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Constantin Brâncuși

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468: 389: 1451: 661:, Yeshwant Rao Holkar. Holkar had commissioned three "L'Oiseau dans l'Espace"—in bronze, black and white marble—previously, but when Brâncuși went to India in 1937 to complete the plans and begin construction, the Mahrajah was away and, supposedly, lost interest in the project which was to be an homage to his wife, the Maharani Margaret Holkar, who had died when he returned. Of the three birds, the bronze one is in the collection of the Norton Simon Museum in Pasadena, California, and the two marble birds are currently in the permanent collection of the National Gallery of Australia in Canberra, Australia. 544: 1001:. Through close textual analysis and with direct reference to Brancusi's comments on his own creative process, Jeffery highlights how Pound's and Brancusi's sculptural process and resulting style is one of ambiguity and tension between: levity and weight, simplicity and complexity, ease and struggle. As Jeffery remarks: 'Despite their drive towards an holistic artwork, neither Brancusi nor Pound could, to borrow Boime's phrasing, "emancipate" their art from the material or social context to which it belonged.' In the article, Jeffery contextualises Brancusi's work in relation to the sculptor 272: 738: 933: 2819: 33: 381: 512:, was part of a gravestone memorial. It depicts a young woman crossing herself as she kneels, and marks the first step toward abstracted, non-literal representation, and shows his drive to depict "not the outer form but the idea, the essence of things." He also began doing more carving, rather than the method popular with his contemporaries, that of modeling in clay or plaster which would be cast in metal, and by 1908 he worked almost exclusively by carving. 944: 638: 633:
as a work of art and assessed customs duty on its import as an industrial item. After protracted court proceedings, this assessment was overturned, thus confirming the Bird's status as a duty-exempt work of art. The verdict was somewhat influenced by the Judge Justice Waite's personal appreciation of
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from the Carpathian Mountains of Romania and he often thought he was a reincarnation of Milarepa. He was a saint-like idealist and near ascetic, turning his workshop into a place where visitors noted the deep spiritual atmosphere. However, particularly through the 1910s and 1920s, he was known as a
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as influences. Reportedly, he had a copy of the first ever translation from the Tibetan into French of Jacques Bacot's Le poete tibetain Milarepa: ses crimes, ses épreuves, son Nirvana that he kept by his bedside. He identified closely with Milarepa's mountain existence since Brancusi himself came
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At the age of nine, Brâncuși left the village to work in the nearest large town. At the age of eleven, he went into the service of a grocer in Slatina; and then he became a domestic in a public house in Craiova, where he remained for several years. When he was 18, Brâncuși created a violin by hand
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Cristea, Simion Doru. "O escultor Constantin Brâncusi e a consistência paremiológica da sua arte / The Sculptor Constantin Brâncusi and the Paremiological Consistence of His Art." Proceedings of the Twelfth Interdisciplinary Colloquium on Proverbs, November 4 to 11, 2018, at Tavira, Portugal. Eds.
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His parents Nicolae and Maria Brâncuși were poor peasants who earned a meagre living through back-breaking labor; from the age of seven, Constantin herded the family's flock of sheep. He showed talent for carving objects out of wood and often ran away from home to escape the bullying of his father
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In September 1957, African American sculptor Richard Hunt traveled from Chicago to Paris to view Brancusi's studio. Hunt's visit left an enduring impression on the 22-year-old artist, not only because of the artistic influence of Brancusi and exploration of biomorphic abstraction in sculpture but
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is a series from the 1920s. One of these, constructed in 1925 using wood, stone, and marble (Richler 178) stands around 72 inches tall and consists of a narrow feather standing erect on a wooden base. Similar models, but made from materials such as bronze, were also produced by Brâncuși and
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the art calling it 'beautiful', 'symmetrical', and 'ornamental'. The ruling also established the important principle that "art" does not have to involve a realistic representation of nature, and that it was legitimate for it to simply represent an abstract concept – in this case "flight".
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Brâncuși dressed simply, reflective of his Romanian peasant background. His studio was reminiscent of the houses of the peasants from his native region: there was a big slab of rock as a table and a primitive fireplace, similar to those found in traditional houses in his native
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marks the apex of his artistic career. In his remaining 19 years he created fewer than 15 pieces, mostly reworking earlier themes, and while his fame grew, he withdrew. Brâncuși received his first retrospective in 1955 at the Guggenheim Museum in New York. In 1955
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Tabart, Marielle, Doïna Lemny, Marie-Luce Nemo, Anne-Marie Zucchelli-Charron, Constantin Brancusi, Centre Georges Pompidou, and Atelier Brancusi (Paris). La collection l'Atelier Brancusi. Paris: Editions du Centre Pompidou, 1997, p. 232, footnote
648:(1913), the caption for this photo reads: "At the left of the picture is a much-discussed portrait bust of Mlle. Pogany, a dancer, by Brâncuși. This freak sculpture resembles nothing so much as an egg and has excited much derision and laughter..." 446:
He then enrolled in the Bucharest School of Fine Arts, where he received academic training in sculpture. He worked hard and quickly distinguished himself as talented. One of his earliest surviving works, under the guidance of his anatomy teacher,
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has different versions as well; one, from 1909 to 1910, is made of marble and measures 6 ¾ in. in height (Adams 549). This is a model of a head, without a body, with markings to show features such as hair, nose, lips, and closed eyes. In
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Tabart, Marielle, Doïna Lemny, Marie-Luce Nemo, Anne-Marie Zucchelli-Charron, Constantin Brancusi, Centre Georges Pompidou, and Atelier Brancusi (Paris). La collection l'Atelier Brancusi. Paris: Editions du Centre Pompidou, 1997, p.
