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1001:. Through close textual analysis and with direct reference to Brancusi's comments on his own creative process, Jeffery highlights how Pound's and Brancusi's sculptural process and resulting style is one of ambiguity and tension between: levity and weight, simplicity and complexity, ease and struggle. As Jeffery remarks: 'Despite their drive towards an holistic artwork, neither Brancusi nor Pound could, to borrow Boime's phrasing, "emancipate" their art from the material or social context to which it belonged.' In the article, Jeffery contextualises Brancusi's work in relation to the sculptor
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as a work of art and assessed customs duty on its import as an industrial item. After protracted court proceedings, this assessment was overturned, thus confirming the Bird's status as a duty-exempt work of art. The verdict was somewhat influenced by the Judge
Justice Waite's personal appreciation of
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from the
Carpathian Mountains of Romania and he often thought he was a reincarnation of Milarepa. He was a saint-like idealist and near ascetic, turning his workshop into a place where visitors noted the deep spiritual atmosphere. However, particularly through the 1910s and 1920s, he was known as a
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as influences. Reportedly, he had a copy of the first ever translation from the
Tibetan into French of Jacques Bacot's Le poete tibetain Milarepa: ses crimes, ses épreuves, son Nirvana that he kept by his bedside. He identified closely with Milarepa's mountain existence since Brancusi himself came
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At the age of nine, Brâncuși left the village to work in the nearest large town. At the age of eleven, he went into the service of a grocer in
Slatina; and then he became a domestic in a public house in Craiova, where he remained for several years. When he was 18, Brâncuși created a violin by hand
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Cristea, Simion Doru. "O escultor
Constantin Brâncusi e a consistência paremiológica da sua arte / The Sculptor Constantin Brâncusi and the Paremiological Consistence of His Art." Proceedings of the Twelfth Interdisciplinary Colloquium on Proverbs, November 4 to 11, 2018, at Tavira, Portugal. Eds.
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His parents
Nicolae and Maria Brâncuși were poor peasants who earned a meagre living through back-breaking labor; from the age of seven, Constantin herded the family's flock of sheep. He showed talent for carving objects out of wood and often ran away from home to escape the bullying of his father
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In
September 1957, African American sculptor Richard Hunt traveled from Chicago to Paris to view Brancusi's studio. Hunt's visit left an enduring impression on the 22-year-old artist, not only because of the artistic influence of Brancusi and exploration of biomorphic abstraction in sculpture but
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is a series from the 1920s. One of these, constructed in 1925 using wood, stone, and marble (Richler 178) stands around 72 inches tall and consists of a narrow feather standing erect on a wooden base. Similar models, but made from materials such as bronze, were also produced by Brâncuși and
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the art calling it 'beautiful', 'symmetrical', and 'ornamental'. The ruling also established the important principle that "art" does not have to involve a realistic representation of nature, and that it was legitimate for it to simply represent an abstract concept – in this case "flight".
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Brâncuși dressed simply, reflective of his
Romanian peasant background. His studio was reminiscent of the houses of the peasants from his native region: there was a big slab of rock as a table and a primitive fireplace, similar to those found in traditional houses in his native
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marks the apex of his artistic career. In his remaining 19 years he created fewer than 15 pieces, mostly reworking earlier themes, and while his fame grew, he withdrew. Brâncuși received his first retrospective in 1955 at the
Guggenheim Museum in New York. In 1955
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Tabart, Marielle, Doïna Lemny, Marie-Luce Nemo, Anne-Marie
Zucchelli-Charron, Constantin Brancusi, Centre Georges Pompidou, and Atelier Brancusi (Paris). La collection l'Atelier Brancusi. Paris: Editions du Centre Pompidou, 1997, p. 232, footnote
648:(1913), the caption for this photo reads: "At the left of the picture is a much-discussed portrait bust of Mlle. Pogany, a dancer, by Brâncuși. This freak sculpture resembles nothing so much as an egg and has excited much derision and laughter..."
