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Contrafactum

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635:" (or "het Wilhelmus"), parts of which form the national anthem of the kingdom of the Netherlands, suffers from the same fate. It is based on "The tune of Chartres", specified by the Beggars Songbook of 1576–77 as that of a French song about the siege of the city of Chartres by the Prince of Condé and the Huguenots in the beginning of 1568. This song, with the title "Autre chanson de la ville de Chartres assiegee par le Prince de Condé, sur un chant nouveau", formed the base of "het Wilhelmus". 401: 43: 368:
Writers of contrafacta and parody tried to emulate an earlier song's poetic metre, rhyme scheme, and musical metre. They went further by also establishing a close connection to the model's words and ideas and adapting them to a new purpose, whether humorous or serious.
243:" (lit. "The Light of the firefly"), and is used at graduation ceremonies. Another Western song, also reworked with different lyrics around the same period (late 19th century) and used at graduation ceremonies, sometimes confused with "Hotaru", is " 155:) is "the substitution of one text for another without substantial change to the music". The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with 828: 522: 537: 742: 167:
Translations meant for singing are not usually intentional "substitution". Types of contrafacta that are wholesale substitution of a different text include the following:
387:, in which players have to identify a popular-music song from someone singing completely unrelated words, such as from a book about knitting, to the tune of that song. 548: 559: 1056: 1893: 1017:
Florimond van Duyse, "Het oude Nederlandsche lied. Tweede deel", Martinus Nijhoff / De Nederlandsche Boekhandel, The Hague/Antwerp, 1905
1886: 1861: 1324: 1049: 228:'s "Quel augellin che canta" (4th madrigal book), was transformed into "Qui laudes tuas cantat", using the sacred poem texts by 1338: 826:
Falck, Robert; Picker, Martin (2001). "Contrafactum (from medieval Lat. contrafacere: 'to imitate', 'counterfeit', 'forge')".
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Schachter, Michael (2013). "'Autumn Leaves': Intricacies of Style in Keith Jarrett's Approach to the Jazz Standard".
625: 484: 126: 770: 444: 86: 621: 569:" (Little Town Bell), the Greek "Φεγγαράκι μου λαμπρό (Fengaráki mou lampró)" (My Bright Moon), and the Turkish " 542: 1634: 422: 64: 451: 93: 1668: 1381: 1124: 506: 418: 378: 300: 60: 1302: 197: 553: 433: 75: 17: 917:
Rorke, Margaret Ann (1984). "Sacred Contrafacta of Monteverdi Madrigals and Cardinal Borromeo's Milan".
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An existing tune already possessing secular or sacred words is given a new poem, which often happens in
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Other notable songs with significantly-different lyrics in different languages include the following:
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A lyricist might re-cast his/her own song (or someone else's song) with new lyrics. Examples include:
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and Jacques Revaux, original French lyrics by Claude François and Gilles Thibaut, rewritten as "
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had written a different set of lyrics to the same tune, titled "Even a Fool Learns to Love".
2034: 1673: 1464: 758: 730: 664: 185: 458: 100: 8: 2008: 1961: 1956: 1936: 1697: 1558: 1386: 1297: 1092: 1065: 598: 338: 179:, and sometimes, more than one new set of words is created over time. Examples include: 1872: 1685: 1474: 1260: 992: 954:"'More Truth than Poetry': Parody and Intertextuality in Early American Political Song" 934: 671: 344: 225: 602: 583: 1916: 1545: 1371: 1214: 1169: 1144: 1087: 845: 762: 689: 313:
Intentional parodies of lyrics, especially for satirical purposes. Examples include;
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Songs which have been re-written by the same writer with different lyrics include:
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As American as tarte aux pommes! Celebrating the Fourth with some American Music
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Rootes, Larry (Spring 2001). "Hymnody: A Development of the Middle Ages".
