrases
2751:(opera)
2732:Cyclops
2682:Ulysses
2607:Ulysses
2497:Keyhole
2449:Ulysses
2390:Polites
2340:Elpenor
2240:Agelaus
2232:Suitors
2217:Oceanus
2177:Calypso
2136:Mycenae
2091:Perseus
2072:Echetus
1991:Eumaeus
1985:Phemius
1949:Ctimene
1910:Odyssey
1827:Oedipus
1737:Bacchae
1730:Orestes
1681:Electra
1625:Cyclops
782:Odyssey
761:Odyssey
757:Cyclops
460:Cyclops
441:Orpheus
437:Cyclops
429:Cyclops
420:Cyclops
381:Cyclops
377:Odyssey
355:Cyclops
340:Cyclops
318:Cyclops
310:Odyssey
306:Cyclops
302:Cyclops
300:)". In
282:paideia
252:Odyssey
239:Cyclops
188:Cyclops
148:Odyssey
132:KyklĆps
119:Cyclops
72:Cyclops
63:Silenus
22:Cyclops
3183:Aeneid
3170:(film)
3119:Nekyia
2921:(1909)
2913:(1896)
2905:(1891)
2897:(1891)
2889:(1837)
2881:(1829)
2873:(1827)
2865:(1816)
2857:(1783)
2849:(1782)
2791:(play)
2783:(play)
2743:(play)
2740:Ithaka
2735:(play)
2727:(play)
2708:(1998)
2700:(1962)
2692:(1938)
2666:(2018)
2658:(2010)
2650:(2005)
2642:(2003)
2634:(1998)
2626:(1943)
2618:(1938)
2610:(1922)
2602:(1890)
2594:(1699)
2567:(2007)
2559:(2007)
2543:(1997)
2535:(1981)
2527:(1968)
2508:(2024)
2500:(2012)
2492:(2000)
2410:Sirens
2400:Scylla
2335:Dolius
2290:Others
2275:Leodes
2192:Hermes
2187:Helios
2172:Athena
2167:Aeolus
2146:Mentes
2110:Sparta
2077:Nestor
2056:Aretus
2011:(maid)
1979:Mentor
1939:(wife)
1751:Rhesus
1667:Hecuba
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400:krater
385:Sicily
298:paidia
278:paidia
211:Hypnos
180:Sicily
128:ÎÏÎșλÏÏ
90:Athens
53:Satyrs
49:Chorus
3187:Iliad
2929:Study
2716:Stage
2674:Poems
2663:Circe
2433:Films
2182:Circe
2115:Helen
2081:Pylos
2061:Arete
2021:Argos
2015:Medon
1945:(son)
1905:Homer
1716:Helen
1639:Medea
1381:. p.5
777:Homer
247:Homer
106:Genre
3189:and
2799:Song
2370:Irus
2303:Ajax
2212:Zeus
2160:Gods
1538:ISBN
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1371:ISBN
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684:help
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626:ISBN
532:and
290:pais
286:pais
209:and
163:Plot
78:Mute
70:The
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2134:of
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