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is her nasty smoking habit, which will interfere with the chances of her fiancé, Warren, for a job with great benefits. She seeks help from a psychiatrist, Dr. Mark
Bruckner, to stop smoking. When he hypnotizes her, she describes living a previous life in late 18th century England as "Melinda Wells", who died in her late twenties from circumstances beyond her control. Free spirited Melinda was in love with portrait painter Edward Moncrief. Mark keeps to himself what Daisy has revealed to him, and he tells her that she should not be ashamed of her ESP.
335:, departed from the plot of the original. The patient is now a gay florist David (Turner) who was a female jazz singer Melinda (Mueller) in a former life, and who falls in love with his psychiatrist, widower Dr. Mark Bruckner (Connick). The Vassar concert mixed "material from the stage and film versions and eliminates overstuffed 1960s-style production numbers." This production closed on January 29, 2012, after 29 previews and 57 performances.
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life, which will allow him to leave his fortune to his future self. Daisy accidentally discovers that she is the "Melinda" at the center of the growing controversy and that Mark prefers
Melinda to herself. In her angry confrontation with the psychiatrist about the matter, she tells him that she is "through being a go-between for you and your dream girl. You're not going to go on using my head for a motel."
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Quirky Daisy Gamble sees herself as an unremarkable person and has low self-esteem, even though she can (1) make plants grow remarkably, (2) predict when a telephone will ring or someone will drop in, and (3) tell where to find an object that someone else is looking for. Her current problem, though,
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Note: In the piano-vocal score, a song appears that was not included in the original
Broadway production: "The Solicitor's Song", during Daisy's first regression-scene. There was also a ballet in the first act of the original production, entitled "At the Hellrakers" and the song "Ring Out the Bells"
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The 2011 revised
Broadway version was revived at The New Conservatory Theater Center in San Francisco, California starring Chris Morell as David Gamble, Melissa O'Keefe as Melinda Wells, and popular local actor William Giammona as Dr. Mark Bruckner. The production was directed by Artistic Director
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Mark reports on the case to his fellow psychiatrists, who ridicule his findings. Greek shipping magnate
Themistocles Kriakos learns of Mark's belief in reincarnation and offers to finance a study of the events of Melinda's life in exchange for Mark's help in discovering who he will be in his next
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At their next session, Daisy, under hypnosis, relates scenes from the salacious London
Hellrakers' Club where Melinda met Edward. Melinda and Edward eventually marry, but the painter is unfaithful to her, making love to his subjects. Mark finds himself falling for "Melinda" and becomes convinced
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from the above version are missing ("Ring Out the Bells," "Tosy and Cosh", "Don't Tamper with my Sister"), as is the introduction to the song "Hurry, It's Lovely Up Here," which is recorded on the cast album. Also, the Greek millionaire's solo, "When I'm Being Born Again" is given completely
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Daisy goes to the airport, ready to return home. Her ESP powers warn her that the plane on which she plans to travel will crash. She realizes at last how special she really is. She leaves her starchy fiancé and she and Mark unite to explore their extraordinary future.
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The musical is available in at least two noticeably different published versions (aside from the film version), although the basic plot-line remains the same. The first version was published in 1966. The musical numbers recorded in the original
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was revived at the Union
Theatre in London starring Vicki Lee Taylor as Daisy Gamble and Nadeem Crowe as Dr. Mark Bruckner. The production was directed by Kirk Jameson and opened to rave reviews with the run ending on 28 September 2013.
438:(an ex-stepbrother named "Tad"), and changing details of other characters, moving the period of Melinda's life ahead by a decade or two (into the early 19th century), removing several songs, changing lyrics and adding two new songs.
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recalled: "Its book was strained and muddled, most critics agreed; its big production numbers were simply cumbersome. But it did have lushly melodic score...." Tours followed, starring such diverse actress-singers as
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reported that the show was budgeted at $ 600,000, with NBC supplying $ 150K and RCA $ 60K. Operating cost per week was said to be $ 55K-60K at a time when a big musical’s typical weekly cost was about $ 45K.
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that Daisy is really the reincarnation of
Melinda. Melinda finally leaves Edward and sets sail for America, but the ship never reaches Boston. Before Mark can save Melinda from shipwreck, Daisy wakes up.
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presented this show as a part of their "Porchlight
Revisits" season where they stage three forgotten musicals per year. It was in Chicago, Illinois in May 2017. It was directed by Lili-Anne Brown.