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He then enrolled in the Bucharest School of Fine Arts, where he received academic training in sculpture. He worked hard and quickly distinguished himself as talented. One of his earliest surviving works, under the guidance of his anatomy teacher,
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has different versions as well; one, from 1909 to 1910, is made of marble and measures 6 ¾ in. in height (Adams 549). This is a model of a head, without a body, with markings to show features such as hair, nose, lips, and closed eyes. In
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Tabart, Marielle, Doïna Lemny, Marie-Luce Nemo, Anne-Marie Zucchelli-Charron, Constantin Brancusi, Centre Georges Pompidou, and Atelier Brancusi (Paris). La collection l'Atelier Brancusi. Paris: Editions du Centre Pompidou, 1997, p.
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Tabart, Marielle, Doïna Lemny, Marie-Luce Nemo, Anne-Marie Zucchelli-Charron, Constantin Brancusi, Centre Georges Pompidou, and Atelier Brancusi (Paris). La collection l'Atelier Brancusi. Paris: Editions du Centre Pompidou, 1997,
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Brâncuși held a particular interest in mythology, especially Romanian mythology, folk tales, and traditional art (which also had a strong influence on his works), but he became interested in African and Mediterranean art as well.
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His work became increasingly popular in the U.S, where he visited several times during his life. Worldwide fame in 1933 brought him the commission of building a meditation temple, the Temple of Deliverance, in India for the
564:. The phallic appearance of this large, gleaming bronze piece scandalized the Salon and, despite Brâncuși's explanation that it was simply meant to represent the essence of womanhood, it was removed from the exhibition.
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reported, "Wearing white pajamas and a yellow gnome-like cap, Brâncuși today hobbles about his studio tenderly caring for and communing with the silent host of fish, birds, heads, and endless columns which he created."
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Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des
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Brâncuși was cared for in his later years by a Romanian refugee couple. He became a French citizen in 1952 in order to make the caregivers his heirs, and to bequeath his studio and its contents to the
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also because of the way which Hunt chose to live the majority of his life. Like Brancusi, Hunt slept in his own studio surrounded by his art and the tools used in his practice for much of his life.
840:. Although surrounded by the Parisian avant-garde, Brâncuși never lost contact with Romania and had friends from the community of Romanian artists and intellectuals living in Paris, including
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Support for the inclusion of "Heroes' Way", the most prominent monumental ensemble in the region as well as one of Brâncusi's major creations, in the list of UNESCO World Heritage Sites
1189:"There are idiots who define my work as abstract; yet what they call abstract is what is most realistic. What is real is not the appearance, but the idea, the essence of things."
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series. In Romanian folklore the Măiastra is a beautiful golden bird who foretells the future and cures the blind. Over the following 20 years, Brâncuși made multiple versions of
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are sculptures of animate objects; however, unlike ones from Ancient Greece or Rome, or those from the High Renaissance period, these works of art are more abstract in style.
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which were written in the mid-twentieth century. The literary critic Lucy Jeffery highlights ways in which Brancusi's sculptural form influenced Ezra Pound, analysing Pound's
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Brâncuși held a large spectrum of interests, from science to music, and was known to play the violin. He would sing old Romanian folk songs, often expressing his feelings of
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Around this time, Brâncuși began crafting the bases for his sculptures with much care and originality because he considered them important to the works themselves.
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with materials he found around his workplace. Impressed by Brâncuși's talent for carving, an industrialist enrolled him in the Craiova School of Arts and Crafts (
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in 1903. Though just an anatomical study, it foreshadowed the sculptor's later efforts to reveal essence rather than merely copy outward appearance.
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1935:
1208:"I ground matter to find the continuous line. And when I realized I could not find it, I stopped, as if an unseen someone had slapped my hands."
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Am șlefuit materia pentru a afla linia continuă. Și când am constatat că n‑o pot afla, m‑am oprit; parcă cineva nevăzut mi‑a dat peste mâini.
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Thomas L Hartshorne, "Modernism on Trial: C Brancusi v United States (1928)", Journal of American Studies vol 129 No 1 (April 1986), 93
505:. Even though he admired the eminent Rodin he left the Rodin studio after only two months, saying, "Nothing can grow under big trees."