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Tabart, Marielle, Doïna Lemny, Marie-Luce Nemo, Anne-Marie Zucchelli-Charron, Constantin Brancusi, Centre Georges Pompidou, and Atelier Brancusi (Paris). La collection l'Atelier Brancusi. Paris: Editions du Centre Pompidou, 1997,
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Brâncuși held a particular interest in mythology, especially Romanian mythology, folk tales, and traditional art (which also had a strong influence on his works), but he became interested in African and Mediterranean art as well.
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His work became increasingly popular in the U.S, where he visited several times during his life. Worldwide fame in 1933 brought him the commission of building a meditation temple, the Temple of Deliverance, in India for the
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reported, "Wearing white pajamas and a yellow gnome-like cap, Brâncuși today hobbles about his studio tenderly caring for and communing with the silent host of fish, birds, heads, and endless columns which he created."
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Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des
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Brâncuși was cared for in his later years by a Romanian refugee couple. He became a French citizen in 1952 in order to make the caregivers his heirs, and to bequeath his studio and its contents to the
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also because of the way which Hunt chose to live the majority of his life. Like Brancusi, Hunt slept in his own studio surrounded by his art and the tools used in his practice for much of his life.
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Support for the inclusion of "Heroes' Way", the most prominent monumental ensemble in the region as well as one of Brâncusi's major creations, in the list of UNESCO World Heritage Sites
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series. In Romanian folklore the Măiastra is a beautiful golden bird who foretells the future and cures the blind. Over the following 20 years, Brâncuși made multiple versions of
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are sculptures of animate objects; however, unlike ones from Ancient Greece or Rome, or those from the High Renaissance period, these works of art are more abstract in style.
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which were written in the mid-twentieth century. The literary critic Lucy Jeffery highlights ways in which Brancusi's sculptural form influenced Ezra Pound, analysing Pound's
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Brâncuși held a large spectrum of interests, from science to music, and was known to play the violin. He would sing old Romanian folk songs, often expressing his feelings of
3093: 2426: 1790: 467: 2664: 1062: 493:, and from there to Paris. In Paris, he was welcomed by the community of artists and intellectuals brimming with new ideas. He worked for two years in the workshop of 1163:), a polished bronze on a carved marble base (1932), sold for US$ 71 million (with fees) at Christie's New York, setting a world record auction price for the artist. 583:
Around this time, Brâncuși began crafting the bases for his sculptures with much care and originality because he considered them important to the works themselves.
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with materials he found around his workplace. Impressed by Brâncuși's talent for carving, an industrialist enrolled him in the Craiova School of Arts and Crafts (
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in 1903. Though just an anatomical study, it foreshadowed the sculptor's later efforts to reveal essence rather than merely copy outward appearance.
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Am șlefuit materia pentru a afla linia continuă. Și când am constatat că n‑o pot afla, m‑am oprit; parcă cineva nevăzut mi‑a dat peste mâini.
1148: 2807: 2476: 1047: 610: 3068: 3058: 1890: 1530:, one episode ("Astral Projections") featured an artifact called the "Brancusi Stone" because it looks like one of Brâncuși's sculptures. 1924:
Thomas L Hartshorne, "Modernism on Trial: C Brancusi v United States (1928)", Journal of American Studies vol 129 No 1 (April 1986), 93
505:. Even though he admired the eminent Rodin he left the Rodin studio after only two months, saying, "Nothing can grow under big trees." 2813: 1859: 1664: 899:
and made most of his furniture, utensils, and doorways. His worldview valued "differentiating the essential from the ephemeral," with
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After leaving Rodin's workshop, Brâncuși began developing the revolutionary style for which he is known. His first commissioned work,
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circle. He enjoyed cigarettes, good wine, and the company of women. He had one child, John Moore, with the New Zealand pianist
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Calinic, ev́êque. Brancusi et le psaume de la création / évêque Calinic ; . Paris : Bucarest: Beauchesne ; Anastasia, 2003.
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on condition that his workshop be rebuilt as it was on the day he died. This reconstruction of his studio, adjacent to the
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Rui J.B. Soares and Outi Lauhakangas. Tavira: Tipografia Tavirense, 2019. 252–282. With 7 illustrations.*Richler, Martha.
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Jeffery, Lucy (July 2, 2020). "Ezra Pound and Constantin Brancusi: sculptural form and the struggle to 'make it cohere'".