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and
Founder, Ed Decker, with music direction by Matthew Lee Cannon, choreography by Jayne Zaban and featuring new instrumental arrangements by Ben Prince. It opened May 21, 2016.
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was the original leading man when the show had its tryout at the Colonial Theatre in Boston but was replaced by Cullum before it reached Broadway.
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Zolotow, Sam. “On a Clear Day You Can Pay $ 11.90: New Musical’s Ticket Price to Set Broadway Record.” New York Times, 24 March 1965, 39.
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Piano Solo "On a Clear Day" played by Roger Williams, from the Pianocorder Contemporary Artists Series, (7 ft Grand Piano)
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and was also sung by Streisand on the soundtrack of the film version. "Come Back to Me" was recorded by swing revival band the
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on October 17, 1965, and closed on June 11, 1966, after 280 performances and 3 previews. The production was directed by
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as Melinda and David Turner as David Gamble. The revised version, which had a developmental workshop at The
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1333:. Vocal score. Piano reduction by Robert H. Noeltner. New York: Chappell & Co., Inc., 1967.
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1321:: the original Broadway cast recording. RCA Victor. LSOD-2006 Stereo, LP. c1965. (also on CD)
1309:: a musical play, by Alan Jay Lerner. Music by Burton Lane. New York: Random House, c. 1966.
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A second version is evident in the piano-vocal score published in 1967. Here several vocal
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different lyrics ("When I Come Around Again") and sung instead by Daisy's friends. The
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573:"On the S.S. Bernard Cohn" — Daisy, Muriel Bunson, James Preston and Millard Cross
481:"On the S.S. Bernard Cohn" — Daisy, Muriel Bunson, James Preston and Millard Cross
468:"Ring Out the Bells" — Samuel Welles, Mrs. Welles, Sir Hubert Insdale and Servants
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as Dr. Bruckner. The show premiered in London in 2000 at the Bridewell Theatre.
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The London Stage 1920-1929: A Calendar of Productions, Performers, and Personnel
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This article is about the stage musical. For the 1970 film adaptation, see
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A revised Broadway production began previews on November 12, 2011, at the
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in the 1965 musical, has been recorded by a number of artists, including
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in 1994, which later appeared on their multi-platinum 1997 compilation
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778:' 1968 jazz cover was used in season 5 episode 3 ("Hazard Pay") of
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1126:, Nov. 12, You Can See Harry Connick Jr., Beginning Broadway Run"
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departed from the musical significantly, adding a character for
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starred in a 2018 Off-Broadway revival in New York City with
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520:"On a Clear Day (You Can See Forever) (Reprise)" — Ensemble
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in the fall of 2009 and had readings in August 2010 at the
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1102:"A New Life! Harry Connick, Jr. Will Star in Broadway's
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recorded on the cast album combines the "overture" and "
1177:, a Reincarnation of a Past Cult-Hit, Will Die Jan. 29"
1156:"'A Clear Day’ Is Born Again in New Concert Production"
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has also performed the title song live in concert, and
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that are not found on the original Broadway recording.
600:"Wait Till We're Sixty-Five" — Warren Smith and Daisy
511:"Wait Till We're Sixty-Five" — Warren Smith and Daisy
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Profile of the musical at guidetomusicaltheatre.com
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Best Performance by a Featured Actress in a Musical
1804:Smokey Joe's Cafe: The Songs of Leiber and Stoller
1108:Playbill, March 1, 2011, accessed December 3, 2016
889:Best Performance by a Leading Actress in a Musical
505:"When I'm Being Born Again" — Themistocles Kriakos
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1764:Les Misérables: The Complete Symphonic Recording
1499:How to Succeed in Business Without Really Trying
874:Best Performance by a Leading Actor in a Musical
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319:starred as Dr. Mark Bruckner. The cast included
1697:Cats: Complete Original Broadway Cast Recording
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411:cast album of 1965 correspond to this version.