582:" (French "Les Feuilles mortes", literally "The Dead Leaves") – French by 239:" (lit. "Long Time Ago", "Old Times") has a new set of words in the song " 1993: 1781: 1731: 1714: 1579: 1535: 1391: 1204: 738: 711: 707: 703: 614: 140: 1812: 1736: 1525: 1459: 1097: 786: 697: 679: 425: in this section. Unsourced material may be challenged and removed. 324: 205: 31: 1004: 938: 1761: 1709: 1589: 1530: 1418: 1219: 1174: 1159: 1149: 774: 632: 610: 212: 400: 42: 1981: 1867: 1691: 1663: 1594: 1520: 1505: 1413: 791: 283: 710:
in 1968 and 1969, but never formally recorded), self-reworking by
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for the song "Suddenly Hungry and Sad," intended for the musical
613:. Before Anka acquired the English-language rights to the song, 1629: 1515: 1510: 1401: 1184: 1119: 606: 505:(English: Oh! Shall I tell you, Mama) is used in English for " 1721: 1702: 1179: 176: 1988: 1855: 806: 663:(from two years earlier), in both instances with lyrics by 517:", while all of the following use the melody: the German 743:
Ain't That Just Like a Woman (They'll Do It Every Time)
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from the stage and film versions, respectively, of the
215:"Dix" has been given several sets of words, among them 678:" ("Goodbye England's Rose ..."), self-reworking by 67:. Unsourced material may be challenged and removed. 532:" (Santa Claus is Coming Tomorrow) with words by 364:also created political parody with popular music. 2026: 741:, the latter of which was itself a re-write of " 204:to a tune from Mendelssohn's Gutenberg cantata 753:Contrafactum has been used in writing several 628:" ("Marlborough Has Left for the War", 1700s). 1360:Cinema / television / video 1064: 1050: 706:" (1971) and "Child of Nature" (rehearsed by 570: 547:" (Fluffy white snow is falling), the Dutch " 1894:Palimpsests: Literature in the Second Degree 358:created political parody with popular music. 320:created satirical lyrics with popular music. 825: 558:" (Kortjakje is Always Sick), the Spanish " 1057: 1043: 982: 485:Learn how and when to remove this message 189:were fitted to the tune of the folksong " 127:Learn how and when to remove this message 674:" (1973, "Goodbye Norma Jean ...") and " 842:10.1093/gmo/9781561592630.article.06361 14: 2027: 951: 864: 1038: 916: 170: 624:" (English mid-1800s), from French " 423:adding citations to reliable sources 394: 65:adding citations to reliable sources 36: 24: 952:Lohman, Laura (22 November 2020). 277:On a Clear Day You Can See Forever 27:In music, the substitution of text 25: 2046: 536:, the Hungarian Christmas carol " 251: 997:10.2979/inditheorevi.31.1-2.0115 399: 377:The Australian music quiz show, 41: 653:, music originally composed by 523:Morgen kommt der Weihnachtsmann 410:needs additional citations for 52:needs additional citations for 1020: 1011: 976: 945: 910: 885: 858: 819: 626:Marlbrough s'en va-t-en guerre 501:The melody of the French song 13: 1: 1823:Pierre Menard, Author of the 1669:Archetypal literary criticism 1229:Literature / theatre 895:. Cyberhymnal. Archived from 812: 507:Twinkle, Twinkle, Little Star 196:The Charles Wesley hymn text 162: 1635:Source criticism in the arts 1303:Readymades of Marcel Duchamp 696:" (2003), self-reworking by 622:For He's a Jolly Good Fellow 221:For the Beauty of the Earth. 