3053: 1795:, Actions culturelle et pédagogique, Commémorations nationales, recueil 2012, Sciences et techniques, Archives de France" 1107: 2281:
Brooks, LeRonn P.; Hunt, Richard; Carter, Jordan; Childs, Adrienne L.; Ott, Jon; Yau, John; Martin, Courtney J. (2022).
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has been installed on Renzo Piano's IRCAM Tower on Centre Pompidou Square, on the opposite site to Brancusi's Studio.
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Ca arta să fie liberă și universală, trebuie să creezi ca un zeu, să comanzi ca un rege și să execuți ca un sclav.
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in Paris. In 2021, for IRCAM and Centre Pompidou's Festival Manifeste, the intermedial large-scale installation
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At his death, Brâncuși left 1200 photographs and 215 sculptures. He bequeathed part of his collection to the
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sold for €29.185 million ($ 37.2 million) in 2009, setting a record price for a sculpture sold at auction.
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commemorate the courage and sacrifice of Romanians who in 1916 defended Târgu Jiu from the forces of the
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Bacot, Jacques. Le poète Tibétain Milarépa: ses crimes, ses épreuves, son Nirvana. Paris: Bossard, 1925
1377: 1334: 1317: 1101: 397: 3023: 2020: 1302: 427:, particularly woodcarving. Geometric patterns of the region are seen in his later works such as the 2517: 561: 533: 3118: 1440: 1329: 569: 521: 473: 198: 762:, while the rest of the furniture was made by him out of wood. Brâncuși would cook his own food, 1739: 498: 455:(statue of a man with skin removed to reveal the muscles underneath) which was exhibited at the 315: 110: 543: 529: 246: 2598: 2427:"Legea pentru declararea Zilei Brâncuşi ca sărbătoare naţională a fost promulgată de Iohannis" 1772: 1753: 1002: 793: 789: 742: 3038: 3033: 2956: 2787: 2086: 1863: 1500: 1431: 1097: 1018: 857: 750: 695: 680: 592:— simple abstract shapes representing a bird in flight. The works are based on his earlier 420: 331: 154: 2728: 2709: 2034: 1589: 932: 777:, the artist never permanently returned to his native Romania, but did visit eight times. 8: 3123: 1104:, the former holding the largest collection of Brâncuși sculptures in the United States. 959:
in Paris. This cemetery also displays statues that Brâncuși carved for deceased artists.
737: 294:. Considered one of the most influential sculptors of the 20th century and a pioneer of 2818: 1825: 1809:"Ryudolph Maurice Loewenstein, ed; Schur, Max, ed; Princess Marie Bonaparte, 1882–1962, 1132:, and British director Peter Greenaway said in 2017 that he is working on a film called 528:
His works became popular in France, Romania, and the United States. Collectors, notably
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purchased it and shipped it to the United States. Customs officers did not accept the
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Infinite Light Columns / Constellations of The Future, tribute to Constantin Brancusi
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Director Mick Davis plans to make a biographical film about Brâncuși called
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In 2015, the Romanian Parliament declared February 19 "The Brâncuși Day", a
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One of these versions caused a major controversy in 1926 when photographer
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His circle of friends included artists and intellectuals in Paris such as
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in American public collections, on the French Sculpture Census website
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Rrose is a rrose is a rrose : gender performance in photography
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Walt Kuhn scrapbook of press clippings documenting the Armory Show
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Pavel Țugui, Dosarul Brâncuși, Editura Dacia, Cluj, 2001, p. 64
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Brâncuși died on March 16, 1957, aged 81. He was buried in the
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In 1920, he developed a notorious reputation with the entry of
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Original quote: Guilbert, Clair Gilles: "Propos de Brancusi",
2144:(in English and French). New York: Crossroad. pp. 81–85. 1704:
Brezianu, B.; Geist, S. (1965). "The Beginnings of Brancusi".