1654:Sweeney Todd: The Demon Barber of Fleet Street
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307:and opened on December 11, 2011, directed by
754:on his 1976 DynaHouse and TeleHouse albums;
597:"What Did I Have That I Don't Have?" — Daisy
551:"Hurry! It's Lovely Up Here!" — Daisy Gamble
508:"What Did I Have That I Don't Have?" — Daisy
465:"Hurry! It's Lovely Up Here!" — Daisy Gamble
1443:Grammy Award for Best Musical Theater Album
292:series presented a staged concert starring
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606:"Come Back to Me (reprise)" — Dr. Bruckner
517:"Come Back to Me (reprise)" — Dr. Bruckner
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992:Outstanding Featured Actress in a Musical
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21:On a Clear Day You Can See Forever (film)
1689:Dreamgirls: Original Broadway Cast Album
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700:"On a Clear Day (You Can See Forever)"
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25:On a Clear Day (You Can See Forever)
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809:and was re-recorded for their 2014
788:over a montage of Walt and Jesse's
694:"What Did I Have That I Don't Have"
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1982:Beautiful: The Carole King Musical
1681:Lena Horne: The Lady and Her Music
1531:On a Clear Day You Can See Forever
1331:On a Clear Day You Can See Forever
1319:On a Clear Day You Can See Forever
1307:On a Clear Day You Can See Forever
1106:, as Reconceived by Michael Mayer"
1047:"Reincarnation With a Green Thumb"
774:DLP 3801 and DLP 25801). In 2012,
339:On A Clear Day You Can See Forever
110:On a Clear Day You Can See Forever
35:On a Clear Day You Can See Forever
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2049:The Unofficial Bridgerton Musical
1673:Evita: Premier American Recording
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1016:Wearing, J. P. (March 27, 2014).
822:The title song is reminiscent of
655:"Who Is There Among Us Who Knows"
554:"First Regression: She Wasn't You
2103:Cultural depictions of George IV
1288:Errico, Melissa (13 July 2018).
1269:Clement, Olivia (18 June 2018).
603:"Come Back to Me" — Dr. Bruckner
514:"Come Back to Me" — Dr. Bruckner
224:The show was not well received.
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1145:playbill.com, November 12, 2011
1128:playbill.com, November 12, 2011
139:. It concerns a woman who has
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1705:Sunday in the Park with George
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652:"You're All the World to Me" â€
427:" printed in the vocal score.
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1598:Don't Bother Me, I Can't Cope
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661:"Love with All the Trimmings"
640:"Hurry! It's Lovely Up Here!"
622:2011 Broadway revival version
191:as Themistocles Kriakos, and
147:. The musical received three
1022:. Rowman & Littlefield.
841:Original Broadway production
484:"At the Hellrakers" (Ballet)
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2118:Fiction about reincarnation
2098:Musicals by Alan Jay Lerner
688:"When I'm Being Born Again"
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658:"On the S.S. Bernard Cohn"
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576:"She Wasn't You" — Edward
490:"She Wasn't You" — Edward
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682:"Ev'ry Night at Seven" â€
579:"Melinda" — Dr. Bruckner
493:"Melinda" — Dr. Bruckner
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350:Porchlight Music Theatre
2108:Musicals based on plays
1895:Monty Python's Spamalot
1772:The Will Rogers Follies
1380:The Harvard Independent
560:"He Wasn't You" — Daisy
471:"Tosy and Cosh" — Daisy
361:Irish Repertory Theatre
311:and with a new book by
1879:Gypsy: A Musical Fable
836:Awards and nominations
801:Cherry Poppin' Daddies
734:, first introduced by
285:In February 2000, the
183:as Dr. Mark Bruckner,
165:Mark Hellinger Theatre
100:2011 Broadway Revival
939:2011 Broadway revival
567:" — Dr. Mark Bruckner
478:" — Dr. Mark Bruckner
447:1965 Broadway version
296:as Daisy/Melinda and
195:(Harris's co-star in
135:, written in 1926 by
1820:Chicago: The Musical
1630:Bubbling Brown Sugar
1606:A Little Night Music
1250:chicago.metromix.com
649:"Wait 'til We're 65"
533:1967 Revised version
287:New York City Center
260:1970 film adaptation
187:as Edward Moncrief,
23:. For the song, see
1966:Once: A New Musical
1054:, February 12, 2000
923:Theatre World Award
904:Best Original Score
746:, baseball pitcher
355:Tony Award-nominee
201:) as Warren Smith.
171:, choreographed by
102:2013 London Revival
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1958:The Book of Mormon
1836:Annie Get Your Gun
1721:Follies in Concert
1563:Promises, Promises
1491:The Sound of Music
1294:The New York Times
1069:Talkinbroadway.com
1051:The New York Times
790:meth manufacturing
646:"Open Your Eyes" â€
365:The New York Times
329:Powerhouse Theater
247:as Daisy/Melinda.