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and made most of his furniture, utensils, and doorways. His worldview valued "differentiating the essential from the ephemeral," with
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After leaving Rodin's workshop, Brâncuși began developing the revolutionary style for which he is known. His first commissioned work,
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circle. He enjoyed cigarettes, good wine, and the company of women. He had one child, John Moore, with the New Zealand pianist
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Calinic, ev́êque. Brancusi et le psaume de la création / évêque Calinic ; . Paris : Bucarest: Beauchesne ; Anastasia, 2003.
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on condition that his workshop be rebuilt as it was on the day he died. This reconstruction of his studio, adjacent to the
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Rui J.B. Soares and Outi Lauhakangas. Tavira: Tipografia Tavirense, 2019. 252–282. With 7 illustrations.*Richler, Martha.
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Jeffery, Lucy (July 2, 2020). "Ezra Pound and Constantin Brancusi: sculptural form and the struggle to 'make it cohere'".
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1795:, Actions culturelle et pédagogique, Commémorations nationales, recueil 2012, Sciences et techniques, Archives de France"
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Brooks, LeRonn P.; Hunt, Richard; Carter, Jordan; Childs, Adrienne L.; Ott, Jon; Yau, John; Martin, Courtney J. (2022).
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608:(CAA monographs XXI, NYU Press, New York, 1969), first sorted out the 36 versions and their development, from the early
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has been installed on Renzo Piano's IRCAM Tower on Centre Pompidou Square, on the opposite site to Brancusi's Studio.
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Ca arta să fie liberă și universală, trebuie să creezi ca un zeu, să comanzi ca un rege și să execuți ca un sclav.
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in Paris. In 2021, for IRCAM and Centre Pompidou's Festival Manifeste, the intermedial large-scale installation
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1228:"For art to be free and universal, you must create like a god, command like a king and execute like a slave."
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At his death, Brâncuși left 1200 photographs and 215 sculptures. He bequeathed part of his collection to the
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sold for €29.185 million ($ 37.2 million) in 2009, setting a record price for a sculpture sold at auction.
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commemorate the courage and sacrifice of Romanians who in 1916 defended Târgu Jiu from the forces of the
532:, bought his pieces, and reviewers praised his works. In 1913 Brâncuși's work was displayed at both the
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Bacot, Jacques. Le poète Tibétain Milarépa: ses crimes, ses épreuves, son Nirvana. Paris: Bossard, 1925
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455:(statue of a man with skin removed to reveal the muscles underneath) which was exhibited at the
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2427:"Legea pentru declararea Zilei Brâncuşi ca sărbătoare naţională a fost promulgată de Iohannis"
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in Paris. This cemetery also displays statues that Brâncuși carved for deceased artists.
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294:. Considered one of the most influential sculptors of the 20th century and a pioneer of
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1809:"Ryudolph Maurice Loewenstein, ed; Schur, Max, ed; Princess Marie Bonaparte, 1882–1962,
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His works became popular in France, Romania, and the United States. Collectors, notably
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purchased it and shipped it to the United States. Customs officers did not accept the
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2356:"Comunicat 06.03.2001 – Anunt an Brancusi (Communique 06.03.2001 – Ad Brancusi Year)"
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Infinite Light Columns / Constellations of The Future, tribute to Constantin Brancusi
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2450:"The Yves Saint Laurent and Pierre Bergé collection: A bruised beau monde binges"
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2231:"Bonhams : Alfred Wallis (1855–1942) Two boats 10 x 14 cm. (4 x 5 1/2 in.)"
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1594:, The Collection, Sanda Miller, Grove Art Online, 2009 Oxford University Press"
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Director Mick Davis plans to make a biographical film about Brâncuși called
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In 2015, the Romanian Parliament declared February 19 "The Brâncuși Day", a
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One of these versions caused a major controversy in 1926 when photographer
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His circle of friends included artists and intellectuals in Paris such as
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2379:"Constantin Brancusi doodle: Which sculptures make up the Google Doodle?"