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Brâncuși's works are housed in museums around the world: in
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and the first exhibition in the U.S. of modern art, the
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Sculptural Ensemble of Constantin Brâncuși at Târgu Jiu
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Sculptural Ensemble of Constantin Brâncuși at Târgu Jiu
2554:"Jurnal American – 21 Septembrie, altă zi la New York" 2280: 1609:"How Constantin Brancusi Brazenly Redefined Sculpture" 326:
that balance forms inherent in his materials with the
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In the following few years, he made many versions of
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Members of the Romanian Academy elected posthumously
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National Gallery of Art, Washington: A World of Art
2285:(in German). New York: Gregory R. Miller & Co. 1483:includes one that revolves around an exhibition of 586:One of his major groups of sculptures involved the 2441: 2574: 2048: 1539:, the "Face on Mars" is modeled after Brâncuși's 3015: 2810:a rare meeting between two unusual personalities 2248: 1813:, New York,: International Universities Press" 1217: 1198: 1077:Google commemorated his 135th birthday with a 884:. Another Romanian scholar wrote on Brâncuși, 572:, direct descendant of the younger brother of 334:. Brâncuși sought inspiration in non-European 2840: 2803:Brâncuși's atelier at Centre Pompidou, France 2631:Dada East – The Romanians of Cabaret Voltaire 1703: 547:Brâncuși's Paris studio, 1920, photograph by 2419: 1826:Jennifer Blessing; Judith Halberstam, 1961, 1659: 1657: 1655: 1178: 1034:as the inspiration behind his design of the 924:. He never acknowledged his son as his own. 322:from 1905 to 1907. His art emphasizes clean 2551: 2402: 1166: 16:Romanian sculptor, photographer and painter 2847: 2833: 2817: 2613:"Distinguished Air, Charles Demuth (1930)" 2448:Culturekiosque Staff (February 24, 2009). 2429:(in Romanian). Mediafax. November 27, 2015 2138:(1985). Apostolos-Cappadona, Diane (ed.). 2007:"Bird in Space » Norton Simon Museum" 1081:in 2011 consisting of seven of his works. 672:where he had spent much of his childhood. 423:, an area known for its rich tradition of 31: 2069: 1770: 1652: 1070:Brâncuși was elected posthumously to the 501:and was invited to enter the workshop of 2808:Petre Țuțea – An encounter with Brâncuși 1517:speculates that the stationary Johnny 5 989:sculptures inspired the Modernist poet, 942: 931: 766:, with which he would treat his guests. 736: 636: 542: 466: 387: 379: 2854: 2556:(in Romanian). Centrul Cultural Pitești 2474: 2376: 2305: 1697: 1606: 1325:(1913,) drawing, the Botarro Collection 396:, 1912, White marble; limestone block, 3016: 2671:. New York: Editions Assouline, 2014. 2647:. 4th ed. New York: McGraw–Hill, 2005. 2134: 2106: 936:Constantin Brâncuși memorial house in 895:A talented handyman, he built his own 832:, who was also Romanian, and referred 400:, Philadelphia. Exhibited at the 1913 298:, Brâncuși is called the patriarch of 102:Romanian, French (naturalized in 1952) 2828: 2358:. The Romanian Academy. March 6, 2001 2100: 1052:was established in his birth village 265: 2299: 2274: 1740:"Metropolitan Museum of Art website" 1477:'s 1925 collection of short stories 3069:20th-century Romanian photographers 2141:Symbolism, the Sacred, and the Arts 1933: 1524:In the 1999 science fiction series 1513:, a man walking through an outdoor 951:Romanian banknote (1991–1992 issue) 927: 462: 407:Brâncuși grew up in the village of 306:. Formal studies took him first to 13: 3059:20th-century Romanian male artists 2579:(in Romanian). Observator Cultural 1607:Macholz, Kaitlin (July 20, 2018). 1565:"African Influences in Modern Art" 1487:. In 1930 the watercolour painter 1118:in Bucharest are named after him. 14: 3145: 3029:Sculptures by Constantin Brâncuși 2689: 2615:. Whitney Museum of American Art. 2403:David Netto (February 25, 2011). 