198:Hark! The Herald Angels Sing 7: 1836:Reality Hunger: A Manifesto 780: 390: 347:used satirical lyrics with 298:. It has the same tune as 217:As with Gladness Men of Old 10: 2051: 1942:Appropriation in sociology 647:" (1951, from the musical 301:Don't Cry for Me Argentina 235:In Japan, the Scots song " 29: 1947:Articulation in sociology 1925: 1848: 1800: 1750: 1647: 1572: 1544: 1496: 1487: 1470:Revivalism (architecture) 1442: 1359: 1316: 1283: 1274: 1228: 1080: 1073: 797:Translation of sung texts 609:" with English lyrics by 575:" (Yesterday Our Mother). 571: 534:Hoffmann von Fallersleben 308: 1659:Aesthetic interpretation 549:Altijd is Kortjakje ziek 503:Ah! vous dirai-je, maman 372: 30:Not to be confused with 1901:The Pictures Generation 1680:The Death of the Author 834:Oxford University Press 757:, such as those of the 676:Candle in the Wind 1997 538:Hull a pelyhes fehér hó 334:The Pirates of Penzance 202:William Hayman Cummings 1972:Copyright infringement 1952:Cultural appropriation 292:from the 1976 musical 1999:Participatory culture 1967:Intellectual property 985:Indiana Theory Review 515:Baa, Baa, Black Sheep 1674:Artistic inspiration 1498:Intertextual figures 1465:Parody advertisement 731:Sweet Little Sixteen 665:Oscar Hammerstein II 419:improve this article 61:improve this article 2009:Recontextualisation 1962:Information society 1957:History of printing 1937:Academic dishonesty 1698:Genius (literature) 1387:Literal music video 1298:Photographic mosaic 1093:Chopped and screwed 931:10.1093/ml/65.2.168 919:Music & Letters 645:Getting to Know You 586:(1945), English by 560:Campanita del lugar 318:"Weird Al" Yankovic 304:from the same show. 186:What Child Is This? 1686:Divine inspiration 1475:Video game modding 1317:By source material 829:Grove Music Online 672:Candle in the Wind 572:Daha Dün Annemizin 383:has a game called 345:Forbidden Broadway 171:Poems set to music 2022: 2021: 1929:artistic concepts 1917:Russian formalism 1643: 1642: 1483: 1482: 1372:Anime music video 1355: 1354: 1347:Statue of Liberty 1145:Musical quotation 1088:Bootleg recording 1001:Project MUSE 851:978-1-56159-263-0 690:How You Remind Me 590:(1947), Music by 495: 494: 487: 469: 380:Spicks and Specks 137: 136: 129: 111: 16:(Redirected from 2042: 1841: 1831: 1818: 1649:Related artistic 1615:Imitation in art 1585:Assemblage (art) 1494: 1493: 1293:Combine painting 1281: 1280: 1266:Verbatim theatre 1241:Cut-up technique 1140:Music plagiarism 1078: 1077: 1059: 1052: 1045: 1036: 1035: 1029: 1024: 1018: 1015: 1009: 1008: 991:(1–2): 115–167. 980: 974: 973: 949: 943: 942: 914: 908: 907: 905: 904: 889: 883: 882: 862: 856: 855: 832:(8th ed.). 