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in American public collections, on the French Sculpture Census website
2477:"A Malevich and a Bronze by Brancusi Set Auction Highs for the Artists"
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Rrose is a rrose is a rrose : gender performance in photography
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Walt Kuhn scrapbook of press clippings documenting the Armory Show
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Pavel Țugui, Dosarul Brâncuși, Editura Dacia, Cluj, 2001, p. 64
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Brâncuși died on March 16, 1957, aged 81. He was buried in the
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In 1920, he developed a notorious reputation with the entry of
525:, further simplifying forms to geometrical and sparse objects.
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Original quote: Guilbert, Clair Gilles: "Propos de Brancusi",
2144:(in English and French). New York: Crossroad. pp. 81–85.
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Brezianu, B.; Geist, S. (1965). "The Beginnings of Brancusi".
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1891:"When Abstract Art Went on Trial: Brancusi v. United States"
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Brâncuși's works are housed in museums around the world: in
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694:. The restoration of this ensemble was spearheaded by the
302:. As a child, he displayed an aptitude for carving wooden
278:; February 19, 1876 – March 16, 1957) was a Romanian
1880:, pages 272, 275, 318. Henry Holt and Company, Inc, 1996.
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and the first exhibition in the U.S. of modern art, the
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Sculptural Ensemble of Constantin Brâncuși at Târgu Jiu
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1671:. 2002. Archived from the original on December 20, 2006
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Sculptural Ensemble of Constantin Brâncuși at Târgu Jiu
2554:"Jurnal American – 21 Septembrie, altă zi la New York"
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1609:"How Constantin Brancusi Brazenly Redefined Sculpture"
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that balance forms inherent in his materials with the
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In the following few years, he made many versions of
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Members of the Romanian Academy elected posthumously
2577:"Brancusi – De la Maiastra la Pasare in Vazduh (II)"
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1954:"Archives of American Art, Smithsonian Institution,
1830:, 1961; Solomon R. Guggenheim Museum, New York, N.Y.
357:, and others. However, other influences emerge from
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National Gallery of Art, Washington: A World of Art
2285:(in German). New York: Gregory R. Miller & Co.
1483:includes one that revolves around an exhibition of
586:One of his major groups of sculptures involved the
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1539:, the "Face on Mars" is modeled after Brâncuși's
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2810:a rare meeting between two unusual personalities
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1813:, New York,: International Universities Press"
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1077:Google commemorated his 135th birthday with a
884:. Another Romanian scholar wrote on Brâncuși,
572:, direct descendant of the younger brother of
334:. Brâncuși sought inspiration in non-European
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2803:Brâncuși's atelier at Centre Pompidou, France
2631:Dada East – The Romanians of Cabaret Voltaire
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547:Brâncuși's Paris studio, 1920, photograph by
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1826:Jennifer Blessing; Judith Halberstam, 1961,
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322:from 1905 to 1907. His art emphasizes clean
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16:Romanian sculptor, photographer and painter
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2613:"Distinguished Air, Charles Demuth (1930)"
2448:Culturekiosque Staff (February 24, 2009).
2429:(in Romanian). Mediafax. November 27, 2015
2138:(1985). Apostolos-Cappadona, Diane (ed.).
2007:"Bird in Space » Norton Simon Museum"
1081:in 2011 consisting of seven of his works.
672:where he had spent much of his childhood.
423:, an area known for its rich tradition of
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1070:Brâncuși was elected posthumously to the
501:and was invited to enter the workshop of
2808:Petre Țuțea – An encounter with Brâncuși
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989:sculptures inspired the Modernist poet,
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2556:(in Romanian). Centrul Cultural Pitești
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1325:(1913,) drawing, the Botarro Collection
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2671:. New York: Editions Assouline, 2014.
2647:. 4th ed. New York: McGraw–Hill, 2005.