2377:Gripper, Ann (February 9, 2011). 2258:. Malmö Konsthall. Archived from 2213:"Constantin Brancusi (1876–1957)" 1235: 3079:Burials at Montparnasse Cemetery 3044:20th-century French male artists 2452:. Culturekiosque. Archived from 1915:Brancusi v. United States (1927) 1449: 732: 394:Portrait of Mademoiselle Pogany 3074:20th-century Romanian sculptors 2623: 2605: 2591: 2568: 2545: 2532: 2502: 2475:Reyburn, Scott (May 16, 2018). 2468: 2370: 2334: 2223: 2205: 2196: 2186: 2176: 2167: 2158: 2128: 2119: 2060: 2027: 2013: 1999: 1989: 1964: 1946: 1936:"The Controversies of Brancusi" 1927: 1918: 1909: 1883: 1870: 1852: 1834: 1819: 1801: 1783: 1547:Apeirogon by Colum McCann p212 947:Constantin Brâncuși on the 500 3114:Naturalized citizens of France 3064:20th-century Romanian painters 2749:An excerpt from the transcript 1764: 1746: 1732: 1634:"Profile: Constantin Brancusi" 1626: 1600: 1582: 1557: 1408:(Black Sun Press, Paris, 1929) 1368:(1922), the Botarro Collection 1273: 1108:Constantin Brâncuși University 489:In 1903, Brâncuși traveled to 471:Constantin Brâncuși, 1907–08, 375: 267:[konstanˈtinbrɨŋˈkuʃʲ] 65:Romanian United Principalities 1: 3049:20th-century French sculptors 2798:Public domain image resources 2760:Brâncuși versus United States 2601:. Philadelphia Museum of Art. 2516:(in Romanian). Archived from 2320:10.1080/02666286.2019.1700450 2154:– via Internet Archive. 1754:"Philadelphia Museum of Art, 1550: 1498:In Evelyn Waugh's 1945 novel 1468: 1141: 3109:Romanian emigrants to France 2734:Resources in other libraries 2715:Resources in other libraries 2661:Brâncuși New York, 1913–2013 2655:. London: Scala Books, 1998. 1406:Tales Told of Shem and Shaun 719:Musée National d'Art Moderne 646:Arts Revolutionists of Today 451:, is a masterfully rendered 7: 2793:Peggy Guggenheim Collection 1775:De la Sexualité de la Femme 1773:"Princess Marie Bonaparte, 1157:La Jeune Fille Sophistiquée 773:. After the installment of 764:traditional Romanian dishes 698:and was completed in 2004. 477:. Exhibited in 1913 at the 10: 3150: 3054:20th-century photographers 2769:Philadelphia Museum of Art 2685:. New York: Rizzoli, 1986. 1378:Philadelphia Museum of Art 1335:Philadelphia Museum of Art 1318:Philadelphia Museum of Art 1303:Metropolitan Museum of Art 1123:working holiday in Romania 1102:Philadelphia Museum of Art 828:. He was an old friend of 618:of the late teens, to the 398:Philadelphia Museum of Art 2862: 2729:Resources in your library 2710:Resources in your library 1958:, vol. 2, 1913, Page 135" 1940:Journal of Art in Society 1811:Drives, affects, behavior 1771:Bonaparte, Marie (1953). 1689:: CS1 maint: unfit URL ( 957:Cimetière du Montparnasse 664:In 1938, he finished the 600:out of marble or bronze. 441:școala de arte și meserii 252: 240: 236: 225: 211: 124: 116: 106: 98: 92:Cimetière du Montparnasse 87: 71: 46: 30: 23: 3134:20th-century woodworkers 2984:Portrait of Nancy Cunard 2667:August 28, 2018, at the 2645:A History of Western Art 1441:Art Institute of Chicago 1387:Sophisticated Young Lady 1383:Portrait of Nancy Cunard 1268:A History of Western Art 1167:Brâncuși on his own work 1161:Portrait de Nancy Cunard 1100:(New York City) and the 999:Canto CXVII et seq., 815 993:, specifically his late 978:, which opened in 1975. 570:Princess Marie Bonaparte 3099:People from Gorj County 2575:Matei Stircea-Craciun. 2542:12 (Dec. 1957), pp. 5–7 2510:"Sculptura pe Internet" 2256:"About Malmö Konsthall" 2089:: Butler Books, 2006. 1259:placed in exhibitions. 1043:Brâncuși Memorial House 290:who made his career in 2886:La Sagesse de la Terre 2723:By Constantin Brâncuși 1495:, based on this story. 