137:John L. Balderston
48:Original Broadway
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294:Kristin Chenoweth
264:Vincente Minnelli
198:A Thousand Clowns
129:based loosely on
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2014:The Band's Visit
2006:Dear Evan Hansen
1998:The Color Purple
1911:Spring Awakening
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685:"Too Late Now" â€
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245:Nancy Dussault
231:New York Times
215:costume design
185:Clifford David
177:Barbara Harris
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1515:She Loves Me
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1358:. Retrieved
1354:the original
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1253:. Retrieved
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1184:. Retrieved
1180:
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1173:"Broadway's
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1073:. Retrieved
1071:. 1999-12-09
1068:
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785:Breaking Bad
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776:The Peddlers
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748:Denny McLain
729:
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676:"Entr' Acte"
612:
591:"Entre´acte"
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272:Yves Montand
262:directed by
257:
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237:Tammy Grimes
229:
226:Ben Brantley
223:
211:Oliver Smith
196:
189:Titos Vandis
173:Herbert Ross
169:Robert Lewis
158:
145:reincarnated
130:
109:
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98:2000 London
49:
33:
16:1965 musical
1974:Kinky Boots
1949:(featuring
1903:Jersey Boys
928:John Cullum
909:Burton Lane
879:John Cullum
797:Eydie Gorme
768:Our Leader!
764:Harry James
736:John Cullum
276:Bob Newhart
241:Linda Lavin
181:John Cullum
155:Productions
119:Burton Lane
90:Productions
64:Burton Lane
2082:Categories
1812:Riverdance
1523:Funny Girl
1507:No Strings
1360:2011-10-07
1255:2018-05-15
1231:2018-03-15
1211:2016-12-03
1075:2016-12-03
1003:References
996:Nominated
981:Nominated
967:Tony Award
917:Nominated
898:Nominated
883:Nominated
869:Tony Award
732:title song
726:Recordings
637:"Overture"
570:"The Gout"
548:"Overture"
462:"Overture"
149:Tony Award
2022:Hadestown
1951:Green Day
1871:Hairspray
952:Category
854:Category
664:"Melinda"
425:entr'acte
1990:Hamilton
1953:) (2010)
1590:Godspell
1275:Playbill
1186:April 3,
1181:Playbill
955:Nominee
857:Nominee
813:tribute
811:Rat Pack
421:overture
409:Broadway
402:Versions
371:Synopsis
290:Encores!
266:starred
161:Broadway
95:Broadway
51:Playbill
1796:Passion
1622:The Wiz
1582:Company
1547:Cabaret
1472:Redhead
1349:Discogs
958:Result
860:Result
416:numbers
228:of the
217:was by
209:was by
115:musical
2068:(2023)
2060:(2022)
2052:(2021)
2044:(2020)
2025:(2019)
2017:(2018)
2009:(2017)
2001:(2016)
1993:(2015)
1985:(2014)
1977:(2013)
1969:(2012)
1961:(2011)
1930:(2009)
1922:(2008)
1914:(2007)
1906:(2006)
1898:(2005)
1890:(2004)
1887:Wicked
1882:(2003)
1874:(2002)
1866:(2001)
1858:(2000)
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1716:(1985)
1708:(1984)
1700:(1983)
1692:(1982)
1684:(1981)
1676:(1980)
1657:(1979)
1649:(1978)
1641:(1977)
1633:(1976)
1625:(1975)
1617:(1974)
1614:Raisin
1609:(1973)
1601:(1972)
1593:(1971)
1585:(1970)
1566:(1969)
1558:(1968)
1550:(1967)
1542:(1966)
1534:(1965)
1526:(1964)
1518:(1963)
1510:(1962)
1502:(1961)
1494:(1960)
1475:(1959)
1461:(1958)
1026:
949:Award
851:Award
780:AMC-TV
750:, and
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671:Act II
613:
586:Act II
524:
500:Act II
389:Act II
243:, and
121:and a
70:Lyrics
2033:2020s
1938:2010s
1847:2000s
1756:1990s
1665:1980s
1638:Annie
1574:1970s
1483:1960s
1466:Gypsy
1450:1950s
963:2012
946:Year
865:1966
848:Year
824:Ravel
632:Act I
543:Act I
457:Act I
442:Songs
376:Act I
113:is a
93:1965
60:Music
54:cover
1555:Hair
1539:Mame
1188:2022
1024:ISBN
932:Won
911:and
730:The
430:The
278:and
250:The
213:and
159:The
123:book
81:Book
782:'s
772:Dot
331:at
141:ESP
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27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