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936:Constantin Brâncuși memorial house in
895:A talented handyman, he built his own
832:, who was also Romanian, and referred
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298:, Brâncuși is called the patriarch of
102:Romanian, French (naturalized in 1952)
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2358:. The Romanian Academy. March 6, 2001
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1052:was established in his birth village
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1740:"Metropolitan Museum of Art website"
1477:'s 1925 collection of short stories
3069:20th-century Romanian photographers
2141:Symbolism, the Sacred, and the Arts
1933:
1524:In the 1999 science fiction series
1513:, a man walking through an outdoor
951:Romanian banknote (1991–1992 issue)
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407:Brâncuși grew up in the village of
306:. Formal studies took him first to
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3059:20th-century Romanian male artists
2579:(in Romanian). Observator Cultural
1607:Macholz, Kaitlin (July 20, 2018).
1565:"African Influences in Modern Art"
1487:. In 1930 the watercolour painter
1118:in Bucharest are named after him.
14:
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3029:Sculptures by Constantin Brâncuși
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2615:. Whitney Museum of American Art.
2403:David Netto (February 25, 2011).
2377:Gripper, Ann (February 9, 2011).
2258:. Malmö Konsthall. Archived from
2213:"Constantin Brancusi (1876–1957)"
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3079:Burials at Montparnasse Cemetery
3044:20th-century French male artists
2452:. Culturekiosque. Archived from
1915:Brancusi v. United States (1927)
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394:Portrait of Mademoiselle Pogany
3074:20th-century Romanian sculptors
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1936:"The Controversies of Brancusi"
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1547:Apeirogon by Colum McCann p212
947:Constantin Brâncuși on the 500
3114:Naturalized citizens of France
3064:20th-century Romanian painters
2749:An excerpt from the transcript
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1634:"Profile: Constantin Brancusi"
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1408:(Black Sun Press, Paris, 1929)
1368:(1922), the Botarro Collection
1273:
1108:Constantin Brâncuși University
489:In 1903, Brâncuși traveled to
471:Constantin Brâncuși, 1907–08,
375:
267:[konstanˈtinbrɨŋˈkuʃʲ]
65:Romanian United Principalities
1:
3049:20th-century French sculptors
2798:Public domain image resources
2760:Brâncuși versus United States
2601:. Philadelphia Museum of Art.
2516:(in Romanian). Archived from
2320:10.1080/02666286.2019.1700450
2154:– via Internet Archive.
1754:"Philadelphia Museum of Art,
1550:
1498:In Evelyn Waugh's 1945 novel
1468:
1141:
3109:Romanian emigrants to France
2734:Resources in other libraries
2715:Resources in other libraries
2661:Brâncuși New York, 1913–2013
2655:. London: Scala Books, 1998.
1406:Tales Told of Shem and Shaun
719:Musée National d'Art Moderne
646:Arts Revolutionists of Today
451:, is a masterfully rendered
7:
2793:Peggy Guggenheim Collection
1775:De la Sexualité de la Femme
1773:"Princess Marie Bonaparte,
1157:La Jeune Fille Sophistiquée
773:. After the installment of
764:traditional Romanian dishes
698:and was completed in 2004.
477:. Exhibited in 1913 at the
10:
3150:
3054:20th-century photographers
2769:Philadelphia Museum of Art
2685:. New York: Rizzoli, 1986.
1378:Philadelphia Museum of Art
1335:Philadelphia Museum of Art
1318:Philadelphia Museum of Art
1303:Metropolitan Museum of Art
1123:working holiday in Romania
1102:Philadelphia Museum of Art
828:. He was an old friend of
618:of the late teens, to the
398:Philadelphia Museum of Art
2862:
2729:Resources in your library
2710:Resources in your library
1958:, vol. 2, 1913, Page 135"
1940:Journal of Art in Society
1811:Drives, affects, behavior
1771:Bonaparte, Marie (1953).
1689:: CS1 maint: unfit URL (
957:Cimetière du Montparnasse
664:In 1938, he finished the
600:out of marble or bronze.