1293:La Sagesse de la Terre 1218: 1199: 1179: 1090:National Museum of Art 1009:, and writers such as 952: 940: 916:and merrymaker in his 754: 649: 551: 534:Salon des Indépendants 486: 404: 385: 3084:French male sculptors 2754:May 30, 2023, at the 2520:on September 23, 2015 2125:Sandqvist, p. 249-250 2035:"Constantin Brâncuși" 1665:"Constantin Brancusi" 1056:, as a branch of the 946: 935: 794:Guillaume Apollinaire 741:Brâncuși (left) with 740: 640: 546: 481:and published in the 470: 419:, close to Romania's 392:Constantin Brâncuși, 391: 383: 3129:Romanian woodworkers 3104:Romanian avant-garde 3089:French photographers 2957:Torso of a Young Man 2788:Museum of Modern Art 1878:Duchamp: A Biography 1777:, Grove Press, 1962" 1501:Brideshead Revisited 1432:Toledo Museum of Art 1098:Museum of Modern Art 753:playing golf in 1923 751:Jeanne Robert Foster 727:Arotin & Serghei 696:World Monuments Fund 681:The Gate of the Kiss 499:École des Beaux-Arts 435:and older brothers. 421:Carpathian Mountains 332:representational art 316:École des Beaux-Arts 155:Torso of a Young Man 111:École des Beaux-Arts 2914:Mademoiselle Pogany 2856:Constantin Brâncuși 2814:Constantin Brâncuși 2784:Constantin Brâncuși 2701:Constantin Brâncuși 2633:, MIT Press, 2006, 2456:on January 23, 2013 2109:"Before Buckyballs" 1895:Shellie Lewis' Blog 1860:"Force Metal ezine" 1669:www.brain-juice.com 1592:Constantin Brancusi 1314:Mademoiselle Pogany 1096:, in the US at the 568:was revealed to be 259:Constantin Brâncuși 172:Mademoiselle Pogany 25:Constantin Brâncuși 2481:The New York Times 2085:(pp. 85–86, 109). 1507:In the 1988 movie 1094:Craiova Art Museum 1058:Gorj County Muzeum 1041:In November 1971, 953: 941: 878:Natalia Dumitresco 790:Henri Pierre Roché 755: 743:Henri-Pierre Roché 703:Târgu Jiu ensemble 650: 574:Napoleon Bonaparte 552: 487: 457:Romanian Athenaeum 405: 386: 361:traceable through 328:symbolic allusions 135:The Endless Column 3011: 3010: 2922:Madame L. R. 2778:Guggenheim Museum 2696:Library resources 2658:Neutres, Jerome. 2552:Vavila Popovici. 2407:. Wall St Journal 2292:978-1-941366-44-8 2164:Sandqvist, p. 250 2151:978-0-8245-0723-7 2082:Greenwich Village 2057:Sandqvist, p. 249 1934:McCouat, Philip. 1876:Tomkins, Calvin: 1866:on June 21, 2006. 1640:. January 3, 2004 1569:www.metmuseum.org 1533:In the 2000 film 1527:Total Recall 2070 1493:Distinguished Air 1480:Distinguished Air 1233: 1232: 1146:Brâncuși's piece 974:'s design of the 838:Greenwich Village 782:Amedeo Modigliani 606:Brâncuși's Birds, 485:, March 25, 1913. 431:created in 1918. 359:Romanian folk art 324:geometrical lines 256: 255: 57:February 19, 1876 3141: 3024:Modern sculptors 3004: 2996: 2988: 2980: 2970: 2962: 2952: 2944: 2934: 2926: 2918: 2910: 2900: 2890: 2882: 2874: 2849: 2842: 2835: 2826: 2825: 2821: 2643:Adams, Laura S. 2617: 2616: 2609: 2603: 2602: 2595: 2589: 2588: 2586: 2584: 2572: 2566: 2565: 2563: 2561: 2549: 2543: 2536: 2530: 2529: 2527: 2525: 2506: 2500: 2499: 2497: 2495: 2472: 2466: 2465: 2463: 2461: 2445: 2439: 2438: 2436: 2434: 2423: 2417: 2416: 2414: 2412: 2405:"Hymn to Flight" 2400: 2394: 2393: 2391: 2389: 2374: 2368: 2367: 2365: 2363: 2352: 2346: 2345: 2338: 2332: 2331: 2308:Word & Image 2303: 2297: 2296: 2278: 2272: 2271: 2269: 2267: 2252: 2246: 2245: 2243: 2241: 2227: 2221: 2220: 2209: 2203: 2200: 2194: 2190: 2184: 2180: 2174: 2171: 2165: 2162: 2156: 2155: 2132: 2126: 2123: 2117: 2116: 2104: 2098: 2075:Robert Shulman. 2073: 2067: 2064: 2058: 2055: 2046: 2045: 2043: 2041: 2031: 2025: 2024: 2021:"Australian art" 2017: 2011: 2010: 2003: 1997: 1993: 1987: 1986: 1984: 1982: 1968: 1962: 1961: 1950: 1944: 1943: 1931: 1925: 1922: 1916: 1913: 1907: 1906: 1904: 1902: 1887: 1881: 1874: 1868: 1867: 1862:. Archived from 1856: 1850: 1849: 1838: 1832: 1823: 1817: 1816: 1805: 1799: 1798: 1787: 1781: 1780: 1768: 1762: 1761: 1750: 1744: 1743: 1736: 1730: 1729: 1701: 1695: 1694: 1688: 1680: 1678: 1676: 1661: 1650: 1649: 1647: 1645: 1630: 1624: 1623: 1621: 1619: 1604: 1598: 1597: 1586: 1580: 1579: 1577: 1575: 1561: 1453: 1437:White Negress II 1428:Blonde Negress I 1221: 1215: 1202: 1196: 1183: 1176: 1171: 1170: 1135:Walking to Paris 1072:Romanian Academy 1066: 1051: 1028:used Brâncuși's 928:Death and legacy 