823: 755:national anthems 599:Comme d'habitude 574: 573: 568: 557: 546: 531: 490: 483: 479: 476: 470: 468: 427: 403: 395: 289:Oh What a Circus 286:with the number 263:with the number 241:Hotaru no hikari 230:Aquilino Coppini 132: 125: 121: 118: 112: 110: 69: 45: 37: 21: 2050: 2049: 2045: 2044: 2043: 2041: 2040: 2039: 2025: 2024: 2023: 2018: 2004:Pirate politics 1977:Derivative work 1930: 1928: 1921: 1844: 1839: 1829: 1816: 1805: 1803: 1796: 1792:Story structure 1787:Stock character 1767:Formula fiction 1755: 1753: 1752:Standard blocks 1746: 1652: 1650: 1639: 1568: 1540: 1489: 1479: 1438: 1367:Abridged series 1351: 1339:Michelangelo's 1331:Michelangelo's 1312: 1277: 1270: 1256:Jukebox musical 1224: 1069: 1063: 1033: 1032: 1025: 1021: 1016: 1012: 981: 977: 950: 946: 915: 911: 902: 900: 893:"Tunes by name" 891: 890: 886: 873:(1). Richmond. 863: 859: 852: 824: 820: 815: 802:Musical setting 783: 735:Johnny B. Goode 655:Richard Rodgers 603:Claude François 584:Jacques Prévert 562: 551: 540: 525: 519:Christmas carol 491: 480: 474: 471: 428: 426: 416: 404: 393: 375: 337:for his song " 311: 261:Alan Jay Lerner 254: 173: 165: 157:Gregorian chant 133: 122: 116: 113: 70: 68: 58: 46: 35: 28: 23: 22: 15: 12: 11: 5: 2048: 2038: 2037: 2020: 2019: 2017: 2016: 2011: 2006: 2001: 1996: 1991: 1986: 1985: 1984: 1979: 1974: 1964: 1959: 1954: 1949: 1944: 1939: 1933: 1931: 1926: 1923: 1922: 1920: 1919: 1914: 1909: 1904: 1897: 1890: 1883: 1878: 1870: 1865: 1862:De Copia Rerum 1858: 1852: 1850: 1846: 1845: 1843: 1842: 1832: 1819: 1808: 1806: 1801: 1798: 1797: 1795: 1794: 1789: 1784: 1779: 1774: 1769: 1764: 1758: 1756: 1751: 1748: 1747: 1745: 1744: 1739: 1734: 1729: 1724: 1719: 1718: 1717: 1707: 1706: 1705: 1700: 1695: 1683: 1676: 1671: 1666: 1661: 1655: 1653: 1648: 1645: 1644: 1641: 1640: 1638: 1637: 1632: 1627: 1622: 1617: 1612: 1607: 1602: 1597: 1592: 1587: 1582: 1576: 1574: 1573:Other concepts 1570: 1569: 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719:Surfin' U.S.A. 715: 700: 692:" (2001) and " 686: 668: 650:The King and I 637: 636: 629: 618: 595: 576: 493: 492: 434:"Contrafactum" 407: 405: 398: 392: 389: 374: 371: 366: 365: 359: 352: 342: 321: 310: 307: 306: 305: 281: 265:She Wasn't You 253: 252:Self-reworking 250: 249: 248: 245:Aogeba tōtoshi 237:Auld Lang Syne 233: 223: 209: 200:was fitted by 194: 172: 169: 164: 161: 135: 134: 117:September 2023 76:"Contrafactum" 49: 47: 40: 26: 9: 6: 4: 3: 2: 2047: 2036: 2033: 2032: 2030: 2015: 2014:Remix culture 2012: 2010: 2007: 2005: 2002: 2000: 1997: 1995: 1992: 1990: 1987: 1983: 1980: 1978: 1975: 1973: 1970: 1969: 1968: 1965: 1963: 1960: 1958: 1955: 1953: 1950: 1948: 1945: 1943: 1940: 1938: 1935: 1934: 1932: 1924: 1918: 1915: 1913: 1912:Postmodernism 1910: 1908: 1905: 1903: 1902: 1898: 1896: 1895: 1891: 1889: 1888: 1884: 1882: 1879: 1877: 1876: 1871: 1869: 1866: 1864: 1863: 1859: 1857: 1854: 1853: 1851: 1847: 1838: 1837: 1833: 1827: 1826: 1820: 1815: 1814: 1810: 1809: 1807: 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vocal music
Gregorian chant
hymns
What Child Is This?
Greensleeves
Hark! The Herald Angels Sing
William Hayman Cummings
Festgesang
hymn tune
Monteverdi
Aquilino Coppini
Auld Lang Syne
Hotaru no hikari
Aogeba tōtoshi
Alan Jay Lerner
musical
On a Clear Day You Can See Forever

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