441:școala de arte și meserii
252:
240:
236:
225:
211:
124:
116:
106:
98:
92:Cimetière du Montparnasse
87:
71:
46:
30:
23:
3134:20th-century woodworkers
2984:Portrait of Nancy Cunard
2667:August 28, 2018, at the
2645:A History of Western Art
1441:Art Institute of Chicago
1387:Sophisticated Young Lady
1383:Portrait of Nancy Cunard
1268:A History of Western Art
1167:Brâncuși on his own work
1161:Portrait de Nancy Cunard
1100:(New York City) and the
999:Canto CXVII et seq., 815
993:, specifically his late
978:, which opened in 1975.
570:Princess Marie Bonaparte
3099:People from Gorj County
2575:Matei Stircea-Craciun.
2542:12 (Dec. 1957), pp. 5–7
2510:"Sculptura pe Internet"
2256:"About Malmö Konsthall"
2089:: Butler Books, 2006.
1259:placed in exhibitions.
1043:Brâncuși Memorial House
290:who made his career in
2886:La Sagesse de la Terre
2723:By Constantin Brâncuși
1495:, based on this story.
1293:La Sagesse de la Terre
1218:
1199:
1179:
1090:National Museum of Art
1009:, and writers such as
952:
940:
916:and merrymaker in his
754:
649:
551:
534:Salon des Indépendants
486:
404:
385:
3084:French male sculptors
2754:May 30, 2023, at the
2520:on September 23, 2015
2125:Sandqvist, p. 249-250
2035:"Constantin Brâncuși"
1665:"Constantin Brancusi"
1056:, as a branch of the
946:
935:
794:Guillaume Apollinaire
741:Brâncuși (left) with
740:
640:
546:
481:and published in the
470:
419:, close to Romania's
392:Constantin Brâncuși,
391:
383:
3129:Romanian woodworkers
3104:Romanian avant-garde
3089:French photographers
2957:Torso of a Young Man
2788:Museum of Modern Art
1878:Duchamp: A Biography
1777:, Grove Press, 1962"
1501:Brideshead Revisited
1432:Toledo Museum of Art
1098:Museum of Modern Art
753:playing golf in 1923
751:Jeanne Robert Foster
727:Arotin & Serghei
696:World Monuments Fund
681:The Gate of the Kiss
499:École des Beaux-Arts
435:and older brothers.
421:Carpathian Mountains
332:representational art
316:École des Beaux-Arts
155:Torso of a Young Man
111:École des Beaux-Arts
2914:Mademoiselle Pogany
2856:Constantin Brâncuși
2814:Constantin Brâncuși
2784:Constantin Brâncuși
2701:Constantin Brâncuși
2633:, MIT Press, 2006,
2456:on January 23, 2013
2109:"Before Buckyballs"
1895:Shellie Lewis' Blog
1860:"Force Metal ezine"
1669:www.brain-juice.com
1592:Constantin Brancusi
1314:Mademoiselle Pogany
1096:, in the US at the
568:was revealed to be
259:Constantin Brâncuși
172:Mademoiselle Pogany
25:Constantin Brâncuși
2481:The New York Times
2085:(pp. 85–86, 109).
1507:In the 1988 movie
1094:Craiova Art Museum
1058:Gorj County Muzeum
1041:In November 1971,
953:
941:
878:Natalia Dumitresco
790:Henri Pierre Roché
755:
743:Henri-Pierre Roché
703:Târgu Jiu ensemble
650:
574:Napoleon Bonaparte
552:
487:
457:Romanian Athenaeum
405:
386:
361:traceable through
328:symbolic allusions
135:The Endless Column
3011:
3010:
2922:Madame L. R.
2778:Guggenheim Museum
2696:Library resources
2658:Neutres, Jerome.
2552:Vavila Popovici.
2407:. Wall St Journal
2292:978-1-941366-44-8
2164:Sandqvist, p. 250
2151:978-0-8245-0723-7
2082:Greenwich Village
2057:Sandqvist, p. 249
1934:McCouat, Philip.
1876:Tomkins, Calvin:
1866:on June 21, 2006.