842:Benjamin Fondane 818:Peggy Guggenheim 798:Louise Bourgeois 675:Table of Silence 463:Working in Paris 384:Brâncuși c. 1905 300:modern sculpture 277: 276: 275: 269: 264: 243: 231:Romanian Academy 204: 194: 184: 176: 168: 160: 150: 140: 127: 78: 56: 54: 35: 21: 20: 3149: 3148: 3144: 3143: 3142: 3140: 3139: 3138: 3119:School of Paris 3014: 3013: 3012: 3007: 3002: 2994: 2986: 2978: 2968: 2960: 2950: 2942: 2932: 2924: 2916: 2908: 2898: 2888: 2880: 2872: 2858: 2853: 2756:Wayback Machine 2740: 2739: 2738: 2720: 2719: 2704: 2703: 2699: 2692: 2669:Wayback Machine 2629:Tom Sandqvist, 2626: 2621: 2620: 2611: 2610: 2606: 2597: 2596: 2592: 2582: 2580: 2573: 2569: 2559: 2557: 2550: 2546: 2540:Prisme des Arts 2537: 2533: 2523: 2521: 2508: 2507: 2503: 2493: 2491: 2473: 2469: 2459: 2457: 2446: 2442: 2432: 2430: 2425: 2424: 2420: 2410: 2408: 2401: 2397: 2387: 2385: 2375: 2371: 2361: 2359: 2354: 2353: 2349: 2340: 2339: 2335: 2304: 2300: 2293: 2279: 2275: 2265: 2263: 2254: 2253: 2249: 2239: 2237: 2235:www.bonhams.com 2229: 2228: 2224: 2211: 2210: 2206: 2201: 2197: 2191: 2187: 2181: 2177: 2172: 2168: 2163: 2159: 2152: 2133: 2129: 2124: 2120: 2105: 2101: 2080:: The Queen of 2074: 2070: 2065: 2061: 2056: 2049: 2039: 2037: 2033: 2032: 2028: 2019: 2018: 2014: 2005: 2004: 2000: 1994: 1990: 1980: 1978: 1970: 1969: 1965: 1952: 1951: 1947: 1932: 1928: 1923: 1919: 1914: 1910: 1900: 1898: 1897:. July 14, 2012 1889: 1888: 1884: 1875: 1871: 1858: 1857: 1853: 1840: 1839: 1835: 1824: 1820: 1807: 1806: 1802: 1793:Marie Bonaparte 1789: 1788: 1784: 1769: 1765: 1752: 1751: 1747: 1738: 1737: 1733: 1702: 1698: 1682: 1681: 1674: 1672: 1663: 1662: 1653: 1643: 1641: 1632: 1631: 1627: 1617: 1615: 1605: 1601: 1588: 1587: 1583: 1573: 1571: 1563: 1562: 1558: 1553: 1536:Mission to Mars 1510:Short Circuit 2 1471: 1464: 1454: 1445: 1276: 1263:Sleeping Muse I 1248:Sleeping Muse I 1238: 1213: 1194: 1174: 1169: 1144: 1060: 1045: 1005:, photographer 1003:Gaudier-Brzeska 976:Malmö Konsthall 968:Pompidou Centre 930: 914:pleasure seeker 858:Nicolae Dărăscu 850:Theodor Pallady 836:to her café in 735: 725:by artists duo 627:Edward Steichen 549:Edward Steichen 483:Chicago Tribune 465: 449:Dimitrie Gerota 378: 338:as a source of 271: 270: 262: 241: 220:School of Paris 207: 202: 192: 182: 174: 166: 158: 148: 138: 125: 83: 80: 76: 67: 58: 52: 50: 42: 39:Edward Steichen 26: 17: 12: 11: 5: 3147: 3137: 3136: 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1549: 1545: 1544: 1531: 1522: 1505: 1496: 1489:Charles Demuth 1475:Robert McAlmon 1470: 1467: 1466: 1465: 1455: 1448: 1444: 1443: 1434: 1425: 1422:Endless Column 1415: 1409: 1396: 1390: 1380: 1369: 1363: 1357: 1351: 1345: 1337: 1326: 1320: 1311: 1305: 1296: 1290: 1284: 1277: 1275: 1272: 1237: 1236:Selected works 1234: 1231: 1230: 1225: 1223: 1210: 1209: 1206: 1204: 1191: 1190: 1187: 1185: 1168: 1165: 1143: 1140: 1015:Samuel Beckett 929: 926: 870:Eugène Ionesco 862:Panait Istrati 814:Henri Rousseau 810:Marcel Duchamp 734: 731: 692:Central Powers 687:Endless Column 604:Spear's book, 495:Antonin Mercié 464: 461: 429:Endless Column 377: 374: 314:, then to the 254: 253: 250: 249: 244: 238: 237: 234: 233: 227: 223: 222: 213: 209: 208: 206: 205: 195: 185: 177: 169: 161: 151: 141: 130: 128: 122: 121: 118: 117:Known for 114: 113: 108: 104: 103: 100: 96: 95: 89: 85: 84: 81: 79:(aged 81) 75:March 16, 1957 73: 69: 68: 59: 48: 44: 43: 37:Photograph by 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 3146: 3135: 3132: 3130: 3127: 3125: 3122: 3120: 3117: 3115: 3112: 3110: 3107: 3105: 3102: 3100: 3097: 3095: 3092: 3090: 3087: 3085: 3082: 3080: 3077: 3075: 3072: 3070: 3067: 3065: 3062: 3060: 3057: 3055: 3052: 3050: 3047: 3045: 3042: 3040: 3037: 3035: 3032: 3030: 3027: 3025: 3022: 3021: 3019: 3001: 2998: 2993: 2990: 2985: 2982: 2977: 2976: 2975:Bird in Space 2972: 2967: 2964: 2959: 2958: 2954: 2949: 2946: 2941: 2940: 2936: 2931: 2928: 2923: 2920: 2915: 2912: 2907: 2906: 2905:Sleeping Muse 2902: 2897: 2896: 2892: 2887: 2884: 2879: 