1640:. January 3, 2004
1569:www.metmuseum.org
1533:In the 2000 film
1527:Total Recall 2070
1493:Distinguished Air
1480:Distinguished Air
1233:
1232:
1146:Brâncuși's piece
974:'s design of the
838:Greenwich Village
782:Amedeo Modigliani
606:Brâncuși's Birds,
485:, March 25, 1913.
431:created in 1918.
359:Romanian folk art
324:geometrical lines
256:
255:
57:February 19, 1876
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3024:Modern sculptors
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2021:"Australian art"
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1862:. Archived from
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1135:Walking to Paris
1072:Romanian Academy
1066:
1051:
1028:used Brâncuși's
928:Death and legacy
842:Benjamin Fondane
818:Peggy Guggenheim
798:Louise Bourgeois
675:Table of Silence
463:Working in Paris
384:Brâncuși c. 1905
300:modern sculpture
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2629:Tom Sandqvist,
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2080:: The Queen of
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1897:. July 14, 2012
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1263:Sleeping Muse I
1248:Sleeping Muse I
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1005:, photographer
1003:Gaudier-Brzeska
976:Malmö Konsthall
968:Pompidou Centre
930:
914:pleasure seeker
858:Nicolae Dărăscu
850:Theodor Pallady
836:to her café in
735:
725:by artists duo
627:Edward Steichen
549:Edward Steichen
483:Chicago Tribune
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449:Dimitrie Gerota
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338:as a source of
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2314:(3): 237–247.
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814:Henri Rousseau
810:Marcel Duchamp
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692:Central Powers
687:Endless Column
604:Spear's book,
495:Antonin Mercié
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429:Endless Column
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2624:Bibliography
2607:
2599:"Princess X"
2593:
2581:. Retrieved
2570:
2558:. Retrieved
2547:
2539:
2534:
2522:. Retrieved
2518:the original
2513:
2504:
2492:. Retrieved
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2460:February 19,
2458:. Retrieved
2454:the original
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2431:. Retrieved
2421:
2409:. Retrieved
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2388:February 13,
2386:. Retrieved
2383:Daily Mirror
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2362:February 19,
2360:. Retrieved
2350:
2336:
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2283:Richard Hunt
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2264:. Retrieved
2260:the original
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2107:John Haber.
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2078:Romany Marie
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2038:. Retrieved
2029:
2015:
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1991:
1979:. Retrieved
1975:
1966:
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1864:the original
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1712:(1): 15–25.
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1668:
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1638:The Guardian
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1130:The Sculptor
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1076:
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1023:
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994:
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984:
980:
972:Klas Anshelm
964:French state
961:
954:
938:Hobița, Gorj
894:
890:
830:Romany Marie
779:
771:homesickness
768:
756:
722:
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685:
679:
673:
668:monument in
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602:Athena Tacha
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393:
355:André Derain
347:Paul Gauguin
288:photographer
258:
257:
229:Election to
197:
187:
179:
171:
163:
153:
143:
133:
126:Notable work
77:(1957-03-16)
18:
3039:1957 deaths
3034:1876 births
3003:(1935–1938)
2987:(1925–1927)
2961:(1917–1922)
2930:The Newborn
2925:(1914–1918)
2560:November 1,
2524:November 1,
2494:January 12,
2433:December 2,
1981:January 12,
1901:January 26,
1706:Art Journal
1675:January 12,
1644:February 9,
1618:February 9,
1574:February 9,
1461:Tate Modern
1401:James Joyce
1366:Eileen Lane
1350:(1914–1918)
1348:Madame L.R.
1323:Miss Pogany
1274:Other works
1175:(In French)
1149:Madame L.R.
1061: [
1046: [
1038:statuette.