2876: 2871: 2870:Bust of a Boy 2868: 2867: 2865: 2861: 2857: 2850: 2845: 2843: 2838: 2836: 2831: 2830: 2827: 2820: 2815: 2812: 2809: 2806: 2804: 2801: 2799: 2796: 2794: 2791: 2789: 2785: 2782: 2779: 2775: 2772: 2770: 2766: 2763: 2761: 2757: 2753: 2750: 2747: 2745: 2742: 2741: 2735: 2732: 2730: 2727: 2726: 2724: 2716: 2713: 2711: 2708: 2707: 2702: 2697: 2684: 2681:Varia, Radu. 2680: 2678: 2677:9781614281962 2674: 2670: 2666: 2663: 2662: 2657: 2654: 2649: 2646: 2642: 2640: 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1541:Sleeping Muse 1538: 1537: 1532: 1529: 1528: 1523: 1520: 1516: 1512: 1511: 1506: 1503: 1502: 1497: 1494: 1490: 1486: 1482: 1481: 1476: 1473: 1472: 1462: 1459: 1452: 1447: 1446: 1442: 1438: 1435: 1433: 1429: 1426: 1423: 1419: 1416: 1413: 1410: 1407: 1403: 1402: 1397: 1394: 1391: 1389:) (1925–1927) 1388: 1385:(also called 1384: 1381: 1379: 1375: 1374: 1373:Bird in Space 1370: 1367: 1364: 1361: 1358: 1355: 1352: 1349: 1346: 1343: 1342: 1338: 1336: 1332: 1331: 1327: 1324: 1321: 1319: 1315: 1312: 1309: 1306: 1304: 1300: 1299:Sleeping Muse 1297: 1294: 1291: 1288: 1285: 1282: 1281:Bust of a boy 1279: 1278: 1271: 1269: 1264: 1260: 1257: 1256: 1255:Bird in Space 1251: 1249: 1245: 1244: 1243:Bird in Space 1229: 1226: 1224: 1220: 1214:(In Romanian) 1212: 1211: 1207: 1205: 1201: 1195:(In Romanian) 1193: 1192: 1188: 1186: 1182: 1173: 1172: 1164: 1162: 1158: 1155:In May 2018, 1153: 1151: 1150: 1139: 1137: 1136: 1131: 1126: 1124: 1119: 1117: 1116:metro station 1113: 1109: 1105: 1103: 1099: 1095: 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517:Sleeping Muse 513: 511: 506: 504: 503:Auguste Rodin 500: 496: 492: 484: 480: 476: 475: 469: 460: 458: 454: 450: 444: 442: 436: 432: 430: 426: 422: 418: 414: 410: 403: 399: 395: 390: 382: 373: 371: 368: 364: 360: 356: 352: 351:Pablo Picasso 348: 344: 341: 337: 333: 329: 325: 321: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 274: 268: 260: 251: 248: 245: 239: 235: 232: 228: 224: 221: 217: 214: 210: 201: 200: 196: 191: 190: 189:Sleeping Muse 186: 181: 178: 173: 170: 165: 162: 157: 156: 152: 147: 146: 145:Bird in Space 142: 137: 136: 132: 131: 129: 123: 119: 115: 112: 109: 105: 101: 97: 93: 90: 88:Resting place 86: 82:Paris, France 74: 70: 66: 62: 49: 45: 40: 34: 29: 22: 19: 2991: 2983: 2973: 2965: 2955: 2947: 2937: 2929: 2921: 2913: 2903: 2893: 2885: 2877: 2869: 2855: 2759: 2722: 2700: 2682: 2660: 2652: 2644: 2630: 2624:Bibliography 2607: 2599:"Princess X" 2593: 2581:. Retrieved 2570: 2558:. Retrieved 2547: 2539: 2534: 2522:. Retrieved 2518:the original 2513: 2504: 2492:. Retrieved 2480: 2470: 2460:February 19, 2458:. Retrieved 2454:the original 2443: 2431:. Retrieved 2421: 2409:. Retrieved 2398: 2388:February 13, 2386:. Retrieved 2383:Daily Mirror 2382: 2372: 2362:February 19, 2360:. Retrieved 2350: 2336: 2311: 2307: 2301: 2283:Richard Hunt 2282: 2276: 2264:. Retrieved 2260:the original 2250: 2238:. Retrieved 2234: 2225: 2207: 2198: 2188: 2178: 2169: 2160: 2140: 2130: 2121: 2112: 2107:John Haber. 2102: 2078:Romany Marie 2076: 2071: 2062: 2038:. Retrieved 2029: 2015: 2001: 1991: 1979:. Retrieved 1975: 1966: 1955: 1948: 1939: 1929: 1920: 1911: 1899:. Retrieved 1894: 1885: 1877: 1872: 1864:the original 1854: 1843: 1836: 1827: 1821: 1810: 1803: 1792: 1785: 1774: 1766: 1755: 1748: 1734: 1712:(1): 15–25. 1709: 1705: 1699: 1673:. Retrieved 1668: 1642:. Retrieved 1638:The Guardian 1637: 1628: 1616:. Retrieved 1612: 1602: 1591: 1584: 1572:. 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Index


Edward Steichen
Hobița
Romanian United Principalities
Cimetière du Montparnasse
École des Beaux-Arts
The Endless Column
Bird in Space
Torso of a Young Man
Sleeping Muse
The Kiss
Modernism
School of Paris
Romanian Academy
John Quinn
[konstanˈtinbrɨŋˈkuʃʲ]

sculptor
painter
photographer
France
modernism
modern sculpture
farm tools
Bucharest
Munich
École des Beaux-Arts
Paris
geometrical lines
symbolic allusions

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