1026:Georg Olden
985:Brancusi's
874:Emil Cioran
866:Traian Vuia
854:Camil Ressu
666:World War I
642:Armory Show
616:Golden Bird
538:Armory Show
479:Armory Show
425:folk crafts
402:Armory Show
376:Early years
164:The Newborn
99:Nationality
3124:Serial art
3018:Categories
2939:Princess X
2878:The Prayer
2863:Sculptures
2342:"AIGA.org"
2240:August 14,
2217:Christie's
2113:Haber Arts
2087:Louisville
2040:August 18,
1756:Princess X
1551:References
1515:exhibition
1485:Princess X
1469:In fiction
1463:Collection
1393:Le Poisson
1341:Princess X
1308:Prometheus
1287:The Prayer
1142:Art market
1036:Clio Award
991:Ezra Pound
922:Vera Moore
897:phonograph
882:Paul Celan
786:Ezra Pound
747:Erik Satie
566:Princess X
557:Princess X
530:John Quinn
510:The Prayer
370:traditions
310:, then to
304:farm tools
247:John Quinn
180:Prometheus
159:(1927 –22)
53:1876-02-19
2943:(1915–16)
2583:March 13,
2489:0362-4331
2328:0266-6286
1456:Brancusi
1112:Târgu Jiu
1074:in 1990.
1024:In 1962,
775:communism
670:Târgu-Jiu
655:Maharajah
614:, to the
417:Târgu Jiu
367:Dionysian
363:Byzantine
345:, as did
343:exoticism
340:primitive
308:Bucharest
296:modernism
263:Romanian:
242:Patron(s)
216:Modernism
120:Sculpture
107:Education
2895:The Kiss
2774:Brâncuși
2765:Brâncuși
2752:Archived
2683:Brancusi
2665:Archived
2411:April 1,
2266:March 9,
1844:Măiastra
1685:cite web
1491:painted
1439:(1928),
1430:(1926),
1424:) (1935)
1376:(1924),
1333:(1916),
1330:The Kiss
1316:(1912),
1301:(1910),
1011:Mina Loy
918:bohemian
909:Milarepa
711:magazine
611:Măiastra
594:Măiastra
522:The Kiss
474:The Kiss
336:cultures
280:sculptor
212:Movement
199:The Kiss
2966:Chimera
2786:at the
2776:in the
2767:in the
1590:"MoMA,
1360:Chimera
1344:(1916),
1181:choses.
1088:at the
1086:Romania
1007:Man Ray
905:Lao-Tzu
806:Man Ray
760:Oltenia
560:in the
497:of the
453:écorché
415:, near
284:painter
94:, Paris
2995:(1935)
2992:Le Coq
2979:(1923)
2969:(1918)
2951:(1917)
2933:(1915)
2917:(1913)
2909:(1910)
2899:(1908)
2889:(1908)
2881:(1907)
2873:(1906)
2698:about
2675:
2637:
2487:
2326:
2289:
2148:
2093:
1726:774863
1724:
1414:(1935)
1412:Le Coq
1404:, for
1395:(1926)
1362:(1918)
1356:(1917)
1354:A Muse
1310:(1911)
1295:(1908)
1289:(1907)
1283:(1906)
1114:and a
1079:Doodle
1054:Hobița
1017:, and
995:Cantos
907:, and
880:, and
824:, and
684:, and
659:Indore
491:Munich
409:Hobița
312:Munich
292:France
286:, and
226:Awards
203:(1908)
193:(1910)
183:(1911)
175:(1912)
167:(1915)
149:(1919)
139:(1938)
61:Hobița
1722:JSTOR
1613:Artsy
1519:robot
1240:Both
1065:]
1050:]
901:Plato
562:Salon
320:Paris
41:,1922
2948:Muse
2673:ISBN
2635:ISBN
2585:2011
2562:2008
2526:2008
2496:2023
2485:ISSN
2462:2011
2435:2015
2413:2014
2390:2013
2364:2011
2324:ISSN
2287:ISBN
2268:2012
2242:2016
2146:ISBN
2091:ISBN
2042:2022
1983:2023
1903:2021
1691:link
1677:2023
1646:2021
1620:2021
1576:2021
1458:Fish
1246:and
1092:and
749:and
709:Life
701:The
631:Bird
519:and
413:Gorj
365:and
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2758:of
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